Nalo Hopkinson

Nalo Hopkinson was born 20 December 1960 in Kingston, Jamaica, to Freda and Muhammed Abdur-Rahman Slade Hopkinson.[3] She grew up in Guyana, Trinidad, and Canada.[4] She was raised in a literary environment; her mother was a library technician and her father a Guyanese poet, playwright and actor who also taught English and Latin.[1] By virtue of this upbringing, Hopkinson had access to writers like Derek Walcott during her formative years, and could read Kurt Vonnegut's works by the age of six.[1] Hopkinson's writing is influenced by the fairy and folk tales she read at a young age, which included Afro-Caribbean stories like Anansi, as well as Western works like Gulliver's Travels, the Iliad, the Odyssey;[5] she was also known to have read the works of Shakespeare around the time she was reading Homer.[6] Though she lived in Connecticut briefly during her father's tenure at Yale University, Hopkinson has said that the culture shock from her move to Toronto from Guyana at the age of 16 was something "to which [she's] still not fully reconciled".[5][7] She lived in Toronto from 1977 to 2011 before moving to Riverside, California where she accepted a position as Professor of Creative Writing at University of California Riverside.[8]

Hopkinson has a Masters of Arts degree in Writing Popular Fiction from Seton Hill University, where she studied with her mentor and instructor, science fiction writer James Morrow. She has learning disabilities.[9]

Hopkinson held jobs in libraries, worked as a government culture research officer, and held the position of grants officer at the Toronto Arts Council.[1] She has taught writing at various programs around the world, including stints as writer-in-residence at Clarion East, Clarion West and Clarion South. Publishing and writing was stopped for six years due to a serious illness that prevented her from working. Severe anemia, caused by fibroids as well as a vitamin D deficiency, led to financial difficulties and ultimately homelessness for two years prior to being hired by UC Riverside.[1]

In 2011, Hopkinson was hired as an associate professor in creative writing with an emphasis on science fiction, fantasy, and magical realism at University of California, Riverside.[1][3] She became a full professor in 2014.[10]

As an author, Hopkinson often uses themes of Caribbean folklore, Afro-Caribbean culture, and feminism.[5] She is historically conscious and uses knowledge from growing up in Caribbean communities in her writing, including the use of Creole and character backgrounds from Caribbean countries including Trinidad and Jamaica.[5] In addition, Hopkinson consistently writes about subjects including race, class, and sexuality.[1] Through her work, particularly in Midnight Robber, Hopkinson addresses differences in cultures as well as social issues such as child and sexual abuse.[5]

Hopkinson has been a key speaker and guest of honor at multiple science fiction conventions. She is one of the founding members of the Carl Brandon Society and serves on the board.[1][11]

Hopkinson's favorite writers include Samuel R. Delany, Tobias S. Buckell, and Charles Saunders.[1] In addition, inspiration for her novels often comes from songs or poems with Christina Rossetti's poem "Goblin Market" serving as the inspiration for Sister Mine.[1] Personal hobbies include sewing, cooking, gardening, and fabric design.[12] Hopkinson designs fabrics based on historical photos and illustrations.[13]

Hopkinson was the recipient of the 1999 John W. Campbell Award for Best New Writer[14] and the Ontario Arts Council Foundation Award for Emerging Writers.

Brown Girl in the Ring was nominated for the Philip K. Dick Award in 1998, and received the Locus Award for Best First Novel.[15] In 2008 it was a finalist in Canada Reads, produced by the Canadian Broadcasting Corporation.

Midnight Robber was shortlisted for the James R. Tiptree Jr. Memorial Award in 2000[16] and nominated for the Hugo Award for Best Novel in 2001.[17]

Skin Folk received the World Fantasy Award and the Sunburst Award for Canadian Literature of the Fantastic in 2003.

The Salt Roads received the Gaylactic Spectrum Award for positive exploration of queer issues in speculative fiction for 2004, presented at the 2005 Gaylaxicon. It was also nominated for the 2004 Nebula Award.

In 2008, The New Moon's Arms received the Prix Aurora Award (Canada's reader-voted award for science fiction and fantasy)[18] and the Sunburst Award for Canadian Literature of the Fantastic,[19] making her the first author to receive the Sunburst Award twice. This book was also nominated for the 2007 Nebula Award for Best Novel.[20]

In 2020, Hopkinson was named the 37th Damon Knight Grand Master.[2]

• Works by Nalo Hopkinson
• Nalo Hopkinson papers at the Special Collections and University Archives of University of California, Riverside

• "Making the Impossible Possible: An Interview with Nalo Hopkinson" in Alondra Nelson, ed. Afrofuturism: A Special Issue of Social Text. Duke University Press. ISBN 0-8223-6545-6.

Wikiquote has quotations related to: Nalo Hopkinson

• Official website
• Nalo Hopkinson at the Internet Speculative Fiction Database

Bibliographies

• Bibliography on Scifan.com
• Biography, bibliography, & appreciation by G. E. Rutledge

Interviews

• "Nalo Hopkinson: As Magic Does" excerpt from Locus interview (2013)
• "Nalo Hopkinson's science fiction and real-life family" by Mindy Farabee at the L.A. Times (2013)
• Interview on SFFWorld.com
• Interview on Locus
• "Nalo Hopkinson uses SF to probe the inner and outer worlds of alienation" by David Soyka on SciFi.com (2001)
• A Conversation With Nalo Hopkinson on the SF Site
• Avni Sejpal, "Waving at Trains: An interview with Nalo Hopkinson", Boston Review, October 18, 2017