Oberheim Electronics

Oberheim 4 Voice (1975–1979)

Oberheim's Two-voice TVS-1, Four-voice FVS-1 in 1975,[1] and Eight-voice in 1977,[4] (which was the four voice frame with an external 4 SEM module) were among the first commercially available polyphonic synthesizers. Configurations were based on the SEM. The Two-voice synthesizer included a two channel voltage controlled sequencer, and the Four-voice and Eight-voice machines included a rudimentary Programmer, capable of recalling sound settings.

Oberheim's later synths like the OB-X and OB-Xa abandoned the relatively bulky SEMs in favor of individual or compact voice cards, and common cabinetry and power supplies. Oberheim continued to make synthesizers until the late 1980s. Other notable Oberheim synthesizers include the OB-1 (monophonic), the OB-8, the Xpander, the Matrix-6, the Matrix-12, and the Matrix-1000 marketed after the acquisition by Gibson.[5][6]

OB-1 (1978/1979)

OB-X (1979)

Xpander (1984)

Matrix-6 (1985)

Oberheim's DMX drum machine, a staple of early hip-hop music,[7] lent its name to the Producer Davy DMX, electro musician DMX Krew, and is still used in dancehall reggae music.

DMX (c.1981)

DX (c.1983)

Prommer (1984)

Both Marcus Ryle and Michel Doidic worked for Oberheim as instrument designers before helping develop the ADAT multitrack digital tape recorder for Alesis, (a 'prosumer' grade digital recording multitrack deck designed to compete with the Tascam DA series of digital multitracks) and then moving on to found Line 6 together.[8]

Matrix-1000 (1988) Oberheim / Gibson     Echoplex Digital Pro [9]

OB-Mx (1994)

Oberheim went bankrupt and was acquired in 1985 by a group of lawyers who changed the name to Oberheim ECC. Tom was creatively still at the helm, although he left the company within a couple of years to start a new venture called Marion Systems. After a second bankruptcy in early 1988, Gibson Guitar Corporation, a larger musical instrument manufacturer (who, incidentally, also owned the Maestro brand), acquired Oberheim. Gibson, at the direction of Keith McMillen (Gibson's vice president and chief of R&D), then produced the Oberheim OB-Mx[10] in collaboration with D.N. "Lynx" Crowe and Don Buchla; the Oberheim Echoplex Digital Pro in collaboration with Aurisis Research (Matthias Grob, Kim Flint, Eric Obermühlner); and re-released the Oberheim Strummer and Matrix 1000.

Gibson had split from its parent company, Norlin, in 1986. Norlin handled distribution for Oberheim's major competitor, Moog Music.

OB*12 (2000)

The trademark was later licensed to Viscount International, an Italian digital-organ producer. Viscount developed in a few years various instruments that were very innovative for the time and are still in demand: the digital synth Oberheim OB*12,[11] the guitar DSP GM-1000 with many effects,[12] the MC series of master keyboards,[13] and the OB3², a portable and inexpensive imitation of the popular Hammond series of organs.[14]

In 2009, Tom Oberheim announced that he was manufacturing a new version of his classic analog SEM.[15][16][17][18]

In 2011–2012, Tom Oberheim announced a four-voice SEM called "Son Of 4 Voice" (SO4V),[19] as well as an updated version of the classic Two-Voice known as the Two-Voice Pro.[20] The "Son Of 4 Voice", also known as SO4V, the Two Voice Pro started shipping in 2014.[21]

MIDI-to-CV converter panel for the SEM

EuroModular SEM (2015)

Two-Voice Pro (2015)

At the NAMM show of January 2016, Tom Oberheim announced the Dave Smith Instruments OB6, a collaboration with Dave Smith which resulted in Tom Oberheim's first voltage-controlled multi-voiced polyphonic synth since the mid-1980s; Tom Oberheim designed the VCO/VCF part replicating his SEM module, while control features, arpeggiator/step sequencer and effects processing were designed by Smith using his Prophet platform.[22]

In July 2019, JC Curleigh, CEO of Gibson, returned the Oberheim Electronics brand and IP back to Tom Oberheim as "a gesture of goodwill to the musical instrument industry."[23]