Live at Wembley July 16, 1988

According to the official Bad 25 statement released by the Estate of Michael Jackson, the video is sourced from Jackson's personal VHS copy of the show, the only known copy in existence. The audio, however, has been sourced by a high-quality multitrack recording, snippets of which have leaked online in mid-2011 to positive fan reception; some of this is from the preceding concert on July 15. Both the July 15 and 16 concerts are the only known multitrack audio recordings of the Bad tour.

Some fans have taken concern over the video quality of the DVD, after a portion of Jackson's performance of "Bad" from the DVD was shown on ITV. On May 31, 2012, co-heads of Jackson's estate, John McClain and John Branca, released an official statement regarding the quality concerns. It was revealed that, due to poor storage and possible carelessness, dozens of U-matic performance masters (including those from Wembley) could not be located, confirming that Jackson's VHS copy is the only known copy of the concert.

McClain and Branca also revealed that multiple U-matic masters of other performances from the tour did exist, but were unusable. One of the few usable master recordings the Estate possesses from the Bad tour was the performance in Yokohama, Japan in 1987. However, the Estate opted not to release this, as they considered it to be nothing more than a modified version of the Victory Tour with three extra songs. This concert also aired on Japanese television. As a result, the Estate stated that a video enhancement lab was hired to restore the VHS copy of Wembley.[4][5]

Critical reception on the concert itself has mostly been positive. Chaz Lipp described the concert as "simply incredible from start to finish." There has still been a mixed reaction among some fans with regard to the quality of the video. Some felt that the original U-matic video elements should have been located before the release was authorized.

Randall Roberts of the Los Angeles Times criticized the audio mix "It's a solid, if thinly recorded, document that lacks sonic heft. The rhythm section sounds a mile away, and lacks the pop of a well-recorded concert".[6]

Michael Jones of Blog Critics had this to say "These two recordings just exude pure energy and while watching it I’m thunderstruck by how effortless this lithe little man seems to make spending over two hours singing and dancing his absolute heart out for thousands of adoring fans. (I get tired just lip-syncing and trying to do the occasional move with just my arms, while watching.)" [7] The Second Disc had a glowing review of the Wembley DVD saying "The picture quality is clearly that of a videocassette, but it doesn’t detract from a stunning performance, and the camera work is generally strong with well-chosen angles. Within moments of opening with “Wanna Be Startin’ Somethin’,” Jackson is posing, gyrating, spinning, kicking, stomping and slithering with a sleek fleetness of foot that whips the audience into a frenzied state. He’s both graceful and sexually charged, and he is the production. While the singer appears to be lip-synching to a handful of the songs, his performance is, largely, overwhelming and frequently playful. The remarkably well-sequenced concert shows Jackson as an utterly comfortable presence, smiling and taking the stage with ease. There’s very little patter as he prefers to concentrate on his angular, Bob Fosse-in-the-future choreographic moves and unstoppable anthems. By the time he dons his famous glove and launches into that mesmerizing moonwalk on “Billie Jean,” it seems that Jackson can’t possibly give any more. But he does, dancing with a chorus line of kids in the closing “Bad” and literally dropping to the floor for the encore of “Man in the Mirror.” " [8]

Evan Sawdey of PopMatters gave a positive review of the DVD giving it a 7 out of 10 saying " Here, Jackson is at the peak of his powers, absolutely bursting with energy. Extended dance breaks are added into the songs, his backing quartet of dancers are extremely precise, and yes, that’s 80s Sheryl Crow coming out to duet with him on “I Just Can’t Stop Loving You...Yet the show is remarkably fun, and relatively fast-paced. There are multiple costume changes throughout, with Jackson wearing whatever jacket is appropriate for the song he’s singing (a letterman jacket for “Thriller”, a white coat and fedora for “Smooth Criminal”, that signature black leather for “Bad”). At first, he and his dancers could not be tighter. They exude energy, and perhaps what’s most remarkable is how Jackson is able to still sing/sustain notes while doing his numerous laser-precise moves. By the time he starts Moonwalking during “Billie Jean” (and let there be no mistake: this is as spectacular and smooth as he has ever executed the move), the already-nuts crowd simply goes into overdrive"[9]

Chaz Lipp of The Morton Report had this to say about Jackson's performance "Perhaps the best part of Bad 25 is the full concert recorded live at London’s Wembley Stadium, July 16, 1988. This is simply prime Michael Jackson. He’s in fantastic voice throughout, always in control of his instrument—even during the most delicate moments, such as “She’s Out of My Life.” I’d list some highlights, but at the risk of sounding hyperbolic, the whole thing functions as a highlight. This concert is relatively stripped down visually, making it a perfect contrast to the more elaborately produced Live in Bucharest: The Dangerous Tour DVD. Jackson’s dancing is as mesmerizing as ever, on full display during tunes such as “Smooth Criminal” and, of course, “Billie Jean.” [10]

All tracks are written by Michael Jackson, except where noted..

• "Bad Groove (The Band Jam Section)" contains the following pieces:
  • "Band Jam" (composed by Greg Phillinganes)
  • "Layla" (composed by Eric Clapton and Jim Gordon)
  • "Sussudio" (composed by Phil Collins)
  • "You Win Again" (composed by Barry Gibb, Maurice Gibb and Robin Gibb)
  • "Don't Stop 'Til You Get Enough" (composed by Michael Jackson)

[26][27][28]