List of 8-bit computer hardware graphics

World System Teletext Level 1 (1976) uses a 3-bit RGB, 8-color palette. Teletext has 40×25 characters per page of which the first row is reserved for a page header. Every character cell has a background color and a text color. These attributes along with others are set through control codes which each occupy one character position. Graphics characters consisting of 2×3 cells can used following a graphics color attribute. Up to a maximum of 72×69 blocky pixels can be used on a page.

Simulated image

Teletext color palette

0

1

2

3

4

5

6

7

BBC Micro has 8 display modes, with resolutions like 640×256 (max. 2 colors), 320×256 (max. 4 colors) and 160×256 (max. 16 logical colors). No display modes have cell attribute clashes. The palette available has only 8 physical colors, plus a further 8 flashing colors (each being one of the eight non-flashing colors alternating with its physical complement every second), and the display modes can have 16, 4 or 2 simultaneous colors.

BBC Micro color palette

0

1

2

3

4

5

6

7

BBC Micro display modes

Mode 0 (640 × 256, 2 colors)	Mode 1 (320 × 256, 4 colors)	Mode 2 (160 × 256, 8 colors)

Mode 4 (320 × 256, 2 colors)	Mode 5 (160 × 256, 4 colors)	Mode 8 (80 × 256, 8 colors)

The TRS-80 Color Computer is capable of displaying text and graphics contained within a roughly square display matrix 256 pixels wide by 192 lines high. The hardware palette has 9 colors: black, green, yellow, blue, red, buff (almost-but-not-quite white), cyan, magenta, and orange. [1]

All colors are available in text modes. In color modes (64×64, 128×64, 128×96, and 128×192) two four color palettes are available: a green border with the colors green, yellow, red, and blue; a white border with the colors white, cyan, magenta, and orange.

TRS-80 color palette

0

1

2

3

4

5

6

7

8

Display modes

Text Mode (9 colors)	Color mode (4 colors)	Color mode (alternate palette)

On the Sinclair QL two video modes were available, 256×256 pixels with 8 RGB colours and per-pixel flashing, or 512×256 pixels with four colours: black, red, green and white. The supported colours could be stippled in 2×2 blocks to simulate up to 256 colours, an effect which did not copy reliably on a TV, especially over an RF connection. Pixel aspect ratio was not square, with resulting image proportions close to 4.4:3, making the image extend into the horizontal overscan area of a CRT TV.

256x256 mode	512x256 mode
Simulated images (aspect ratio corrected)
Simulated images (original pixel size)

256×256	512×256
black	black
blue
red	red
magenta
green	green
cyan
yellow	white
white

The NEC PC-8000 was capable of displaying graphics with a resolution of 160x100 pixels and 8 colors.

PC-8000 color palette

0

1

2

3

4

5

6

7

The NEC PC-6001 had four screen modes:

• 32x16 characters with 4 colors
• 64x48 pixel graphics with 9 colors (see table below)
• 128x192 graphics with 4 colors
• 256x192 graphics with 2 colors (green, white)

PC-6001 color palette

0

1

2

3

4

5

6

7

8

The ZX Spectrum (and compatible) computers use a variation of the 4-bit RGBI palette philosophy. This results in each of the colors of the 3-bit palette to have a basic and bright variant, with the exception of black. This was accomplished by having a maximum voltage level for the bright variant, and a lower voltage level for the basic variant. Due to this, black is the same in both variants.

The attribute byte associated to every 8×8 pixel cell dedicates (from LSB to MSB): three bits for the background color; three bits for the foreground color; one bit for the bright variant for both, and one bit for the flashing effect (alternate foreground and background colors evenly in time). So the colors are not selectable as indices of a true palette (there are not color numbers 8 to 15).

The color numbers can be employed with the following statements to choose:

• BORDER n, the color for the surrounding area outside the pixel graphical area.
• PAPER n, the background (pixel bit value of 0) color for an 8×8 pixel cell.
• INK n, the foreground (pixel bit value of 1) color for an 8×8 pixel cell.

Simulated image	Sample image and palette

Color number	Binary value	BRIGHT 0	BRIGHT 1
0	000	black	black
1	001	basic blue	bright blue
2	010	basic red	bright red
3	011	basic magenta	bright magenta
4	100	basic green	bright green
5	101	basic cyan	bright cyan
6	110	basic yellow	bright yellow
7	111	basic white	bright white

The Amstrad CPC 464/664/6128 series of computers generates the available palette with 3 levels (not bits) for every RGB primary. Thus, there are 27 different RGB combinations, from which 16 can be simultaneously displayed in low resolution mode, four in medium resolution mode and two in high resolution mode.[2]

Simulations of actual images on the Amstrad's color monitor in each of the modes (160×200, 16 colors; 320×200, 4 colors and 640×200, 2 colors) follows. A cheaper green monochrome display was also available from the manufacturer; in this case, the colors are viewed as a 16-tone green scale, as shown in the last simulated image, as it interprets the overall brightness of the full color signal, instead of only considering the green intensity as might, e.g., the Philips CM8833 line.

2 colors	4 colors	16 colors	16-tone green scale

0 – Black (5)	1 – Dark blue (0,14)	2 – Blue (6)	3 – Dark red	4 – Dark magenta	5 – Violet	6 – Red (3)	7 – Magenta-red	8 – Magenta (7)
9 – Dark green	10 – Dark cyan (8)	11 – Cyan-blue (15)	12 – Dark yellow (9)	13 – Grey	14 – Light blue (10)	15 – Orange	16 – Pink (11, 15)	17 – Light magenta
18 – Green (12)	19 – Cyan-green	20 – Cyan (2)	21 – Yellow-green	22 – Light green (13)	23 – Light cyan	24 – Yellow (1, 14)	25 – Light yellow	26 – White (4)

The number in parentheses means the primary ink number for the Locomotive BASIC PEN, PAPER and INK statements (that is, "(1)" means ink #1 defaults to this color). Inks can also have a secondary color number, meaning they flash between two colors. By default, ink #14 alternates between colors 1 and 24 (blue and bright yellow) and ink #15 alternates between colors 11 and 16 (cyan-blue and pink). In addition, the paper defaults to ink #0 and the pen to ink #1, meaning yellow text on a dark blue background.

0 – Dark blue (1)

1 – Yellow (24)

2 – Cyan (20)

3 – Red (6)

4 – White (26)

5 – Black (0)

6 – Blue (2)

7 – Magenta (8)

8 – Dark cyan (10)

9 – Dark yellow (12)

10 – Light blue (14)

11 – Pink (16)

12 – Green (18)

13 – Light green (22)

14 – Dark blue (1)

15 – Cyan-blue (11)

For the palettes of more advanced original IBM AT, IBM PS/2 and better PC compatibles hardware displays, please visit IBM PC/AT and compatible systems in the List of 16-bit computer color palettes article.

The original IBM PC launched in 1981 features an Intel 8088 CPU which has 8-bit data bus technology, though internally the CPU has a fully 16-bit architecture. It was offered with a Monochrome Display Adapter (MDA) or a Color Graphics Adapter (CGA). The MDA is a text mode-only display adapter, without any graphic ability beyond using the built-in code page 437 character set (which includes half-block and line-drawing characters), and employed an original IBM green monochrome monitor; only black, green and intensified green could be seen on its screen. Then, only the CGA had true graphic modes.

The IBM PC XT model, which succeeded the original PC in 1983, has an identical architecture and CPU to its predecessor, only with more expansion slots and a hard disk equipped as standard. The same two video cards, the MDA and the CGA, remained available for the PC XT, and no upgraded video hardware was offered by IBM until the EGA, which followed the introduction of the IBM Personal Computer/AT, with its full 16-bit bus design, in 1984.

The Color Graphics Adapter (CGA) outputs what IBM called "digital RGB"[3] (that is, the R, G, B (and I) signals from the graphics card to the monitor can each only have two states: on or off). CGA supports a maximum of 16 colors. However, its 320×200 graphics mode is restricted to fixed palettes containing only four colors, and the 640×200 graphic mode is only two colors. 16 colors are only available in text mode or the "tweaked text" 160×100 mode. A different set of 16 colors is available in composite mode with an NTSC composite monitor. (Independent groups have also demonstrated much larger composite color sets—over 256 colors—on a composite monitor by the use of artifact color techniques. See Color Graphics Adapter#High color depth.)

The full standard RGBI palette is a variant of the 4-bit RGBI schema. Although the RGBI signals each have only two states, the CGA color monitor decodes them as if RGB signals had four levels. Darker colors are the basic RGB 2nd level signals except for brown, which is dark yellow with the level for the green component halved (1st level). Brighter colors are made by adding a uniform intensity one-level signal to every RGB signal of the dark ones, reaching the 3rd level (except dark gray which reaches only the 1st level), and in this case yellow is produced as if the brown were ordinary dark yellow.

0 — black	8 — dark gray
1 — low blue	9 — high blue
2 — low green	10 — high green
3 — low cyan	11 — high cyan
4 — low red	12 — high red
5 — low magenta	13 — high magenta
6 — brown	14 — yellow
7 — light gray	15 — white

The color numbers above are not arbitrary; they are based on the following bitmask:

Binary	Decimal	Color
1000	8	intense, high, or bright
0100	4	red
0010	2	green
0001	1	blue

*A few earlier non-IBM compatible CGA monitors lack the circuitry to decode color numbers as of four levels internally, and they cannot show brown and dark gray. The above palette is displayed in such monitors as follows:

0 — black	8 — black*
1 — low blue	9 — high blue
2 — low green	10 — high green
3 — low cyan	11 — high cyan
4 — low red	12 — high red
5 — low magenta	13 — high magenta
6 — low yellow*	14 — yellow
7 — light gray	15 — white

• 16-color palette modes

The only full 16-color BIOS modes of the CGA are the text mode 0 (40×25) and mode 2 (80×25). Disabling the flashing attribute effect and using the IBM 437 codepage block characters 220 (DCh) ▄ (bottom half) or 223 (DFh) ▀ (upper half), the mode 2 screen buffer provides an 80×50 quasi-graphic mode.

Also, a tweak mode can be set in the CGA to give an extra, non-standard 160×100 pixels 16-color graphic mode.

16-color, 80×50 mode	16-color, 160×100 mode	16-color comparison image

• 4-color palette modes

In the 320×200 graphics mode, every pixel has two bits. A value of 0 is always a selectable background-plus-border color (with the same register and/or BIOS call used for the foreground color in the 640×200 graphic mode; black by default), and the three remaining values 1 to 3 are indices to one of the predefined color palette entries.

The selection of a palette is a bit complex. There are two BIOS 320×200 CGA graphics modes: modes 4 and 5. Mode 4 has the composite color burst output enabled (in the Mode Control Register at I/O address 3D8H, bit 2 is cleared), and mode 5 has it disabled (the same bit 2 is set). Mode 5 is intended mainly for a monochrome composite video monitor, but because of a specific intentional feature of the CGA hardware, it also has a different palette for an RGBI color monitor. For mode 4, two palettes can be chosen: green/red/brown and cyan/magenta/white; the difference is the absence or presence of the blue signal in all three colors. (The palette is selected with bit 5 of the Color-Select Register at I/O address 3D9h, where the bit value 1 selects the cyan/magenta/white palette [a/k/a "palette #1" because it is the BIOS default] and 0 selects the green/red/brown palette [a/k/a "palette #2"]. This bit can be set using BIOS INT 10h function 0Bh, subfunction 1.) The palette for BIOS video mode 5 is always cyan/red/white: blue is always on, and red and green each are controlled directly by one of the two bits of the pixel color value. For each of these three palette options, a low or high intensity palette can be chosen with bit 4 of the aforementioned Color-Select Register: a value of 0 means low intensity and 1 means high intensity. (No BIOS call exists to switch between the two intensity modes.) The selected intensity setting simply controls the "I" output signal to the RGBI monitor for all colors in the palette. As a result, the green-red-brown palette appears as bright-green/bright-red/yellow when high intensity is selected. The combination of color-burst enable/disable selection, palette selection, and intensity selection yields a total of 6 different possible palettes for CGA 320×200 graphics.

• Mode 4, palette #1, low intensity:

0 — [user-defined]

1 — cyan

2 — magenta

3 — light grey

The sixteen combinations with the background color are:

0	1	_	0	1	_	0	1	_	0	1	*	0	1	_	0	1	*	0	1	_	0	1	*
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

(*) Useless due to the duplication of one of the colors.

• Mode 4, palette #1, high intensity:

0 — [user-defined]

1 — bright cyan

2 — bright magenta

3 — bright white

The sixteen combinations with the background color are:

0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

0	1	_	0	1	_	0	1	_	0	1	*	0	1	_	0	1	*	0	1	_	0	1	*
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

(*) Useless due to the duplication of one of the colors.

• Mode 4, palette #2, low intensity:

0 — [user-defined]

1 — green

2 — red

3 — brown

The sixteen combinations with the background color are:

0	1	_	0	1	_	0	1	*	0	1	_	0	1	*	0	1	_	0	1	*	0	1	_
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

(*) Useless due to the duplication of one of the colors.

• Mode 4, palette #2, high intensity:

0 — [user-defined]

1 — bright green

2 — bright red

3 — yellow

The sixteen combinations with the background color are:

0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

0	1	_	0	1	_	0	1	*	0	1	_	0	1	*	0	1	_	0	1	*	0	1	_
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

(*) Useless due to the duplication of one of the colors.

• Mode 5, low intensity:

0 — [user-defined]

1 — cyan

2 — red

3 — light grey

The sixteen combinations with the background color are:

0	1	_	0	1	_	0	1	_	0	1	*	0	1	*	0	1	_	0	1	_	0	1	*
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

(*) Useless due to the duplication of one of the colors.

• Mode 5, high intensity:

0 — [user-defined]

1 — bright cyan

2 — bright red

3 — white

The sixteen combinations with the background color are:

0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_	0	1	_
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

0	1	_	0	1	_	0	1	_	0	1	*	0	1	*	0	1	_	0	1	_	0	1	*
2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_	2	3	_

(*) Useless due to the duplication of one of the colors.

When viewed in a monochrome composite monitor, the mode 5 palettes above are shown as a (more or less brighter) 2-bit grayscale palette:

• 2-color palette mode

In the 640×200 graphic mode (BIOS mode number 6), every pixel has only a single bit. The foreground color can be set, with the default being white.

2-color	2-color comparison image

0 — black

1 — [user-defined]

The sixteen combinations are:

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

0

1

_

The IBM PCjr features a "CGA Plus" video subsystem, consisting mainly of a 6845 CRTC and an LSI video chip known as the "Video Gate Array", that can show all 16 CGA colors simultaneously on screen in the extended low-res graphic modes. The near-compatible Tandy 1000 series features almost 100% PCjr-compatible video hardware implemented in a Tandy proprietary chip. This graphics adapter is better known by the name Tandy Graphics Adapter, because the PCjr was short-lived but the Tandy 1000 line was quite popular for many years. The video mode capabilities of early-model Tandy 1000 computers are exactly the same as the PCjr's. (Later Tandy 1000 models featured "Tandy Video II" hardware which added a 640x200 16-color mode but surrendered PCjr hardware register-compatibility for CGA register-compatibility.)

The PCjr adds three video modes to the CGA mode set: 160×200 16-color "low-resolution" graphics, 320×200 16-color "medium-resolution" graphics, and 640×200 4-color "high-resolution" graphics. All PCjr/Tandy 1000 graphics modes can reassign any color index to any palette entry, allowing free selection of all palette colors in modes with fewer than 16 colors (including the plain CGA modes) and enabling color cycling effects in all modes. The PCjr also offers a graphics blink function which causes 8 colors to alternate between the low and high halves of the 16-color palette at the text blink rate. (A PCjr must be upgraded with a PCjr-specific internal 64 KB memory expansion card in order to use the latter two of these modes or any 80-column text mode. Tandy 1000 base models can use all video modes.)

The Apple II series features a 16-color composite video palette, based on the YIQ color space used by the NTSC color TV system.[4][5]

The Apple II features "low-res" and "hi-res" modes. The 40x48 pixel lo-res mode allowed 15 different colors plus a duplicate gray(**).[6] * The majority of Apple graphic applications used the hi-res mode, which had 280×192 pixels (effectively 140x192 on a color monitor). The hi-res mode allowed six colors: black, white, blue, orange, green and purple.

Low-res mode palette

Number — name	Y	I	Q	Number — name	Y	I	Q
0 — black*	0	0	0	8 — brown***	0.25	0.5	-0.5
1 — red	0.25	0.5	0.5	9 — orange*	0.5	1	0
2 — dark blue	0.25	-0.5	0.5	10 — gray**	0.5	0	0
3 — purple*	0.5	0	1	11 — pink	0.75	0.5	0.5
4 — dark green	0.25	-0.5	-0.5	12 — bright green*	0.5	0	-1
5 — gray**	0.5	0	0	13 — yellow	0.75	0.5	-0.5
6 — blue-cyan*	0.5	-1	0	14 — cyan	0.75	-0.5	0.5
7 — light blue***	0.75	-0.5	0.5	15 — white*	1	0	0

• Note: Colors with italic text and marked with three asterisks (***) are out of the RGB gamut.

High-res mode palette

High bit	Pixel pair	Number — Name	Y	I	Q
0	00	0 — black	0	0	0
0	01	1 — purple	0.5	1	1
0	10	2 — green	0.5	−1	−1
0	11	3 — white	1	0	0
1	00	4 — black	0	0	0
1	01	5 — blue	0.5	1	−1
1	10	6 — orange	0.5	−1	1
1	11	7 — white	1	0	0

For all the following computers of this brand, the U and V coordinates for the composite video colors are always the cosine and the sine, respectively, of angles multiple of 22.5 degrees (i.e. a quarter of 90°), as the engineers were inspired by the NTSC color wheel, a radial way to figure out the U and V coordinates of points equidistant from the center of the chroma plane, the gray. Consumers in Europe (which uses PAL) considered the Commodore colors to be more "washed out" and less vivid than those provided by computers such as the ZX Spectrum.[7][8][9]

The Commodore PET ("CBM" to the European market) series of home computers, which came with a built-on monitor, could only display monochrome characters, as it had no graphics capabilities at all, if one does not consider monochromatic "graphical" characters-based imagery.

The Commodore VIC-20 features an MOS Technology VIC chip which produces a 16-color composite video palette.[10] The palette lacks any intermediate shade of gray, and it has only 5 levels of luminance.

The VIC-20 lacks any true graphic mode, but a 22×11 text mode with 200 definable characters of 8×16 bits each arranged as a matrix of 20×10 characters is usually used instead, giving a 3:2(NTSC)/5:3(PAL) pixel aspect ratio, 160×160 pixels, 8-color "high-res mode" or a 3:1(NTSC)/10:3(PAL) pixel aspect ratio, 80×160 pixels, 10-color "multicolor mode".

VIC-20 palette

In the 8-color high-res mode, every 8×8 pixels can have the background color (shared for the entire screen) or a free foreground color, both selectable among the first eight colors of the palette. In the 10-color multicolor mode, a single pixel of every 4×8 block (a character cell) may have any of four colors: the background color, the auxiliary color (both shared for the entire screen and selectable among the entire palette), the same color as the overscan border (also a shared color) or a free foreground color, both selectable among the first eight colors of the palette.

Simulated images

Multicolor mode	High-res mode

On some models of the system, there are nine levels of luminance:

Number — name	Y	U	V	Number — name	Y	U	V
0 — black	0	0	0	8 — orange	0.375	−0.7071068	0.7071068
1 — white	1	0	0	9 — light orange	0.625	−0.7071068	0.7071068
2 — red	0.3125	−0.3826834	0.9238795	10 — light red	0.5	−0.3826834	0.9238795
3 — cyan	0.6875	0.3826834	−0.9238795	11 — light cyan(*)	0.75	0.3826834	−0.9238795
4 — purple	0.3125	0.7071068	0.7071068	12 — light purple	0.5	0.7071068	0.7071068
5 — green	0.5	−0.7071068	−0.7071068	13 — light green	0.75	−0.7071068	−0.7071068
6 — blue	0.25	1	0	14 — light blue	0.5	1	0
7 — yellow	0.6875	−1	0	15 — light yellow*	1	−1	0

But on other models, there are only five levels of luminance:

Number — name	Y	U	V	Number — name	Y	U	V
0 — black	0	0	0	8 — orange	0.5	−0.7071068	0.7071068
1 — white	1	0	0	9 — light orange	0.75	−0.7071068	0.7071068
2 — red	0.25	−0.3826834	0.9238795	10 — light red	0.5	−0.3826834	0.9238795
3 — cyan	0.75	0.3826834	−0.9238795	11 — light cyan*	1	0.3826834	−0.9238795
4 — purple	0.5	0.7071068	0.7071068	12 — light purple	0.75	0.7071068	0.7071068
5 — green	0.5	−0.7071068	−0.7071068	13 — light green	0.75	−0.7071068	−0.7071068
6 — blue	0.25	1	0	14 — light blue	0.5	1	0
7 — yellow	0.75	−1	0	15 — light yellow*	1	−1	0

The MOS Technology VIC-II is used in the Commodore 64 (and Commodore 128 in 40-column mode), and features a 16-color YPbPr composite video palette.[11] This palette is largely based on that of the VIC, but it substitutes three colors by three levels of gray. When displayed over an analog NTSC composite video output, the actual resulting colors are more vivid.

Sample image	Color test chart	Color palette	C64 palette on NTSC (Sony CXA2025 decoder matrix)
			[12]

The Commodore 64 has two graphic modes: Multicolor and High Resolution.

In the Multicolor 160×200, 16-color mode, every cell of 4×8, 2:1 aspect ratio pixels can have one of four colors: one shared with the entire screen, the two background and foreground colors of the corresponding text mode character, and one more color also stored in the color RAM area, all of them freely selectable among the entire palette.

In the High Resolution 320×200, 16-color mode, every cell of 8×8 pixels can have one of the two background and foreground colors of the correspondent text mode character, both freely selectable among the entire palette.

Simulated images

16-color multicolor mode	16-color High-res mode

On most models of the Commodore 64, there are nine levels of luminance:

Number — name	Y	U	V	Number — name	Y	U	V
0 — black	0	0	0	8 — orange	0.375	−0.7071068	0.7071068
1 — white	1	0	0	9 — brown*	0.25	−0.9238795	0.3826834
2 — red	0.3125	−0.3826834	0.9238795	10 — light red	0.5	−0.3826834	0.9238795
3 — cyan	0.625	0.3826834	−0.9238795	11 — dark grey	0.3125	0	0
4 — purple	0.375	0.7071068	0.7071068	12 — grey	0.46875	0	0
5 — green	0.5	−0.7071068	−0.7071068	13 — light green	0.75	−0.7071068	−0.7071068
6 — blue	0.25	1	0	14 — light blue	0.46875	1	0
7 — yellow	0.75	−1	0	15 — light grey	0.625	0	0

The MOS Technology TED was used in the Commodore 16 and Commodore Plus/4. It has a palette of 121 composite video colors[13] consisting of sixteen hues (including black and white) at eight luminance levels. Black is the same color at every luminance level, so there are not 128 different colors. On the Commodore Plus/4, twelve colors formed a "default" palette of sorts accessible through keyboard shortcuts;[14] these colors are underlined in the table below (RGB converted colors at a saturation level of 34%).

The Commodore 16 and Commodore Plus/4 have two graphic modes very similar to those of the Commodore 64: Multicolor and High Resolution.

In the Multicolor 160×200, 121-color mode, every cell of 4×8, 2:1 aspect ratio pixels can have one of four colors: two shared with the entire screen and the two background and foreground colors of the correspondent text mode character, all of them freely selectable among the entire 121-color palette (hue 0 to 15 and luminance 0 to 7 are set individually for any of them).

In the High Resolution 320×200, 121-color mode, every cell of 8×8 pixels can have one of the two background and foreground colors of the corresponding text mode character, both freely selectable among the entire 121-color palette (again setting both the hue and the luminance).

Simulated images

121-color Multicolor mode	121-color High-res mode

		luma #	0	1	2	3	4	5	6	7
		Y	0.125	0.25	0.375	0.5	0.625	0.75	0.875	1
hue #	U	V	.	.	.	.	.	.	.	.
0 — black	0	0	0,0	0,1	0,2	0,3	0,4	0,5	0,6	0,7
1 — white	0	0	1,0	1,1	1,2	1,3	1,4	1,5	1,6	1,7
2 — red	−0.3826834	0.9238795	2,0	2,1	2,2	2,3	2,4	2,5	2,6*	2,7*
3 — cyan	0.3826834	−0.9238795	3,0*	3,1	3,2	3,3	3,4	3,5	3,6	3,7*
4 — purple	0.7071068	0.7071068	4,0*	4,1	4,2	4,3	4,4	4,5	4,6*	4,7*
5 — green	−0.7071068	−0.7071068	5,0*	5,1	5,2	5,3	5,4	5,5	5,6*	5,7*
6 — blue	1	0	6,0	6,1	6,2	6,3	6,4	6,5*	6,6*	6,7*
7 — yellow	−1	0	7,0*	7,1*	7,2	7,3	7,4	7,5	7,6	7,7*
8 — orange	−0.7071068	0.7071068	8,0*	8,1	8,2	8,3	8,4	8,5	8,6*	8,7*
9 — brown	−0.9238795	0.3826834	9,0*	9,1*	9,2	9,3	9,4	9,5	9,6	9,7*
10 — yellow-green	−0.9238795	−0.3826834	10,0*	10,1*	10,2	10,3	10,4	10,5	10,6	10,7*
11 — pink	0	1	11,0	11,1	11,2	11,3	11,4	11,5	11,6*	11,7*
12 — blue-green	0	−1	12,0*	12,1	12,2	12,3	12,4	12,5	12,6	12,7*
13 — light blue	0.7071068	−0.7071068	13,0*	13,1	13,2	13,3	13,4	13,5	13,6*	13,7*
14 — dark blue	0.9238795	0.3826834	14,0	14,1	14,2	14,3	14,4	14,5*	14,6*	14,7*
15 — light green	−0.3826834	−0.9238795	15,0*	15,1	15,2	15,3	15,4	15,5	15,6*	15,7*

• Every composite color marked with an asterisk (*) is out of the RGB gamut.

The MSX compatible computers feature a Texas Instruments TMS9918 chip which uses a proprietary 15-color composite color encoded palette[15] plus a transparent color, intended to be used by the hardware sprites and simple video overlay. When used as an ordinary background color, it is rendered using the same color as the screen border.

The MSX series has two graphic modes. The MSX BASIC Screen 3 mode is a low-resolution mode with 15 colors, in which every pixel can be any of the 15 available colors. Screen mode 2 is a high-resolution mode with 15 colors, in which each of every eight consecutive pixels can be one of two out of the 15 available colors.

15-color screen mode 3	15-color screen mode 2

Number — name	Y	U	V	Number — name	Y	U	V
0 — transparent	N/A	N/A	N/A	8 — medium red	0.53	−0.377	0.868
1 — black	0	0	0	9 — (light red)	0.67	−0.377	0.868
2 — medium green	0.53	−0.509	−0.755	10 — dark yellow	0.73	−0.755	0.189
3 — light green	0.67	−0.377	−0.566	11 — light yellow	0.80	−0.566	0.189
4 — dark blue	0.40	1	−0.132	12 — dark green	0.47	−0.453	−0.642
5 — light blue	0.53	0.868	−0.075	13 — magenta	0.53	0.377	0.491
6 — dark red	0.47	−0.321	0.679	14 — gray	0.80	0	0
7 — cyan	0.73	0.434	−0.887	15 — white	1	0	0

Note: The colors inside the parentheses are out of RGB gamut.

The early Atari 400 and 800 computers use a palette of 128 colors (a bit similar to the one used on the Atari 2600 console, and the Commodore 16 and Plus/4), using 4 bits for chrominance, and 3 for luminance. Screen modes may vary from 320×192 (384x240 with overscan) to 40×24, using 2 or 4 simultaneous colors, or 80×192 (96x240 with overscan) using 16 colors. After 2 years (late 1981) the CTIA graphics chip was replaced with the GTIA chip thus increasing the palette to 256 colors (CTIA and GTIA).

The ANTIC chip in the Atari 8-bit family computers (400, 800, XL and XE models) has an instruction set to run programs (called display list) which permits many more colors on the screen at once. There are a number of possible software-driven graphics modes.

The Mattel Aquarius computer has only a text mode with 40×24 characters, which graphic mode is obtained from low resolution blocks, providing an 80×72 resolution. The color attribute area is also on this 40×24 characters area, and used from a pixel group of 2×3. The colors used in the palette are fixed and 16.[16]

0 — black	1 — red	2 — green	3 — yellow	4 — blue	5 — magenta	6 — cyan	7 — white
8 — grey	9 — cyan_	10 — magenta_	11 — blue_	12 — yellow_	13 — green_	14 — red_	15 — black_

The Tandy Color Computer 3 could display all of the modes of the Tandy Color Computer 1 and 2, except the Semigraphics modes, plus resolutions of 160, 256, 320, or 640 pixels wide by 192 to 225 lines from a palette of 64 colors. The 320 mode allowed 16 simultaneous colors, while the 640 mode allowed 4.

For Thomson computers, a popular brand in France, the most common display modes are 320×200, with 8×1 attribute cells with 2 colors. The Thomson TO7 can only display the 8 "saturated" colors. The Thomson TO7/70 and Thomson MO5 have the 16 color palette shown below as a fixed palette (just like on C64 or MSX1). On later models, these 16 colors can be chosen from 4096 and other video modes are available, removing the block constraints but reducing either the color count or the horizontal resolution.

Thomson "Saturated" color palette

0

1

2

3

4

5

6

7

Thomson TO7/70 and MO5 16 color palettes

Fixed color palette 1

Simulated image	Sample image	Color test chart

0x0	0x1	0x2	0x3	0x4	0x5	0x6	0x7
0x8	0x9	0xA	0xB	0xC	0xD	0xE	0xF

Fixed color palette 2

0x0	0x1	0x2	0x3	0x4	0x5	0x6	0x7
0x8	0x9	0xA	0xB	0xC	0xD	0xE	0xF

Fixed color palette 3

Example of 16 fixed color palette 3

0x0	0x1	0x2	0x3	0x4	0x5	0x6	0x7
0x8	0x9	0xA	0xB	0xC	0xD	0xE	0xF

The 128 color master palette used by the SAM Coupé is produced via a unique method — it effectively contains 2 groups of 64 "RGB" colors of mildly different intensity, and ultimately derived from a 512 color space.[17] The closest equivalent in more popular and well-known machines would be the Commodore-Amiga's 64-color "Extra Half-Brite" mode (with 32 explicitly set colors using 5 bitplanes, which are displayed with full or half brightness depending on the bit setting of a 6th plane).

Two bits are used for each of Red, Green and Blue and give a similar result to a normal 6-bit RGB palette (as seen with the IBM EGA or Sega Master System); the seventh bit encodes for "brightness", which has a similar but more subtle effect to the Spectrum, increasing the output of all three channels by half the intensity of the lower bits of the main six (in this way, it does make a genuine 128 colors — rather than 127 colors with "two blacks" and only a 7-level grayscale). The layout of the byte that encodes each color is complicated and appears like a Spectrum color nybble transferred to a full byte's width, and an extra RGB bit-triplet then prefixed to it, with the MSB left unused.

SAM Coupé color palette and bitmask

0x00

0x01

0x02

0x03

0x04

0x05

0x06

0x07

0x08

0x09

0x0A

0x0B

0x0C

0x0D

0x0E

0x0F

0x10

0x11

0x12

0x13

0x14

0x15

0x16

0x17

0x18

0x19

0x1A

0x1B

0x1C

0x1D

0x1E

0x1F

0x20

0x21

0x22

0x23

0x24

0x25

0x26

0x27

0x28

0x29

0x2A

0x2B

0x2C

0x2D

0x2E

0x2F

0x30

0x31

0x32

0x33

0x34

0x35

0x36

0x37

0x38

0x39

0x3A

0x3B

0x3C

0x3D

0x3E

0x3F

0x40

0x41

0x42

0x43

0x44

0x45

0x46

0x47

0x48

0x49

0x4A

0x4B

0x4C

0x4D

0x4E

0x4F

0x50

0x51

0x52

0x53

0x54

0x55

0x56

0x57

0x58

0x59

0x5A

0x5B

0x5C

0x5D

0x5E

0x5F

0x60

0x61

0x62

0x63

0x64

0x65

0x66

0x67

0x68

0x69

0x6A

0x6B

0x6C

0x6D

0x6E

0x6F

0x70

0x71

0x72

0x73

0x74

0x75

0x76

0x77

0x78

0x79

0x7A

0x7B

0x7C

0x7D

0x7E

0x7F

0x01 (low blue)

0x02 (low red)

0x04 (low green)

0x08 (brightness)

0x10 (high blue)

0x20 (high red)

0x40 (high green)

The MSX2 series features a Yamaha V9938 video chip, which manages a 9-bit RGB palette (512 colors) and has some extended graphic modes. Although its graphical capabilities are similar, or even better than of those of 16-bit personal computers, MSX2 and MSX2+ (see below) are pure 8-bit machines.

Screen mode 6 is a 512×212-pixel mode with a 4-color palette chosen from the available 512 colors.

Screen modes 5 and 7 are high-resolution 256×212-pixel and 512×212-pixel modes, respectively, with a 16-color palette chosen from the available 512 colors. Each pixel can be any of the 16 selected colors.

Screen mode 8 is a high-resolution 256×212-pixel mode with an 8-bit color depth, giving a palette of 256 colors.[18] From the MSB to LSB, there are three green bits, three red bits, and two blue bits. This mode uses half of the available colors overall, and can be considered a palette in its own right.

4-color screen mode 6	16-color screen mode 5	256-color screen mode 8

Red	#000000	#240000	#490000	#6D0000	#920000	#B60000	#DB0000	#FF0000
Green	#000000	#002400	#004900	#006D00	#009200	#00B600	#00DB00	#00FF00
Blue	#000000		#000055		#0000AA		#0000FF

The MSX2+ series (released in 1988) features a Yamaha V9958 video chip which manages a 15-bit RGB palette internally encoded in YJK (up to 19,268 different colors from the 32,768 theoretically possible)[19] and has additional screen modes. Although its graphical capabilities are similar, or even better than of those of 16-bit personal computers, MSX2 (see above) and MSX2+ are pure 8-bit machines. YJK color encoding can be viewed as a lossy compression technique; in the RGB to YJK conversion, the average red and green levels are preserved, but blue is subsampled. As a result of every four pixels sharing a chroma value, in mode 12 it is not possible to have vertical lines of a single color. This is only possible in modes 10 and 11 due to the additional 16-color direct palette. This can be used to mix 16 indexed colors with a rich colorful background, in what can be considered a primitive video overlay technique.

Screen modes 10 & 11 – 12,499 YJK colors plus a 16-color palette. In this mode, the YJK technique encodes 16 levels of luminance into the four LSBs of each pixel and 64 levels of chroma, from −32 to +31, shared across every four consecutive pixels and stored in the three higher bits of the four pixels. If the fifth bit of the pixel is set, then the lower four bits of the pixel points to an index in the 16-color palette; otherwise, they specify the YJK luminance level of the pixel.

Screen mode 12 is similar to modes 10 and 11, but uses five bits to encode 32 levels of luminance for every pixel, thus it does not use an additional palette and, with YJK encoding, 19,268 different colors can be displayed simultaneously with 8-bit color depth.

Screen mode 10 & 11	Screen mode 12

Fujitsu's FM-77 AV 40, released in 1986, uses an 18-bit RGB palette. Any 64,000 out of 262,144 colors can be displayed simultaneously at the 320×200 resolution, or 8 out of 262,144 colors at the 640×400 resolution.

The Tiki 100 uses a 8-bit RGB palette (also described as 3-3-2 bit RGB), with 3 bits for each of the red and green color components, and 2 bits for the blue component. It supports 3 different resolutions with 256, 512 or 1024 by 256 pixels and 16, 4, or 2 colors respectively (freely selectable from the full 256 color palette).

• List of color palettes
• List of monochrome and RGB color formats
• List of software palettes
• List of video game console palettes
• List of 16-bit computer hardware palettes
• Palette (computing)
• Indexed color
• Color Lookup Table
• Color depth