List of compositions by Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich (Russian: 
Дмитрий Дмитриевич Шостакович , tr. Dmitriy Dmitrievich Shostakovich, pronounced [ˈdmʲitrʲɪj ˈdmʲitrʲɪjɪvʲɪtɕ ʂəstɐˈkovʲɪtɕ]; (25 September [O.S. 12 September] 1906 – 9 August 1975) was a Russian composer and pianist. His orchestral works include 15 symphonies and six concerti. His chamber output includes 15 string quartets, a piano quintet, two piano trios, and two pieces for string octet. His solo piano works include two sonatas, an early set of preludes, and a later set of 24 preludes and fugues. Other works include three operas, several song cycles, ballets, and a substantial quantity of film music, including The Second Waltz, Op. 99, music to the film The First Echelon (1955–1956),[1] as well as the suites of music composed for The Gadfly.
Dmitri Shostakovich in 1950
Shostakovich typically catalogued his compositions and occasionally arrangements of others' music with opus numbers, beginning with the early Scherzo in F-sharp minor. Nevertheless, a significant body of his work, such as his juvenilia, were never given opus numbers. Unfinished works, such as the operas Orango and The Gamblers, were also left without opus numbers. There were also instances when he took the number assigned to a particular work and gave it to another, or was undecided about the numbering of a finished composition. Because of an oversight on his part when compiling his music in the 1930s, his soundtrack to The Youth of Maxim was never given its own opus number. It was only later in 1941 that he designated the score as "Op. 41a," sharing the number with his score to the film Girl Friends.[2]
By genre
Symphonies
- Op. 10: Symphony No. 1 in F minor (1923–1925)
- Op. 14: Symphony No. 2 in B major, To October, for mixed chorus and orchestra (1927)
- Op. 20: Symphony No. 3 in E♭ major, The First of May, for mixed chorus and orchestra (1929)
- Op. 43: Symphony No. 4 in C minor (1935–1936)
- Op. 47: Symphony No. 5 in D minor (1937); appeared subtitled A Soviet Artist’s Practical Creative Reply to Justified Criticism
- Op. 54: Symphony No. 6 in B minor (1939)
- Op. 60: Symphony No. 7 in C major, Leningrad (1941)
- Op. 65: Symphony No. 8 in C minor (1943)
- Op. 70: Symphony No. 9 in E♭ major (1945)
- Op. 93: Symphony No. 10 in E minor (1953)
- Op. 103: Symphony No. 11 in G minor, The Year 1905 (1957)
- Op. 112: Symphony No. 12 in D minor, The Year 1917 (1961)
- Op. 113: Symphony No. 13 in B♭ minor, Babi-Yar, for bass, bass chorus, and orchestra (1962)
- Op. 135: Symphony No. 14, for soprano, bass, string orchestra, and percussion (1969)
- Op. 141: Symphony No. 15 in A major (1971)
Concertos
- Op. 35: Piano Concerto No. 1 in C minor (1933); also known as the Concerto in C minor for Piano, Trumpet, and String Orchestra
- Op. 77: Violin Concerto No. 1 in A minor (1947–1948, originally published as Op. 99)[3]
- Op. 102: Piano Concerto No. 2 in F major (1957)
- Op. 107: Cello Concerto No. 1 in E♭ major (1959)
- Op. 126: Cello Concerto No. 2 in G major (1966)
- Op. 129: Violin Concerto No. 2 in C♯ minor (1967)
Suites
- Op. 15a: Suite from The Nose, for tenor, baritone, and orchestra (1927–1928)
- Op. 22a: Suite from The Age of Gold, for orchestra (1929–1930)
- Op. 27a: Suite from The Bolt, for orchestra (1931)
- Op. 30a: Suite from Golden Mountains, for orchestra (1931)
- Op. 32a: Suite from Hamlet, for small orchestra (1932)
- Op. 36a: Suite from The Tale of the Priest and of His Workman Balda (1935)
- Suite for Jazz Orchestra No. 1 (1934)
- Op. 39a: Suite from The Limpid Stream, for orchestra (1934–1935)
- Op. 50a: Suite from The Maxim Trilogy for orchestra and chorus (1938)
- Suite for Jazz Orchestra No. 2 (3 movements) (1938)
- Op. 64a: Suite from Zoya, for chorus and orchestra (1944)
- Op. 75a: Suite from The Young Guard (1951)
- Op. 76a: Suite from Pirogov, for orchestra (1947)
- Op. 78a: Suite from Michurin, for chorus and orchestra (1964)
- Op. 80a: Suite from Meeting on the Elbe, for voices and orchestra (1948)
- Ballet Suite No. 1, for orchestra (1949, arranged by Levon Atovmyan)
- Ballet Suite No. 2, for orchestra (1951, arranged by Levon Atovmyan)
- Ballet Suite No. 3, for orchestra (1953, arranged by Levon Atovmyan)
- Ballet Suite No. 4, for orchestra (1953, arranged by Levon Atovmyan)
- Op. 85a: Suite from Belinsky, for chorus and orchestra (1960, arranged by Levon Atovmyan)
- Op. 89a: Suite from The Unforgettable Year 1919, for orchestra (1953, arranged by Levon Atovmyan)
- Op. 97a: Suite from The Gadfly, for orchestra (1955, arranged by Levon Atovmyan)
- Op. 99a: Suite from The First Echelon, for chorus and orchestra (1956)
- Suite for Variety Orchestra (8 movements) (post-1956)
- Op. 111a: Suite from Five Days, Five Nights, for orchestra (1961)
- Op. 114a: Suite of Five Fragments from the opera Katarina Izmailova, for orchestra (1963)
- Op. 116a: Suite from Hamlet, for orchestra (1964, arranged by Levon Atovmyan)
- Op. 120a: Suite from A Year Is Like a Lifetime, for orchestra (1965)
Miscellaneous symphonic works
- Op. 1: Scherzo in F♯ minor, for orchestra (1919)
- Op. 3: Theme and Variations in B♭ major, for orchestra (1921–1922)
- Op. 7: Scherzo in E♭ major, for orchestra (1923–1924)
- Op. 23: Overture and Finale to Erwin Dressel's opera Der arme Columbus, for orchestra (1929)
- The Green Company, overture for orchestra (1931)
- Op. 42: Five Fragments, for small orchestra (1935)
- Solemn March, for military band/wind orchestra (1942)
- Three Pieces, for orchestra (1947–1948)
- Op. 96: Festive Overture in A major, for orchestra (1947)
- Op. 111b: Novorossiisk Chimes, the Flame of Eternal Glory, for orchestra (1960)
- Op. 115: Overture on Russian and Kirghiz Folk Themes, for orchestra (1963)
- Op. 130: Funeral-Triumphal Prelude, for orchestra (1967)
- Op. 131: October, symphonic poem in C minor for orchestra (1967)
- Op. 139: March of the Soviet Police, for military band/wind orchestra (1970)
String quartets
- Two Pieces for string quartet (1931) (arranged from Lady Macbeth of the Mtsensk District and from The Golden Age)
- Op. 49: String Quartet No. 1 in C major (1938)
- Op. 68: String Quartet No. 2 in A major (1944)
- Op. 73: String Quartet No. 3 in F major (1946)
- Op. 83: String Quartet No. 4 in D major (1949)
- Op. 92: String Quartet No. 5 in B♭ major (1952)
- Op. 101: String Quartet No. 6 in G major (1956)
- Op. 108: String Quartet No. 7 in F♯ minor (1960)
- Op. 110: String Quartet No. 8 in C minor (1960)
- Quartet Movement in E♭ major (surviving movement of an early version of the String Quartet No. 9; circa 1960)
- Op. 117: String Quartet No. 9 in E♭ major (1964)
- Op. 118: String Quartet No. 10 in A♭ major (1964)
- Op. 122: String Quartet No. 11 in F minor (1966)
- Op. 133: String Quartet No. 12 in D♭ major (1968)
- Op. 138: String Quartet No. 13 in B♭ minor (1970)
- Op. 142: String Quartet No. 14 in F♯ major (1972–1973)
- Op. 144: String Quartet No. 15 in E♭ minor (1974)
Other chamber/instrumental works
- Op. 8: Piano Trio No. 1 in C minor (1923)
- Op. 9: Three Pieces, for cello and piano (1923–1924, lost; a fourth piece may have been destroyed by the composer)
- Op. 11: Two Pieces, for string octet (1924–1925)[4]
- Op. 33 [sic]: Impromptu (Экспромт), for viola and piano (1931)[5]
- Op. 40: Cello Sonata in D minor (1934)
- Op. 40a: Moderato, for cello and piano (1934)
- Op. 57: Piano Quintet in G minor (1940)
- Op. 58i: Polka in F♯ minor, for two harps (1941)
- Op. 67: Piano Trio No. 2 in E minor (1944)
- Op. 134: Violin Sonata (1968)
- Op. 147: Viola Sonata (1975)
Piano
- Op. 2: Eight Preludes (1919–1920)
- Minuet, Prelude, and Intermezzo (1919–1920)
- Murzilka (1920)
- Five Preludes (1920–1921)
- Op. 5: Three Fantastic Dances (1922)
- Op. 6: Suite in F♯ minor for two pianos (1922)
- Op. 12: Sonata No. 1 (1926)
- Op. 13: Aphorisms (1927)
- Op. 34: 24 Preludes (1932–1933)
- Op. 61: Sonata No. 2 in B minor (1943)
- Op. 69: Children's Notebook (1944–1945)
- Merry March for two pianos (1949)
- Op. 87: 24 Preludes and Fugues (1950-1951)
- Dances of the Dolls (1952)
- Op. 94: Concertino in A minor for two pianos (1953)
- Tarantella for two pianos (1954)
- Variations VIII, IX, and XI for the Eleven Variations on a Theme by Glinka (1957)
Operas
- The Gypsies, opera after Pushkin (1919–1920; partially destroyed)
- Op. 15: The Nose, satirical opera in three acts (and an epilogue) after Gogol (1927–1928); also a suite for orchestra (see Op. 15a)
- Op. 29: Lady Macbeth of the Mtsensk District, opera in four acts after Leskov (1930–1934); later revised as Katerina Ismailova (see Op. 114); also a suite for orchestra (see Op. 29a)
- The Big Lightning, comic opera (1932–1933; unfinished)
- Orango, saterial opera in three acts (and a prologue) (1932; unfinished)
- The Twelve Chairs, operetta (1939; unfinished sketches)
- Katyusha Maslova, opera after Tolstoy's novel Resurrection (1940–1941; unfinished sketches)
- The Gamblers, opera after Gogol (1941–1942; unfinished); completion in two acts by Krzysztof Meyer in 1978
- Op. 105: Moscow, Cheryomushki, operetta in three acts (1957–1958); also a film version (see Op. 105a)
- Op. 114: Katerina Ismailova, opera in four acts after Leskov (1956–1963); revision of Lady Macbeth of the Mtsensk District (see Op. 29); also a suite of five entr'actes (see Op. 114a) and a film version
Ballets
- Op. 22: The Golden Age, three acts (1929–1930)
- Op. 27: The Bolt, three acts (1930–1931)
- Op. 39: The Limpid Stream (also translated as The Bright Stream), three acts (1934–1935; some numbers recycled from Op. 27)
- The Lady and the Hooligan, one act (7 scenes) (1962; compiled and arranged from the scores of Ops. 27, 39, 40, 50a, 95, and 97 by Levon Atovmyan)
- The Dreamers, four acts (1975; compiled from the scores of Ops. 22 and 27 by the composer and Sergei Sapozhnikov)
Film scores
- Op. 18: Music to the silent film The New Babylon for small orchestra (1929)
- Op. 26: Music to the film Alone (1930–1931)
- Op. 30: Music to the film Golden Mountains (1931)
- Op. 33: Music to the film Counterplan (1932)
- Op. 36: Music to the animated film The Tale of the Priest and of His Workman Balda for chamber orchestra (1933–1934)
- Op. 38: Music to the film Love and Hate (Russian: Любовь и ненависть) (1934)
- Op. 41: Music to the film Girl Friends (1934–1935)
- Op. 41a: Music to the film The Youth of Maxim (1934–1935)
- Op. 45: Music to the film The Return of Maxim (1936–1937)
- Op. 48: Music to the film Volochayev Days (1936–1937)
- Op. 50: Music to the film The Vyborg Side (1938)
- Op. 51: Music to the film Friends (1938)
- Op. 52: Music to the film The Great Citizen, first part (1938)
- Op. 53: Music to the film The Man with the Gun (1938)
- Op. 55: Music to the film The Great Citizen, second part (1939)
- Op. 56: Music to the animated film The Silly Little Mouse (1939)
- Op. 59: Music to the film The Adventures of Korzinkina (1940)
- Op. 64: Music to the film Zoya (1944)
- Op. 71: Music to the film Simple People (1945)
- Op. 75: Music to the film The Young Guard (1947–1948)
- Op. 76: Music to the film Pirogov (1947)
- Op. 78: Music to the film Michurin (1948)
- Op. 80: Music to the film Meeting on the Elbe for voices and piano (1948)
- Op. 82: Music to the film The Fall of Berlin (1949)
- Op. 85: Music to the film Belinsky for orchestra and chorus (1950)
- Op. 89: Music to the film The Unforgettable Year 1919 (1951)
- Op. 95: Music to the film Song of the Great Rivers (1954)
- Op. 97: Music to the film The Gadfly (1955)
- Op. 99: Music to the film The First Echelon (1955–1956)
- Op. 105a: Music to the film Moscow, Cheryomushki(1962)
- Op. 111: Music to the film Five Days, Five Nights (1960)
- Op. 114b: Music to the film Katerina Izmailova (1966)
- Op. 116: Music to the film Hamlet after Shakespeare for orchestra (1963–1964)
- Op. 120: Music to the film A Year Is Like a Lifetime for orchestra (1965)
- Op. 132: Music to the film Sofiya Perovskaya (1967)
- Op. 137: Music to the film King Lear after Shakespeare (1970)
Incidental music
- Op. 19: Music to the comedy The Bedbug by Mayakovsky (1929)
- Op. 24: Music to the play The Gunshot by Bezymensky (1929)
- Op. 25: Music to the play Virgin Soil by Gorbenko and L'vov (1930)
- Op. 28: Music to the play Rule, Britannia! by Adrian Piotrovsky (1931)
- Op. 31: Music to the stage revue Hypothetically Murdered by Voyevodin and Riss (1931)
- Op. 32: Music to the play Hamlet by Shakespeare (1931–1932)
- Op. 37: Music to the play The Human Comedy after Balzac for small orchestra (1933–1934)
- Op. 44: Music to the play Hail, Spain by Afinogenov (1936)
- Op. 58a: Music to the play King Lear by Shakespeare (1940)
- Op. 63: Music to the spectacle Native Country, suite Native Leningrad (1942)
- Op. 66: Music to the spectacle Russian River for soloists, choir and orchestra (1944)
- Op. 72: Two Songs to the spectacle Victorious Spring after Svetlov for voices and orchestra (1945)
Choral
- The Oath to the People's Commissar for bass, chorus and piano (1941)
- Songs of a Guard's Division ("The Fearless Regiments Are On the Move"), marching song for bass and mixed chorus with simple accompaniment for bayan or piano (1941)
- Russian Folk Songs for chorus (1943)
- Three Russian Folk Songs for two soloists and chorus with piano accompaniment (1943)
- Op. 74: Poem of the Motherland, cantata for mezzo-soprano, tenor, two baritones, chorus and orchestra (1947)
- Rayok (Little Paradise) for four voices, chorus and piano (1948)
- Op. 81: Song of the Forests, oratorio after Dolmatovsky for tenor, bass soli, mixed & boys' chorus and orchestra (1949)
- Op. 86a: The Homeland Hears for chorus and tenor soloist with wordless chorus (1951)
- Op. 88: Ten Poems on Texts by Revolutionary Poets for chorus and boys' chorus a cappella (1951)
- Op. 90: The Sun Shines over Our Motherland, cantata after Dolmatovsky for mixed & boys' chorus and orchestra (1952)
- Op. 104: Cultivation: Two Russian Folk Song Arrangements for chorus a cappella (1957)
- Op. 119: The Execution of Stepan Razin, cantata after Yevtushenko for bass, mixed chorus and orchestra (1964)
- Op. 124: Two Choruses after Davidenko for chorus and orchestra (1962)
- Op. 136: Loyalty, eight ballads after Dolmatovsky for unaccompanied male chorus (1970)
Vocal
- Op. 4: Two Fables of Krylov for mezzo-soprano, female chorus and chamber orchestra (1922)
- Op. 21: Six Romances on Texts by Japanese Poets for tenor and orchestra (1928–1932)
- From Karl Marx to Our Own Days, symphonic poem for solo voices, chorus and orchestra (1932)
- Op. 46: Four Romances on Verses by Pushkin for bass and piano (1936–1937)
- Seven Arrangements of Finnish Folk Songs for soloists (soprano and tenor) and chamber ensemble (1939)
- Op. 62: Six Romances on Verses by English Poets for bass and piano (1942)
- Patriotic Song after Dolmatovsky for voices (1943)
- "Song About the Red Army" after Golodny (1943)
- Op. 79: From Jewish Folk Poetry, song cycle for soprano, contralto, tenor and piano (1948)
- Op. 79a: From Jewish Folk Poetry, song cycle for soprano, contralto, tenor and orchestra (1948)
- Op. 80b: Three Songs from Meeting on the Elbe for voice and piano (1956)
- Op. 84: Two Romances on Verses by Lermontov for male voice and piano (1950)
- Op. 86: Four Songs to Words by Dolmatovsky for voice and piano (1951)
- Op. 91: Four Monologues on Verses by Pushkin for bass and piano (1952)
- Greek Songs for voice and piano (1952–1953)
- Pendozalis, Greek Song for voice and piano (1954)
- October Dawn, song for soloists and chorus (1954)
- Op. 98: Five Romances on Verses by Dolmatovsky for bass and piano (1954)
- Op. 98a: "There Were Kisses", song after Dolmatovsky for voice and piano (1954)
- Op. 100: Spanish Songs for (mezzo)soprano and piano (1956)
- Op. 109: Satires (Pictures of the Past), Five Romances on Verses by Sasha Chorny for soprano and piano (1960) (arranged for voice and orchestra by B. Tishchenko, 1980)
- Op. 121: Five Romances on Texts from the Magazine Krokodil for bass and piano (1965)
- Op. 123: "Preface to the Complete Collection of My Works and Brief Reflections on this Preface" for bass and piano (1966)
- Op. 127: Seven Romances on Poems by Alexander Blok for soprano, violin, cello and piano (1967)
- Op. 128: Romance "Spring, Spring" to Verses by Pushkin for bass and piano (1967)
- Op. 140: Six Romances on Verses by English Poets for bass and chamber orchestra (1971)
- Op. 143: Six Poems by Marina Tsvetayeva, suite for contralto and piano (1973)
- Op. 143a: Six Poems by Marina Tsvetayeva, suite for contralto and orchestra (1973)
- Op. 145: Suite on Verses of Michelangelo Buonarroti for bass and piano (1974)
- Op. 145a: Suite on Verses by Michelangelo Buonarroti for bass and orchestra (1975)
- Op. 146: Four Verses of Captain Lebyadkin to texts by Dostoevsky for bass and piano (1975)
Orchestrations of music by other composers
- Orchestration of I Waited in the Grotto by Rimsky-Korsakov for soprano and orchestra (1921)
- Op. 16: Tahiti-Trot for orchestra (1928)
- Op. 17: Pastorale and Capriccio: Two Pieces by Domenico Scarlatti for wind orchestra (1928)
- Orchestration of The Internationale by Pierre De Geyter (1937)
- Op. 58: Orchestration of the opera Boris Godunov by Modest Mussorgsky (1939–1940)
- Orchestration of Wiener Blut by Johann Strauss II (1940)
- Orchestration of Vergnügungszug by Johann Strauss II (1940)
- Orchestration of 27 Romances and Songs Arrangements (1941)
- Orchestration of Eight British and American Folk Songs for voice(s) and orchestra (1943)
- Orchestration and completion of Rothschild's Violin by Venyamin Fleishman (1944)
- Op. 106: Re-orchestration of Khovanshchina by Modest Mussorgsky (1959)
- Orchestration of Songs and Dances of Death by Modest Mussorgsky for voice and orchestra (1962)
- Op. 125: Re-orchestration of the Cello Concerto in A minor by Robert Schumann (1963)
- Re-orchestration of the Cello Concerto No. 1 by Boris Tishchenko(1969)
- Orchestration of Mephistopheles' Song of the Flea by Ludwig van Beethoven (1975)
Transcriptions of music by other composers
- Reduction for mixed choir and piano four-hands of the Symphony of Psalms by Igor Stravinsky (circa early 1930s)
- Reduction for two pianos of the Symphonie Liturgique by Arthur Honegger (1947)
- Reduction for piano four-hands of the second movement from the Symphony No. 10 by Gustav Mahler (fragment; circa mid 1940s)
In chronological order
| Op. number | Title | Instrumentation | Year | Notes |
|---|---|---|---|---|
| Hymn to Freedom | Piano | 1915-1916 | Same as The Soldier[6] | |
| The Soldier (Ode to Liberty) | Piano | 1915-1917 | Same as Hymn to Freedom[6] | |
| Funeral March in Memory of the Fallen Heroes of the Revolution | Piano | 1919[6] | ||
| 1 | Scherzo in F♯ minor | Orchestra | 1919 (or 1920–1921)[7] | Transcribed for solo piano as Op. 1a |
| The Gypsies, opera after Pushkin | Orchestra | 1919-1920 | Partially destroyed.[6] | |
| In the Forest, trilogy | Piano | 1919-1920[6] | ||
| Two Marzurkas | Piano | 1919-1920[6] | ||
| Polka | Piano | 1919-1920[6] | ||
| Minuet, Prelude and Intermezzo | Piano | 1919-1920 | Incomplete. | |
| 2 | Eight Preludes | Piano | 1919–1920 | Three out of eight were lost. |
| Murzilka | Piano | 1920 (or 1944–1952)[8] | ||
| Piano Sonata in B minor | Piano | 1920–1921 | Partially lost. Slow movement reworked into Piano Trio No. 1 in C minor. Scherzo in F♯ minor orchestration of third movement.[9] | |
| Five Preludes | Piano | 1920-1921 | ||
| 3 | Theme and Variations in B♭ major | Orchestra | 1921-1922 | Transcribed for solo piano as Op. 3a |
| 4 | Two Fables of Krilov | Mezzo-soprano, female chorus and chamber orchestra | 1922 | Transcribed for mezzo-soprano and piano as Op. 4a |
| 5 | Three Fantastic Dances | Piano | 1922 | Shostakovich orchestrated the first dance for a class exercise (unpublished).[10] |
| 6 | Suite in F♯ minor | Two pianos | 1922 | |
| 7 | Scherzo in E♭ major | Orchestra | 1923-1924 | Transcribed for solo piano as Op. 7a |
| 8 | Piano Trio No. 1 in C minor | Piano, violin, and cello | 1923 | |
| 9 | Three Pieces | Cello and piano | 1923-1924 | Lost |
| 10 | Symphony No. 1 in F minor | Orchestra | 1924-1925 | |
| 11 | Two Pieces | String octet[4] | 1924-1925 | |
| 12 | Piano Sonata No. 1 | Piano | 1926 | |
| 13 | Aphorisms, ten pieces | Piano | 1927 | |
| 14 | Symphony No. 2 in B major To October | Orchestra and chorus | 1927 | Shostakovich made a reduction of the choral score for voices and piano |
| 15 | The Nose, opera in three acts after Gogol | Orchestra | 1927-1928 | Shostakovich assembled a suite from The Nose, for tenor, baritone and orchestra as Op. 15a Shostakovich made a reduction of the accompaniment of The Nose for piano |
| 16 | Tahiti Trot | Orchestra | 1928 | |
| 17 | Two Pieces by Scarlatti | Wind orchestra | 1928 | |
| 18 | Music to the silent film The New Babylon | Small orchestra | 1928-1929 | |
| 19 | Music to the comedy The Bedbug by Mayakovsky | Orchestra | 1928-1929 | Shostakovich assembled a suite from The Bedbug for orchestra as Op. 19a Shostakovich arranged the music to The Bedbug for piano as Op. 19b |
| 20 | Symphony No. 3 in E♭ major The First of May | Orchestra with chorus | 1929 | Shostakovich made a reduction of the score for solo piano, including the vocal score of the final chorus as Op. 20a |
| 21 | Six Romances on Texts by Japanese Poets | Tenor and orchestra | 1928-1932 | Arranged for tenor and piano as Op. 21a |
| 22 | The Golden Age, ballet in three acts | Orchestra | 1929-1930 | Shostakovich assembled a suite from The Golden Age for orchestra as Op. 22a Shostakovich extracted the polka from the suite for solo piano as Op. 22b Shostakovich later arranged the same piece for piano four hands in 1962 as Op. 22c |
| 23 | Two Pieces for Erwin Dressel's Opera Armer Columbus | Orchestra | 1929 | |
| 24 | Music to the play The Gunshot by Bezymensky | Orchestra | 1929 | |
| 25 | Music to the play Virgin Soil by Gorbenko and L'vov | Orchestra | 1930 | Lost |
| 26 | Music to the film Alone (Odna) | Orchestra | 1930-1931 | Shostakovich assembled a suite from the music for orchestra as Op. 26a |
| 27 | The Bolt, ballet in three acts | Orchestra | 1930-1931 | Shostakovich assembled a suite from the music for orchestra as Op. 27a |
| 28 | Music to the play Rule, Britannia! by Piotrovsky | Orchestra | 1931 | |
| Two Pieces | String quartet | 1931 | The first movement is an arrangement of Katerina's aria The foal runs after the filly from Lady Macbeth of the Mtsensk District. The second movement is an arrangement of the Polka from the Golden Age. | |
| Overture to The Green Company | Orchestra | 1931 | Possibly not composed by Shostakovich. | |
| Prologue to Orango, an unfinished opera | Orchestra | 1932 | Unfinished. Some material recycled from The Bolt and The Big Lightning.[6] | |
| 29 | Lady Macbeth of the Mtsensk District, opera in four acts after Leskov | Orchestra | 1930–1932 | Shostakovich assembled a suite of orchestral interludes as Op. 29a. Shostakovich arranged the Passacaglia interlude for solo organ. Prompted the highly critical article 'Muddle Instead of Music', published in Pravda magazine, January 1936. |
| Reduction of the Symphony of Psalms by Igor Stravinsky | Mixed choir and piano four-hands | 1930–1935 | Shostakovich presented the score to Stravinsky during the latter's trip to the Soviet Union in 1962. | |
| From Karl Marx to our Own Days, a symphonic poem | Solo voices, chorus and orchestra | 1932 | Incomplete | |
| The Big Lightning, unfinished comic opera | Orchestra, chorus, and vocal soloists | 1932 | ||
| 30 | Music to the film Golden Mountains | Orchestra | 1931 | Shostakovich assembled a suite from the music for orchestra as Op. 30a. This suite contains an added number ("Fugue: Largo-Allegro") for organ concertante that had been excised from the final cut of the film.[11] |
| 31 | Music to the stage revue Hypothetically Murdered by Voyevodin and Riss | Orchestra | 1931 | Orchestral score and libretto lost. Reconstruction from extant piano sketches by Gerard McBurney as Op. 31a. Four extracts transcribed by the composer for piano as Op. 31b. |
| 32 | Music to the play Hamlet by Shakespeare | Orchestra | 1931–1932 | Suite from Hamlet for small orchestra as Op. 32a. |
| 33 [sic] | Impromptu (Экспромт)[5] | Viola and piano | 1931 | The score was discovered in 2017 among documents belonging to Vadim Borisovsky in the Moscow State Archives. The manuscript dated 2 May 1931 bears the title Impromptu Op. 33.[5] |
| 33 | Music to the film Counterplan | Orchestra | 1932 | "Song about the Oncoming Train", "My Heart's Aching and Moaning" were arranged for voice and piano as Op. 33a "We meet this Morning (The Song of the Young Workers)" was arranged for voice and piano as Op. 33b |
| 34 | 24 Preludes | Piano | 1932-1933 | |
| 35 | Piano Concerto No. 1 | Piano, solo trumpet, and strings | 1933 | Shostakovich made a reduction of the concerto for two pianos as Op. 35a |
| 36 | Music to the animated film The Tale of the Priest and of his Workman Balda | Chamber orchestra, chorus, and vocal soloists | 1933–1934 | Unfinished and partially lost. Shostakovich compiled a suite from the music as Op. 36a. Sofia Khentova and Vadim Bibergan have each assembled completions of the original score. |
| 37 | Music to the play The Human Comedy after Balzac | Small orchestra | 1933–1934 | "Gavotte" later arranged for solo piano in Dances of the Dolls. |
| 38 | Music to the film Love and Hate | Orchestra | 1934 | |
| 38a | Suite for Jazz Orchestra No. 1 | Chamber ensemble | 1934 | |
| Symphonic Movement | Orchestra | 1934 | Incomplete draft of earlier version of Fourth Symphony.[6] | |
| 39 | The Limpid Stream, ballet in three acts | Orchestra | 1934–1935 | Suite for orchestra from the music as Op. 39a Moderato from The Limpid Stream for Cello and Piano as Op. 39b |
| 40 | Sonata for Cello and Piano | Cello and piano | 1934 | Moderato for Cello and Piano as Op. 40a |
| 41 | Music to the film The Youth of Maxim | Orchestra | 1934–1935 | |
| 41a | Music to the film Girl Friends | Small orchestra | 1934–1935 | |
| 42 | Five Fragments | Small orchestra | 1935 | |
| 43 | Symphony No. 4 in C minor | Orchestra | 1935–1936 | Arrangement of Symphony No. 4 for two pianos as Op. 43a |
| 44 | Music to the play Hail, Spain by Alexander Afinogenov | Orchestra and chorus | 1935–1936 | |
| 45 | Music to the film The Return of Maxim | Orchestra | 1936–1937 | |
| 46 | Four Romances on Verses by Pushkin | Bass and piano | 1936–1937 | Orchestration (omitting the last song) for bass and orchestra as Op. 46a. |
| 47 | Symphony No. 5 in D minor | Orchestra | 1937 | Reduction of the second movement for solo piano as Op. 47b |
| 48 | Music to the film Volochayev Days | Orchestra | 1936–1937 | |
| The Twelve Chairs, operetta | Orchestra | 1937–1938 | Incomplete | |
| 49 | String Quartet No. 1 in C major | String quartet | 1938 | |
| 50 | Music to the film The Vyborg Side | Orchestra | 1938 | |
| 51 | Music to the film Friends | Orchestra | 1938 | Vocalise from the music arranged for unaccompanied chorus as Op. 51a |
| 52 | Music to the film The Great Citizen, first part | Orchestra | 1938 | |
| 53 | Music to the film The Man with a Gun | Orchestra | 1938 | |
| Suite for Jazz Orchestra No. 2 | Jazz Orchestra | 1938 | Formerly confused with the Suite for Variety Orchestra. | |
| 54 | Symphony No. 6 in B minor | Orchestra | 1939 | |
| 55 | Music to the film The Great Citizen, second part | Orchestra | 1939 | |
| 56 | Music to the animated film The Stupid Little Mouse | Orchestra | 1939 | |
| Suite on Finnish Themes | Soloists, chorus, chamber orchestra, piano | 1939 | ||
| 57 | Piano Quintet in G minor | Piano quintet | 1940 | |
| 58 | Orchestration of the opera Boris Godunov by Mussorgsky | Orchestra | 1939–1940 | |
| Three Pieces | Solo Violin | 1940 | Possibly lost. Originally designated Op. 59.[12] | |
| 59 | Music to the film The Adventures of Korzinkina | Orchestra | 1940 | Assembled into a suite as Op. 59a |
| Katyusha Maslova, opera after Tolstoy's novel Resurrection | Orchestra | 1940 | Unfinished | |
| 58a | Music to the play King Lear by Shakespeare | Orchestra | 1940 | |
| 60 | Symphony No. 7 in C major Leningrad | Orchestra | 1941 | |
| 61 | Piano Sonata No. 2 in B minor | Piano | 1943 | |
| "The Oath to the People's Commissar" | Bass, chorus and piano | 1941 | ||
| "Songs of a Guard's Division" ("The Fearless Regiments Are On the Move"), marching song | Bass and mixed chorus with simple accompaniment for bayan or piano | 1941 | ||
| Polka in F♯ minor | Harp duet | 1941 | ||
| The Gamblers, unfinished opera after Gogol | Orchestra | 1941–1942 | Portions extensively quoted in second movement of Viola Sonata. Originally designated Op. 61. | |
| 62 | Six Romances on Verse by English Poets | Bass and piano | 1942 | Arranged by Shostakovich for large orchestra and bass as Op. 62a; chamber orchestra and bass as Op. 140. |
| 63 | Music to the revue Native Country, suite Native Leningrad | Orchestra | 1942 | |
| Reduction of the second movement from the Symphony No. 10 by Gustav Mahler | Piano four-hands | 1942–1949 | Incomplete. Possibly composed after Jack Diether approached Shostakovich with proposal to complete Mahler's Symphony No. 10. | |
| "Solemn March" | Military band | 1942 | ||
| Patriotic Song after Dolmatovsky | Voices | 1943 | ||
| "Song about the Red Army" after Golodny | Voices | 1943 | ||
| Russian Folk Songs | Chorus | 1943 | ||
| Three Russian Folk Songs | Two soloists, chorus, piano accompaniment | 1943 | ||
| 64 | Music to the film Zoya | Orchestra | 1944 | |
| 65 | Symphony No. 8 in C minor | Orchestra | 1943 | |
| 66 | Music to the spectacle Russian River | Soloists, choir and orchestra | 1944 | |
| 67 | Piano Trio No. 2 in E minor | Piano, violin, cello | 1944 | Dedicated to the memory of Ivan.I.Sollertinsky (1902-1944) |
| 68 | String Quartet No. 2 in A Major | String quartet | 1944 | |
| 69 | Children's Notebook, six pieces | Piano | 1944-1945 | |
| Symphonic Fragment (first version of Symphony No. 9) | Orchestra | January 1945 | Incomplete. | |
| Violin Sonata | Violin and piano | 1945 | Left incomplete after first movement's double exposition. | |
| 70 | Symphony No. 9 in E♭ major | Orchestra | 1945 | Reduction of the piece for piano four hands as Op. 70a |
| 71 | Music to the film Simple People | Orchestra? | 1945 | |
| 72 | Two Songs to the spectacle Victorious Spring after Svetlov | Voices and orchestra | 1945 | Arranged for piano as Op. 72a |
| 73 | String Quartet No. 3 in F major | String quartet | 1946 | |
| 74 | Poem of the Motherland, cantata | Mezzosoprano, tenor, two baritones, chorus and orchestra | 1947 | |
| Reduction of Arthur Honegger’s Symphonie Liturgique | Two pianos | 1947 | Shostakovich produced his reduction after listening to Honegger’s symphony at the 1947 Prague Spring Festival. | |
| 75 | Music to the film The Young Guard | Orchestra | 1947-1948 | |
| 76 | Music to the film Pirogov | Orchestra | 1947 | |
| Three Pieces | Orchestra | 1947-1948 | Unpublished | |
| 77 | Violin Concerto No. 1 in A minor | Violin and orchestra | 1947-1948 | |
| 78 | Music to the film Michurin | Orchestra | 1948 | |
| 79 | From Jewish Folk Poetry, song cycle | Soprano, contralto, tenor and piano | 1948 | Orchestration as Op.79a |
| 80 | Music to the film Encounter at the Elbe | Voices and piano | 1948 | |
| Anti-Formalist Rayok (Peep Show) | Four voices, chorus and piano | 1948 | ||
| 81 | Song of the Forests, oratorio after Dolmatovsky | Tenor, bassoli, mixed & boys' chorus and orchestra | 1949 | |
| 82 | Music to the film The Fall of Berlin | Orchestra | 1949 | |
| 83 | String Quartet No. 4 in D major | String quartet | 1949 | |
| Merry March | Two pianos | 1949 | ||
| 84 | Two Romances on Verses by Lermontov | Male voice and piano | 1950 | |
| 85 | Music to the film Belinsky | Orchestra and chorus | 1950 | |
| 86 | Four Songs to Words by Dolmatovsky | Voice and piano | 1951 | |
| 87 | Twenty-Four Preludes and Fugues | Piano | 1950-1951 | |
| 88 | Ten Poems on Texts by Revolutionary Poets | Chorus and boys' chorus a capella | 1951 | |
| 89 | Music to the film The Unforgettable Year 1919 | Orchestra | (1951) | |
| The Homeland Hears | Chorus and tenor soloist with wordless chorus | 1951 | ||
| Ten Russian Folk Song Arrangements | Soloists, mixed chorus and piano | 1951 | ||
| 90 | The Sun Shines on Our Motherland, cantata after Dolmatovsky | Mixed & boys' chorus and orchestra | 1952 | |
| 91 | Four Monologues on Verses by Pushkin | Bass and piano | 1952 | |
| 92 | String Quartet No. 5 in B♭ major | String quartet | 1952 | |
| Dances of the Dolls | Piano | 1952 | ||
| Greek Songs | Voice and piano | 1952-1953 | ||
| 93 | Symphony No. 10 in E minor | Orchestra | 1953 | |
| 94 | Concertino in A minor | Two pianos | 1953 | |
| 95 | Music to the film Song of the Great Rivers | Orchestra | 1954 | |
| 96 | Festive Overture in A major | Orchestra | 1954 | |
| "Poem of Labour" from Unity | Mixed chorus and orchestra | 1954 | ||
| Two Songs from Unity ("A Song of Unity" and "Peaceful Labour") | Voice and piano | 1954 | ||
| Waltz from Unity | Orchestra | 1954 | ||
| Music to the play Hamlet by Shakespeare | Orchestra | 1954 | Gigue and Finale added to the music from the 1932 production | |
| Pendozalis, Greek song | Voice and piano | 1954 | ||
| October Dawn | Soloists and chorus | 1954 | ||
| Tarantella | Two pianos | 1954 | ||
| 97 | Music to the film The Gadfly, based on the novel by Voynich | Orchestra | 1955 | Assembled into The Gadfly Suite as Op. 97a |
| 98 | Five Romances on Verses by Dolmatovsky | Bass and piano | 1954 | |
| 99 | Music to the film The First Echelon | Orchestra | 1955-1956 | |
| 100 | Spanish Songs | (Mezzo)soprano and piano | 1956 | |
| 101 | String Quartet No. 6 in G major | String quartet | 1956 | |
| Suite for Variety Orchestra | Variety orchestra | post-1956 | ||
| 102 | Piano Concerto No. 2 in F major | Orchestra | 1957 | |
| 103 | Symphony No. 11 in G minor The Year 1905 | Orchestra | 1957 | |
| 104 | Cultivation: Two Russian Folk Song Arrangements | Chorus a capella | 1957 | |
| Eleven Variations on a Theme by Mikhail Glinka | Piano | 1957 | Based on a theme from A Life for the Tsar. Collaborative project with Eugen Kapp, Vissarion Shebalin, Andrei Eshpai, Rodion Shchedrin, Georgi Sviridov, Yuri Levitin, and Dmitry Kabalevsky to commemorate the centennial of Glinka's death. Shostakovich contributed variations VIII, IX, and XI.[13][14] | |
| 105 | Moscow, Cheryomushki, operetta in three acts | Orchestra | 1958 | |
| 106 | Re-orchestration of Mussorgsky's opera Khovanshchina | Orchestra | 1959 | |
| 107 | Cello Concerto No. 1 in E♭ major | Cello and orchestra | 1959 | |
| 108 | String Quartet No. 7 in F♯ minor | String quartet | 1960 | |
| 109 | Satires (Pictures of the Past), Five Romances on Verses by Chorny | Soprano and piano | 1960 | |
| 110 | String Quartet No. 8 in C minor | String quartet | 1960 | |
| 111 | Music to the film Five Days, Five Nights | Orchestra | 1960 | |
| Novorossiysk Chimes, the Flame of Eternal Glory | Orchestra | 1960 | Based on Shostakovich's entry for the 1943 contest to determine the new national anthem of the Soviet Union. | |
| Quartet Movement | String quartet | 1961 | Draft first movement of early version of String Quartet No. 9. Complete score possibly destroyed by the composer. | |
| 112 | Symphony No. 12 in D minor The Year 1917 | Orchestra | 1961 | |
| 113 | Symphony No. 13 in B♭ minor Babi-Yar | Bass, bass chorus and orchestra | 1962 | |
| 114 | Katerina Izamailova, opera in four acts after Leskov | Orchestra | 1956-1963 | Revision of Op. 32 |
| 115 | Overture on Russian and Kirghiz Folk Themes | Orchestra | 1963 | |
| 116 | Music to the film Hamlet | Orchestra | 1963-1964 | |
| 117 | String Quartet No. 9 in E♭ major | String quartet | 1964 | |
| 118 | String Quartet No. 10 in A♭ major | String quartet | 1964 | |
| 119 | The Execution of Stepan Razin, cantata after Yevgeny Yevtushenko | Bass, mixed chorus, and orchestra | 1964 | |
| 120 | Music to the film A Year Is Like a Lifetime | Orchestra | 1965 | |
| 121 | Five Romances on Texts from the Magazine Krokodil | Bass and piano | 1965 | |
| 122 | String Quartet No. 11 in F minor | String quartet | 1966 | |
| 123 | Preface to the Complete Collection of My Works and Brief Reflections on this Preface | Bass and piano | 1966 | |
| 124 | Two Choruses after Davidenko | Chorus and orchestra | 1962 | |
| 125 | Re-scoring of orchestral accompaniment to Schumann's Cello Concerto in A minor | Cello and orchestra | 1963 | |
| 126 | Cello Concerto No. 2 in G minor | Cello and orchestra | 1966 | |
| 127 | Seven Songs on Poems by Alexander Blok | Soprano, violin, cello and piano | 1967 | |
| 128 | Romance "Spring, Spring" to Verses by Pushkin | Bass and piano | 1967 | |
| 129 | Violin Concerto No. 2 in C♯ minor | Violin and orchestra | 1967 | |
| 130 | Funeral-Triumphal Prelude | Orchestra | 1967 | |
| 131 | October, symphonic poem in C minor | Orchestra | 1967 | |
| 132 | Music to the film Sofiya Perovskaya | Orchestra | 1967 | |
| 133 | String Quartet No. 12 in D♭ major | String quartet | 1968 | |
| 134 | Sonata for Violin and Piano | Violin and piano | 1968 | |
| 135 | Symphony No. 14 | Soprano, bass, string orchestra and percussion | 1969 | |
| 136 | Loyalty, eight ballads after Dolmatovsky | Male chorus | 1970 | |
| 137 | Music to the film King Lear | Orchestra | 1970 | |
| 138 | String Quartet No. 13 in B♭ minor | String quartet | 1970 | |
| 139 | March of the Soviet Militia | Military band/Wind orchestra | 1970 | |
| 140 | Six Romances on Verses by English Poets | Bass and chamber orchestra | 1971 | |
| Yelabuga Nail | Voice and piano | 1971[15] | Unpublished setting of poem by Yevtushenko. | |
| 141 | Symphony No. 15 in A major | Orchestra | 1971 | |
| 142 | String Quartet No. 14 in F♯ major | String quartet | 1972-1973 | |
| 143 | Six Poems by Marina Tsvetayeva | Contralto and piano | 1973 | Orchestration as Op.143a |
| 144 | String Quartet No. 15 in E♭ minor | String quartet | 1974 | |
| 145 | Suite on Verses of Michelangelo Buonarroti | Bass and piano | 1974 | Orchestration as Op.145a |
| 146 | Four Verses of Captain Lebyadkin to texts by Dostoevsky | Bass and piano | 1975 | |
| 147 | Sonata for Viola and Piano | Viola and piano | 1975 | Last completed composition by Shostakovich. |
| Symphony No. 16 | Orchestra | 1975 | Possibly a speculation. In Soviet Weekly, April 1976, they reported that Shostakovich's last work had been performed. However, during rehearsals of Op. 145, Shostakovich considered the work his sixteenth symphony.[6] |
See also
- List of symphonies by number
- List of symphonies by name
References
Footnotes
- Pervyy eshelon at IMDb
- Digonskaja, Ol'ga (2010). Fairclough, Pauline (ed.). Shostakovich Studies 2. Cambridge: Cambridge University Press. pp. 71–72. ISBN 978-0521111188.
- Kennedy, Michael; Percy Scholes (1980). The Concise Oxford Dictionary of Music (3rd ed.). London: Oxford University Press. p. 593. ISBN 0-19-311315-5.
- Heyer, 2012. p.22
- "A new work for viola by Shostakovich discovered in Moscow State Archives". The Strad. 26 September 2017. Retrieved 4 October 2017.
- List of works by Shostakovich, sikorski.de
- Digonskaja, Ol'ga (2010). Fairclough, Pauline (ed.). Shostakovich Studies 2. Cambridge: Cambridge University Press. pp. 53–73. ISBN 978-0521111188.
- https://www.sikorski.de/media/files/1/12/190/249/336/8953/schostakowitsch_werkverzeichnis.pdf?src=files/1/12/190/249/336/8953/schostakowitsch_werkverzeichnis.pdf
- Digonskaja, Ol'ga (2010). Fairclough, Pauline (ed.). Shostakovich Studies 2. Cambridge: Cambridge University Press. pp. 53–73. ISBN 978-0521111188.
- Digonskaja, Ol'ga (2010). Fairclough, Pauline (ed.). Shostakovich Studies 2. Cambridge: Cambridge University Press. p. 67. ISBN 978-0521111188.
- https://www.sikorski.de/media/files/1/12/190/249/336/8953/schostakowitsch_werkverzeichnis.pdf?src=files/1/12/190/249/336/8953/schostakowitsch_werkverzeichnis.pdf
- https://www.sikorski.de/media/files/1/12/190/249/336/8953/schostakowitsch_werkverzeichnis.pdf?src=files/1/12/190/249/336/8953/schostakowitsch_werkverzeichnis.pdf
- https://www.worldcat.org/title/11-variations-on-a-theme-by-glinka-for-piano/oclc/23607750
- https://www.sikorski.de/media/files/1/12/190/249/336/8953/schostakowitsch_werkverzeichnis.pdf?src=files/1/12/190/249/336/8953/schostakowitsch_werkverzeichnis.pdf
- Fay, Laurel (1999). Shostakovich: A Life. Oxford: Oxford University Press. p. 209. ISBN 978-0195182514.
Bibliography
- Mark Heyer (2012). Dmitri Dmitrievich Shostakovich (1906-1975) – Catalog of Works (PDF). Sikorski Musikverlage.
- Onno van Rijen (2012). "Opus by Shostakovich". Retrieved 13 June 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.