Late Night (franchise)

The show replaced The Tomorrow Show, hosted by Tom Snyder (and later co-hosted by Rona Barrett), on Mondays through Thursdays. It did not expand to Fridays until 1987, when Friday Night Videos was moved back an hour to accommodate a five-day-a-week Late Night.

Late Night originated from NBC Studio 6A at the RCA (later GE) Building at 30 Rockefeller Plaza in New York City. The program ran four nights a week, Monday to Thursday, from the show's premiere in February 1982 until May 1987. Friday shows were added in June 1987 (NBC previously aired Friday Night Videos in the 12:30 am slot with occasional Late Night specials and reruns). Starting in September 1991, The Tonight Show Starring Johnny Carson was pushed back from 11:30 pm to 11:35 p m, with Letterman starting at 12:35 am, at the request of NBC affiliates who wanted more advertising time for their profitable late newscasts.

In mid-1993, E! Entertainment Television purchased broadcast rights to Late Night. The network aired complete shows from various years five days per week from 1993 until 1996. Then Trio (owned by NBC) picked up reruns and showed them from 2002 until the channel went off the air in 2005.

A number of programs were sold by GoodTimes Entertainment in 1992–93. These episodes were stripped of the series theme, open and close. No DVD release is currently scheduled (GoodTimes went bankrupt in 2005).

A total of 1,819 shows were broadcast during its eleven and a half year run (an episode on January 16, 1991 went unaired due to pre-emption for coverage the beginning of the Gulf War; the program had already been shot before word came out of Baghdad that United States airstrikes were beginning).

Peter Ustinov was a guest on the one-shot "360-degree" episode, during which the show's image gradually rotated 360 degrees during the course of an hour.

Upon Johnny Carson's retirement from The Tonight Show in 1992, executives at NBC announced that Carson's "permanent guest host" Jay Leno would take over Tonight, and not David Letterman. This was done against the wishes of Carson, who had always seen Letterman as his rightful successor, according to Worldwide Pants senior vice president Peter Lassally, a onetime producer for both men.[4] NBC later claimed that Letterman's high ratings for Late Night was the reason it kept Letterman where he was. Letterman was bitterly disappointed and angry at not having been given The Tonight Show job, and, on Carson's advice, walked away from NBC after eleven years on Late Night. CBS signed Letterman to compete directly opposite Leno's Tonight Show at 11:35 PM. He moved his show over to CBS virtually unchanged, taking most of the staff, skits, and comedy formats with him. However, NBC owned the rights to the Late Night name and much of the intellectual property created for the show, forcing Letterman to rechristen his show as Late Show with David Letterman and re-title many of its signature comedy elements.

NBC was faced with an unexpected need to replace not just Letterman, but Late Night itself. The network still owned the name, but needed to essentially build a new show from scratch. The show was first offered to Dana Carvey and Garry Shandling, both of whom turned it down.[5]

Saturday Night Live producer Lorne Michaels' company, Broadway Video, replaced Carson Productions and Letterman's Worldwide Pants as the show's co-production company, in partnership with NBC Studios. Michaels took a leadership role in redeveloping the show, and comedians Jon Stewart, Drew Carey, and Paul Provenza all auditioned for the hosting role.[5] Michaels suggested to O'Brien, an unknown writer for The Simpsons and former writer for Saturday Night Live, that he should audition for the job. Despite having "about 40 seconds"[6] of television-performance experience as an occasional extra on Saturday Night Live sketches, O'Brien auditioned for the show on April 13, 1993. His guests were Jason Alexander and Mimi Rogers, and the audition took place on the set of The Tonight Show with Jay Leno.[5] O'Brien was offered the show on April 26, 1993, and made his first meaningful television appearance later that day when Leno introduced him on Tonight.[6]

O'Brien's Late Night was rushed into production and debuted on September 13, 1993, with Andy Richter as O'Brien's sidekick. The premiere episode featured John Goodman (who received a "First Guest" medal for his appearance), Drew Barrymore, and Tony Randall. The episode featured a cold open of O'Brien's walk to the studio with constant reminders that he was expected to live up to Letterman, parodying a popular sentiment expressed in the media at the time. After seeming to be unaffected by the comments, O'Brien arrives at his dressing room and cheerfully prepares to hang himself. However, a warning that the show is about to start causes him to abandon his plans. The crowd for the first show mainly consisted of family members of the crew of the show so as to ensure a positive reception.

O'Brien's on-camera inexperience showed and the show's first fourteen weeks were generally considered mediocre.[5] O'Brien, an unknown, was constantly at risk of being fired: NBC had him renewing short-term contracts, thirteen weeks at a time.[5] He was reportedly on the brink of being fired at least once in this period, but NBC had no one to replace him. The show, and O'Brien, slowly improved through experience, and the show's ratings gradually increased to a level which allowed O'Brien to secure a longer contract, and not have to worry about cancellation.

On February 28, 1994, Letterman appeared on Late Night as O'Brien's only guest, marking Letterman's first appearance on an NBC talk show since his departure for CBS. During the interview, Letterman gave O'Brien positive reinforcement, telling him "there's nothing like this show anywhere on television" and that he was doing a terrific job as host.[7] On May 20, 2015, during the opening monologue to his TBS talk show Conan aired just prior to the start of the final episode of Late Show with David Letterman marking Letterman's retirement as host, O'Brien directly credited Letterman's 1994 appearance with preventing Late Night from being cancelled by NBC.[8]

In 2000, Richter left Late Night to pursue his acting career. The show's comedy bits and banter had usually depended on O'Brien's interaction with Richter. O'Brien's wacky non sequitur comedy became more pronounced as he played all of his comedy and commentary directly to the audience instead of towards Richter. Bandleader Max Weinberg also became O'Brien's primary sounding board and comic foil in Richter's absence.

Ratings and reviews continued to improve for Late Night, and in 2002, when time came to renew his contract, O'Brien had notable offers from other networks to defect.[9] O'Brien decided to re-sign with NBC, however, joking that he initially wanted to make a 13-week deal (a nod to his first contract). He ultimately signed through 2005, indicating that it was symbolic of surpassing Letterman's run with 12 years of hosting.[9]

In 2003, O'Brien's own production company, Conaco, was added as a producer of Late Night. The show celebrated its 10th anniversary, another milestone that O'Brien said he wanted to achieve with his 2002 contract. During the anniversary show, Mr. T handed O'Brien a chain with a large gold "7" on it.

The show's house band was The Max Weinberg 7, led by E Street Band drummer Max Weinberg. The other six members were Mark Pender on trumpet, Richie "LaBamba" Rosenberg on trombone, Mike Merritt on bass, Jerry Vivino on saxophone and brother Jimmy Vivino on guitar, and Scott Healy on keyboard. James Wormworth served as backup drummer when Weinberg went on tour with Bruce Springsteen. With the departure of Andy Richter, Max Weinberg assumed a bigger role as an interlocutor for O'Brien's jokes. One common running gag was Max's awkwardness on camera and his apparent lack of chemistry with Conan. Weinberg was often used in sketches as well, which usually revolved around his purported sexual deviance (mostly a penchant for bedding barely legal groupies), although long running sketches also spoofed Max's lack of knowledge of current affairs.

Richie "LaBamba" Rosenberg was also used as the butt of many of Conan's jokes. These humorous sketches usually revolved around LaBamba's sizeable mustache, his poor acting skills, and his alleged inability to read sheet music. Mark Pender would often sing songs on the topic of a current event, which ended with him screeching uncontrollably and climbing the risers into the audience. All members of the 7 had successful side careers as studio musicians.

As is common in the talk show format, The Max Weinberg 7 performed the show's opening and closing themes, played bumpers into and out of commercial breaks (they actually played through the entire break for the studio audience), and a short piece during O'Brien's crossover to his desk after his monologue (except for several months beginning in April 2008, where a commercial break was inserted at that point). The show's opening theme was written by Howard Shore and John Lurie (a finalist for the job as bandleader). The show's closing theme was called "Cornell Knowledge", and was lifted from Jerry and Jimmy Vivino's first album together. However, on Late Night, it was played at a much quicker tempo than the album version.

The band played a wide variety of songs as bumpers – usually popular music from a variety of eras. Weinberg sometimes took extended leaves of absence to tour with Bruce Springsteen as the drummer for his E Street Band. During his absence, temporary replacement drummers were hired (most commonly James Wormworth), and the band was led by Jimmy Vivino ("Jimmy Vivino and the Max Weinberg 7").

Joel Godard, a long-time announcer for NBC shows, was the show's announcer and an occasional comedy contributor. These comedy bits usually revolved around Godard's supposed homosexual fetishes, deviant sexual habits, substance abuse, and suicidal tendencies. The humor came in part from Godard's delivery. No matter how depressing or deviant the topic being discussed he always did so in an exaggeratedly cheerful voice, and with a huge smile plastered on his face. Several sketches ended with Godard apparently committing suicide in his announcer's booth.

Members of the show's writing staff frequently appeared in sketches on the show. Among the most prolific were: Brian McCann (Preparation H Raymond, FedEx Pope, The Loser, Airsick Moth, Jerry Butters, Funhole Guy, Bulletproof Legs Guy, Adrian "Raisin" Foster, S&M Lincoln, etc.), Brian Stack (Hannigan the Traveling Salesman, Artie Kendall the Ghost Crooner, The Interrupter, Kilty McBagpipes, Fan-tastic Guy, Clive Clemmons, Frankenstein, Ira, Slipnut Brian, etc.), Jon Glaser (Segue Sam, Pubes, Awareness Del, Wrist Hulk, Ahole Ronald, Gorton's Fisherman, Jeremy, Slipnut Jon, etc.), Kevin Dorff (Coked-up Werewolf, Jesus Christ, Mansy the half-man/half-pansy, Joe's Bartender, Todd the Tiny Guy, etc.), and Andy Blitz (Awful Ballgame Chanter, Vin Diesel's brother Leonard Diesel, Slipnut Andy, Chuck Aloo aka the star of the 24 spin-off series 60). Blitz went so far as to travel to India for one bit in which he carried his computer through the streets of India to get technical support firsthand from the telephone representative at NBC's technical help center. One of the show's graphic designers, Pierre Bernard was featured several sketches, such as: "Pierre Bernard's Recliner of Rage", and "Nerding It Up For Pierre".

Late Night employed a number of sketch actors, many of whom were frequently reused in different roles in different episodes. Several years before joining the cast of Saturday Night Live, Amy Poehler often appeared as a regular in many sketches, she was best remembered for playing the role of Andy Richter's little sister, Stacy. Jack McBrayer frequently appeared as well. Triumph, the Insult Comic Dog began as part of a sketch on Late Night. Celebrities such as Dr. Joyce Brothers, Nipsey Russell, Abe Vigoda and James Lipton also made frequent cameo appearances in comedy sketches on the show at different periods.

Unusual for a late-night talk show, Late Night made frequent use of various costumed characters such as The Masturbating Bear, Robot on a Toilet, and Pimpbot5000. The humor in these sketches often derived from the crude construction of the characters' costumes as well as the absurdist nature of their conceptions. For example, Pimpbot5000 was a 1950s-style robot who dressed and acted in the manner of an exaggerated blaxploitation pimp, while The Masturbating Bear was a man in a bear costume wearing an oversized diaper who would inevitably begin to fondle himself to the tune of Aram Khachaturian's "Sabre Dance" when brought on stage. Many of these characters did little more in their appearances than walk across the stage or be wheeled out from behind the curtain, but some had extensive sketches on the show.

As part of O'Brien's 2004 contract renegotiation with NBC, he was tapped to replace Jay Leno as host of The Tonight Show five years later, in the summer of 2009. O'Brien's last Late Night was taped and aired on February 20, 2009. He indeed succeeded Leno and renamed the show The Tonight Show with Conan O'Brien on June 1, 2009, and resigned as host just over seven months later, a result of the 2010 Tonight Show conflict.

O'Brien's last season on Late Night attracted an average of 1.98 million viewers, compared to 1.92 million viewers for The Late Late Show with Craig Ferguson.[11]

On the final episode of his 16-year run, O'Brien stated that he "owed his career to Lorne Michaels".

Executive producer Lorne Michaels said he wanted Fallon to be the new host dating back to the day that Fallon left Saturday Night Live in 2004,[12] which occurred only a few months before O'Brien's departure was announced.[13] According to Michaels:[12]

Jimmy's built for this kind of show. He's funny, he's charming, he's got a really good way of connecting with people. And he knows music, movies and TV really well, which is the backbone of these shows.

During the years between Fallon's SNL departure and the announcement that he would take over Late Night, Fallon concentrated on developing a feature film career, which Fallon himself said "really didn't work out that great."[12]

Fallon was announced as O'Brien's replacement in May 2008; at the time of the announcement, he was scheduled to debut in June 2009.[14] To help him prepare for his new Late Night host role, Michaels had Fallon perform comedy in clubs and create a series of webisodes.[12] A behind-the-scenes vlog documenting preparations for the new show launched on December 8, 2008, with new episodes being posted weeknights at 12:30 am ET.

Fallon's house band was hip-hop band The Roots,[15] and his announcer was Steve Higgins, a producer for Saturday Night Live.[16] The show is produced by Lorne Michaels' Broadway Video in association with NBC's Universal Media Studios.

The program originated from NBC Studio 6B (the original home of The Tonight Show, but which had housed the WNBC news studios since Johnny Carson had moved his show to NBC Studios in California in 1972.[15]) in the GE Building at 30 Rockefeller Center in New York City, until August 9, 2013. From September 3, 2013 until its final episode on February 7, 2014, the show originated from Studio 6A (where Letterman and O'Brien had hosted their iterations of Late Night) to accommodate the renovation of 6B in preparation for Fallon's eventual move to The Tonight Show.

Fallon premiered on March 2, 2009, with Robert De Niro, Justin Timberlake and Van Morrison appearing as his guests. Former Late Night host Conan O'Brien also made a cameo appearance.[17]

The Late Night with Jimmy Fallon logo is based on the typeface Bureau Grotesque. NBC failed to correctly license the font program, causing them to be sued by the copyright holder of that program, Font Bureau, Inc. for software copyright infringement,[18] although fonts alone cannot be copyrighted.[19]

Fallon hosted his final episode of Late Night on February 7, 2014, when he welcomed Andy Samberg as his final guest. After a brief retrospective with Higgins about their time on Late Night, the show ended with Fallon playing drums and singing backup to "The Weight" behind an ensemble of The Muppets. Upon the conclusion of the song, Fallon exited Studio 6A and walked silently down the hall to Studio 6B, through a door featuring his Tonight Show logo, where his cast and crew awaited him with an ovation.[20]

On May 12, 2013, NBC officially announced that Seth Meyers would become the new host of Late Night following Fallon's exit to preside over The Tonight Show.[21]

Meyers' first episode of Late Night premiered February 24, 2014. His version of the show originates from NBC Studio 8G in the GE Building at 30 Rockefeller Center in New York City. It marks the first time that Late Night and The Tonight Show have been produced out of the same studio facility. In fact, Meyers' studio is directly above Fallon's, meaning that the shows cannot tape at the same time due to inefficient soundproofing and elevator capacities for audience members. Late Night begins taping at 6:30 PM, roughly thirty minutes after production of The Tonight Show wraps.[22]

Meyers' version of the show is orchestrated in the traditional late night talk show format. Each show usually begins with an opening monologue, then informal chatter at the desk, a comedy bit, celebrity guest interviews, and closing with a stand-up comedian or musical guest.

The house band for Meyers' iteration of Late Night is "The 8G Band", led by eccentric actor/musician Fred Armisen, one of Meyers' former Saturday Night Live castmates. The two usually engage in a nightly exchange in which Armisen details (to great length) an absurd concept he has pioneered while Meyers plays the straight man and questions its validity. When Armisen is away from the show for various reasons (including to produce his television series Portlandia), he will sometimes appear in a taped comedy bit, and as with Weinberg's tenure, guest drummers or other performers will perform for the week with the 8G Band.

As a tribute to the many NBC affiliates that air the show on a nightly basis, Meyer's desk features one coffee mug nightly sent by each NBC affiliate which sits to his left, which varies between featuring a station's logo or morning news imaging. Also on the desk is a Matryoshka doll in the style of Bill Hader's Stefon character with a veil embellishment, originally hand-crafted by Matryoshka artist Irene Hwang and commissioned for a Saturday Night Live crew holiday gift.[23][24] Meyers and Stefon were "married" on SNL.