Jeff Ament

The first of five children, Ament was born in Havre, Montana to George and Penny Ament and grew up in the town of Big Sandy, Montana, a town with a population of less than 700.[3][4] Ament's father George was mayor of Big Sandy for fifteen years, as well as a barber and a school bus driver.[5] Ament described his family growing up as "pretty poor"[6] and "hard-core Catholic."[7]

He began playing the bass guitar as a teenager, often playing along with Ramones, The Clash, and The Police records. Ament participated in basketball, football, and track at Big Sandy High School, from which he graduated in 1981.[8] He then went on to college at the University of Montana in Missoula, Montana, where he studied art and played basketball.[9][10] Ament quit college in the middle of his second year after the university told him they were no longer going to continue its graphic design program.[11] Ament then relocated to Seattle, Washington in 1983 with his band Deranged Diction. While in Seattle, Ament got a job working at a coffee shop in Belltown.[11]

Ament became acquainted with fellow Seattle musicians Mark Arm and Steve Turner, and he was asked to join their new band Green River in 1984. The band also included drummer Alex Vincent, with guitarist Stone Gossard eventually being added to the line-up. By the time the band finished the recording of its debut EP, Come on Down, Turner decided to leave the group, citing his distaste with Ament and Gossard's heavy metal leanings.[12] He was replaced by Ament's former Deranged Diction bandmate, Bruce Fairweather.

The band released the EP Come on Down in 1985 and followed it up with Dry As a Bone in 1987, the first release on Sub Pop records.[13] The band's only full-length studio album, Rehab Doll, was released in 1988.[13] In-fighting lead to the group's break-up during the recording of Rehab Doll. A stylistic division had developed between Ament and Gossard on one side, and Arm on the other.[14] Ament and Gossard wanted to pursue a major-label deal, while Arm wanted to remain independent, viewing the duo as being too careerist.[12] Regarding the accusation, Ament later said that during his time with the band he had to work at a restaurant in order to pay his rent, while the other members were supported by their parents. He said, "Did I want to play music and have my rent paid for? Hell yeah."[15] The band achieved a considerable local reputation in Seattle and had a significant influence on the genre later known as grunge, with Green River being described as "arguably the first grunge band."[12]

Following Green River's dissolution, Ament established Mother Love Bone in 1988 along with former Green River members Gossard and Fairweather, former Malfunkshun frontman Andrew Wood, and former Ten Minute Warning and Skin Yard drummer Greg Gilmore. The band quickly worked on recording and performing locally and by late 1988 had become one of Seattle's more promising bands. In early 1989 the band signed to PolyGram subsidiary Mercury Records. In March of that year the group issued its debut EP, Shine.

In late 1989 the group returned to the studio to record its debut studio album, Apple. It was planned for a March 1990 release. Only days before the release of Apple, however, frontman Wood, who had a long history with drug problems, overdosed on heroin. After spending a few days in the hospital in a coma, Wood died, effectively bringing Mother Love Bone to an end. Apple was released later that year.

Following Wood's death, Ament and Gossard almost parted company. Ament briefly spent time in the band War Babies, but he eventually got back together with Gossard and a childhood friend of Gossard's named Mike McCready. The trio were attempting to form their own band when they were invited to be part of the Temple of the Dog project founded by Soundgarden's Chris Cornell as a musical tribute to Andrew Wood. Cornell had been Wood's roommate. Ament described the collaboration as "a really good thing at the time" for him and Gossard that put them into a "band situation where we could play and make music."[16] The band's lineup was completed by the addition of Soundgarden drummer Matt Cameron.

The band started rehearsing songs that Cornell had written on tour prior to Wood's death, as well as re-working some existing material from demos written by Gossard and Ament.[17] This project eventually featured vocalist Eddie Vedder, who had arrived in Seattle to audition to be the singer for Ament and Gossard's next band, which later became Pearl Jam. Vedder sang a duet with Cornell on the song "Hunger Strike" and provided background vocals on several other songs. The band decided that it had enough material for an entire album and, in April 1991, Temple of the Dog was released through A&M Records.

Ament onstage during a Pearl Jam show at the Wells Fargo Center, Philadelphia on April 28, 2016

Pearl Jam was formed in 1990 by Ament, Gossard, and McCready,[18] who then recruited Vedder and drummer Dave Krusen. The band originally took the name Mookie Blaylock, but was forced to change it when the band signed to Epic Records in 1991. After the recording sessions for Ten were completed, Krusen left Pearl Jam in May 1991.[19] Krusen was replaced by Matt Chamberlain, who had previously played with Edie Brickell & New Bohemians. After playing only a handful of shows, one of which was filmed for the "Alive" video, Chamberlain left to join the Saturday Night Live band.[20] As his replacement, Chamberlain suggested Dave Abbruzzese, who joined the group and played the rest of Pearl Jam's live shows supporting the Ten album.

Ten broke the band into the mainstream, and became one of the best selling alternative albums of the 1990s. The band found itself amidst the sudden popularity and attention given to the Seattle music scene and the genre known as grunge. The single "Jeremy" received Grammy Award nominations for Best Rock Song and Best Hard Rock Performance in 1993.[21] Pearl Jam received four awards at the 1993 MTV Video Music Awards for its music video for "Jeremy", including Video of the Year and Best Group Video.[22] Ten was ranked number 207 on Rolling Stone magazine's list of the 500 greatest albums of all time,[23] and "Jeremy" was ranked number 11 on VH1's list of the 100 greatest songs of the '90s.[24]

Following an intense touring schedule, the band went into the studio to record what would become its second studio album, Vs., released in 1993. Upon its release, Vs. set at the time the record for most copies of an album sold in a week,[25] and spent five weeks at number one on the Billboard 200. Vs. was nominated for a Grammy Award for Best Rock Album in 1995.[26] From Vs., the song "Daughter" received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal and the song "Go" received a Grammy nomination for Best Hard Rock Performance.[27]

Feeling the pressures of success, the band decided to decrease the level of promotion for its albums, including refusing to release music videos.[28] "Ten years from now," Ament said, "I don't want people to remember our songs as videos."[18] In 1994, the band began a much-publicized boycott of Ticketmaster, which lasted for three years and limited the band's ability to tour in the United States.[29] Ament took an active role during Pearl Jam's dispute with Ticketmaster in 1994 over prices and surcharges. Along with Gossard, Ament testified before a congressional subcommittee, arguing that Ticketmaster's practices were anti-competitive.[30]

Later that same year the band released its third studio album, Vitalogy, which became the band's third straight album to reach multi-platinum status. The album received Grammy nominations for Album of the Year and Best Rock Album in 1996.[31] Vitalogy was ranked number 492 on Rolling Stone magazine's list of the 500 greatest albums of all time.[23] The lead single "Spin the Black Circle" won a Grammy Award in 1996 for Best Hard Rock Performance.[26] Although Abbruzzese performed on the album Vitalogy, he was fired in August 1994, four months before the album was released.[32] The band cited political differences between Abbruzzese and the other members; for example, he disagreed with the Ticketmaster boycott.[32] He was replaced by Jack Irons, a close friend of Vedder and the former and original drummer of the Red Hot Chili Peppers.[19]

The band subsequently released No Code in 1996 and Yield in 1998. In 1998, prior to Pearl Jam's U.S. Yield Tour, Irons left the band due to dissatisfaction with touring.[33] Pearl Jam enlisted former Soundgarden drummer Matt Cameron as Irons' replacement on an initially temporary basis,[33] but he soon became a permanent replacement for Irons. "Do the Evolution" (from Yield) received a Grammy nomination for Best Hard Rock Performance.[34] In 1998, Pearl Jam recorded "Last Kiss", a cover of a 1960s ballad made famous by J. Frank Wilson and the Cavaliers. It was released on the band's 1998 fan club Christmas single; however, by popular demand, the cover was released to the public as a single in 1999. "Last Kiss" peaked at number two on the Billboard charts and became the band's highest-charting single.

In 2000, the band released its sixth studio album, Binaural, and initiated a successful and ongoing series of official bootlegs. The band released seventy-two such live albums in 2000 and 2001, and set a record for most albums to debut in the Billboard 200 at the same time.[35] "Grievance" (from Binaural) received a Grammy nomination for Best Hard Rock Performance.[36] The band released its seventh studio album, Riot Act, in 2002. Pearl Jam's contribution to the 2003 film, Big Fish, "Man of the Hour", was nominated for a Golden Globe Award in 2004.[37] The band's eighth studio album, the eponymous Pearl Jam, was released in 2006. The band released its ninth studio album, Backspacer, in 2009 and its tenth studio album, Lightning Bolt, in 2013.

Aside from his musical contributions for the band, Ament has made significant contributions to the band's album artwork. His photography can be found throughout the majority of the band's releases. He was nominated for two Grammy Awards for Best Recording Package for his work on the album Lightning Bolt and on Chris Cornell's self-titled compilation, winning for the former.[38]

Ament had a side project band named Three Fish, which he formed in 1994 with Robbi Robb of Tribe After Tribe and Richard Stuverud of the Fastbacks. Three Fish released two albums, Three Fish (1996) and The Quiet Table (1999).

Ament performed with other members of Pearl Jam on Neil Young's 1995 album, Mirror Ball, and subsequently took part in an eleven-date tour in Europe as part of Young's backing band. This tour proved very successful with Young's manager Elliot Roberts calling it "One of the greatest tours we ever had in our whole lives."[39]

On September 16, 2008, Ament released his first solo album, Tone, through Monkeywrench Records. The album features ten songs written over a span of 12 years.[40] The album's songs feature a raw, experimental sound. 3,000 copies of Tone were pressed and were distributed through independent record stores across the United States as well as through Pearl Jam's official website.[41] The album, like their others is also available via Pearl Jam's official website.

On January 24, 2011 Ament announced on Pearl Jam's official website his side project with dUg Pinnick of King's X and Richard Stuverud of the Fastbacks. The band's official Facebook page announced a March 2011 release of their album, Three Mountains, through Monkeywrench Records.

In 2012, Ament started another band with singer-songwriter Joseph Arthur and drummer Richard Stuverud.