Matty Groves

Little Musgrave (or Matty Groves, Little Matthew Grew and other variations) goes to church on a holy day either "the holy word to hear" or "to see fair ladies there". He sees Lord Barnard's wife, the fairest lady there, and realises that she is attracted to him. She invites him to spend the night with her, and he agrees when she tells him her husband is away from home. Her page goes to find Lord Barnard (Arnel, Daniel, Arnold, Donald, Darnell, Darlington) and tells him that Musgrave is in bed with his wife. Lord Barnard promises the page a large reward if he is telling the truth and to hang him if he is lying. Lord Barnard and his men ride to his home, where he surprises the lovers in bed. Lord Barnard tells Musgrave to dress because he doesn't want to be accused of killing a naked man. Musgrave says he dare not because he has no weapon, and Lord Barnard gives him the better of two swords. In the subsequent duel Little Musgrave wounds Lord Barnard, who then kills him. (However, in one version "Magrove" instead runs away, naked but alive.)[3][4] Lord Barnard then asks his wife whether she still prefers Little Musgrave to him and when she says she would prefer a kiss from the dead man's lips to her husband and all his kin, he kills her. He then says he regrets what he has done and orders the lovers to be buried in a single grave, with the lady at the top because "she came of the better kin". In some versions Barnard is hanged, or kills himself, or finds his own infant son dead in his wife's body. Many versions omit one or more parts of the story.[1]

It has been speculated that the original names of the characters, Little Musgrave and Lady Barnard, come from place names in the north of England (specifically Little Musgrave in Westmorland and Barnard Castle in County Durham). The place name "Bucklesfordbury," found in both English and American versions of the song, is of uncertain origin.

Some versions of the ballad include elements of an alba, a poetic form in which lovers part after spending a night together.

There are few broadside versions. There are three different printings in the Bodleian Library's Broadside Ballads Online, all dating from the second half of the seventeenth century. One, The lamentable Ditty of the little Mousgrove, and the Lady Barnet from the collection of Anthony Wood, has a handwritten note by Wood on the reverse stating that "the protagonists were alive in 1543".[5][6][7][8]

It seems that the ballad had largely died out in the British Isles by the time folklorists began collecting songs. Cecil Sharp collected a version from an Agnes Collins in London in 1908, the only known version to have been collected in England.[9][10] James Madison Carpenter recorded some Scottish versions, probably in the early 1930s, which can be heard on the Vaughan Williams Memorial Library website.[11][12] The Scottish singer Jeannie Robertson was recorded on separate occasions singing a traditional version of the song entitled "Matty Groves" in the late 1950s by Alan Lomax,[13] Peter Kennedy[14] and Hamish Henderson.[15] However, according to the Tobar an Dualchais website, Robertson may have learned her version from Johnny Wells and Sandy Paton, Paton being an American singer and folk song collector.[16]

Dozens of traditional versions of the ballad were recorded in the Appalachian region. Jean Bell Thomas recorded Green Maggard singing "Lord Daniel" in Ashland, Kentucky in 1934, which was released on the anthology 'Kentucky Mountain Music' Yazoo YA 2200.[17] Bascom Lamar Lunsford was recorded singing a version called "Lord Daniel's Wife" in 1935.[18] Samuel Harmon, known as "Uncle" Sam Harmon, was recorded by Herbert Halpert in Maryville, Tennessee in 1939 singing a traditional version.[19] The influential Appalachian folk singer Jean Ritchie had her family version of the ballad, called "Little Musgrave", recorded by Alan Lomax in 1949,[20] who made a reel-to-reel recording of it in his apartment in Greenwich Village;[21] she later released a version on her album Ballads from her Appalachian Family Tradition (1961).[22] In August 1963, John Cohen recorded Dillard Chandler singing "Mathie Groves" in Sodom, North Carolina,[23] whilst Nimrod Workman, another Appalachian singer, had a traditional version of the song recorded in 1974.[24]

The folklorist Helen Hartness Flanders recorded many versions in New England in the 1930s and 40s,[25] all of which can be heard online in the Flanders Ballad Collection.[26]

Canadian folklorists such as Helen Creighton, Kenneth Peacock and Edith Fowke recorded about a dozen versions in Canada, mostly in Nova Scotia and Newfoundland.[27]

A number of songs and tales collected in the Caribbean are based on, or refer to, the ballad.[28][29][30][31]

Some of the versions of the song subsequently recorded differ from Child's catalogued version.[34] The earliest published version appeared in 1658 (see Literature section below). A copy was also printed on a broadside by Henry Gosson, who is said to have printed between 1607 and 1641.[32] Some variation occurs in where Matty is first seen; sometimes at church, sometimes playing ball.

Matty Groves also shares some mid-song stanzas with the ballad "Fair Margaret and Sweet William" (Child 74, Roud 253).[35][36]

Other names for the ballad:

• Based on the lover
  • Little Sir Grove
  • Little Massgrove
  • Matthy Groves
  • Wee Messgrove
  • Little Musgrave
  • Young Musgrave
  • Little Mushiegrove
• Based on the lord
  • Lord Aaron
  • Lord Arlen
  • Lord Arnold
  • Lord Barlibas
  • Lord Barnabas
  • Lord Barnaby
  • Lord Barnard
  • Lord Barnett
  • Lord Bengwill
  • Lord Darlen
  • Lord Darnell
  • Lord Donald
• Based on a combination of names
  • Little Musgrave and Lady Barnard
  • Little Musgrave and Lady Barnet
  • Lord Barnett and Little Munsgrove
  • Lord Vanner’s Wife [and Magrove][3][4]

The earliest known reference to the ballad is in Beaumont and Fletcher's 1613 play The Knight of the Burning Pestle:

And some they whistled, and some they sung,
Hey, down, down!
And some did loudly say,
Ever as the Lord Barnet's horn blew,
Away, Musgrave, away![37]

Al Hine's 1961 novel Lord Love a Duck opens and closes with excerpts from the ballad, and borrows the names Musgrave and Barnard for two characters.[38]

Deborah Grabien's third book in the Haunted Ballad series, Matty Groves (2005), puts a different spin on the ballad.[39]

Versions of some performers could be mentioned as the most notable or successful, including the ones by Jean Ritchie[40] or Martin Carthy.[41]

In 1943, the English composer Benjamin Britten used this folk song as the basis of a choral piece entitled "The Ballad of Little Musgrave and Lady Barnard".[46]

The Big Musgrave, a parody by the Kipper Family appears on their LP Fresh Yesterday (DAM CD 020) (1988). The hero in this version is called Big Fatty Groves.[47]

Frank Hayes created a talking blues version of Matty Groves called "Like A Lamb To The Slaughter," which won the 1994 Pegasus award for "Best Risqué Song."

• Dave van Ronk's version of "House of the Rising Sun" uses the tune of a version of "Matty Groves".
• The folk/Bluegrass song "Shady Grove" from the United States, also with many variations in wording, some arising in and around the Civil War, has a tune very similar to and possibly arising from the tune of Matty Groves.

The previous and next Child Ballads:

• "The Bonny Birdy"
• "Old Robin of Portingale"

• "Little Musgrave and Lady Barnard". Francis James Child. traditionalmusic.co.uk
• "Matty Groves". Fairport Convention. celtic-lyrics.com.
• "Little Musgrave and Lady Barnard". sacred-texts.com
• "Mattie Groves". contemplator.com
• Lyrics of this song at MetroLyrics
• Broadside Ballads Online