List of symphonies by Wolfgang Amadeus Mozart
This is a list of symphonies by the classical composer Wolfgang Amadeus Mozart. Symphonies No. 2 (attributed to Leopold Mozart) and 3 (written by Carl Friedrich Abel) are spurious. Mozart's "37th symphony" is actually Michael Haydn's 25th symphony; Mozart only added a 20-bar slow introduction to it. Symphonies that are suspected not to be Mozart's, but have not been proven to be the work of another composer, are in this list. No. 11 (K. 84/73q) is considered by scholars to be of uncertain authenticity. Spurious and doubtful symphonies can be found at Mozart symphonies of spurious or doubtful authenticity.
The symphonies K. 19b, 66c, 66d, 66e, Anh.C 11.07, and Anh.C 11.08 are lost, and have not been proven to be Mozart's work: they have not been included in the list below.
The symphony numbers in the range 42 to 56 are sometimes used for symphonic works that were not numbered in the 1-41 sequence. They have been included for completeness, although they are out of chronological sequence. In addition, some authentic symphonies were never given numbers. The symphonies in the 1-41 chronological sequence have been listed first; the symphonies that were given the numbers 42-56 are listed next; and lastly are listed the remaining symphonies. The symphonies given numbers past 41 (but not No. 7a) are sometimes listed with "GA" preceding the number, because these numbers were from the Alte Mozart-Ausgabe, the full name of which was the "Wolfgang Amadeus Mozarts Werke: Kritisch durchgesehene Gesamtausgabe". There are no symphonies "GA 49" and "GA 53".
Links to scores of each symphony have been included. All the symphonies in this table except Nos. 2, 3 and 37 (which are spurious) have links to scores in the Neue Mozart-Ausgabe; the spurious symphonies Nos. 2, 3 and 37 have links to scores at the International Music Score Library Project.
List of symphonies
: Outside of original 41
K1 | K6 | Title | Key | Composed | Incipit |
---|---|---|---|---|---|
16 | 16 | Symphony No. 1 | E♭ major | 1764–5 London |
|
Symphony No. 2 is considered spurious | |||||
Symphony No. 3 is considered spurious | |||||
19 | 19 | Symphony No. 4 | D major | 1765 London |
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Anh. 223 | 19a | Symphony, K. 19a | F major | 1765 London – 1766 Paris |
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22 | 22 | Symphony No. 5 | B♭ major | 1765 December The Hague |
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Anh. 221 | 45a | "Old Lambach"[1] | G major | 1766 The Hague |
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43 | 43 | Symphony No. 6 | F major | 1767 Salzburg ? – Vienna |
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45 | 45 | Symphony No. 7 | D major | 1768 Vienna January 16 |
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48 | 48 | Symphony No. 8 | D major | 1768 Vienna December 13 |
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73 | 73 | Symphony No. 9 | C major | 1769-70 Salzburg/Italy? |
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74 | 74 | Symphony No. 10 | G major | 1770 Milan |
|
Symphony No. 11 is considered of uncertain authenticity | |||||
110 | 75b | Symphony No. 12 | G major | 1771 Salzburg |
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111+120 | 111+111a | Symphony No. 48[2] |
D major | 1771 Milan |
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112 | 112 | Symphony No. 13 | F major | 1771 Milan |
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114 | 114 | Symphony No. 14 | A major | 1771 Salzburg |
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124 | 124 | Symphony No. 15 | G major | 1772 Salzburg |
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128 | 128 | Symphony No. 16 | C major | 1772 Salzburg |
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129 | 129 | Symphony No. 17 | G major | 1772 Salzburg |
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130 | 130 | Symphony No. 18 | F major | 1772 Salzburg |
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132 | 132 | Symphony No. 19 | E♭ major | 1772 Salzburg |
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133 | 133 | Symphony No. 20 | D major | 1772 Salzburg |
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134 | 134 | Symphony No. 21 | A major | 1772 Salzburg |
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161, 163 | 141a[3] | Symphony No. 50[4] | D major | 1772 Salzburg |
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135 | 135+61h | Symphony K. 135+61h[5] | D major | 1772? Milan | : |
184 | 161a | Symphony No. 26 | E♭ major | 1773 Salzburg |
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199 | 161b | Symphony No. 27 | G major | 1773 Salzburg |
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162 | 162 | Symphony No. 22 | C major | 1773 Salzburg |
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181 | 162b | Symphony No. 23 | D major | 1773 Salzburg |
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182 | 173dA | Symphony No. 24 | B♭ major | 1773 Salzburg |
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183 | 173dB | Symphony No. 25 "Little G minor" |
G minor | 1773 Salzburg |
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201 | 186a | Symphony No. 29 | A major | 1774 Salzburg |
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202 | 186b | Symphony No. 30 | D major | 1774 Salzburg |
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200 | 189k | Symphony No. 28 | C major | 1774 Salzburg |
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196+121 | 196+207a | Symphony No. 51[6] | D major | 1774 Salzburg - 1775 Munich |
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208+102 | 208+213c | Symphony No. 52[7] | C major | 1775 Salzburg |
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297 | 300a | Symphony No. 31 "Paris" |
D major | 1778 Paris |
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318 | 318 | Symphony No. 32 "Overture in the Italian style" |
G major | 1779 Salzburg |
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319 | 319 | Symphony No. 33 | B♭ major | 1779 Salzburg |
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338 | 338 | Symphony No. 34 | C major | 1780 Salzburg |
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385 | 385 | Symphony No. 35 "Haffner" |
D major | 1782 Vienna |
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425 | 425 | Symphony No. 36 "Linz" |
C major | 1783 Linz |
|
Symphony No. 37 is considered spurious | |||||
504 | 504 | Symphony No. 38 "Prague" |
D major | 1786 Vienna |
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543 | 543 | Symphony No. 39 | E♭ major | 1788 Vienna |
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550 | 550 | Symphony No. 40 "Great G minor"[1] |
G minor | 1788 Vienna |
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551 | 551 | Symphony No. 41 "Jupiter" |
C major | 1788 Vienna |
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Adapted from serenades
Number | Key | K. number | Year | Incipit |
---|---|---|---|---|
(no number)[8] | D major | K. 204/213a | 1775 Salzburg | -
|
(no number)[9] | D major | K. 250/248b | 1776 Salzburg | -
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(no number)[10] | D major | K. 320 | 1779 Salzburg | -
|
(no number) (minuet only) | C major | K. 409/383f | 1782 Vienna | -
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Uncertain authenticity
K | K6 | Title | Key | Composed | Incipit |
---|---|---|---|---|---|
84 | 73q | Symphony No. 11[11] (uncertain) |
D major | Milan/Bologna 1770 |
|
Doubtful authenticity
Number | Key | K. number | Year | Incipit |
---|---|---|---|---|
GA 42 (doubtful) |
F major | K. 75 | 1771 |
|
GA 43 (doubtful) |
F major | K. 76/42a | 1767 |
|
GA 44 (doubtful) |
D major | K. 81/73l | 1770 |
|
GA 45 (doubtful) |
D major | K. 95/73n | 1770 |
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GA 46 (doubtful) |
C major | K. 96/111b | 1771 |
|
GA 47 (doubtful) |
D major | K. 97/73m | 1770 |
|
GA 54 (doubtful) |
B♭ major | K. Anh. 216/74g/Anh.C 11.03 | 1771 |
|
GA 55 (doubtful) |
B♭ major | K. Anh. 214/45b | 1768 |
|
GA 56[12] (doubtful) |
F major | K. 98/Anh.C 11.04 | 1771? | Symphony, K. 98: Scores at the International Music Score Library Project |
(no number) (doubtful) "Odense" |
A minor | K. Anh. 220/16a | 1765? |
|
Spurious authenticity
K. number | Title | Key | Year | Incipit |
---|---|---|---|---|
K. 17/Anh.C 11.02 | Symphony No. 2 (spurious)[13] |
B♭ major | 1765? | Symphony No. 2: Scores at the International Music Score Library Project |
K. 18/Anh.A 51 | Symphony No. 3 (spurious)[14] |
E♭ major | 1767? | Symphony No. 3: Scores at the International Music Score Library Project |
K. 444/(425a+Anh.A 53) | Symphony No. 37 (spurious)[15] |
G major | 1783 | Symphony No. 37: Scores at the International Music Score Library Project |
See also
Notes
- Two versions
- The first and second movements together constitute the overture to the opera Ascanio in Alba, K. 111. The third movement is listed separately as K. 120/111a.
- Formely: (126+163)/161; for a detailed explanation of the many Köchel numbers this symphony has, see the article K141a (formerly K126, K161, K163) "Il sogno di Scipione" Symphony in D at the Mozart Forum Archived 2014-01-05 at the Wayback Machine by Dennis Pajot.
- The first and second movements together constitute the overture to the opera Il sogno di Scipione, K. 126. The third movement is listed separately as K. 161/163.
- The first and second movements together constitute the overture to the opera Lucio Silla, K. 135. The third movement, a minuet, is listed separately as K. 61h No. 3.
- The first and second movements together constitute the overture to the opera La finta giardiniera, K. 196. The third movement is listed separately as K. 121/207a.
- The first and second movements based on music from the opera Il re pastore, K. 208. The third movement is listed separately as K. 102/213c. The second movement is incomplete.
- After the Serenade No. 5
- After the "Haffner" serenade
- After the "Posthorn" serenade
- Sometimes attributed to Leopold Mozart or Carl Ditters von Dittersdorf
- Sometimes also called GA 48.
- Attributed to Leopold Mozart
- Written by Carl Friedrich Abel
- Only slow introduction is by Mozart, rest is by Michael Haydn
- imslp.org: Symphonies by Wolfgang Amadeus Mozart
- Neue Mozart-Ausgabe