List of concert arias, songs and canons by Wolfgang Amadeus Mozart
This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.
Arias, canzonettas, cavatinas
Soprano
| K1 | K6 | Composition, score and critical report (NMA) | Librettist | Date |
|---|---|---|---|---|
| 23 | "Conservati fedele" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Artaserse I,1 | October 1765 | |
| 70 | 61c | "A Berenice … Sol nascente" (Score/Crit. report) Recitative and aria (Licenza) for soprano and orchestra | unknown | 28 February 1767 or 1769 |
| 77 | 73e | "Misero me! … Misero pargoletto" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio, Demofoonte III, 4&5 | March 12, 1770 |
| 78 | 73b | "Per pietà, bell'idol mio" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Artaserse I,5 | 1766, or Count Firmian's audition party, Milan, March 12, 1770 |
| 79 | 73d | "O temerario Arbace! … Per quel paterno amplesso" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio, Artaserse II,11 | 1766, or Count Firmian's audition party, Milan, March 12, 1770 |
| deest | "Cara, se le mie pene" (Score/Crit. report) Aria for soprano, 2 horns, violin, viola & bass | unknown | 1769 | |
| 82 | 73o | "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra | Metastasio | 25 April 1770 |
| 83 | 73p | "Se tutti i mali miei" (Score/Crit. report) Aria for soprano and orchestra | Metastasio | 1770 |
| 88 | 73c | "Fra cento affanni e cento" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Artaserse I,2 | 1770 |
| 119 | 382h | "Der Liebe himmlisches Gefühl" (Score/Crit. report) Aria for soprano and orchestra (piano reduction) This is possibly (Kunze) the aria for Gretl Marchard from K. deest | unknown | 1782 |
| 152 | 210a | "Ridente la calma" (Score/Crit. report) Aria (canzonetta) for voice and piano arrangement of Josef Mysliveček's aria from Armida | Giovanni Ambrogio Migliavacca | between 1772 and 1775 |
| 178 | 417e | "Ah, spiegarti, oh Dio" (Score/Crit. report) Aria for soprano and orchestra (piano reduction) | unknown | June 1783 |
| 217 | "Voi avete un cor fedele" (Score/Crit. report) Aria for soprano and orchestra | Carlo Goldoni | 26 October 1775 | |
| 272 | "Ah, lo previdi! … Ah, t'invola … Deh, non varcar" (Score/Crit. report) Recitative, aria and cavatina for soprano and orchestra | Vittorio Amedeo Cigna-Santi | August 1777 | |
| 294 | "Alcandro, Io confesso … Non sò d'onde viene" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio L'Olimpiade III,6 | 24 February 1778 | |
| 316 | 300b | "Popoli di Tessaglia! … Io non chiedo, eterni Dei" (Score/Crit. report) Recitative and aria for soprano and orchestra | Ranieri de' Calzabigi | 8 January 1779 |
| 368 | "Ma che vi fece, o stelle … Sperai vicino il lido" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio | January 1781 | |
| 369 | "Misera, dove son! … Ah! non son io che parlo" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio | 8 March 1781 | |
| 374 | "A questo seno deh vieni … Or che il cielo a me ti rende" (Score/Crit. report) Recitative and aria for soprano and orchestra | Giovanni de Gamerra | April 1781 | |
| 383 | "Nehmt meinen Dank, ihr holden Gönner!" (Score/Crit. report) Aria for soprano and orchestra | unknown | 10 April 1782 | |
| 416 | "Mia speranza adorata! … Ah, non sai qual pena" (Score/Crit. report) Recitavo and aria (rondo) for soprano and orchestra | Gaetano Sertor | 8 January 1783 | |
| 418 | "Vorrei spiegarvi, oh Dio!" (Score/Crit. report) Aria for soprano and orchestra | unknown | 20 June 1783 | |
| 419 | "No, che non sei capace" (Score/Crit. report) Aria for soprano and orchestra | unknown | June 1783 | |
| 440 | 383h | "In te spero, oh sposo amato" (Score/Crit. report) Aria for soprano and orchestra (sketch) | Metastasio | February 1782 |
| 486a | 295a | "Basta, vincesti … Ah, non lasciarmi, no" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio | 28 February 1778 |
| 505 | "Ch'io mi scordi di te? … Non temer, amato bene" (Score/Crit. report) Recitative and aria (rondo) for soprano, piano obbligato and orchestra | unknown | 26 December 1786 | |
| 528 | "Bella mia fiamma, addio! ... Resta, oh cara!" (Score/Crit. report) | D. Michele Sarcone | 3 November 1787 | |
| 538 | "Ah se in ciel, benigne stelle" Aria for soprano and orchestra | Metastasio | 4 March 1788 | |
| 569 | "Ohne Zwang aus eignem Triebe" (lost) Aria for soprano | Michel-Jean Sedaine, Le roi et le fermier, tr. Johann Heinrich Faber[1] | January 1789 | |
| 577 | "Al desio di chi t'adora" (Score) Replacement aria for soprano and orchestra in The Marriage of Figaro | Lorenzo Da Ponte | 1789 | |
| 578 | "Alma grande e nobil core" (Score/Crit. report) Aria for soprano and orchestra | Giuseppe Palomba | August 1789 | |
| 579 | "Un moto di gioia mi sento" (Score) Replacement aria for soprano and orchestra in The Marriage of Figaro | Lorenzo Da Ponte | 1789 | |
| 580 | "Schon lacht der holde Frühling" (Score/Crit. report) Aria for soprano and orchestra | unknown | 17 September 1789 | |
| 582 | "Chi sà, chi sà, qual sia" (Score/Crit. report) Aria for soprano and orchestra | Lorenzo Da Ponte | October 1789 | |
| 583 | "Vado, ma dove? oh Dei!" (Score/Crit. report) Aria for soprano and orchestra | Lorenzo Da Ponte | October 1789 | |
| 74b | "Non curo l'affetto" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Demofoonte I,7 | early 1771 |
Contralto
| K1 | K6 | Composition, score and critical report (NMA) | Librettist | Date |
|---|---|---|---|---|
| 255 | "Ombra felice! … Io ti lascio" (Score/Crit. report) Recitative and aria (rondo) for contralto and orchestra | Giovanni de Gamerra | September 1776 |
Tenor
| K1 | K6 | Composition, score and critical report (NMA) | Librettist | Date |
|---|---|---|---|---|
| 21 | 19c | "Va, dal furor portata" (Score/Crit. report) Aria for tenor and orchestra | Metastasio | 1765 |
| 36 | 33i | "Or che il dover – Tali e cotanti sono" (Score/Crit. report) Recitative and aria for tenor and orchestra | unknown | December 1766 |
| 71 | "Ah, più tremar non voglio" (Score/Crit. report) Aria for tenor and orchestra (fragment) | Metastasio | 1769 or 1770 | |
| 209 | "Si mostra la sorte" (Score/Crit. report) Aria for tenor and orchestra | unknown | 19 May 1775 | |
| 210 | "Con ossequio, con rispetto" (Score/Crit. report) Aria for tenor and orchestra | unknown | May 1775 | |
| 256 | "Clarice cara mia sposa" (Score/Crit. report) Aria for tenor and orchestra | unknown | September 1776 | |
| 295 | "Se al labbro mio non credi" (Score/Crit. report) Aria for tenor and orchestra | Antonio Salvi | 28 February 1778 | |
| 420 | "Per pietà, non ricercate" (Score/Crit. report) Aria (rondo) for tenor and orchestra | unknown | 21 June 1783 | |
| 431 | 425b | "Misero! O sogno … Aura, che intorno spiri" (Score/Crit. report) Recitative and aria for tenor and orchestra | unknown | December 1783 |
| 435 | 416b | "Müßt' ich auch durch tausend Drachen" (Score/Crit. report) Aria for tenor and orchestra | unknown | 1783 |
Bass
| K1 | K6 | Composition, score and critical report (NMA) | Librettist | Date |
|---|---|---|---|---|
| 209a | "Un dente guasto e gelato" (Score/Crit. report) Aria for bass and orchestra | unknown | 1775 | |
| 432 | 421a | "Così dunque tradisci … Aspri rimorsi atroci" (Score/Crit. report) Aria and recitative for bass and orchestra | Metastasio | 1783 |
| 433 | 416c | "Männer suchen stets zu naschen" (Score/Crit. report) Aria for bass and orchestra (sketch) | unknown | 1783 |
| 512 | "Alcandro, Io confesso … Non sò d'onde viene" (Score/Crit. report) Recitative and aria for bass and orchestra | Metastasio Olimpiade III,6 | 18 or 19 March 1787 | |
| 513 | "Mentre ti lascio, oh figlia" (Score/Crit. report) Aria for bass and orchestra | Duca Sant' Angioli-Morbilli | 23 March 1787 | |
| 539 | "Ich möchte wohl der Kaiser sein" (Score/Crit. report) A German war song for bass and orchestra | Johann Wilhelm Ludwig Gleim | 5 March 1788 | |
| 541 | "Un bacio di mano" (Score/Crit. report) Arietta for bass and orchestra | Lorenzo Da Ponte | June 1788 | |
| 612 | "Per questa bella mano" (Score/Crit. report) Aria for bass, contrabass obbligato, and orchestra | unknown | 8 March 1791 | |
| Anh. 245 | 621a | "Io ti lascio, oh cara, addio" (Score/Crit. report) Aria for bass and orchestra | unknown | 1788 |
Group
| K1 | K6 | Composition, score and critical report (NMA) | Librettist | Date |
|---|---|---|---|---|
| 20 | "God is our refuge" (Score) Choral for soprano, contralto, tenor, bass | Psalms 46:1 | July 1765 | |
| Anh. 024a | 43a | "Ach, was müssen wir erfahren!" (Score) Duet for two sopranos (fragment) | unknown | 15 October 1767 |
| 346 | 439a | "Luci care, luci belle" (Score) Notturno (terzet) for two sopranos and bass | Angelo Lungi, La Pupilla (some sources attribute libretto to Metastasio) | possibly 1783 |
| 436 | "Ecco quel fiero istante" (Score) Notturno (terzet) for two sopranos and bass | Metastasio (from La partenza) | possibly 1783 | |
| 437 | "Mi lagnerò tacendo" (Score) Notturno (terzet) for two sopranos and bass | Metastasio (from Siroe, II, 1) | possibly 1783 | |
| 438 | "Se lontan, ben mio, tu sei" (Score) Notturno (terzet) for two sopranos and bass | Metastasio (Strofe per musica) | possibly 1783 | |
| 439 | "Due pupille amabili" (Score) Notturno (terzet) for two sopranos and bass | Giuseppe Petrosellini, L'incognita perseguitata | possibly 1783 | |
| 441 | "Liebes Manndel, wo ist's Bandel?" (Score) Terzet for soprano, tenor and bass | Vienna dialect | possibly 1783 | |
| 479 | "Dite almeno, in che mancai" (Score/Crit. report) Aria for soprano, tenor, 2 basses | unknown | 5 November 1785 | |
| 480 | "Mandina amabile" (Score/Crit. report) Aria for soprano, tenor, bass, and orchestra | unknown | 21 November 1785 | |
| 483 | "Zerfließet heut', geliebte Brüder" (Score) Song with 3-part male choir | Augustin Veith Edler von Schittlersberg | December 1785 | |
| 484 | "Ihr unsre neuen Leiter" (Score) Song with 3-part male choir | Augustin Veith Edler von Schittlersberg | December 1785 | |
| 434 | 480b | "Del gran regno delle amazzone" (Score/Crit. report) Aria for tenor, 2 basses, and orchestra | Giuseppe Petrosellini | end of 1785 |
| 532 | "Grazie agl'inganni tuoi" (Score) Untexted sketch for a terzet for soprano, tenor and Bass | Metastasio | possibly 1787 | |
| 549 | "Più non si trovano" (Score) Canzonetta (terzet) for two sopranos and bass | Metastasio (from Olimpiade, I, 7) | 16 July 1788 | |
| Anh. 5 | 571a | "Caro mio Druck und Schluck" (Score) Quartet for soprano, two tenors and bass | Wolfgang Amadeus Mozart | beginning of 1789 |
Songs
| K1 | K6 | Composition, score and critical report (NMA) | Librettist | Date |
|---|---|---|---|---|
| 53 | 47e | "An die Freude" (Score/Crit. report) Freude, Königin der Weisen Possibly (Einstein) the aria for the daughter of Joseph Wolf from K. deest | Johann Peter Uz (1720–1796) | November 1768 |
| 147 | 125g | "Wie unglücklich bin ich nit" (Score/Crit. report) | unknown | 1772 |
| 148 | 125h | "Lobgesang auf die feierliche Johannisloge" (Score/Crit. report) O heiliges Band der Freundschaft treuer Brüder | Ludwig Friedrich Lenz (1717–1780) | 1772 |
| 307 | 284d | "Oiseaux, si tous les ans" (Score/Crit. report) | Antoine Houdart Ferrand (1678–1719) | 30 October 1777 |
| 308 | 295b | "Dans un bois solitaire" (Score/Crit. report) | Antoine Houdar de la Motte (1672–1731) | between 30 October 1777 and 13/14 March 1778 |
| 343 | 336c | "Zwei deutsche Kirchenlieder" (Score/Crit. report) O Gotteslamm, Als aus Ägypten Israel | unknown | Spring 1787 |
| 349 | 367a | "Die Zufriedenheit" (Score/Crit. report) Was frag' ich viel nach Geld und Gut | Johann Martin Miller (1750–1814) | between 8 November 1780 and mid-March 1781 |
| 351 | 367b | "Komm, liebe Zither, komm" (Score/Crit. report) | unknown | between 8 November 1780 and mid-March 1781 |
| 390 | 340c | "Ich würd' auf meinem Pfad" (Score/Crit. report) | Johann Timotheus Hermes (1738–1821) | between August 1781 and May 1782 |
| 391 | 340b | "Sei du mein Trost" (Score/Crit. report) | Johann Timotheus Hermes (1738–1821) | between August 1781 and May 1782 |
| 392 | 340a | "Verdankt sei es dem Glanz der Großen" (Score/Crit. report) | Johann Timotheus Hermes (1738–1821) | between August 1781 and May 1782 |
| Anh. 25 | 386d | "Bardengesang auf Gibraltar" (Score/Crit. report) O Calpe! Dir donnert's am Fusse (sketch) | Michael Denis (1729–1800) | end of December 1782 |
| 468 | "Lied zur Gesellenreise" (Score/Crit. report) Die ihr einem neuen Grad | Joseph Franz von Ratschky (1757–1810) | 26 March 1785 | |
| 472 | "Der Zauberer" (Score/Crit. report) Ihr Mädchen, flieht Damöten [Damoetas] ja! | Christian Felix Weiße (1726–1804) | 7 May 1785 | |
| 473 | "Die Zufriedenheit" (Score/Crit. report) Wie sanft, wie ruhig | Christian Felix Weiße (1726–1804) | 7 May 1785 | |
| 474 | "Die betrogene Welt" (Score/Crit. report) Der reiche Tor | Christian Felix Weiße (1726–1804) | 7 May 1785 | |
| 476 | "Das Veilchen" (Score/Crit. report) Ein Veilchen auf der Wiese stand | Johann Wolfgang von Goethe | 8 June 1785 | |
| 506 | "Lied der Freiheit" (Score/Crit. report) Wer unter eines Mädchens Hand | Aloys Blumauer (1755–1798) | end of 1785 | |
| Anh. 26 | 475a | "Einsam bin ich, meine Liebe" (Score/Crit. report) fragment | Johann Martin Miller (1750–1814)[2] | possibly 1785 |
| 517 | "Die Alte" (Score/Crit. report) Zu meiner Zeit, zu meiner Zeit | Friedrich von Hagedorn (1708–1754) | 18 May 1787 | |
| 518 | "Die Verschweigung" (Score/Crit. report) Sobald Damötas Chloen sieht | Christian Felix Weiße (1726–1804) | 20 May 1787 | |
| 519 | "Das Lied der Trennung" (Score/Crit. report) Die Engel Gottes weinen | Klamer Eberhard Karl Schmidt (1746–1824) | 23 May 1787 | |
| 520 | "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" (Score/Crit. report) Erzeugt von heißer Phantasie | Gabriele von Baumberg (1766–1839) | 26 May 1787 | |
| 523 | "Abendempfindung"[3] (Score/Crit. report) Abend ist's, die Sonne ist verschwunden | unknown | 24 June 1787 | |
| 524 | "An Chloe" (Score/Crit. report) Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht | Johann Georg Jacobi (1740–1814) | 24 June 1787 | |
| 529 | "Des kleinen Friedrichs Geburtstag" (Score/Crit. report) Es war einmal, ihr Leute | Johann Eberhard Friedrich Schall (1742–1790), last verse by Joachim Heinrich Campe (1746–1818) | 6 November 1787 | |
| 530 | "Das Traumbild" (Score/Crit. report) Wo bist du, Bild | Ludwig Christoph Heinrich Hölty (1748–1776) | 6 November 1787 | |
| 531 | "Die kleine Spinnerin" (Score/Crit. report) Was spinnst du? | unknown | 11 December 1787 | |
| 552 | "Lied beim Auszug in das Feld" (Score/Crit. report) Dem hohen Kaiserworte treu | unknown | 11 August 1788 | |
| 596 | "Sehnsucht nach dem Frühling" (Score/Crit. report) Komm, lieber Mai, und mache | Christian Adolph Overbeck (1755–1821) | 14 January 1791 | |
| 597 | "Der Frühling" (Score/Crit. report) Erwacht zum neuen Leben | Christoph Christian Sturm (1740–1786) | 14 January 1791 | |
| 598 | "Das Kinderspiel" (Score/Crit. report) Wir Kinder, wir schmecken der Freuden recht viel! | Christian Adolph Overbeck (1755–1821) | 14 January 1791 |
Canons
| K1 | K6 | Composition, score and critical report (NMA) | Librettist | Date |
|---|---|---|---|---|
| 89 | 73k | "Kyrie in G" (Score) Kyrie a cinque con diversi canoni | liturgical text | May 1770 |
| 89a II | 73r | "Four Riddle Canons" (Score) Sit trium series una: Incipe Menalios for 3 voices; Ter ternis canite vocibus: Cantate Domino for 9 voices; Canon ad duodecimam: Confitebor tibi Domine for 3 voices; Canon. Ter voce ciemus: Thebana bella for 6 voices | unknown | Summer 1770 |
| 89a | 73i | "Canon for 4 instruments" (Score) | — | April 1770 |
| 228 | 515b | "Ach! zu kurz" (Score) Double canon for 4 voices | unknown | before 24 June 1787 |
| 229 | 382a | "Sie ist dahin" (Score) Canon for 3 voices | Ludwig Heinrich Christoph Hölty (1748–1776) | 1782 |
| 230 | 382b | "Selig, selig" (Score) Canon for 2 voices | Ludwig Heinrich Christoph Hölty (1748–1776) | 1782 |
| 231 | 382c | "Leck mich im Arsch" / "Lasst uns froh sein") (Score) Canon for 6 voices | probably WA Mozart himself | 1782 |
| 232 | 509a | "Lieber Freistädtler, lieber Gaulimauli" (Score) Canon for 4 voices | probably WA Mozart himself | after 4 June 1787 |
| 233 | 382d | "Leck mir den Arsch fein recht schön sauber" (Score) / "Nichts labt mich mehr als Wein" – Canon for 3 voices | probably WA Mozart himself | 1782 |
| 234 | 382e | "Bei der Hitz im Sommer eß ich" (Score) / "Essen, Trinken" – Canon for 3 voices | probably WA Mozart himself | 1782 |
| 347 | 382f | "Wo der perlende Wein im Glase blinkt" (Score) Canon for 6 voices | unknown | 1782 |
| 348 | 382g | "V'amo di core" (Score) Quadruple canon for 12 voices (3 choirs) | unknown | 1782 |
| deest | 1. "Canon for 6" (sketch) (Score) | — | 1781/82 or later | |
| deest | 2. "Canon for 4" (sketch) (Score) | — | 1781/82 or later | |
| deest | 3. "Canon for 4" (sketch) (Score) | — | 1781/82 or later | |
| deest | 4. "Canon for 4" (sketch) (Score) | — | end of 1785/1786 | |
| 507 | "Heiterkeit und leichtes Blut" (Score) Canon for 3 voices | after 3 June 1786 | ||
| 508 | "Auf das Wohl aller Freunde" (Score) Canon for 3 voices (sopranos) | unknown | after 3 June 1786 | |
| 508a | 2 canons for 3 sopranos / 14 Interval canons (8 movements/sections) (Score) Canons for various voices (sketches) | — | after 3 June 1786 | |
| deest | 6. "Canon for 3" (sketch) (Score) | — | after 3 June 1786 | |
| deest | 7. "Canon for 2" (sketch) (Score) | — | after 3 June 1786 | |
| deest | "Canon for 4" (Score) | — | Summer 1786 | |
| 553 | "Alleluia" (Score) Canon for 4 voices | liturgical text | 2 September 1788 | |
| 554 | "Ave Maria" (Score) Canon for 3 voices | liturgical text | 2 September 1788 | |
| 555 | "Lacrimoso son'io" (Score) Canon for 4 voices | liturgical text | 2 September 1788 | |
| 556 | "Grechtelt's enk" (Score) Canon for 4 voices | unknown | 2 September 1788 | |
| 557 | "Nascoso è il mio sol" (Score) Canon for 4 voices | unknown | 2 September 1788 | |
| 558 | "Gehn wir im Prater, gehn wir in d'Hetz" (Score) Canon for 4 voices | unknown | 2 September 1788 | |
| 559 | "Difficile lectu mihi mars" (Score) Canon for 3 voices | probably WA Mozart himself | 2 September 1788 | |
| 560a | 559a | "O du eselhafter Peierl" (Score) Canon for 3 voices | probably WA Mozart himself | between 1785 and 1787 |
| 560b | 560 | "O du eselhafter Martin (Jakob)" (Score) Canon for 4 voices | probably WA Mozart himself | 2 September 1788 |
| deest | 9. "Canon for 4" (sketch) (Score) | — | 1787 or 1788 | |
| deest | 10. "Canon for 4" (sketch) (Score) | — | 1787 or 1788 | |
| deest | 11. "Canon for 4" (sketch) (Score) | — | 1787 or 1788 | |
| 561 | "Bona nox! bist a rechta Ox" (Score) Canon for 4 voices | WA Mozart | 2 September 1788 | |
| 562 | "Caro bell' idol mio" (Score) Canon for 4 voices | unknown | 2 September 1788 | |
| 562a | "Canon for 4" (Score) | — | unknown | |
| 562c | "Canon for 4 Instruments" (Score) Canon for 2 violins, viola, bass | — | unknown | |
| 616b | "Canonical Study for 4" (Score) | — | Summer 1787 |
References
- Dexter Edge, "Mozart's Reception in Vienna, 1787–91" pp. 66–117 in Wolfgang Amadè Mozart: Essays on His Life and Music, ed. Stanley Sadie, Oxford University Press, 1996. p. 86, note 65; ISBN 978-0-19-816443-2
- Miller, Johann Martin (1783). Gedichte. Ulm: Johann Konrad Wohler. p. 190.
- "Who was Mozart's Laura? – 'Abendempfindung' and the Editors" by David Paisey, Electronic British Library Journal, 2006
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