Fire on Babylon

Peter Galvin from The Advocate commented that on the song, O'Connor "launches into a hip-hop-inflected antimother diatribe".[2] Kelly Collins from Columbia Daily Spectator wrote that the song "displays O'Connor's fiery side, and the slick programming adds a powerful element to the number."[3] Evelyn McDonnell from Entertainment Weekly noted that O'Connor "cleverly probes the contradiction between mother-worshiping and mother-blaming". She added that "Fire on Babylon" has "flashes of passion".[4] Michael R. Smith from The Daily Vault described it as an "angry statement song".[5] Diffuser put the track at number 5 on their list of 10 Best Sinead O'Connor songs in 2013, noting it a "reggae-inspired groove". They added that "the vocal is haunting, and coupled with the subject matter, it's chill inducing."[6] Lennox Herald said the song is "very excellent".[7] Orla Swift from Record-Journal called it a "fierce rocker".[8] Joy Press from Spin wrote that "Fire on Babylon" "is a harrowing, almost apocalyptic opener, O'Connor's voice stretched shrilly over a menacing bass as she bears witness to her own nightmares. Yet in the midst of this scorched war zone, the song momentarily ebbs into a dizzy, melodic oasis."[9] Larry Nager from The Telegraph noted that it is the "loudest" song on Universal Mother. He wrote that it "roars and O'Connor sings ambiguously about the biblical whore of Babylon, seemingly meaning the British Empire."[10] LaTasha Natasha Diggs for Vibe said that O'Connor's "trademark wails and whines flow."[11]

The song charted in Europe, Australia and New Zealand. In the Netherlands, its first entry on the Single Top 100 was at number 45 in September 1994. It peaked at number 36 and spent 4 weeks at the chart with number 46 as the last position in October. The song didn't reach the Dutch Top 40, but peaked at number 2 on the Tipparade. In Belgium, "Fire on Babylon" only charted in Flanders, peaking at number 43 in its first week on the chart. The following week, it dropped down to number 49 before leaving the chart, with a total of two weeks on it. In New Zealand, the song reached the Top 30, peaking at number 29 in October 1994. It first time entered that chart at number 45. And the last entry was at number 36. In Australia, the song was Top 60 hit, peaking at number 57 in November 1994.

The music video of the song was directed by French director Michel Gondry, who also directed the music videos "Human Behaviour" for Björk and "Protection" for Massive Attack. It was nominated for a Grammy Award for Best Short Form Music Video.[12]