Kristallnacht (album)

Zorn's compositions for the album were based around the events before, during, and following the infamous Night of Broken Glass and represented his first musical exploration of his Jewish cultural heritage.[2]

Zorn has stated:

It’s tied together with passion and research. Every Jew has to come to grips with the holocaust in some kind of way and that was my statement, that’s how I did it. I do not need to do it again (…) it meant a lot to me. It was like a whole lifetime of denying my Jewish heritage coming out in one piece -- "John Zorn on BBC Jazz File," July 2000.

Professional ratings

Review scores
Source	Rating
Allmusic	[3]
Guy's Music Review	[4]
The Penguin Guide to Jazz	[5]

The Allmusic review by Joslyn Layne awarded the album 4½ stars stating "John Zorn has created a musical work that powerfully represents the different stages of this historical event... Zorn's forceful undertaking is realized through the expert and passionate musicianship".[3] Guy Peters stated "Kristallnacht is an attempt at a musical recreation of one of the darkest chapters of the Nazi reign, with music ranging from fairly conventional roots music to extreme near-industrial chaos... Zorn has never aimed at major popularity, preferring total independence above all, and this is what makes an album like Kristallnacht possible... Luckily there are several tracks in which he finds a much more impressive and bearable balance between disturbing noise and affecting beauty, a combination that’s characteristic of several of his releases. Or maybe it’s about disturbing beauty and affecting noise, I’m not entirely sure".[4]

All compositions by John Zorn

• Recorded and mixed on November 9 & 10 1992 at RPM Studio, New York City

• Anthony Coleman: Keyboards
• Mark Dresser: Bass
• Mark Feldman: Violin
• David Krakauer: Clarinet, bass clarinet
• Frank London: Trumpet
• Marc Ribot: Guitar
• William Winant: Percussion