Norman Jewison

When CBC Television went on the air in the fall of 1952, Jewison was an assistant director.[6] During the next seven years he wrote, directed, and produced a wide variety of musicals, comedy-variety shows, dramas, and specials, including The Big Revue, Showtime and The Barris Beat. In 1953 he married Margaret Ann "Dixie" Dixon, a former model. They would have three children – Michael, Kevin, and Jennifer – who would all pursue careers in the entertainment industry.[7]

In 1958 Jewison was recruited to work for NBC in New York, where his first assignment was Your Hit Parade, followed by The Andy Williams Show. The success of these shows led to directing specials featuring performers such as Harry Belafonte, Jackie Gleason, and Danny Kaye. The television production that proved pivotal to Jewison's career was the Judy Garland "comeback" special that aired in 1961, which included Frank Sinatra and Dean Martin, and led to a weekly show that Jewison was later called in to direct. Visiting the studio during rehearsal for the special, actor Tony Curtis suggested to Jewison that he should direct a feature film.[5]

It was not until the early 1990s that he would branch back into television, starting with producing the TNT biographical film Geronimo (1993).[8]

From left to right: Chaim Topol, Lex Goudsmit and Jewison in 1971

Jewison's career as a film director began with the comedy Forty Pounds of Trouble (1962), starring Tony Curtis. The next three films he directed, including two with Doris Day, The Thrill of It All (1963) and Send Me No Flowers (1964), were also light comedies done under contract for Universal Studios. After The Art of Love (1965), Jewison was determined to escape from the genre and tackle more demanding projects. His breakthrough film proved to be The Cincinnati Kid (1965), a drama starring Steve McQueen, now considered one of the finest movies made about gambling, and Jewison considers it one of his personal favourites because it was his first challenging drama.[9] This success was followed in 1966 by a satire on Cold War paranoia, The Russians Are Coming, the Russians Are Coming; it was the first film Jewison also produced, and it was nominated for four Academy Awards, including Best Picture. He felt that doing "a plea for coexistence, or the absurdity of international conflict was important right at that moment". While reaction to Russians was positive, Jewison was labeled as "a Canadian pinko" by right-wing commentators.[10]

Continuing the string of successes was one of the films that has become closely identified with its director, In the Heat of the Night (1967), a crime drama set in a racially divided Southern town and starring Sidney Poitier and Rod Steiger, which won five Academy Awards, including Best Picture, while Jewison was nominated for Best Director. While he was filming, Robert Kennedy told Jewison that this could be "a very important film. Timing is everything". Kennedy reminded Jewison of that prediction a year and a half later when he presented him with the Critics' Choice Movie Award for best drama.[10]

As a follow-up he directed and produced another film with McQueen, using innovative multiple screen images in the crime caper The Thomas Crown Affair (1968). From that point Jewison produced all feature films he directed, often with associate Patrick Palmer, and he also acted as producer for films directed by others, beginning with his former film editor Hal Ashby's directorial debut The Landlord (1970).[11] After the completion of the period comedy Gaily, Gaily (1969), Jewison, having become disenchanted with the political climate in the United States, moved his family to England.

At Pinewood Studios northwest of London, and on location in Yugoslavia, he worked on the musical Fiddler on the Roof (1971, re-issued 1979), which won three Oscars and was nominated for five others, including Best Picture and Director. During the filming of Fiddler, Jewison was also the subject of the 1971 National Film Board of Canada documentary, Norman Jewison, Filmmaker, directed by Douglas Jackson.[12]

Jewison's next project was the musical Jesus Christ Superstar (1973), based on the Broadway musical written by Andrew Lloyd Webber and Tim Rice. It was filmed in Israel, where Jewison also produced the western Billy Two Hats (1974), starring Gregory Peck. Superstar, controversial for its treatment of a religious subject, was followed by another movie that sparked critical debate, this time over violence. Rollerball (1975) is set in the near future when corporations rule the world and entertainment is centred around a deadly game. The next film he directed, the labour union drama F.I.S.T. (1978), loosely based on the life of Jimmy Hoffa, also provided some controversy, this time regarding the screenwriting credit. Screenwriter Joe Eszterhas was unhappy to share the screenwriting credit with the film's star Sylvester Stallone, as he felt that Stallone's input had been minor, while Stallone claimed to have basically rewritten the whole script.[13]

Jewison at the Toronto International Film Festival in 2011

In 1978 Jewison returned to Canada, settling in the Caledon area in Ontario and establishing a farm that produced prizewinning cattle. Operating from a base in Toronto, as well as one maintained in California, he directed high-profile actors Al Pacino in ...And Justice for All (1979), and Burt Reynolds and Goldie Hawn in the romantic comedy Best Friends (1982), and he produced The Dogs of War (1981) and Iceman (1984).

During this period Jewison also produced the 53rd Annual Academy Awards (1981), which was slated to air the day President Ronald Reagan was shot and had to be rescheduled. Revisiting the theme of racial tension that had characterized In the Heat of the Night, Jewison's A Soldier's Story (1984), based on a Pulitzer Prize winning play, was nominated for three Academy Awards, including Best Picture. His next film was also based on a successful play. Agnes of God (1985), set in a Quebec convent, starred Jane Fonda, Meg Tilly and Anne Bancroft; it received three Academy Award nominations.[14]

Jewison's next film proved to be one of the most popular romantic films ever made. Moonstruck (1987), starring Cher, was a box office hit that garnered three Academy Awards, including Best Actress for Cher. Jewison also received his third Best Director nomination.

For the next decade Jewison continued to direct feature films released by major studios: In Country (1989), a drama concerned with Vietnam veterans and the daughter of a war casualty; Other People's Money (1991), a social comedy about greed in the 1980s; Only You (1994), a romantic comedy set in Italy; and Bogus (1996), a fantasy about a young boy and his imaginary friend. He also served as producer for the film January Man (1989), executive producer for the Canadian movie Dance Me Outside, and branched back into television both as director and producer, including the series The Rez (1996–1998).

The Hurricane (1999) was Jewison's third film to explore the effects of racism, telling the story of boxer Rubin "Hurricane" Carter, who had been falsely convicted for a triple murder in New Jersey during the mid-1960s. Denzel Washington was nominated for an Oscar for his portrayal of Carter. In 1999 Jewison's work was recognized by the Academy of Motion Picture Arts and Sciences when he was given the Irving G. Thalberg Memorial Award for lifetime achievement.

Jewison continued directing and producing up until his last film to be released, the 2003 thriller The Statement, based on a novel by Brian Moore starring Michael Caine. That same year his autobiography This Terrible Business Has Been Good to Me was published, expressing the enthusiasm, conviction and creative passion that have sustained his career.[15]

Jewison at a CFC Garden Party in 2012

Jewison’s commitment and contribution to film in Canada is evidenced by his creation of the Canadian Centre for Advanced Film Studies in 1986, which opened its doors in 1988 as an advanced film school on Windfields Estate in Toronto, Ontario. Later renamed the Canadian Film Centre (CFC), its mission is to invest in and inspire the next generation of world-class Canadian content creators and entrepreneurs in the screen-based entertainment industry. The CFC delivers a range of multidisciplinary programs and initiatives in film, television, music, screen acting, and digital media, which provides industry collaborations, strategic partnerships, and business and marketplace opportunities for talent and participants.[16]

Jewison welcoming guests to a CFC event in 2012

More than 1700 alumni and 100 alumni companies have come out of CFC’s programs to date,[16] including:

• Filmmakers and/or TV creators Clement Virgo and Damon D'Oliveira (The Book of Negroes), Brad Peyton (San Andreas), Daniel Bekerman (The Witch), Tassie Cameron (Rookie Blue), Michelle Lovretta (Killjoys, Lost Girl), Vincenzo Natali (Cube, Splice)
• Actors Giacomo Gianniotti (Grey’s Anatomy), Annie Murphy (Schitt’s Creek), Eli Goree (Race)
• Screen composer Todor Kobakov (Bitten, Closet Monster, Hellions); singers/songwriters Adaline (Grey’s Anatomy, 90210), Allie X
• Digital media entrepreneurs AsapSCIENCE, Mediazoic, Wondereur
• Alumni companies Shaftesbury Films, Conquering Lion Pictures, CopperHeart Entertainment, Smiley Guy Studios, and Secret Location [17]

CFC has helped incubate and/or develop groundbreaking original content including hit television series Orphan Black (from creators Graeme Manson and John Fawcett, CFC alumni), the award-winning first feature Closet Monster (from writer/director alumnus Stephen Dunn (director)), and internationally award-winning documentary feature Stories We Tell (from director and CFC alumna Sarah Polley).

Additionally, feature films such as Rhymes for Young Ghouls (director Jeff Barnaby), Cube (director Vincenzo Natali), and Rude (director Clement Virgo) have been developed and produced through CFC Features.[18]

Each year in Los Angeles, Norman Jewison bestows the CFC Award for Creative Excellence to CFC alumni in recognition of their outstanding work and contributions to the screen-based entertainment industry. Jewison presented the inaugural award to CFC alumna Semi Chellas (Mad Men) in 2014, to Graeme Manson and John Fawcett (Orphan Black) in 2015, and to Don McKellar (The Red Violin, Highway 61) in 2016.

Jewison is the Chair Emeritus of the CFC.[19]

Producer only

• The Landlord (1970)
• Billy Two Hats (1974)
• The Dogs of War (1980)
• Iceman (1984)
• The January Man (1989)
• Dance Me Outside (1994) (Executive producer)

• American Cinema Editors Golden Eddie Award (2008)[6]
• Director's Guild of Canada Lifetime Achievement Award (2002)[28]
• Windsor International Film Festival Lifetime Achievement Award (2014)[29]