In a Dream (EP)

When the COVID-19 pandemic began in early 2020, Sivan travelled from his Los Angeles home to spend time with his family in Melbourne, only to find himself subject to the city's lockdown: "It's crazy to be doing this again at 25... I slipped back into old habits so quickly. It's funny – give me three months, six months, however long it's been to do absolutely nothing, and I completely regressed back to 17-year-old Troye, lying in my bed, just watching dumb sh-t on YouTube."[4]

In Sivan's cover story with NME, many details about In a Dream were revealed. The EP was partially inspired by his life circumstances of 2020, with Sivan explaining that he was enjoying "getting in touch with that kind of boredom again" and "doing shit that I would never ever do normally": "It hasn't come to me super naturally, because such a big part of my process is collaborating with other people. I don't play an instrument, so though I might write lyrics and melody by myself, I need someone on chords, whether it's on piano or guitar."[4]

Sivan also felt it was "too early to be working on my [next studio] album. I was still on tour for Bloom for some of this, and as it was coming to an end, I was feeling all of this stuff." He would write one song one day, and a "completely different-sounding song" the next day as ideas came to him. "Before I knew it, I was like, 'Whoa – I have this body of this work, this EP, whatever'. I didn't know what it was. All I know is that this really sums up these last couple of weeks or months in my life. [...] It wasn't about trying to make a cohesive pop album or EP. It was, 'How can we tell these stories in the most accurate and emotive way?'"[4]

In an interview with The Sydney Morning Herald, Sivan said he also wrote many of the songs amidst the end of his relationship with model Jacob Bixenman, commenting "I didn't think I was writing an entire project, I was just taking it day by day and then I turned around and had this potent, concise, weird project that is a time capsule for some of the most intense weeks of my life."[5] He said that he was inspired by Bruce Springsteen and Amy Winehouse for the EP.[6][7]

The closing title track was inspired by a dream (about Sivan's lost love) so intense, Sivan woke up crying.[4][6]

In an interview with Don't Bore Us, Sivan elaborated on the loose concept of In a Dream:

"I [didn't] really know what I would call [In a Dream] because the truth is I didn't really start this project thinking I was making anything in particular. I normally go into the album writing process with a sonic mood board with a playlist of sounds that inspire me or artists that inspire me. I have a really good sense of what I'm trying to achieve. And then with this it was different in that I was just sort of going through this rollercoaster in my mind and I was really just going to the studio just because I was feeling a different way every hour let alone every day. I think that's why it's turned out to be such a weird project in that it doesn't really have one sound. I'm exploring the same kind of story from different angles and I think the thing that ties it all together is that it's this very potent and concise collection of songs that were all written in short succession. I guess that's sort of the concept! It was sort of unintentional but it's really about an intense time of my life in this time capsule."[7]

In a Dream was described as a dance-pop break-up record that features "a hallucinogenic sound" and captures "tempestuous and extreme moods".[1][5]

Pitchfork's Shaad D'Souza described the EP as "a formally adventurous break-up record that explores the far corners of indie pop" that "chooses distinctiveness over approachability, offering a bricolage of warped indie rock, tech-house, and theatre-kid emotion".[8]

Mark Kennedy of ABC News called the EP "a perfectly-timed appetizer for an evolving artist—a wistful and experimental musical postcard for an uneasy era. Many songs have an extended house break, as if Sivan was stepping away to dance furiously on his own. [...] Görres and Sivan stretch and play with song structure and length."[9]

Sivan stated that "anyone who's going through a major sort of life shift knows the way that it really is like a rollercoaster, and I think that’s why [the record] ended up feeling as chaotic as it does with all these different moments and sounds… it just felt like the only way to really do that experience justice."[5] The producer-writer relationship the duo (Sivan/Görres) shared helped the creative process: "[Sivan] wants to challenge and take risks musically, which I love," Görres said. “We have a mutual trust which gives us creative freedom. It’s crucial to create a safe environment where you can try crazy ideas without fear of judgement. The happy accidents are oftentimes when the magic happens.”[6]

Critics enjoyed "the humanizing emotion in [Sivan's] lyrics and the narration of a greater story".[13] Sivan "swims among shards of broken hearts and drowns in sensuality" throughout In a Dream. He "comes to grips with the aftermath of a doomed relationship, consciously portraying the greenness of [past] first-time experiences with [a] more seasoned perspective, as well as mindfully considering the beliefs and misconceptions that he innocently held as a teen."[14]

The songwriting on "Take Yourself Home" evokes a calming feeling, as Sivan reassures listeners that, while they might be anxious and afraid now, eventually everything will turn out.[1] Sivan said "when I wrote it, it was just me to myself, me to some of the relationships in my life".[15]

On "Easy", with "stunningly sad" and "shockingly intimate" lyrics like "I can't even look at you, would you look at the space just next to your feet? / The wood is warping, the lines distorting", the song maintains Sivan's "casual demeanor", resulting in one of his most "fascinating pop concoctions".[1] The chorus drops listeners "into the fire of a lovers' reunion": "What the hell did we do? / Tell me we'll make it through / 'Cause he made it easy / Please don't leave me".[4] Sivan shared, "It's easy to feel like your life is written, like it's going in a direction and that's the [only] direction it’s going in. You don't realize that it's happening, but over time that becomes so comfortable. Then something will happen that will pull the rug out from under your feet and take you by surprise. I hadn't realized how comfortable I'd become. I was cruising through life. And then something like this [heartbreak] happens, and it shakes you. Little did I know that would be one of many wake up calls for 2020."[6]

"Could Cry Just Thinkin About You" shows Sivan exploring the wreckage of a broken relationship, wondering how he is going to move forward.[1]

"Stud" has "achingly relatable" lyrics about a one-night stand (after a fantasy, gay club outing) with the song's titular hunk, as Sivan appraises "all the muscles and the features I want."[1] As NME writer Richard S. He noted, the song's "lovedrunk opening chorus" would have brought a tear to the late George Michael's eyes: "Hey, tough / What’s it like to be so big and strong and so buff? / Everything I’m not but could I still be a hunk to you? / A stud to you?" Later in the song, he asks, sounding almost forlorn, “How much of me would you take? / How much of me would you change? / On second thought, don't say a thing." Sivan added: "It starts off super introspective, in my head, and then takes you to this club scene, where you meet this hunky guy who's there to save you from all of your body image issues."[4] Pitchfork wrote that "Stud" "dives into heart-racing casual sex, hinging on a classic trope of queer desire: Do I want to be him, or f--k him? (Call it the Call Me by Your Name conundrum.)"[8]

"Rager Teenager!", a "sheer insight of Sivan's songwriting", is a declaration of nostalgic angst: "I just wanna f--k s--t up and just ride in your car tonight, in your bed tonight."[1] He's alternately sentimental: "Hey, my little rager teenager / I've missed you around."[4] According to Vulture, the "song [is] about the pleasure of regressing to the days when life's responsibilities seemed to matter less."[6] On "In a Dream", Sivan "sings about putting an ex out of mind, or perhaps fighting away your intrusive negative thoughts": “But I won’t let you in again / I'm gonna lock the doors and hide my shit / ’Cause my spirit's wearin' thin and there's only so much I can give."[4] The title track's lyrics are "honest and direct, as Troye confronts the idea of living without his ex, who won't stop appearing in his dreams. It's simultaneously uplifting and introspective, which is perhaps the purest distillation of Sivan's music yet."[1]

Troye had written treatments for five music videos, but due to Melbourne's strict lockdown laws, was only able to film "Easy" and "Rager Teenager!" Instead, Sivan allocated much of his original video budget to collaborations with freelance artists, while directing himself for the first time.[4]

The music video for "Easy" depicts Sivan as a "David Bowie doppelganger, complete with face makeup, a shock of red hair, and a '70s suit". The video also features a drag queen band.[14][6]

NME considered the "Rager Teenager!" video (and song) as possibly Sivan's "most moving" to date: "[It] takes place entirely in a bathtub. As he sings, he averts his eyes, getting lost in the song's drifting emotions. When he finally looks straight at the camera, it's hard not to get chills."[4]

Lead single "Take Yourself Home" was initially intended for a late 2020 release, but due to COVID-19, it "changed meanings" for Sivan and "became a much bigger world view song". Sivan wanted to collaborate with "as many creatives as [he] possibly [could]" after seeing people he cared lose their jobs. After realising his songs might resonate with others, he pushed the release forward.[10]

Professional ratings

Review scores
Source	Rating
AllMusic	[20]
Pitchfork	7.6/10[8]
Slant Magazine	[14]
Spectrum Culture	65/100[21]

In a Dream received generally favourable reviews from critics, with The Sydney Morning Herald writer Nathanael Cooper calling the release "Sivan's most creatively daring and personal music to date".[5] Upon release, ABC News labelled the EP "the Goldilocks of quarantine",[9] and USA Today placed it in their "10 albums you need to hear this month" list.[11]

Stephen Daw of Billboard ranked the standard edition's songs: the title track was ranked first, followed by "Easy", "Stud", "Take Yourself Home", "Rager Teenager!" and lastly, "Could Cry Just Thinkin About You". However, Daw talked positively about all the songs, only critiquing the latter's short length.[1]

Shaad D'Souza of Pitchfork rated the EP positively: "The Australian pop singer finds freedom in the EP format, breaking the family-friendly veneer of past releases and serving up his most idiosyncratic music yet. [...] These idiosyncratic choices may sacrifice some of Sivan's universal appeal, but it's much more fun to watch him cutting his own path."[8] The Santa Fe New Mexican writer Olivia Harlow agreed: "In a Dream is a genuinely relatable album that reminds listeners that there can be beauty in pain, power in struggle and clarity in sadness."[13]

Slant Magazine writer Sophia Ordaz was more mixed, saying "rather than significantly alter or challenge the singer’s previous approach, In a Dream merely embellishes it".[14]

In a Dream performed moderately on the record charts. In Australia, the EP reached No. 3, becoming his fourth top 10 and second-highest charting release, tied with Bloom (2018), only behind the Wild EP (2015), which topped the chart.[22] On the US Billboard 200, In a Dream debuted at No. 70, becoming his first charting release in the country to miss the top 10.[23]

All tracks produced by Oscar Görres, except for "Could Cry Just Thinkin About You", which was produced by Teo Halm.

Notes

• "Take Yourself Home" and "Easy" are all stylised in title case.
• "Could Cry Just Thinkin About You" is stylised in lowercase.
• "Stud" and "In a Dream" are both stylised in all caps.
• "Rager Teenager!" is stylised in sentence case.
• Side A of the LP is the first four tracks as listed on the digital release.
• “Easy (voice note)” is a hidden track on the Target edition and LP version.