Gaalipata

Following the release of Mungaru Male in December 2006, Yogaraj Bhat began working on the story for his next film, in January 2007.[1] The film was announced in early June 2007 with Suryaprakash Rao producing it.[2]

Revealing that the story revolved around three parallel male leads, Bhat announced that Diganth and singer Rajesh Krishnan were signed as the two main leads.[1] Diganth had appeared in Bhat's Mungaru Male in a cameo and Krishnan had till then appeared in only one Kannada film as an actor. Bhat then announced of having cast Puneeth Rajkumar to play the other lead on 6 June.[2] Opposite the three male leads, actresses Daisy Bopanna, Neethu and Chaya Singh were signed. However, the role of Puneeth later went to Ganesh, at a time when Mungaru Male, his film with Bhat was still performing strongly at theatres.[3] His signing was confirmed on 16 June. The next day, it was revealed that Chaya Singh was replaced by Bhavana Rao, who would make her debut with the film. It was also revealed that Anant Nag, H. G. Dattatreya, Rangayana Raghu, Sudha Belawadi, Padmaja Rao would be appearing in supporting roles, with R. Rathnavelu as the cinematographer and V. Harikrishna as the composer.[4]

Despite the beginning of principal photography being scheduled for 22 June 2007, it began on 12 June. It took place at Sree Kanteerava Stadium in Bangalore, when a part of the film's title song was shot. Director N. Lingusamy clapped the first shot while actor Sudeep directed it. Speaking to the media on the film's plot, Bhat said, "It's about three youngsters, their angst and ambitions. They meet and fall for girls diametrically opposite in temperament and tastes."[6] A budget of ₹60 million to ₹65 million and a total of 65 days was set for the project.[4][7] It was revealed prior to filming that Bhat would received a remuneration of ₹11.5 million, in addition to a bonus of ₹3.5 million if the film grosses ₹80 million. Ganesh was reportedly signed for an amount of ₹7 million.[7] The first schedule was mainly filmed in the Shimoga region of Karnataka, in Thirthahalli, Agumbe and the mountains of Kodachadri. The sequence of the song "Nadheem Dheem Tana" was filmed in Kodachadri with 200 Yakshagana artistes as background dancers.[8]

By early August, about 25 percent of the shoot was complete, following which certain sequences were filmed in Sakleshpur. A major portion of the shoot took place in the misty hills of Mandalapatti, at the forest limits of Pushpagiri, in the Coorg region of Karnataka. Sequences shot here and the surroundings of Ripponpete by the cloud-covered Kodachadri peak were shown in parallel in the film, under then name Mugilpet, which in Kannada translates to "the town of clouds".[9] Other places of filming included Bangalore, Kasargod, Kalasa, Melukote and Gopalaswamy Hills. The entire filming was done in Super 35 format, a first for Kannada-language films.[10] For sequences of the wild boar, a real-life boar was used in addition to the use of visual effects and rotoscoping.[11] The visual effects work of total time of 2 minutes and 40 seconds of sequences featuring the boar cost around ₹750,000.[12] Digital intermediate was used for digitizing and color manipulation of the film. The climax featuring Ganesh and Daisy Bopanna rowing a coracle was filmed in Shivanasamudra Falls in Mandya.[13] The third and final schedule of shoot wrapped up in late August 2007. The production and the post-production work totaled to ₹70 million.[14]

The reviewer for Gandhadagudi.com called the soundtrack album of Gaalipata, one with "extraordinary lyric[s]". He called the song "Minchagi Neenu" followed by "Nadheem Dheem tana" the songs of the album.[18] Rediff wrote, "Harikrishna's music composition adds a lot of pep to the film. Minchaagi Neenu Baralu (lyrics by Jayanth Kaikini) rendered by Sonu Nigam and Thadeem Dheem Thana by Chithra deserve special mention for good composition..."[19] The album emerged as a massive success following it release and was called by Rediff.com as "one of the most successful albums".[14] By the time the film released on 18 January 2008, the album emerged as a massive success with "chartbuster" tracks.[20]

Yogaraj Bhat's (top) direction and Ganesh's (bottom) performance received praise.

Reviewing the film for Deccan Herald, Nrupathunga S. K. called it a "visual treat" and wrote, "The awesome locations, beautiful camera work, good screen play and superb performance by the lead actors make it to the list of good films. The director has once again shown that even a simple story can be presented well, provided that the movie excels in the above departments." Crediting the role of every department in the film, he highlighted those of Ganesh and the cinematographer R. Rathnavelu.[23] R. G. Vijayasarathy of Rediff called it "a class act" and wrote, "Bhat has unleashed his best writing and narrating talents in this delightfully original and slickly presented entertainer which is witty, pretty and emotional." Especially praising Ganesh's performance, he further added, "Nature's beauty is artistically captured by cameraman Randy aka Rathnavelu. Award winning technicians like editor Suresh Urs and art director Shashidhar Adapa have effectively performed their tasks too."[19] Writing for The Times of India, G. S. Kumar wrote, "This is a masterpiece by director Yogaraj Bhat after the success of his earlier film Mungaru Male. This romantic story is more serious. The script has been brilliantly handled and the narration is excellent." Applauding the performance of each of the lead actors, he concluded, "...it is Rathnavelu who walks away with all honours for his brilliant handling of the camera."[24]

Chitraloka.com stated, "The feverish pitch that was seen around the state before the release of the film has been finally answered with a brilliant presentation by director Yogaraj Bhat who makes if look that writing film scripts is so easy. It is the writer in Yogaraj Bhat who comes off with flying colours again and his eagerness to go offbeat in narration is certain to lease a large number of audience who seek a big quota of freshness in the film." The reviewer acclaimed the role of the technical department and called it "a complete film".[25] The reviewer for Indiaglitz called the film "[t]echnically this is a superb cinema", called some of the dialogues "carelessly written", and opined, "Yogaraj Bhat once again bank on Ganesh stardom and gives back seat to all others in the film. Sketching each character with different outlook Bhat has forgotten to write a good story for the film. The flow of developments set with beautiful backdrop and tolerable artistes handling the roles makes this film worth watching."[26] Sify.com in its review echoed his view on the dialogues, yet rated the film positively calling it a film with "various fabulous elements". The reviewer commended the performance on all actors highlighting those of Ganesh and Neethu. He further wrote, "Yogaraj Bhat picks the similar locations with most dangerous water falls like Shivanasamudra, Kodachadri and exquisite mountains ranges of Karnataka. The technical excellence like Super 35, Digital Intermediate done for the film enhances the quality of the film."[27]

The film had a slow start upon theatrical release.[28] Collections picked up gradually collected a share of ₹25 million (US$350,000) in its first week. Following good response from the audiences, fares were increased by ₹5 to ₹20 per ticket in some theatres. However, it was later revealed that the distributors had the fares increased with the film doing well, unlike the hitherto trend that began with the 1999 Kannada film A.K.47, when producers had it done.[21] It continued to perform well and collected around ₹200 million (US$2.8 million) as it approached its 100th day.[29] Following public demand, the film began to be screened at more centers replacing the Hindi film Jodhaa Akbar.[30] With Karnataka being the major market for Kannada films, the film continued to do well even as Bindaas, which released in February 2008, failed to perform.[31] Gaalipata completed a 175-run at a center in Bangalore on 8 June.[32]