Max von Sydow

von Sydow (left) with Povel Ramel and Beppe Wolgers, 1968

While at the Dramaten, von Sydow made his screen debuts in Alf Sjöberg's films Only a Mother (Bara en mor, 1949) and Miss Julie (Fröken Julie, 1951).[15] In 1951, von Sydow joined the Norrköping-Linköping Municipal Theatre, appearing in nine plays including Peer Gynt. In 1953, he moved on to the City Theatre in Hälsingborg, playing eleven parts in a two-year stint, including Prospero in The Tempest and the titular role of the Pirandello play Henry IV.[16] Von Sydow's theatrical work won him critical recognition, and in 1954 he received the Royal Foundation of Sweden's Cultural Award, a grant to young, promising actors.[15]

In 1955, von Sydow moved to Malmö and joined the Malmö City Theatre, whose chief director at the time was Ingmar Bergman.[16] Von Sydow had previously sought to play a small part in Bergman's Prison (Fängelse, 1949), but the director rejected the proposition.[17] Bergman and von Sydow's first film was The Seventh Seal (Det sjunde inseglet, 1957), in which von Sydow portrayed Antonius Block, a disillusioned 14th-century knight returning from the Crusades to a plague-stricken Sweden.[18] The scene of his character playing a game of chess with Death has come to be regarded as an iconic moment in cinema.[17] Von Sydow went on to appear in a total of 11 Bergman films.[19] In The Magician (Ansiktet, 1958), von Sydow starred as Vogler, a 19th-century traveling illusionist who remains silent for most of the film.[18][13] In The Virgin Spring (Jungfrukällan, 1960), he played a medieval landowner who plots vengeance on the men who raped and murdered his daughter.[3] In Through a Glass Darkly (Såsom i en spegel, 1961), he portrayed the husband of a schizophrenic woman, played by Harriet Andersson.[18] During this period, he also had roles in films including Wild Strawberries (Smultronstället, 1957), Brink of Life (Nära livet, 1958) and Winter Light (Nattvardsgästerna, 1963).[6][19] Films starring von Sydow were submitted by Sweden for the Academy Award for Best Foreign Language Film in five out of six years between 1957 and 1962. Under Bergman, von Sydow also continued his stage career, playing Brick in Cat on a Hot Tin Roof, Peer in Peer Gynt, Alceste in The Misanthrope and Faust in Urfaust. In his company were Gunnar Björnstrand, Ingrid Thulin, Bibi Andersson and Gunnel Lindblom, all frequent collaborators of Bergman on screen.[18]

Despite his rising profile, von Sydow limited his work exclusively to Sweden early in his career, constantly turning down offers to work outside the country.[18] He was first approached at the 1959 Cannes Film Festival to act in American films, but refused the proposition, saying that he was "content in Sweden" and "had no intention of starting an international career".[20] He also turned down the opportunity to play the titular role for Dr. No (1962) and Captain von Trapp in The Sound of Music (1965).[21] In 1965, von Sydow finally took up on George Stevens's offer and made his international debut, playing Christ in the epic The Greatest Story Ever Told.[18] He accepted the part against the advice of Bergman, spent six months at the University of California, Los Angeles, preparing for the role, and adopted a Mid-Atlantic accent.[21] The film introduced von Sydow to a wider audience, but ultimately performed below expectations at the box office.[6] He went on to play a crop-dusting pilot in The Reward (1965) and a fanatic missionary in Hawaii (1966).[18] For his performance in Hawaii, von Sydow received his first Golden Globe nomination.[2] To his own frustration, however, von Sydow would become frequently cast in villainous roles, such as a neo-Nazi aristocrat in The Quiller Memorandum (1966), a Russian colonel in The Kremlin Letter (1970), a meticulous and elegant international assassin in Three Days of the Condor (1975), Emperor Ming the Merciless in Flash Gordon (1980) and James Bond's nemesis Ernst Stavro Blofeld in Never Say Never Again (1983).[6][18]

In the late 1960s and early 1970s, von Sydow was often paired with Liv Ullmann in Bergman films. In 1968's Hour of the Wolf (Vargtimmen), von Sydow played an artist living on an isolated island with his pregnant wife, played by Ullmann.[22] In the same year, the two appeared in the drama Shame (Skammen), about a couple (both former musicians) living on a farm on an island during a war.[3] Von Sydow and Ullmann returned for the 1969 Bergman film The Passion of Anna (En passion).[22] In 1971 and 1972, von Sydow again starred alongside Ullmann in the Jan Troell epic duology, The Emigrants (Utvandrarna) The New Land (Nybyggarna), the story of a Swedish peasant family that emigrates to America in the mid-19th century.[3]

In 1971, von Sydow starred in The Touch, Bergman's first English-language film, playing a doctor whose wife is having an affair.[18] In 1973, von Sydow appeared in one of his most commercially successful films, William Friedkin's The Exorcist (1973).[6] He played Father Lankester Merrin, the film's titular Jesuit priest, which earned him his second Golden Globe nomination.[2] He reprised the role in the film's sequel, Exorcist II: The Heretic (1977).[16] In 1977, von Sydow made his Broadway debut alongside Eileen Atkins and Bibi Andersson in Per Olov Enquist's The Night of the Tribades, a play about the writer August Strindberg. In 1981, he starred with Anne Bancroft in the Tom Kempinski play Duet for One about the cellist Jacqueline du Pré.[6] Von Sydow made his British stage debut at The Old Vic in 1988 as Prospero in The Tempest, a role he first played in Sweden three decades ago.[14][23]

In the 1980s, in addition to Flash Gordon and Never Say Never Again, von Sydow appeared in John Milius's Conan the Barbarian (1982), Jan Troell's Flight of the Eagle (1982), Rick Moranis's & Dave Thomas's Strange Brew (1983), David Lynch's Dune (1984) and Woody Allen's Hannah and Her Sisters (1986).[2][6][18] In 1985, von Sydow was a member of the jury at the 35th Berlin International Film Festival.[24] In the 1987 Bille August film Pelle the Conqueror, von Sydow portrayed an impoverished Swedish labourer who brought his son to Denmark to try to build a better life for themselves.[6] The role won him international acclaim and is often considered one of the best roles in his career. For his performance, von Sydow received a Best Actor nomination at the 61st Academy Awards; the film won Best Foreign Language Film as Denmark's official Oscar entry.[2] In 1988, von Sydow made his only directorial foray with Katinka, a film based on the Herman Bang novel, Ved Vejen.[16] The film won the Guldbagge Awards for Best Film and Best Director, but was not widely seen outside Sweden.[25] In 1989, von Sydow appeared in the television film Red King, White Knight, for which he received his first Primetime Emmy Award nomination. He also supplied the voice for Vigo the Catpathian in the 1989 film, Ghostbusters 2. [2]

At the 1990 Cannes Film Festival

Von Sydow and Bergman did not work together for an extended period. A part in Bergman's Fanny and Alexander (1982) was specifically written for von Sydow, but his agent demanded too large a salary. Von Sydow came to regret missing out on the role.[25] The two did eventually reunite in 1991 with The Best Intentions, directed by Bille August with a script from Bergman.[18] In 1996, von Sydow made his final appearance in a Bergman film, Private Confessions, directed by Liv Ullmann and written by Bergman.[2] In 1997, von Sydow played Nobel Prize-winning Norwegian novelist and Nazi sympathizer Knut Hamsun in the biopic Hamsun.[6] Throughout the rest of the 1990s, von Sydow also appeared in films such as Father (1990), Awakenings (1990), Until the End of the World (1991), Needful Things (1993), Judge Dredd (1995) and Snow Falling on Cedars (1999).[16][15][17] For his performance in Father, von Sydow won the Australian Film Institute Best Actor Award.[26]

In 2002, von Sydow acted in one of his biggest commercial successes, playing the PreCrime director opposite Tom Cruise in Steven Spielberg's science fiction thriller Minority Report.[16][15] In 2004, von Sydow appeared in a television adaptation of the Ring of the Nibelung saga. The show set ratings records and was later released in the United States as Dark Kingdom: The Dragon King.[16] In 2007, he starred in the box-office hit Rush Hour 3, and played the father of the protagonist in The Diving Bell and the Butterfly, Julian Schnabel's adaptation of the memoir by Jean-Dominique Bauby. In 2009, von Sydow appeared in the drama series The Tudors.[16]

von Sydow in 2012

In 2010, von Sydow played a sinister German doctor in Martin Scorsese's Shutter Island,[18] and Robin Hood's blind stepfather Sir Walter Loxley in Ridley Scott's Robin Hood.[16] He received his second Academy Award nomination for his performance as a mute elderly renter in Stephen Daldry's Extremely Loud & Incredibly Close (2011), based on the novel by Jonathan Safran Foer.[6][27]

In April 2013, von Sydow was honored at the Turner Classic Movie (TCM) Festival in Hollywood, with screenings of two of his classic films, Three Days of the Condor and The Seventh Seal.[28]

Von Sydow provided the voice of an art forger in a March 2014 episode of The Simpsons.[29] In 2015, he played the explorer Lor San Tekka in Star Wars: The Force Awakens.[15] In 2016, he joined the HBO series Game of Thrones as the Three-eyed Raven. For his performance, von Sydow received his second Primetime Emmy Award nomination.[15]

In addition to his film and television work, von Sydow also made forays into video games. He voiced Esbern, a mentor of the protagonist in The Elder Scrolls V: Skyrim (2011), and narrated the game's debut trailer.[30] He also lent his voice to the 2009 game Ghostbusters: The Video Game and reprised his role as Lor San Tekka in Lego Star Wars: The Force Awakens (2016).[31]

In 2018, von Sydow appeared in Thomas Vinterberg's film Kursk, also known as The Command, based on the true story of the Kursk submarine disaster.[32] His final film role was set to be the Nicholas Dimitropoulos war drama Echoes of the Past.[25]

At the age of 82, von Sydow was one of the oldest nominees for an Academy Award in the Best Supporting Actor category (for the 2011 film Extremely Loud & Incredibly Close).