Ivan Sen

Ivan Sen was born in 1972 in Nambour, Queensland,[3] the second child of Donella and Duro Sen. His mother Donella belongs to the Gamilaroi nation of Northern New South Wales, and Duro was born in Croatia to a German father and Hungarian mother.[1]

Before moving to Tamworth, New South Wales four years after Sen was born, in his mother’s efforts to escape domestic violence, the family would regularly visit her birthplace, Toomelah. The Aboriginal community there was the last destination of three forced relocations of the Gamilaroi. Founded in 1937 by the New South Wales government, Toomelah turned from reservation into mission, but is also called a station, and has a history of precarious conditions and harming policies. Sen’s mother herself was taken away at the age of fourteen to serve as cheap, forced labor at a remote farm.[1]

For eight years Sen lived in Tamworth with his mother and two siblings, in an area called Vegemite Village. The family still visited Toomelah occasionally, and Sen enjoyed popularity and friendship with all kinds of children, both black and white, rich and poor.[1] However, wanting to overcome the difficult reality of the neighbourhood, his mother moved the family to Inverell. There, Sen was intimidated by the conservative, more racially and socially segregated dynamic of the town. Sen remained a solitary and silent teenager.[3]

The change put Sen into contact with painting and photography.[3] His mother married a newspaper editor, who gave him an old Olympus and lessons on photography and film-processing. Soon Sen was working for a newspaper and later enrolled in a photography diploma course at Griffith University, Brisbane. He moved on to film school at the same university and, one year later, to the Australian Film, Television and Radio School in Sydney. There he developed views which were contrary to the classical model of filmmaking taught at the school. Peter Robb wrote that, "in a rare moment of intensity and slightly raised voice, Ivan said this model produced directors who were monsters. He used the word several times."[1] At this school he produced his first short films, working with the crew he continues to work with today.. He went on to produce numerous short films throughout the late 1990s, including TV documentaries for SBS and the ABC,

Sen made his breakthrough feature-length debut in 2002 with the semi-autobiographical Beneath Clouds.[1] The film was made with a mixed crew, including an Aboriginal director of photography, a white producer and several indigenous secondary crew members. At the time, Sen and the white producer Teresa-Jane Hanson expressed their discontent with the limited availability of skilled indigenous personnel.[4] The film, produced on a $2.5 million budget, won him global acclaim, screening at the 2003 Sundance Film Festival and winning the Premiere First Movie Award at the 2002 Berlin Film Festival and the 2002 Best Director Award at the Australian Film Institute Awards.[5][6][7]

During the 2000s he produced many documentaries, mostly for the ABC. In 2005, his SBS documentary Yellow Fella was screened in the section Un Certain Regard at the Cannes International Film Festival.[8] In 2009, the Message Sticks Indigenous Film Festival held at the Sydney Opera House saw the world premiere of Sen's Fire Talker, a documentary biopic about political activist, Aboriginal footballer, and statesman Charlie Perkins.[9] Sen used the TV revenue from these works to finance the production of his second feature-length film, Dreamland,[1] which screened at the 2010 Busan International Film Festival and Melbourne International Film Festival.

His third feature Toomelah (2011), received a prolonged standing ovation from the audience as it screened in Un Certain Regard at the Cannes Film Festival. The actors were welcomed with celebrity status and Peter Robb described Daniel Connors, the leading 9-year-old non-professional actor as "[handling] the international media like a pro.”[1]

Sen's fourth feature-length film Mystery Road premiered at the Sydney Film Festival in June 2013 and features many well-known Australian actors such as Aaron Pedersen, Hugo Weaving, Jack Thompson, Ryan Kwanten and Tasma Walton. The film was shown at the 2013 Toronto International Film Festival.[10]

His fifth feature, Goldstone, a sequel to Mystery Road, opened the Sydney Film Festival in June 2016[11] and opened in cinemas on 7 July 2016.[12] It features actors Aaron Pedersen, Jacki Weaver, Alex Russell, David Gulpilil, David Wenham and Tom E. Lewis.[13]

In 2018, Sen acted as executive producer on the ABC TV production of Mystery Road (TV series) a six-part series based on characters featured in the movie of the same name and sequel.

The documentary Yellow Fella focuses on the Aboriginal actor and musician Tom E. Lewis, who starred in The Chant of Jimmie Blacksmith (Fred Schepisi, 1978). The character’s "life was hauntedly close to [Lewis’s] own: a young man of mixed heritage, struggling to find his place on the edge of two cultures."[14] Sen documents Lewis as he hits the road to search for his Welsh father’s place of burial and, at the same time, a missing part of his own identity.[3]

Toomelah (2011), tells the story of Daniel, a 9-year-old aboriginal boy living in the community where Sen’s mother was born and grew up in. A hybrid of documentary and fiction follows Daniel as he roams around the "mish" trying to make sense of expectations of his family, his friends, and his own. Much of the script was based on notes Sen took of the inhabitants’ own words, expressions, ideas and emotions, trying to translate the immobility from which Toomelah suffers—a place that has both lost touch with its roots and been forgotten by its founding state.[2]

Commentators often point to landscape, land and place as one of most crucial groups of motif in Ivan Sen’s films.[3] His distinctive portrayal of skies, roads and low horizons are Sen’s way of addressing issues of location, dislocation and relocation in their relation to identity. According to Jane Mills, "as a descendant of the Gamilaroi people of northern New South Wales who were historically dislocated from their own land and forcibly relocated, Sen’s films are undoubtedly intercultural, diasporic, and postcolonial and, as such, qualify as accented and intercultural cinema."[2]

• Lawson, Sylvia (2006). "Along the 'pot-holed track': meditations on mixed inheritance in recent work by Ivan Sen and Dennis Mcdermott". Aboriginal History. 30: 211–217.

• Ivan Sen at IMDb
• Beneath Clouds: language as simple as a look by Mike Walsh
• Ivan Sen Interview ABC Message Stick
• Cannes Film Festival
• Vibe Australia Celebrity Showcase
• Inside Film Magazine interview with Dannielle Hall and Damian Pitt
• Crossing Tracks: Indigenous Films from Australia
• Native Network