Mose Allison

Allison was born outside Tippo, Mississippi, on his grandfather's farm, known as the Island, "because Tippo Bayou encircles it."[6] He took piano lessons at 5,[7] picked cotton, played piano in grammar school and trumpet in high school,[8] and wrote his first song at 13.[9][10]

Allison attended the University of Mississippi for a while and then enlisted in the U.S. Army for two years.[11] Shortly after mustering out, he enrolled at Louisiana State University (LSU), from which he graduated in 1952 with a Bachelor of Arts degree in English with a minor in philosophy.[12]

Allison received an Honorary Doctorate of Humane Letters from LSU in 2008.

In 1956, Allison moved to New York City and launched his jazz career, performing with artists such as Stan Getz, Gerry Mulligan, Al Cohn, Zoot Sims, and Phil Woods.[8] His debut album, Back Country Suite, was issued by Prestige in 1957. He formed his own trio in 1958, with Addison Farmer on bass and Nick Stabulas on drums.

It was not until 1963 that his record label allowed him to release an album entirely of vocals. Entitled Mose Allison Sings, it was a compilation of songs from his previous Prestige albums that paid tribute to artists of the Mojo Triangle: Sonny Boy Williamson ("Eyesight to the Blind"), Jimmy Rogers ("That's All Right"), and Willie Dixon ("The Seventh Son"). However, an original composition, with no connection other than the same title to "Bukka" White's 1940 "Parchman Farm", on the album brought him the most attention: "Parchman Farm". For more than two decades, "Parchman Farm" was his most requested song. He dropped it from his playlist in the 1980s partly because some critics felt it was politically incorrect,[14] but also, he specified, because, "You go to the Mississippi Delta and there are no cotton sacks. It's all machines and chemicals."[15]

Allison in 2007

Prestige tried to market Allison as a pop star, but Columbia and later Atlantic tried to market him as a blues artist. Because he sang blues, Jet magazine thought that he was black and wanted to interview him.[16]

His album The Way of the World, released in March 2010, was his first after a 12-year absence from the recording studio.[17] In 2012, Allison was honored with a marker on the Mississippi Blues Trail in his hometown of Tippo.[18] On January 14, 2013, he was named a Jazz Master by the National Endowment for the Arts, the nation's highest honor in jazz, in a ceremony at Lincoln Center in New York.[19]

Allison wrote some 150 songs.[7] His performances were described as being "delivered in a casual conversational way with a melodic southern accented tone that has a pitch and range ideally suited to his idiosyncratic phrasing, laconic approach and ironic sense of humour."[20]

It was said that Allison was a social critic before Bob Dylan and a music satirist before Randy Newman.[5] His music influenced many blues and rock artists, including Jimi Hendrix, the Rolling Stones, Tom Waits, the Yardbirds, John Mayall, J. J. Cale, the Who (who made "Young Man Blues" a staple of their live performances), and Georgie Fame, who described him as "more important than Bob Dylan". Blue Cheer recorded a version of his song "Parchman Farm" on their debut album, as did Cactus. The Yardbirds and the Misunderstood both recorded versions of his song "I'm Not Talking". Manfred Mann also recorded a version for the BBC. John Evans, keyboardist for the band Jethro Tull, was influenced by Allison's piano playing, which he described as "so deceptively simple and impressive."[21]

Allison helped open the "blues' racial divide, proving that a white man from rural Mississippi could hold his own in a traditionally black genre."[13] The effort proved difficult, which he described in the lyrics of "Ever Since I Stole the Blues," one of his most famous songs: "Well the blues police from down in Dixieland / Tried to catch me with the goods on hand / Ever since the white boy stole the blues."[13][22]

His song "Look Here" was covered by the Clash on their album Sandinista!. Leon Russell covered Allison's song "Smashed!" on his album Stop All That Jazz. Allison performed with Van Morrison, Georgie Fame, and Ben Sidran on the album Tell Me Something: The Songs of Mose Allison. Elvis Costello recorded "Everybody's Cryin' Mercy" for his album Kojak Variety and "Your Mind Is on Vacation" for King of America (bonus tracks). Dani Klein, of the Belgian music act Vaya Con Dios, recorded "Mind on Vacation" for the album Roots and Wings.

Frank Black, of the band the Pixies, said that the song "Allison", from their album Bossanova, is about Mose Allison.[23][4] The film The Whole Nine Yards begins with Allison's song "I Don't Worry About a Thing" during the opening credits.[24] Americana singer-songwriter Greg Brown wrote and performed the song "Mose Allison Played Here" for his 1997 album Slant 6 Mind.[25]

The Dutch musician Herman Brood recorded several of Allison's songs, including "Going to the City", "Stop This World", "Back on the Corner", and "Swinging Machine".[26] Brood's band ‘Wild Romance’ was named from the line ("I lost my mind in a wild romance") after hearing Mose Allison's recording (Local Color album, 1957) of Percy Mayfield's 1951 song ‘Lost Mind’.

Allison received 3 Grammy nominations; 1983 and 1988 for Best Jazz Vocal Performance, Male, and in 2001 for Best Jazz Vocal Album. In 2013 Allison was awarded the NEA Jazzmasters Award at Lincoln Center.

Mose married his wife, Audre, in 1949.[13] They lived in Smithtown, New York, on Long Island,[27] where they raised four children, including a daughter, Amy, who is a musician.[28] Audre Allison said that when she first met Mose, "I could tell that he was someone who generated his own joy."[29] She also said, "Mose has always paid attention to what is happening in the world, and has always read voraciously both past and present histories."[10]

Allison died November 15, 2016, four days after his 89th birthday, at his home in Hilton Head, South Carolina.[30]

Allison was reported to have strong views about "the domination of money over everything, the growing lack of empathy on the part of the powers-that-be for the population, wars and more wars, and an underlying hypocrisy in society"[10] and the arrogance of colonizers of the Americas.[13]

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Wikimedia Commons has media related to Mose Allison.

• Official website
• Concert review at allaboutjazz.com (February 11, 2005)
• Mose Allison at Find A Grave
• Los Angeles Citybeat, Mose Allison Interview
• Official IBis Recordings website for "Mose Allison American Legend Live in California"