Nettwerk

Once out of college, CEO Terry McBride managed a small band called Moev, of whom his friend Mark Jowett (and eventual co-founder of Nettwerk) was a member. They'd spend time at his small apartment with friends such as the members of the electro-industrial band Skinny Puppy, and soon he and Jowett starting putting out their records, along with Moev's and The Grapes of Wrath.[2]^:33

McBride had previously started a label, Noetix, and though it did not get off the ground, he and Jowett were willing to give the record business another try. The company officially opened its doors in 1985. Their first release was The Grapes of Wrath's self-titled EP followed by their full-length, September Bowl of Green. It piqued the attention of Capitol Records, and paved the way for a distribution deal for the band and Nettwerk as a label.[2]^:50

At a show in Halifax, McBride met nineteen-year-old singer-songwriter named Sarah McLachlan[2]^:65 – he'd been introduced to her music through Jowett, and tried to recruit her to front Moev. Her parents initially rejected the idea, saying she was too young,[2]^:65 but by then she had her moved out of her parents home and rented an apartment down the street while in her first year of art school. McBride offered McLachlan a five-record deal, and she agreed, saying “Ok. Sure. Why not?"[2]^:69

At this point, McBride and Jowett had moved Nettwerk into a new office, and McLachlan relocated to Vancouver to write, finishing her debut, Touch, in 1988. The first single, "Vox", was a hit, and led to her signing a worldwide deal with Arista Records (Nettwerk retained her for Canada). She followed up with Solace in 1991 and Fumbling Towards Ecstasy in 1993. Surfacing in 1997 contained two hit singles; "Building a Mystery" and "I Will Remember You", and winning two Grammy Awards.

Lilith Fair was initially McLachlan's idea;[2]^:151 she was tired of the standard touring, and wanted to do something different, something inventive. Though McBride was resistant at first, he pushed forward, and they assembled a lineup that they then were told was "suicidal": Paula Cole, Aimee Mann, Patti Smith, Lisa Loeb and McLachlan to close.[2]^:152 It was a success, and the next summer they launched a touring version – it grossed $16 million, a large portion of which was donated women's charities.[2]^:151 Founded by McLachlan, McBride, Nettwerk co-owner Dan Fraser and New York talent agent Marty Diamond, Lilith Fair would become one of the most powerful and accomplished tours of all time.[3]

Nettwerk then signed Barenaked Ladies, at the time viewed as a novelty act.[4] After steady radio promotion, McBride booked the band for a show at City Hall Plaza in Boston to launch their album Stunt.[2]^:140–143 The concert drew 80,000 fans, and the first single, "One Week", reached number one on the charts, also earning the band a Grammy nomination and a Juno Award for Best Pop Album. They have since gone on to sell over 10 million albums.

Nettwerk brought on Dido in 1999, as well as Sum 41. Avril Lavigne was sixteen when she walked into the Nettwerk offices; Arista had sent her to McBride, hoping to figure out what to make of her.[2]^:165 Though Lavigne would release her records through Arista, she continued with Nettwerk for her management.[5]

It was around this time that the label entered into an agreement with EMI that allowed Nettwerk to pursue the company's rejected material – one of which was a record called Parachutes by the band Coldplay. Nettwerk released the album in Canada and the United States in 2000.

Nettwerk embraced new digital formats.[6] McBride studied reports showing the sea change in fan preference, and realized that he'd rather cater to the growing MP3 culture rather than work against it. In 2005, Nettmusic became one of the first major music companies to sell MP3s free of DRM (digital rights management),[2]^:213–215 and supported the consumer case in the battle against the Recording Industry Association of America. Nettwerk has offered to pay the legal fees of a teenager in Texas who is being sued for downloading songs.[7]

At the same time, Nettwerk continued to focus on other new, innovative and both artist-and-fan friendly models. McBride conceived of a concept he called "collapsed copyright", set to revolve around a new business model that empowered artists themselves and not just the corporations. The premise allowed artists to release music under their own label (therefore retaining the intellectual property), marketed and promoted through Nettwerk.[8]

On June 9, 2010, Nettwerk announced that for its distribution and marketing in the United States, it would depart from Sony Music and its catalogue would now be distributed by WMG's Alternative Distribution Alliance.[9] In 2013, Nettwerk raised $10.25 million in equity financing to sign artists and purchase catalogs.[10]

In July, 2016, Nettwerk sold its publishing catalog to KobaltInvestment Fund, an independent investment fund established in 2011.[11]

In September 2017 Nettwerk Records announced that The Ballroom Thieves joined the label roster.[12]

In 2008, Nettwerk founder Terry McBride revived a retired sub-label of Nettwerk called Nutone Records, with the objective of releasing devotional, chant and world music. He also launched a chain of wellness centers in Canada called YYoga.[13]

• List of record labels

• Official website