Gyan Evans

Gyan signed with the Trafalgar Productions label, which was distributed by Warner Australia.[3][4] In October 1989 she released her debut self-titled album, which peaked at No. 27 on the ARIA Albums Chart.[5] It was produced by Charles Fisher (1927, Midnight Oil, Hoodoo Gurus, Olivia Newton-John, Radio Birdman).[4][6] Fisher had been given Gyan's demos by a mutual friend and together they recorded the album at Trafalgar Studios in Annandale.[2] The Canberra Times' Penelope Layland described the album as "patchy but reasonably successful ... [she] has an excellent voice. However, she also has what some of her contemporaries lack and that is a true sense of musical style and an already well-developed song-writing ability".[7]

Ahead of the album in August she released a single, "Wait", which peaked at No. 14 on the ARIA Singles Chart and remained in the top 100 for 22 weeks.[8] It was co-written by Gyan with Geoffrey Stapleton (GANGgajang) and Gary Frost of 1927.[4][9] A second single, "It's Alright", was written by Gyan.[10] It reached the top 50 in December.[5] A third single, "Black Wedding Ring" was released in February 1990, and peaked at No. 93.[5]

From October 1989 to January the next year, Gyan toured Australia to promote the album backed by The Dearly Beloved with Stapleton on guitar and keyboards, Asakti (Gyan's sister) on backing vocals, Hanuman Das on drums, Mark O'Connor on keyboards and David Sparks on guitar.[2][4] Later Peter Willersdorf (ex-Tim Gaze Band) replaced Orszaczky on bass guitar. O'Connor had also worked on the album, co-writing tracks with Gyan.[2] At the ARIA Music Awards of 1990 Gyan was awarded the Best New Talent for the previous year's work.[11][12] In April that year she toured Europe,[13] where she was popular in the Soviet Union despite her "fans not understanding the words of her songs".[14]

In 1992, Gyan released her second studio album, Reddest Red, which was again produced by Fisher.[4][6][15] New Zealand musician, Dave Dobbyn, supplied guitar and backing vocals.[15] In July 1992, the album's lead single, "Something's Gotta Give", which had been co-written with Gaze,[16] was released, and entered the top 100 in August.[5] A second single, "Visualize" was released in October. A track "Will I with You" from Reddest Red was used on the soundtrack for the Russell Crowe film The Sum of Us (July 1994).[17] Some of her songwriting occurred when staying in "a pretty sleazy hotel – in London and it was good for writing because it was a kind of depressed place. It was interesting because it had this sort of contrast – a city falling down yet an energy with such large amounts of people".[13]

Australian musicologist Ian McFarlane noted that Reddest Red "made less use of the synthesised textures of [her] debut".[4] Jan Borrie of The Canberra Times said it was "more cohesive and well-rounded than the first and marks a more mature style of song writing for the singer".[13] To promote the album Gyan toured with Tim Gaze on acoustic guitar (ex-Tamam Shud, Kahvas Jute, Rose Tattoo).[4][18][19] Gyan was not worried by Gaze's previous bands "You can't go by what people have done before. I find that interesting chemistry often works."[19] In 1995 Gyan relocated to London to work.[1][4]

In 1998 Gyan travelled to the United States to start work on a third album, tentatively titled Suburban Opera, with producer Desmond Child. It was not released in its entirety: a promo-only single, "Don't Hide Your Wild Away", was issued in 2001 and in 2003 most of its tracks appeared on The Invisible Bird via Gyan's website. Meanwhile, she sang backing vocals on Ricky Martin's track "Nobody Wants to Be Lonely" from his album, Sound Loaded.[20][21] She signed to Universal Records and worked as a songwriter for US country music singer, LeAnn Rimes. Rimes, who covered Gyan's song "Love Is an Army" on her album Twisted Angel,[22][23] recalled:

Of all the songs I have recorded in my career, this is my favorite. It's so beautiful and emotional that you really have to feel it to sing it; you can't just go through the motions. I think the meaning of this song is open for everyone's interpretation, but for me it's about the fighting she's done for love and how in the end, love conquers all. The song is so natural, so simple. Basically, it's just my voice and strings. This song has some country elements in it, like my yodel at the end, but I wouldn't consider it a country song.

— LeAnn Rimes, RAM Entertainment[24]

By 2005 Gyan had returned to Australia and lived near Byron Bay. The following year she collaborated with Michael Leunig and released the album Billy the Rabbit which was based on Leunig's poetry. According to Gyan "It came about through a complete labour of love. I set a lot of his poetry to music over the space of a year without really knowing what I was doing. I had no motive, no plan. A friend of mine knew him and I contacted him at The Age and sent it to him, he fell madly in love with it." The album contained a duet with Paul Kelly on the track "The Path to Your Door". Released to glowing reviews, Gyan and Leunig launched the album at the Melbourne Writers Festival where Gyan sang and Leunig accompanied her whilst illustrating. The two artists also performed together at the Byron Bay Writers Festival and performed four shows at the Sydney Opera House in March 2007. The performance won the Sydney Theatre Award for Best Cabaret of 2007. The album of Billy the Rabbit was produced by Gyan and Simon Greaves.

Superfragilistically is Gyan's fifth studio album and was released in 2010. It was runner-up Best Adult-Themed Album of 2010 in The Sydney Morning Herald which previously gave the album a four-star review, calling it "intensely beautiful, emotionally honest, sensitive and seductive". The Brisbane Courier called it a "staggeringly beautiful record". It was Album of the Week on ABC Radio National's Daily Planet program, and featured on ABC Triple J's Sunday Night Safran program.

In 2015, Gyan released This Girl's in Love.

The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. Gyan won one awards from four nominations.