Matthew Herbert

In 1998, Herbert issued Around the House, which mixed dance beats, sounds generated by everyday kitchen objects, and vocals. By the late Nineties, Herbert was remixing tracks for dance artists like Moloko, Motorbass, Alter Ego, and others. (Many of these were later collected on Secondhand Sounds: Herbert Remixes.) He also recorded singles, EPs, and albums under a variety of aliases (Doctor Rockit, Radio Boy, Mr. Vertigo, and Transformer) as well as his own name.

In 2001, Herbert issued Bodily Functions. Similar in structure to Around the House, it featured sounds generated by manipulating human hair and skin as well as internal bodily organs. Bodily Functions benefited a record deal with Studio !K7, making it Herbert's first full-length work to receive worldwide distribution.

Goodbye Swingtime, a 2003 album issued under the name The Matthew Herbert Big Band, combined the political commentary of Radio Boy with the song structure of his Herbert albums. Recorded with sixteen musicians from the British jazz world, including saxophonists Dave O'Higgins and Nigel Hitchcock, pianist Phil Parnell, and bassist Dave Green, the band is complemented on stage by Siciliano, Arto Lindsay, Warp recording artist Jamie Lidell, and Mara Carlyle.

In 2005, he released a record entitled Plat du Jour, a record made entirely from objects and situations in the food chain. He recorded beneath the sewers of Fleet Street, with Vietnamese coffee beans, inside industrial chicken farms, drove a tank over a recreation of the dinner that Nigella Lawson cooked for George Bush and Tony Blair, and recorded 3500 people biting an apple at the same time. The track entitled "The Final Meal of Stacey Lawton" was made in collaboration with renowned chef Heston Blumenthal.

On 30 May 2006, Herbert issued Scale, his most successful album to date. In the US, it reached number 20 on Billboard's electronic music album chart. Entertainment Weekly remarked, "Herbert sneakily subverts Scale's apocalyptic thematic thread into something warm and danceable."[4] Online magazine Pitchfork Media noted, "Sophisticated and whimsical, joyful and yet tinged with sadness, Scale is one of this year's great albums."[5]

The second album Matthew Herbert Big Band, There's Me And There's You, was released in October 2008. In the making of the record Herbert recorded inside the Houses of Parliament, at a landfill site, and in the lobby of the British Museum with 70 volunteers.

In 2009 Matthew Herbert was involved in the 2009 Eurovision Song Contest. He wrote and produced the music accompanying the 42 "postcards," short films introducing the country being represented next. In addition, Herbert wrote an orchestral piece for an interval act involving two "children flying in on a giant plastic swan."[6]

In 2010 Matthew Herbert released two of a three part trilogy of albums. The first, One One, was entirely written and performed by Herbert alone, the second, One Club, was made exclusively out of sounds recorded at the Robert Johnson nightclub in Offenbach in Germany on one night.

That same year he also released a reworking of Mahler's tenth symphony for the Deutsche Grammophon's Recomposed series. Much of the recording was made inside Mahler's composing hut in Toblach, by his graveside and in a crematorium.

In late 2011, the final part of the trilogy, One Pig, was released. Herbert recorded the life cycle of a farmed pig from birth to the dinner plate. The animal rights organisation PETA condemned the album when it was announced without hearing it.[7] Herbert, who is not a vegetarian, responded that their complaints were "utterly absurd" and that he wanted his music to encourage people to "listen to the world a little more carefully."[7] In the same year his 2001 track "Café de Flore", originally recorded for a Yves St Laurent fashion show and named after the Café de Flore in Paris, was featured prominently in the soundtrack of the film Café de Flore.[8]

On 11 March 2013 a newly commissioned work by Herbert, for orchestra with electronics, based on a work by Rameau, was performed at The Roundhouse in London, as part of BBC Radio 3's "Baroque Remixed" series.[9]

On 20 March 2015 Herbert announced The Shakes, his first album of dance music in nine years.[10] This was followed up with the release of "Middle," the first track from the album. The Shakes was released in an innovative way, making one track and short accompanying film available on streaming and video platforms each week leading up to the album release.[11]

In 2000, Herbert wrote a manifesto titled Personal Contract for the Composition of Music (Incorporating the Manifest of Mistakes),[12] which served as a theoretical guide for much of his later work. Its goals include a personal ban on using drum machines and pre-existing samples, and ensuring that anything created in the studio can be replicated in live performance.

Many of his less dance-oriented projects (chiefly those not recorded under the name Herbert) address political concerns, using specific objects to create a conceptual piece. His 2001 project as Radio Boy, The Mechanics of Destruction sampled McDonald's and The Gap merchandise as a protest against corporate globalism. It was made available as a free MP3 download, via concerts and by post from Accidental Records.

In 2005, Herbert released the album Plat du Jour under his real name, Matthew Herbert. The disc addresses commercial food production and marketing.

In February 2006, Herbert helped form the virtual community Country X.[13] In an introduction posted on the website, he writes, "Why not start a country? only this time, a virtual one. free from the necessity to defend its borders physically, we can reduce the violence of exclusion. a new description of resistance."

Herbert shared some of his thoughts on the future in an article for the UK music magazine Clash, writing "we are facing a perfect storm of shit: global financial meltdown, massive climatic shifts and the end of oil."[14]

By 2000 Herbert assembled several microlabels he initiated, including Soundslike (for his Herbert alias) and Lifelike (originally called Lowlife, begun in 1998 for his Doctor Rockit alias), under the umbrella Accidental Records. In addition to documenting Herbert's sundry projects, these imprints issued works from The Soft Pink Truth, Mara Carlyle, Mugison, and Beckett & Taylor, among others. Between 2008 and 2009, the label released 'Butterflies' by Finn Peters, the sophomore record of Matthew Herbert Big Band named There's Me And There's You, The Invisible's debut album, Setsubun Bean Unit, and Micachu's debut named Jewellery.

2010/2011 sees the release of a trilogy concept album by Herbert, beginning with One One, followed by One Club and One Pig.

Hejira's debut album Prayer Before Birth was released on the label on 21 October 2013.

Matthew Herbert has produced remixes for numerous artists, including Moloko, Ennio Morricone, Quincy Jones, PUZZLE, Björk, REM, Perry Farrell, Serge Gainsbourg, Yoko Ono, John Cale, The Avalanches and Cornelius. He programmed three tracks on Björk's Vespertine, and produced The Invisible's debut album, along with Moloko singer Róisín Murphy's album Ruby Blue. He has also produced albums for Micachu, Merz and Finn Peters

He has contributed music to several films, including La confiance règne, Human Traffic, Dogme 95, director Kristian Levring's The Intended, Agathe Cléry, Le Défi (Dance Challenge), A Number, as well as UK television, theatrical and concert dance productions.

Herbert also wrote music for the YouTube documentary film Life in a Day along with prominent composer Harry Gregson-Williams.

In 2010 he produced a new project at the invitation of London Sinfonietta called One Day in which he set to music a Saturday edition of the Guardian newspaper, performed at London's Southbank Centre in the London Jazz Festival. He went on to create a short encore for the ensemble involving a live remix of a concert at the BBC Proms in 2012 using recordings on mobile phones.

In 2012 he is relaunching the museum of sound at www.museumofsound.com

Also in 2012, he was appointed as the creative director of the newly revived BBC Radiophonic Workshop.

Herbert wrote the score for the 2017 film A Fantastic Woman, which was released by Milan Records in January 2018.[15]

In February 2018, the current Doctor Who logo was revealed in a short video clip, with music and sound created by Herbert.

Wikimedia Commons has media related to Matthew Herbert.

• Matthew Herbert – official site
• Matthew Herbert discography at Discogs
• Accidental Records