List of compositions by Karlheinz Stockhausen
A list of compositions by Karlheinz Stockhausen (alphabetical by title—a link to a chronological list is given at the end).
A
- Adieu, for wind quintet (flute, oboe, clarinet, bassoon, and horn), Nr. 21 (1966)
- Alphabet für Liège ("Alphabet for Liège"), Nr. 36 (1972)
- Am Himmel wandre ich ("In the Sky I Am Walking", American Indian Songs), Nr. 361⁄2 (1972)
- Amour, 5 pieces for clarinet, Nr. 44 (1976)
- Atmen gibt das Leben ("Breathing Gives Life"), choral opera with orchestra (or orchestra on tape), Nr. 39 (1974/77)
- Aus den sieben Tagen ("From the Seven Days"), 15 texts for intuitive music (performable separately), Nr. 26 (1968)
- Richtige Dauern ("Right Durations"), for circa 4 players
- Unbegrenzt ("Unlimited"), for ensemble
- Verbindung ("Connection"), for ensemble
- Treffpunkt ("Meeting Point"), for ensemble
- Nachtmusik ("Night Music"), for ensemble
- Abwärts ("Downward"), for ensemble
- Aufwärts ("Upward"), for ensemble
- Oben und Unten ("Above and Below"), theatre piece for a man, a woman, and a child, with 4 instrumentalists
- Intensität ("Intensity"), for ensemble
- Setz die Segel zur Sonne ("Set Sail for the Sun"), for ensemble
- Kommunion ("Communion"), for ensemble
- Litanei ("Litany"), for speaker or speaking choir [Cf. Litanei 97, below]
- Es ("It"), for ensemble
- Goldstaub ("Gold Dust"), for ensemble
- Ankunft ("Arrival"), for speaker or speaking choir
- Ave, for basset horn and alto flute (1984–85)
B
- Balance, for flute, English horn, and bass clarinet (2006–07). See: Klang: Seventh Hour
- Bassetsu, for basset-horn, 2. ex Nr. 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion, Nr. 70
- Bassetsu-Trio, for basset horn, trumpet, and trombone, 3. ex Nr. 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion
C
- Carré ("Square"), for 4 choirs and orchestras, Nr. 10 (1959–60)
- Choral ("Wer uns trug mit Schmerzen in dies Leben" ["Who bore us with pain into this life"]), for a cappella choir, Nr. 1/9 (1950)
- Chöre für Doris ("Choruses for Doris"), for a cappella choir, Nr. 1/11 (1950)
- Cosmic Pulses, electronic music. See: Klang: Thirteenth Hour
D
- Dienstag aus Licht (see: Licht, below)
- Dr K–Sextett, for flute, bass clarinet, percussionist (tubular chimes and vibraphone), piano, viola, and cello, Nr. 28 (1968–69)
- Donnerstag aus Licht (see: Licht, below)
- Drachenkampf ("Dragon Fight"), for trumpet, trombone, percussion and synthesizer player, 1. ex 501⁄2, from Festival, scene 1 of act 3 (Michaels Heimkehr) of Donnerstag aus Licht (1980/87)
- Drei Lieder ("Three Songs"), for alto voice and chamber orchestra, Nr. 1/10 (1950)
E
- Entführung ("Abduction"), for piccolo solo, or for soprano saxophone and electronic and concrete music, 1. ex Nr. 582⁄3, from Montag aus Licht (1986)
- Erwachen ("Awakening"), for soprano saxophone, trumpet, and cello (2007). See: Klang: Twelfth Hour
- Elufa for basset-horn, flute / electronic music ad lib., 9. ex Nr. 64 (1991)
- Ensemble, group-composition project, with twelve other composers, not assigned a work number (1967)
- Etude, musique concrète, Nr. 1⁄5 (1952)
- Europa-Gruss ("Europe Greeting"), for winds and synthesizers, Nr. 72 (1992/2002)
- Expo, for 3 players or singers with 3 short-wave receivers, Nr. 31 (1969–70)
- Electronic Music with Sound Scenes of Friday from Light, (1991–94)
F
- Flautina, for flute with piccolo and alto flute, ex Nr. 561⁄2 (1989)
- Freia, for flute ex 91⁄2 Nr. 64 (1991)
- Formel ("Formula"), for small orchestra, Nr. 1⁄6 (1951)
- Fresco, for 4 orchestral groups, Nr. 29 (1969)
- Freitag aus Licht (see: Licht, below)
- Freude ("Joy"), for two harps. See: Klang: Second Hour
- Für kommende Zeiten ("For Times to Come"), 17 texts for intuitive music, Nr. 33 (1968–70)
- Übereinstimmung ("Unanimity"), for ensemble
- Verlängerung ("Elongation")
- Verkürzung ("Shortening")
- Über die Grenze ("Across the Boundary"), for small ensemble
- Kommunikation ("Communication"), for small ensemble
- Intervall ("Interval"), for piano four-hands
- Außerhalb ("Outside'), for small ensemble
- Innerhalb ("Inside"), for small ensemble
- Anhalt ("Halt"), for small ensemble
- Schwingung ("Vibration"), for ensemble
- Spektren ("Spectra"), for small ensemble
- Wellen ("Waves"), for ensemble
- Zugvogel ("Bird of Passage"), for ensemble
- Vorahnung ("Presentiment"), for 4–7 interpreters
- Japan, for ensemble
- Wach ("Awake"), for ensemble
- Ceylon, for small ensemble
G
- Gesang der Jünglinge ("Song of the Youths"), electronic and concrete music, Nr. 8 (1955–56)
- Geburts-Fest ("Festival of Birth"), choir music with sound scenes for choir a cappella and tape, ex Nr. 56, from act 1 of Montag aus Licht (1987)
- Glück ("Bliss"), for oboe, English horn, and bassoon (2007). See: Klang: Eighth Hour
- Gruppen ("Groups"), for 3 orchestras, Nr. 6 (1955–57)
H
- Halt, for trumpet in B-flat and double-bass (1978/83), from Michaels Reise um die Erde
- Harlekin ("Harlequin"), for clarinet, Nr. 42 (1975)
- Der kleine Harlekin ("The Little Harlequin"), for clarinet, Nr. 421⁄2 (1975)
- Harmonien ("Harmonies"), see: Klang: Fifth Hour
- Helikopter-Streichquartett ("Helicopter String Quartet"), for string quartet and 4 helicopters, Nr. 69 (1992–93) [Scene 3 of Mittwoch aus Licht]
- Herbstmusik ("Autumn Music"), musical theatre for 4 performers, Nr. 40 (1974)
- Laub und Regen ("Leaves and Rain"), duet for clarinet and viola, Nr. 401⁄2
- Himmelfahrt ("Ascension"), see: Klang: First Hour
- Himmels-Tür ("Heaven's Door"), see: Klang: Fourth Hour
- Hoffnung ("Hope"), for violin, viola, and cello (2007). See: Klang: Ninth Hour
- Hymnen ("Anthems"), 4-channel electronic and concrete music, Nr. 22 (1966–67)
I
- In Freundschaft ("In Friendship"), for clarinet, Nr. 46 (1977)
- In Freundschaft, for flute, Nr. 461⁄2
- In Freundschaft, for oboe, Nr. 462⁄3
- In Freundschaft, for bassoon, Nr. 463⁄4
- In Freundschaft, for bassett-horn or bass clarinet, Nr. 464/5
- In Freundschaft, for violin, Nr. 465/6
- In Freundschaft, for viola, Nr. 466/7
- In Freundschaft, for violoncello or double bass, Nr. 467/8
- In Freundschaft, for saxophone, Nr. 469/10
- In Freundschaft, for trumpet in E-flat (with fourth-attachment), Nr. 4610/11
- In Freundschaft, for horn, Nr. 4611/12
- In Freundschaft, for trombone, Nr. 4612/13
- In Freundschaft, for tuba, Nr. 4613/14
- In Freundschaft, for recorder, Nr. 4614/15
- Inori: Adorations for One or Two Soloists with Orchestra, Nr. 38 (1973–74)
- Vortrag über HU ("Lecture on HU"), musical analysis of Inori, for a singer, Nr. 381⁄2 (1974)
J
- Jubiläum ("Jubilee"), for orchestra, Nr. 45 (1977)
K
- Katikati, for flute, Nr. 85.2 extra (2006)
- Der Kinderfänger (The Pied Piper) with Entführung (Abduction), scenes 2 and 3 from Evas Zauber (act 3 of Montag aus Licht) (1986), two versions:
- Nr. 58 2⁄3, for alto flute with piccolo, children's choir, modern orchestra (3 synthesizer players, percussionist, and tape), with basset-horn ad lib.
- Nr. 58 2⁄3 ossia, as either a solo for alto flute with piccolo, two synthesizer players, one percussionist, and tape, or a solo for alto flute with piccolo and tape
- Kinntanz ("Chin Dance"), 10. ex Nr. 53, from Luzifers Tanz, scene 3 from Samstag aus Licht (1983), 2 versions:
- for euphonium, one percussionist, one synthesizer player (1 transmitter, 6 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist), or
- euphonium, one percussionist, alto trombone, tenor horns (or baritones), and tubas (1 transmitter, 6 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist)
- Klang ("Sound", the 24 Hours of the Day), Nr. 81–101 (2004–2007)
- First Hour: Himmelfahrt (Ascension), for organ (or synthesizer), soprano, and tenor, Nr. 81 (2004–05)
- Second Hour: Freude (Joy), for 2 harps, Nr. 82 (2005)
- Third Hour: Natürliche Dauern 1–24 (Natural Durations 1–24), for piano, Nr. 83 (2005–06)
- Fourth Hour: Himmels-Tur (Heaven's Door), for a percussionist and a little girl, Nr. 84 (2005)
- Fifth Hour: Harmonien (Harmonies), Nr. 85, versions for:
- bass clarinet, Nr. 85.1 (2006)
- flute, Nr. 85.2 (2006)
- trumpet, Nr. 85.3 (2006)
- Sixth Hour: Schönheit (Beauty), for flute, bass clarinet, and trumpet, Nr. 86 (2006)
- Seventh Hour: Balance, for flute, English horn, and bass clarinet, Nr. 87 (2007)
- Eighth Hour: Glück (Bliss), for oboe, English horn, and bassoon, Nr. 88 (2007)
- Ninth Hour: Hoffnung (Hope), for violin, viola, and cello, Nr. 89 (2007)
- Tenth Hour: Glanz (Brilliance), for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90 (2007)
- Eleventh Hour: Treue (Fidelity), for E-flat clarinet, basset horn, and bass clarinet, Nr. 91 (2007)
- Twelfth Hour: Erwachen (Awakening), for soprano saxophone, trumpet, and cello, Nr. 92 (2007)
- Thirteenth Hour: Cosmic Pulses, electronic music, Nr. 93 (2006–07)
- Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94 (2007)
- Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95 (2007)
- Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96 (2007)
- Seventeenth Hour: Nebadon, for horn and electronic music, Nr. 97 (2007)
- Eighteenth Hour: Jerusem, for tenor and electronic music, Nr. 98 (2007)
- Nineteenth Hour: Urantia, for soprano and electronic music, Nr. 99 (2007)
- Twentieth Hour: Edentia, for soprano saxophone and electronic music, Nr. 100 (2007)
- Twenty-first Hour: Paradies (Paradise), for flute and electronic music, Nr. 101 (2007)
- Klavierstücke ("Piano Pieces")
- Klavierstücke I–IV, Nr. 2 (1952)
- Klavierstücke V–X, Nr. 4 (1954–55/61)
- Klavierstück XI, Nr. 7 (1956)
- Klavierstück XII, ex Nr. 493⁄4 (1979/83)
- Klavierstück XIII, Nr. 511⁄2 (1981)
- Klavierstück XIV, ex Nr. 572⁄3 (1984)
- Synthi-Fou (Klavierstück XV), ex Nr. 612⁄3
- Klavierstück XVI, Nr. 631⁄2 (1995)
- Klavierstück XVII, 71⁄2 ex Nr. 64 (1994/99)
- Klavierstück XVIII, Nr. 732⁄3 (2004)
- Klavierstück XIX, Nr. 80 (2001/2003)
- Knabenduett ("Boys' Duet"), for 2 soprano saxophones, 2. ex Nr. 501⁄2, from Festival, scene 1 of act 3 of Donnerstag aus Licht (1980)
- Komet ("Comet"), version for a percussionist, electronic and concrete music, sound projectionist, 72⁄3 ex Nr. 64 (1994/99)
- Komet als Klavierstück XVII, for electronic piano (synthesizer), electronic and concrete music, sound projectionist, 71⁄2 ex Nr. 64 (1994/99) (see: Klavierstücke)
- Kontakte ("Contacts"), for electronic sounds, Nr. 12 (1958–60)
- Kontra-Punkte ("Counter-Points"), for 10 instruments, Nr. 1 (1952–53)
- Kreuzspiel ("Crossplay"), for oboe, bass clarinet, piano, and 3 percussionists, Nr. 1/7 (1951)
- Kurzwellen ("Short Waves"), for 6 players with live electronics, plus sound director, Nr. 25 (1968)
L
- Licht ("Light"), Nr. 47–80 (1977–2003)
- Jahreslauf ("Course of the Years"), Nr. 47 (1977/91)
- Donnerstag aus Licht ("Thursday from Light"), opera in three acts, a greeting, and a farewell, Nr. 48–50 (1978–80)
- Michaels Reise um die Erde ("Michael's Journey Round the Earth"), Nr. 48 (1978)
- Donnerstags-Gruß ("Thursday's Greeting"), Nr. 481⁄2 (1978)
- Michaels Jugend ("Michael's Youth"), Nr. 49 (1978–79)
- Michaels Heimkehr ("Michael's Homecoming"), Nr. 50 (1980)
- Donnerstags-Abschied ("Thursday's Farewell"), Nr. 503⁄4 (1980)
- Samstag aus Licht ("Saturday from Light"), opera in a greeting and four scenes, Nr. 51–54 (1981–84)
- Luzifers Traum ("Lucifer's Dream"), Nr. 51 (1981)
- Kathinkas Gesang als Luzifers Requiem ("Kathinka's Chant as Lucifer's Requiem"), Nr. 52 (1982–83)
- Luzifers Tanz ("Lucifer's Dance"), Nr. 53 (1983)
- Samstags-Gruss ("Saturday's Greeting"), Nr. 531⁄2 (1984)
- Luzifers Abschied ("Lucifer's Farewell"), Nr. 54 (1982)
- Montag aus Licht ("Monday from Light"), opera in three acts, a greeting, and a farewell, Nr. 55–59 (1984–88)
- Montags-Gruß (Evas-Gruss), for multiple basset-horns and electronic keyboard instruments, Nr. 55 (1986/88)
- Evas Erstgeburt, Nr. 56 (1987)
- Evas Zweitgeburt, Nr. 57 (1984–87)
- Evas Zauber, Nr. 58 (1984–86)
- Montags-Abschied, Nr. 59 (1986/88)
- Dienstag aus Licht, opera in a greeting and two acts (with a farewell), Nr. 47, 60–61 (1977/87–91)
- Dienstags-Gruß, Nr. 60 (1987–88)
- Jahreslauf vom Dienstag, Nr. 47 (1977/91)
- Invasion-Explosion mit Abschied, Nr. 61 (1990–91)
- Freitag aus Licht, opera in a greeting, two acts, and a farewell, Nr. 62–64 (1991–94)
- Freitags-Gruss and Freitags-Abschied (concert title: Weltraum ("Outer Space"), electronic music, Nr. 62 (1991/92/94)
- Paare vom Freitag, Nr. 63 (1992/99)
- Freitag-Versuchung, Nr. 64 (1991–94)
- Mittwoch aus Licht ("Wednesday from Light"), opera in a greeting, four scenes, and a farewell, Nr. 65–71 (1995–98)
- Mittwochs-Gruss ("Wednesday's Greeting"), Nr. 65 (1998)
- Welt-Parlament ("World Parliament"), Nr. 66 (1995)
- Orchester-Finalisten ("Orchestra Finalists"), Nr. 68 (1995–96)
- Helikopter-Streichquartett ("Helicopter String Quartet"), Nr. 69 (1992–93)
- Michaelion, Nr. 70 (1997)
- Mittwochs-Abschied ("Wednesday's Farewell"), Nr. 71 (1996)
- Sonntag aus Licht ("Sunday from Light"), Nr. 75–80 (1998–2003)
- Lichter-Wasser ("Lights-Waters"), Nr. 75 (1998–99)
- Engel-Prozessionen ("Angel Processions"), Nr. 76 (2000)
- Licht-Bilder ("Light-Pictures"), Nr. 77 (2002)
- Düfte-Zeichen ("Scents-Signs"), Nr. 78 (2002)
- Hoch-Zeiten ("High-Times"), Nr. 79 (2001–2002)
- Sonntags-Abschied ("Sunday's Farewell"), Nr. 80 (2001/2003)
- Licht-Ruf ("Light Call"), for trumpet, basset horn, and trombone, or other instruments, Nr. 67 (1995)
- Linker Augenbrauentanz ("Left-Eyebrow Dance"), for flutes and basset horn(s), one percussionist, and one synthesizer player, 1. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
- Linker Augentanz ("Left-Eye Dance") for saxophones, synthesizer and percussion, 3. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983/90)
- Litanei 97 ("Litany 97"), for choir with conductor, Nr. 74 (1997)
M
- Mantra, for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970)
- Menschen, hört ("Mankind, Hear"), for vocal sextet (SSATBB, with 6 microphones, 6 or 2 × 2 loudspeakers, mixing desk and sound projectionist), 4. ex Nr. 70, from Michaelion, scene 4 from Mittwoch aus Licht (1997)
- Mikrophonie I, for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964)
- Mikrophonie II, for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17 (1965)
- Mittwoch aus Licht (see: Licht, above)
- Mittwoch-Formel ("Wednesday Formula"), Nr. 731⁄2, for percussion trio (2004)
- Mixtur ("Mixture"), for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964)
- Mixtur, version for small orchestra, Nr. 161⁄2 (1964/67)
- Mixtur 2003, for 5 instrumental groups, 4 sinewave-generator players, 4 sound mixers with 4 ring modulators, and sound director, Nr. 162⁄3 (1964/67/2003)
- Momente ("Moments"), for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (1962–64/69)
- Montag aus Licht (see: Licht, above)
- Musik für ein Haus, group-composition project, with fourteen other composers, not assigned a work number (1968)
- Musik im Bauch ("Music in the Belly"), for 6 percussionists and music boxes, Nr. 41 (1975)
N
- Nasenflügeltanz ("Wing-of-the-Nose Dance"), for solo percussionist, or for percussionist with a synthesizer player, 7. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
- Natürliche Dauern ("Natural Durations"), for piano. See: Klang: Third Hour
O
- Oberlippentanz ("Upper-Lip Dance"), for piccolo trumpet, trombone or euphonium, 4 or 8 horns, 2 percussionists (with 2 transmitters, 10 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist), or as solo for piccolo trumpet 8. ex Nr. 53, cadenza from Luzifers Tanz, scene 3 from Samstag aus Licht (1983)
- Oktophonie ("Octophony"), electronic music of Tuesday from Light, 1. ex Nr. 61 (1990/91)
- Originale ("Originals"), musical theatre, Nr. 122⁄3 (1961) [Cf. Kontakte, above]
P
- Paare vom Freitag ("Couples of Friday") with soprano, bass, electronic instruments (tape) Nr. 63 (1992/99)
- Pietà, for flugelhorn and electronic music, or for flugelhorn, soprano, and electronic music, Nr. 611⁄2, from act 2 of Dienstag aus Licht (1990/91)
- Plus-Minus, 2 x 7 pages for realization, Nr. 14 (1963)
- Pole ("Poles"), for 2 players or singers with 2 short-wave radios, Nr. 30 (1969–70)
- Prozession ("Procession"), for 6 players with live electronics, Nr. 23 (1967)
- Punkte ("Points"), for orchestra, Nr. 1⁄2 (1952/62/66/93)
Q
- Quitt ("Even"), for alto flute, clarinet, and trumpet, 1. ex Nr. 59 (1989)
R
- Rechter Augenbrauentanz ("Right-Eyebrow Dance"), for clarinets, bass clarinet(s), one percussionist, and one synthesizer player (with c. 8 microphones, 2 × 2 loudspeakers, mixing desk, and sound projectionist), 2. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983/2003)
- Rechter Augentanz ("Right-Eye Dance"), for oboes, cor anglais, bassoons, one percussionist, and one synthesizer player, 4. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
- Rechter Backentanz ("Right-Cheek Dance"), for trumpets, trombones, one percussionist, and one synthesizer player, 6. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
- Refrain, for piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and celesta (+ 3 antique cymbals), Nr. 11 (1959)
- 3 x Refrain 2000, for sampler-celesta (+ 3 antique cymbals), piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and sound director, Nr. 111⁄2 (2000)
- Rotary Wind Quintet, for flute, oboe, clarinet, bassoon, and horn, Nr. 701⁄2 (1997)
S
- Samstag aus Licht (see: Licht, above)
- Saxophon (aus Jahreslauf), for soprano saxophone and bongo, or soprano saxophone alone, 2. ex Nr. 47, (1977) from Dienstag aus Licht
- Schlagtrio ("Percussive Trio") [originally Schlagquartett], for piano and 2 x 3 [originally 3 x 2] timpani, Nr. 1⁄3 (1952)
- Schönheit ("Beauty"), for flute, bass clarinet, and trumpet (2006–2007). See: Klang: Sixth Hour
- Signale zur Invasion ("Signals to Invasion"), for trombone and electronic music or for trombone alone, 2. ex Nr. 61, from Dienstag aus Licht (1992)
- Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (1975–77)
- Sirius, electronic music alone, four versions:
- Spring version, 1. ex Nr. 43
- Summer version, 2. ex Nr. 43
- Fall version, 3. ex Nr. 43
- Winter version, 4. ex Nr. 43
- Aries, for trumpet and electronic music, Nr. 431⁄2 (1977/80)
- Libra, for bass clarinet and electronic music, Nr. 432⁄3 (1977)
- Capricorn, for bass and electronic music, Nr. 433⁄4 (1977)
- Sirius, electronic music alone, four versions:
- Solo, for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers), Nr. 19 (1965–66)
- Sonatine, for violin and piano, Nr. 1⁄8 (1951)
- Sonntag aus Licht (see: Licht, above)
- Spiel ("Play"), for orchestra, Nr. 1⁄4 (1952)
- Spiral, for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968)
- Sternklang ("Star Sound"), park music for five groups, Nr. 34 (1971)
- Stimmung ("Tuning"), for 6 vocalists, Nr. 24 (1968)
- Stimmung "Paris Version", for 6 vocalists, 6 microphones, 6 loudspeakers, and sound director, Nr. 241⁄2 (1968)
- Stop, for small orchestra in 6 groups, Nr. 18 (1965)
- Stop, "Paris Version", Nr. 181⁄2 (1969)
- Stop und Start, for 6 instrumental groups, Nr. 182⁄3 (2001)
- Strahlen ("Rays"), for a percussionist and ten-channel sound recording, Nr. 801⁄2 (2002)
- Studie I ("Study I"), electronic music, Nr. 3/I (1953)
- Studie II ("Study II"), electronic music, Nr. 3/II (1954)
- Sukat, for alto flute and basset-horn, 2. ex Nr. 60 (1989)
T
- Telemusik, electronic and concrete music, Nr. 20 (1966)
- Thinki, for flute, 1. ex Nr. 70 (1997)
- Tierkreis ("Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. 411⁄2 (1974–75)
- Tierkreis, for high soprano or high tenor, Nr. 412⁄3
- Tierkreis, for soprano or tenor, Nr. 413⁄4
- Tierkreis, for mezzo-soprano or alto or low tenor, Nr. 414⁄5
- Tierkreis, for baritone, Nr. 415⁄6
- Tierkreis, for bass, Nr. 416/7
- Tierkreis, for chamber orchestra, Nr. 41 7/8 (1974/77)
- Tierkreis, for clarinet and piano, Nr. 41 8/9 (1974/81)
- Tierkreis, trio version, Nr. 41 9/10 (1974/83)
- Tierkreis, 2003 version, for tenor or soprano and chordal instrument, Nr. 41 10/11 (1974/2003)
- Fünf Sternzeichen, for orchestra, Nr. 41 11/12 (1974/2004)
- Fünf weitere Sternzeichen, for orchestra, Nr. 41 12/13 (1974/2007)
- Taurus, for bassoon, 1. ex Nr. 41 12/13 (1974/2007)
- Taurus-Quintett, for tuba, trumpet, bassoon, horn, and trombone, 2. ex Nr. 41 12/13 (1974/2007)
- Trans, for orchestra and tape, Nr. 35 (1971)
- Traum-Formel ("Dream Formula"), for basset-horn, Nr. 512⁄3 (1981)
- Treue ("Fidelity"), for E♭ clarinet, basset horn, and bass clarinet (2007). See: Klang: Eleventh Hour
- Trumpetent (or Trompetent), for 4 trumpeters, Nr. 73 (1995)
- Türin, for door (German: Tür), rin, and speaker (versions in German and English), with electronics, Nr. 84 extra (2006)
- Two Couples, electronic and concrete music, Nr. 63 2⁄3 (1992/99)
U
- Unsichtbare Chöre ("Invisible Choirs"), 16-channel recording of a cappella choir, for 8-channel playback, ex Nr. 79 (1979)
V
- Vibra-Elufa, for vibraphone, 93⁄4 ex Nr. 64 (2003)
W
- Weltraum ("Outer Space"), electronic music, Nr. 62 (1991–92/94) see: Licht: Freitags-Gruss and Freitags-Abschied, above.
- Wochenkreis ("Cycle of the Week"), for basset-horn and electronic keyboard instruments, 2. ex Nr. 573⁄4 (1986/88)
X
Y
Z
- Zeitmaße ("Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955–56)
- Zungenspitzentanz ("Tip-of-the-Tongue Dance") for piccolo flute, dancer (optional) 2 euphoniums or synthesizer, 1 percussionist (optional) (plus 1 transmitter, 5 microphones, 2 x 2 loudspeakers, mixing desk and sound projectionist), or as piccolo solo, 9. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
- Zyklus ("Cycle"), for a percussionist, Nr. 9 (1959)
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