Raj Kapoor

The Kapoor Haveli in Peshawar

Kapoor was born into a Khatri Punjabi Hindu family[6] in 1924 at Kapoor Haveli, a house then owned by his father in the Qissa Khwani Bazaar neighborhood of Peshawar, North-West Frontier Province in then British India, to Prithviraj Kapoor and Ramsarni Devi Kapoor.[7] He was the eldest sibling of six children in the family.[8][9] He was the grandson of Dewan Basheshwarnath Kapoor and great-grandson of Dewan Keshavmal Kapoor, part of the famous Kapoor family. His brothers were the late actors Shammi Kapoor and Shashi Kapoor. He also had a sister named Urmila Sial. Two other siblings died in infancy. They later on moved from Peshawar to present-day India for residence and for education. His father's cousin was film producer Surinder Kapoor, whose children are actors Anil and Sanjay and producer Boney Kapoor.[10] His maternal cousin, Juggal Kishore Mehra, was a singer, whose step-granddaughter, Salma Agha, later became an actress.

As Prithviraj moved from city to city early in his career during the 1930s, the family had to move too. Raj Kapoor attended several different schools like Colonel Brown Cambridge School, Dehradun and St Xavier's Collegiate School, Calcutta[11] and Mumbai.[12]

At the age of ten, he appeared in Bollywood films for the first time, in 1935's Inquilab. Raj Kapoor's big break came with the lead role in Neel Kamal (1947) opposite Madhubala in her first role as a leading lady. In 1948, at the age of twenty-four, he established his own studio, R. K. Films, and became the youngest film director of his time making his directorial debut with Aag starring himself, Nargis, Kamini Kaushal and Premnath. In 1949 he co-starred alongside Dilip Kumar and Nargis in Mehboob Khan's hit film Andaz which was his first major success as an actor. He had his first success as producer, director and star of Barsaat released later that year.

He went on to produce and star in several hit films made under his R. K. Banner including Awaara (1951), Shree 420 (1955), Jagte Raho (1956) and Jis Desh Men Ganga Behti Hai (1960), the last was directed by Radhu Karmakar, his longtime cinematographer, and which won Filmfare Award for Best Film.[13] These films established his screen image modeled on Charlie Chaplin's most famous screen persona of The Tramp.[14] Outside of his home productions, his other notable films as a leading actor included Dastan (1950), Anhonee (1952), Aah (1953), Chori Chori (1956), Anari (1959), Do Ustad (1959), Chhalia (1960) and Dil Hi To Hai (1963). He also produced the hit social films Boot Polish (1954) and Ab Dilli Door Nahin (1957).[15]

Kapoor in the 1953 Hindi film Aah

In 1964, he produced, directed and starred in the romantic musical Sangam alongside Rajendra Kumar and Vyjayantimala which was his first film in colour. This was his last major success as a leading actor as his later films like Dulha Dulhan (1964), Around the World (1966) and Sapnon Ka Saudagar (1968) with younger starlets Sadhana, Rajshree and Hema Malini were box office flops. In 1965 he was a member of the jury at the 4th Moscow International Film Festival.[16]

In 1970 he produced, directed and starred in his ambitious film Mera Naam Joker which took more than six years to complete. His son Rishi Kapoor made his debut in this film playing the younger version of his character. When released in 1970, it was a box office disaster and put Kapoor and his family into a financial crisis.[17] In later years it was acknowledged as a cult classic.[18] In 1971, he launched his eldest son Randhir Kapoor in the family drama Kal Aaj Aur Kal starring himself, his son Randhir, his father Prithviraj Kapoor as well as Randhir's to-be wife Babita. He launched his second son Rishi Kapoor's career in 1973 when he produced and directed Bobby which was a huge box office success and introduced actress Dimple Kapadia, later a very popular actress; it was the first of a new generation of teen romances. Dimple wore bikinis which was quite unique for Indian films then. In 1975 he acted alongside his son Randhir again in Dharam Karam, which Randhir also directed.

In the latter half of the 1970s and early 1980s he produced and directed films that focused on the female protagonists: Satyam Shivam Sundaram (1978) with Zeenat Aman, Prem Rog (1982) with Padmini Kolhapure and Ram Teri Ganga Maili (1985) which introduced Mandakini. He acted in fewer films by the late 1970s and early 1980s but played a notable supporting role alongside Rajesh Khanna in Naukri (1978) and as the titular character alongside Sanjay Khan in Abdullah (1980). He played a detective in two comedy films: Do Jasoos (1975) and Gopichand Jasoos (1982), both directed by Naresh Kumar (brother of Rajendra Kumar). In 1979 he was a member of the jury at the 11th Moscow International Film Festival.[19] Raj Kapoor's last major film appearance was in Vakil Babu (1982) where he appeared with his younger brother Shashi. A film he had shot and completed in 1982 titled Chor Mandali in which he appeared opposite fellow veteran actor Ashok Kumar remained unreleased due to a legal dispute.[20] His last acting role was a cameo appearance in a 1984 released British made-for-television film titled Kim.

He was set to direct Henna starring his son Rishi and Pakistani actress Zeba Bakhtiar before his death in 1988. His son Randhir directed the film and it released in 1991.

Kapoor with his wife Krishna

In May 1946, Raj Kapoor married Krishna Malhotra. It was a match arranged by their families in the usual Indian way, and it lasted all their lives. Krishna's brothers, Rajendra Nath, Prem Nath and Narendra Nath, later became actors, and her sister Uma is married to actor Prem Chopra.[21] The news of Raj Kapoor's marriage was reported in the cine-magazine Filmindia June 1946 issue as, "Raj Kapoor, the talented and versatile son of Prithviraj Kapoor ended his career of wild oats by marrying Miss Krishna Malhotra in the second week of May at Rewa, Madhya Pradesh".[22][23]

Raj and Krishna Kapoor had five children: three sons, actors Randhir, Rishi and Rajiv, and two daughters, Ritu Nanda and Rima Jain. Randhir is married to former actress Babita and is the father of actresses Karishma Kapoor and Kareena Kapoor. Rishi was married to former actress Neetu Singh until his death and is father of two children, a daughter Riddhima, and the actor son, Ranbir Kapoor who is one of the biggest superstars in the younger generation of bollywood since the 2010s. Raj Kapoor's elder daughter, Ritu Nanda, was married to industrialist Rajan Nanda (scion of the family which promoted and controls the Escorts group), and she was the mother of two children. Her son, Nikhil Nanda, is married to Shweta, daughter of actors Amitabh Bachchan and Jaya Bachchan. Raj Kapoor's younger daughter, Rima Jain, is married to investment banker Manoj Jain and is the mother of aspiring actor Armaan Jain.

Kapoor in the film Shree 420

Both of Kapoor's brothers, all three of Kapoor's sons, two of Kapoor's daughters-in-law and three of Kapoor's grandchildren have been active at various times in the film industry. His granddaughters Karisma and Kareena (daughters of Kapoor's eldest son Randhir), and grandson Ranbir (son of Kapoor's second son Rishi) are the latest Bollywood stars from the Kapoor family, while another of his grandsons, Nikhil Nanda (Kapoor's daughter Ritu's son), is a noted industrialist.

Kapoor had a longtime romantic relationship with renowned actress Nargis during the 1940s and 1950s, despite being a married man, although neither ever publicly admitted to this.[24] The couple starred in several films together, including Awaara and Shree 420. As Raj would not leave his wife and children, Nargis ended their relationship after Chori Chori and married Sunil Dutt with whom she fell in love on the set of Mother India (1957). Kapoor is also said to have had an affair with top 1960s actress Vyjayantimala during the shooting of Sangam. Vyjayanthimala has denied that she was ever involved with Kapoor. She deemed the whole thing a publicity stunt by Kapoor to promote his film. Kapoor has also been linked with the southern actress Padmini. In 2017, his second son Rishi confirmed his father's affairs in his autobiography Khullam Khulla.[25][26][27][28]

Pran, Mukesh, Dev Anand, Dilip Kumar, Rajendra Kumar, Manna Dey, Shankar Jaikishan, Hrishikesh Mukherjee, Khwaja Ahmad Abbas and Rajesh Khanna were among Kapoor's closest friends from the movie industry.

Kapoor on a 2001 stamp of India

Raj Kapoor is appreciated both by film critics and movies fans. Film historians and movie buffs speak of him as the "Charlie Chaplin of Indian cinema," since he often portrayed a tramp-like figure, who, despite adversity, was still cheerful and honest. His fame spread worldwide. He was adored by audiences in large parts of South/Central/Southeast Asia, the former Soviet Union/Bloc, China, the Middle East, and Africa; his movies were global commercial successes. Raj Kapoor had the knack of getting the best out of any one, since he had mastered all departments of film making and even marketing them. His films reflected the era in which they were made.

A postage stamp, bearing his face, was released by India Post to honour him on 14 December 2001. To honour him, a brass statue of his was unveiled at Walk of the Stars at Bandra Bandstand in Mumbai in March 2012.

Many of Raj Kapoor's movies had a patriotic theme. His films Aag, Shree 420 and Jis Desh Men Ganga Behti Hai (In the country where the Ganges flows) celebrated the newly independent India, and encouraged film-goers to be patriots. Raj Kapoor commissioned these famous lyrics for Mera Joota Hai Japani, a song from the movie Shree 420:

Mera joota hai Japani (My shoes are Japanese)

Ye patloon Inglistani (These trousers are English)

Sar pe lal topi Roosi (The red cap on my head is Russian)

Phir bhi dil hai Hindustani (But still, however, my heart is Indian)

The song is still extremely popular and has been featured in a number of movies since Shree 420 was released. Indian author Mahasweta Devi stopped the show with her inaugural speech at the 2006 Frankfurt Book Fair when she used these lyrics to express her own heartfelt patriotism and debt to her country.

In 2014, Google commemorated his 90th birthday.[35]

Raj Kapoor was a canny judge of filmi music and lyrics. Many of the songs he commissioned are evergreen hits. He introduced the music directors Shankar-Jaikishan and the lyricists Hasrat Jaipuri and Shailendra. He is also remembered for his strong sense of visual style. He used striking visual compositions, elaborate sets, and dramatic lighting to complete the mood set by the music. He introduced the actresses Nimmi, Dimple Kapadia, and Mandakini, as well as launching and reviving the careers of his sons Rishi, Randhir and Rajiv. Famous for making his actresses reveal the body, not very common then in Indian cinema, it was said his 'show-womanship' matched his showmanship.[36]

The 1967 "Song about yogis" (Russian: Песенка про йогов) by Vladimir Vysotsky mentions Raj Kapoor as one of the three best-known symbols of Indian culture in the Soviet Union, along with Shiva and yoga.[37]

Kapoor had received many awards throughout his career, including 3 National Film Awards, 11 Filmfare Awards and 21 nominations. His films Awaara (1951) and Boot Polish (1954) were nominated for the Palme d'Or at the Cannes Film Festival. His acting in the former was rated as one of the "Top-Ten Performances of all time" by Time Magazine.[4] His film Jagte Raho (1956) also won the Crystal Globe award at the Karlovy Vary International Film Festival.

The Government of India honoured him with the Padma Bhushan in 1971 and the Dadasaheb Phalke Award in 1987 – the highest award for cinematic excellence in India. In 2001, he was honoured with "Best Director of the Millennium" by Stardust Awards. He was named "Showman of the Millennium" by Star Screen Awards in 2002.

In June 2011, Noah Cowan, Artistic Director of TIFF Bell Lightbox, and Sabbas Joseph, Director, Wizcraft along with members of the Kapoor family came together to pay tribute to the life and work of Indian actor, director, mogul and legend Raj Kapoor, as presented in partnership by TIFF (Toronto International Film Festival), the International Indian Film Academy (IIFA), and the Government of Ontario. Indian Mirror Reports suggest Kapoor will be inducted onto the Brampton Walk of Fame in Ontario, Canada.[38]

• Nanda, Ritu (2002). Raj Kapoor: Speaks. Penguin Books India. ISBN 978-0-670-04952-3.
• Bruzzi, Stella; Gibson, Pamela Church (2000). Fashion Cultures: Theories, Explorations, and Analysis. Routledge. ISBN 978-0-415-20685-3.
• Rajadhyaksha, Ashish; Willemen, Paul. Encyclopedia of Indian Cinema. London: British Film Institute; New Delhi: Oxford University Press, 1994
• Kishore, Valicha. The Moving Image. Hyderabad: Orient Longman, 1988

Wikimedia Commons has media related to Raj Kapoor.

• Raj Kapoor at IMDb