Frederik Pohl

Pohl began writing in the late 1930s, using pseudonyms for most of his early works. His first publication was the poem "Elegy to a Dead Satellite: Luna" under the name of Elton Andrews, in the October 1937 issue of Amazing Stories, edited by T. O'Conor Sloane.[1][20][21] (Pohl asked readers 30 years later, "we would take it as a personal favor if no one ever looked it up".[22]) His first story, the collaboration with C.M. Kornbluth "Before the Universe", appeared in 1940 under the pseudonym S.D. Gottesman.[4]

Pohl started a career as a literary agent in 1937, but it was a sideline for him until after World War II, when he began doing it full-time. He ended up "representing more than half the successful writers in science fiction", but his agency did not succeed financially, and he closed it down in the early 1950s.

Pohl stopped being Asimov's agent—the only one the latter ever had[23]—when he became editor from 1939 to 1943 of two pulp magazines, Astonishing Stories and Super Science Stories.[24] Stories by Pohl often appeared in these science-fiction magazines, but never under his own name. Work written in collaboration with Cyril M. Kornbluth was credited to S. D. Gottesman or Scott Mariner; other collaborative work (with any combination of Kornbluth, Dirk Wylie, or Robert A. W. Lownes) was credited to Paul Dennis Lavond. For Pohl's solo work, stories were credited to James MacCreigh (or for one story only, Warren F. Howard.)[20] Works by "Gottesman", "Lavond", and "MacCreigh" continued to appear in various science-fiction pulp magazines throughout the 1940s.

In his autobiography, Pohl said that he stopped editing the two magazines at roughly the time of the German invasion of the Soviet Union in 1941.

Pohl co-founded the Hydra Club, a loose collection of science-fiction professionals and fans who met during the late 1940s and 1950s.[25]

From the early 1960s until 1969, Pohl served as editor of Galaxy Science Fiction and Worlds of if magazines, taking over after the ailing H. L. Gold could no longer continue working "around the end of 1960".[26] Under his leadership, if won the Hugo Award for Best Professional Magazine for 1966, 1967 and 1968.[27] Pohl hired Judy-Lynn del Rey as his assistant editor at Galaxy and if. He also served as editor of Worlds of Tomorrow from its first issue in 1963 until it was merged into if in 1967.[28]

In the mid-1970s, Pohl acquired and edited novels for Bantam Books, published as "A Frederik Pohl Selection"; these included Samuel R. Delany's Dhalgren and Joanna Russ's The Female Man. He also edited a number of science-fiction anthologies.

After World War II, Pohl worked as an advertising copywriter and then as a copywriter and book editor for Popular Science.[10] Following the war, Pohl began publishing material under his own name, much in collaboration with his fellow Futurian, Cyril Kornbluth.

Though the pen names of "Gottesman", "Lavond", and "MacCreigh" were retired by the early 1950s, Pohl still occasionally used pseudonyms, even after he began to publish work under his real name. These occasional pseudonyms, all of which date from the early 1950s to the early 1960s, included Charles Satterfield, Paul Flehr, Ernst Mason, Jordan Park (two collaborative novels with Kornbluth), and Edson McCann (one collaborative novel with Lester del Rey).

In the 1970s, Pohl re-emerged as a novel writer in his own right, with books such as Man Plus and the Heechee series. He won back-to-back Nebula Awards with Man Plus in 1976 and Gateway, the first Heechee novel, in 1977. In 1978, Gateway swept the other two major novel honors, also winning the Hugo Award for Best Novel and John W. Campbell Memorial Award for the best science-fiction novel. Two of his stories have also earned him Hugo Awards: "The Meeting" (with Kornbluth) tied in 1973 and "Fermi and Frost" won in 1986. Another award-winning novel is Jem (1980), winner of the National Book Award.

His works include not only science fiction, but also articles for Playboy and Family Circle magazines and nonfiction books. For a time, he was the official authority for Encyclopædia Britannica on the subject of Emperor Tiberius. (He wrote a book on the subject of Tiberius, as "Ernst Mason".)[29]

Some of his short stories take a satirical look at consumerism and advertising in the 1950s and 1960s: "The Wizards of Pung's Corners", where flashy, over-complex military hardware proved useless against farmers with shotguns, and "The Tunnel under the World", where an entire community of seeming-humans is held captive by advertising researchers. ("The Wizards of Pung's Corners" was freely translated into Chinese and then freely translated back into English as "The Wizard-Masters of Peng-Shi Angle" in the first edition of Pohlstars (1984)).

In his 1969 novel, "The Age of the Pussyfoot", Pohl speculated about a society where everyone could access knowledge and the means to communicate with others through a small handheld device similar to a smartphone. Although he set the novel 500 years in the future, he noted in an afterword that it might be as few as fifty years away. A short story "Day Million" suggested that society in the year 2737 might be as alien to us as contemporary society would be to someone from ancient times.

Pohl's Law is either "No one is ever ready for anything"[30] or "Nothing is so good that somebody, somewhere will not hate it".[31]

He was a frequent guest on Long John Nebel's radio show from the 1950s to the early 1970s, and an international lecturer.[32]

Starting in 1995, when the Theodore Sturgeon Memorial Award became a juried award, Pohl served first with James Gunn and Judith Merril, and since then with several others until retiring in 2013.[33] Pohl was associated with Gunn since the 1940s, becoming involved in 1975 with what later became Gunn's Center for the Study of Science Fiction at the University of Kansas. There, he presented many talks, recorded a discussion about "The Ideas in Science Fiction" in 1973[34] for the Literature of Science Fiction Lecture Series,[35] and served the Intensive Institute on Science Fiction and Science Fiction Writing Workshop.[36]

Pohl received the second annual J. W. Eaton Lifetime Achievement Award in Science Fiction from the University of California, Riverside Libraries at the 2009 Eaton Science Fiction Conference, "Extraordinary Voyages: Jules Verne and Beyond".[37][38]

Pohl's work has been an influence on a wide variety of other science fiction writers, some of whom appear in the 2010 anthology, Gateways: Original New Stories Inspired by Frederik Pohl, edited by Elizabeth Anne Hull.[39]

Pohl's last novel, All the Lives He Led, was released on April 12, 2011.[40]

By the time of his death, he was working to finish a second volume of his autobiography The Way the Future Was (1979), along with an expanded version of the latter.[41]

In July 2020, an academic description reported on the nature and rise of the "robot prosumer", derived from modern-day technology and related participatory culture, that, in turn, was substantially predicted earlier by science fiction writers, most notably by Pohl.[42][43][44]

In addition to his solo writings, Pohl was also well known for his collaborations, beginning with his first published story. Before and following the war, Pohl did a series of collaborations with his friend Cyril Kornbluth, including a large number of short stories and several novels, among them The Space Merchants, a dystopian satire of a world ruled by the advertising agencies.[45]

In the mid-1950s, he began a long-running collaboration with Jack Williamson, eventually resulting in 10 collaborative novels over five decades.

Other collaborations included a novel with Lester Del Rey, Preferred Risk (1955). This novel was solicited for a contest by Galaxy–Simon & Schuster when the judges did not think any of the contest submissions was good enough to win their contest. It was published under the joint pseudonym Edson McCann.[46] He also collaborated with Thomas T. Thomas on a sequel to his award-winning novel Man Plus. He wrote two short stories with Isaac Asimov in the 1940s, both published in 1950.[47]

He finished a novel begun by Arthur C. Clarke, The Last Theorem, which was published on August 5, 2008.

• Williams, Sheila (February 2014). "Remembering Frederik Pohl". Asimov's Science Fiction. 38 (2): 4–5.
• Anon. (April 2014). "Remembering Frederik Pohl, 1919-2013". Analog Science Fiction and Fact. 134 (4): 31.
• Frederik Pohl by Michael R. Page (2015). University of Illinois Press

• Gateways: Original New Stories Inspired by Frederik Pohl (2010), edited by Elizabeth Anne Hull. ISBN 978-0765326621
  • Elizabeth Anne Hull, Introduction
  • David Brin, "Shoresteading"
  • Phyllis and Alex Eisenstein, "Von Neumann's Bug"
  • Isaac Asimov, Appreciation
  • Joe Haldeman, "Sleeping Dogs"
  • Larry Niven, "Gates (Variations)"
  • Gardner Dozois, Appreciation
  • James Gunn, "Tales from the Spaceship Geoffrey"
  • Gregory Benford and Elisabeth Malartre, "Shadows of the Lost"
  • Connie Willis, Appreciation
  • Vernor Vinge, "A Preliminary Assessment of the Drake Equation, Being an Excerpt from the Memories of Star Captain Y.T. Lee"
  • Greg Bear, "Warm Sea"
  • Robert J. Sawyer, Appreciation
  • Frank M. Robinson, "The Errand Boy"
  • Gene Wolfe, "King Rat"
  • Robert Silverberg, Appreciation
  • Harry Harrison, "The Stainless Steel Rat and the Pernicious Porcuswine"
  • Jody Lynn Nye, "Virtually, A Cat"
  • David Marusek, Appreciation
  • Brian W. Aldiss, "The First-Born"
  • Ben Bova, "Scheherezade and the Storytellers"
  • Joan Slonczewski, Appreciation
  • Sheri S. Tepper, "The Flight of the Denartesestel Radichan"
  • Neil Gaiman, "The [Backspace] Merchants"
  • Emily Pohl-Weary, Appreciation
  • Mike Resnick, "On Safari"
  • Cory Doctorow, "Chicken Little"
  • James Frenkel, Afterword