Murray Perahia

Murray Perahia was born in the Bronx borough of New York City to a family of Sephardi Jewish origin.[5] According to the biography on his Mozart piano sonatas CD, his first language was Judaeo-Spanish, or Ladino. The family came from Thessaloniki, Greece. His father moved to the United States in 1935.[5]

Perahia began studying the piano at age four, with a teacher, he said, who was "very limiting" because she made him play a single piece until it was perfect. He said his musical interests blossomed at age 15 for reasons he can't explain, and he began to practice seriously.[6] At 17, Perahia attended Mannes College, where he studied keyboard, conducting, and composition with his teacher and mentor Mieczysław Horszowski. During the summer, he also attended the Marlboro Music School and Festival, where he studied with musicians Rudolf Serkin, Alexander Schneider, and Pablo Casals, among others. He played duets for piano four hands with Serkin, who later made Perahia his assistant at the Curtis Institute in Philadelphia, a position he held for over a year.

In 1965, Perahia won the Young Concert Artists International Auditions. In 1972, he was the first North American to win first prize at the Leeds Piano Competition, helping to cement its reputation for advancing the careers of young pianistic talent.[7] Fanny Waterman has commented (for Wendy Thompson's book Piano Competition: The Story of the Leeds) that Horszowski phoned her prior to the competition, and announced to her that Perahia would be the winner.

In 1973, Perahia worked with Benjamin Britten and Peter Pears at the Aldeburgh Festival, and with fellow pianist Radu Lupu. He was co-artistic director of the Festival from 1981 to 1989.[8]

In the 1980s, Perahia was invited to work with Vladimir Horowitz, an admirer of his art. Perahia says this had a defining influence on his pianism.[8] He became close to Horowitz, whom he visited during the elder pianist's last four years to play for him.

From 1973 - 2010, Perahia recorded exclusively for Columbia Masterworks, now Sony Classical. His first major recording project was Mozart's 27 piano concertos, conducted from the keyboard with the English Chamber Orchestra. In the 1980s, he also recorded Beethoven's five piano concertos, with Bernard Haitink and the Royal Concertgebouw Orchestra. In 2016, Perahia signed with Deutsche Grammophon.[9]

Perahia has recorded Chopin's études, and Schubert's late piano sonatas. He is currently editing a new Urtext edition of Beethoven's piano sonatas.[12]

Besides his solo career, he is active in chamber music and appears regularly with the Guarneri and Budapest String Quartets. He is also Principal Guest Conductor of the Academy of St Martin in the Fields, with which he records and performs.[13]

Since his return at the 2008 Proms season, Perahia has been continually active on the concert scene.

Perahia appeared at Sir Neville Marriner's 90th birthday concert on April 1, 2014, playing Mozart's Piano Concerto No. 20 in D minor, K 466 alongside the Academy of St Martin in the Fields conducted by Marriner.[14][15]

After 43 years (1973-2016) with Sony Classical (and its predecessor, Columbia Masterworks), Perahia has signed with the German label Deutsche Grammophon. His first release for the label, Bach's French Suites, came out in October 2016.

Perahia's performance of Beethoven's Hammerklavier Sonata elicited this review from the Los Angeles Times:

Perahia threw himself into everything with a ferocious concentration. The opening left-hand leap to the fugue's landing on a triumphant final cadence 40 minutes later felt like a single gesture, a life passing by during a fall and safe landing off a cliff. The epic Adagio was exceptional. Beethoven is in a black mood. The twisted harmonies and endless melodic lines keep shifting, trying to go one way and then the next, never finding resolution or solace. For Perahia this was inescapable pain, but not to be dwelt upon. His ability to find the life in each note proved intensely moving.[16]

In January 2009, Murray Perahia was appointed president of the Jerusalem Music Center established by violinist Isaac Stern.[5] In an interview with Haaretz newspaper he said: "Music represents an ideal world where all dissonances resolve, where all modulations —that are journeys— return home, and where surprise and stability coexist."[5]

Perahia was invited to teach at the International Piano Foundation Theo Lieven (known today as the International Piano Academy Lake Como) to selected students.[17] He has given masterclasses at such institutions as Juilliard School, Stanford University, and Peabody Institute, among many others. He held a Summer Course at the Jerusalem Music Centre in July 2017 to young Israeli pianists ages 12 to 18, including Niv Yehuda, Amir Ron, Yoav Levanon, Tom Borrow, Talmon Pachevsky, Yuval Shmila, and Tom Zalmanov.[18] He continues to give frequent masterclasses as president of the JMC. He plans to hold a series of masterclasses in Munich on Beethoven Piano Sonatas, hosted by the renowned publisher G. Henle Verlag, with ten young professional pianists: Eden Agranat Meged, Elia Cecino, Yan Fang, Hyunji Kim, Song Hyeon Kim, Michael Lu, Nathalia Milstein, Misora Ozaki, Maksym Shadko, and Clara Isabella Siegle.[19]

Perahia lives in London with his wife, Ninette Shohet, who is of Iraqi-Jewish heritage. He has two adult sons, Benjamin and Raphael.[20][21]

Leeds International Piano Competition

• 1972 Leeds International Piano Competition First Prize

Seventh International Schumann Festival

• 2000 Robert Schumann Society Claudio Arrau Memorial Medal

Grammy Award for Best Chamber Music Performance

• 1989 Bartók: Sonata for Two Pianos & Percussion

Grammy Award for Best Instrumental Soloist Performance

• 2003 Chopin: Études, Opp. 10, 25
• 1999 Bach: English Suites Nos. 1, 3 and 6

Gramophone Award

• Gramophone Award for best concerto recording, 1984, Piano Concertos 15 and 16 of Wolfgang Amadeus Mozart
• Gramophone Award for best concerto recording, 1986, Piano Concertos 3 and 4 of Ludwig van Beethoven
• Gramophone Award for best instrumental recording, 1986, works of Franz Schubert and Wolfgang Amadeus Mozart with Radu Lupu
• Gramophone Award for best instrumental recording, 1995, works of Frédéric Chopin
• Gramophone Award for best instrumental recording, 1996, works of George Frideric Handel and Domenico Scarlatti
• Gramophone Award for best instrumental recording, 2001, Goldberg Variations by Johann Sebastian Bach
• Gramophone Award for best instrumental recording, 2003, Etudes by Frédéric Chopin
• Gramophone Award for best instrumental recording, 2011, piano music of Johannes Brahms
• Gramophone Award for best instrumental recording, 2016, Six French Suites by Johann Sebastian Bach[22]

Perahia is an Honorary Fellow of the Royal College of Music and Honorary Member of the Royal Academy of Music (1985).[23] In 2007 he was elected to an Honorary Fellowship of Jesus College, Cambridge.

On March 8, 2004, Queen Elizabeth II made him an honorary Knight Commander of the Order of the British Empire. (This entitles him to use the post-nominal letters KBE, but not to the title "Sir".)

In 2012 he was voted into the inaugural Gramophone Hall of Fame.[24]

In 2012 he was awarded the Jean Gimbel Lane Prize in Piano Performance from Northwestern University.

In 2013 he was awarded the Royal Academy of Music Bach Prize[25]

In 2015 he was awarded the Wolf Prize in Arts (with Jessye Norman).

A species of solitary bee from Israel was named in his honor in 2016.[26]

• Murray Perahia in Performance (1992)
• Mozart: Piano Concertos Nos. 21 and 27 in rehearsal and performance (1992)
• Schubert: Winterreise (with Dietrich Fischer-Dieskau)
• Beethoven: Piano Concertos Nos. 1 and 3 (1988)
• Beethoven: Piano Concertos Nos. 2 and 4 (1988)
• Beethoven: Piano Concerto No. 5 (1988)

Wikiquote has quotations related to: Murray Perahia

• Official site
• Full Biography
• Masterclass with Murray Perahia at the Jerusalem Music Centre on YouTube
• Interview with Murray Perahia by Bruce Duffie, March 13, 1997
• David Dubal interview with Murray Perahia, 3-Apr-1981
• Review of Murray Perahia's recording of Beethoven's Hammerklavier Sonata, in the Classical Music Records Reviews blog