Ochre Coloured Pottery culture

The Ochre Coloured Pottery culture (OCP) is a Bronze Age culture of the Indo-Gangetic Plain "generally dated 2000-1500 BCE,"[1][2] extending from eastern Punjab to northeastern Rajasthan and western Uttar Pradesh.[3][4] Artefacts of this culture show similarities with both the Late Harappan culture and the Vedic culture,[5][6] and the OCP may reflect a first wave of Indo-Aryan migration into the India subcontinent.[6] The OCP marked the last stage of the North Indian Bronze Age and was succeeded by the Iron Age black and red ware culture and the Painted Grey Ware culture.

Cemetery H, Late Harappan, OCP, Copper Hoard and Painted Grey ware sites

Geography and dating

Woman Riding Two Bulls (bronze), from Kausambi, c.2000-1750 BCE

The 'Ochre Coloured Pottery culture is "generally dated 2000-1500 BCE,"[1] Early specimens of the characteristic ceramics found near Jodhpura, Rajasthan, date from the 3rd millennium (this Jodhpura is located in the district of Jaipur and should not be confused with the city of Jodhpur). Several sites of culture flourish along the banks of Sahibi River and its tributaries such as Krishnavati river and Soti river, all originating from the Aravalli range and flowing from south to north-east direction towards Yamuna before disappearing in Mahendragarh district of Haryana.[7]

The culture reached the Gangetic plain in the early 2nd millennium. Recently, the Archaeological Survey of India discovered copper axes and some pieces of pottery in its excavation at the Saharanpur district of Uttar Pradesh. The Ochre Coloured Pottery culture has the potential to be called a proper civilisation (e.g., the North Indian Ochre civilisation) like the Harappan civilisation, but is termed only as a culture pending further discoveries.[8]

Relation with Harappan Civiliation and Indo-Aryans

Ssimilarities have been noted between the use of charts, as attested in burial practices, and Vedic cultue.[6][5] Reflecting on these finds, Parpola rejects the identification of these charts as horse-pulled charts, instead considering them to be ox-pulled charts, but agrees with the identification with a first wave of Indo-Aryan settlers:

It seems, then, that the earliest Aryan-speaking immigrants to South Asia, the Copper Hoard people, came with bull-drawn carts (Sanauli and Daimabad) via the BMAC and had Proto-IndoIranian as their language. They were, however, soon followed (and probably at least partially absorbed) by early Indo-Aryans.[9]

According to Kumar, while the eastern OCP did not use Indus script, the whole of OCP had nearly the same material culture and likely spoke the same language throughout its expanse. OCP culture was a contemporary neighbor to Harappan civilization, and between 2500 BC and 2000 BC, the people of Upper Ganga valley were using Indus script.[10][11]

Pottery

The pottery had a red slip but gave off an ochre color on the fingers of archaeologists who excavated it, hence the name. It was sometimes decorated with black painted bands and incised patterns. It is often found in association with copper hoards, which are assemblages of copper weapons and other artifacts such as anthropomorphic figures. OCP culture was rural and agricultural, characterized by cultivation of rice, barley, and legumes, and domestication of cattle, sheep, goats, pigs, horses, and dogs. Most sites were small villages in size, but densely distributed. Houses were typically made of wattle-and-daub. Other artifacts include animal and human figurines, and ornaments made of copper and terracotta.[12]

Copper hoards

Archaeological cultures associated with Indo-Iranian migrations (after EIEC). The Andronovo, BMAC and Yaz cultures have often been associated with Indo-Iranian migrations. The GGC, Cemetery H, Copper Hoard and PGW cultures are candidates for cultures associated with Indo-Aryan movements.

The term copper hoards refers to different assemblages of copper-based artefacts in the northern areas of the Indian Subcontinent that are believed to date from the 2nd millennium BC. Few derive from controlled excavations and several different regional groups are identifiable: southern Haryana/northern Rajasthan, the Ganges-Yamuna plain, Chota Nagpur, and Madhya Pradesh, each with their characteristic artefact types. Initially, the copper hoards were known mostly from the Ganges-Yamuna doab and most characterizations dwell on this material.

Characteristic hoard artefacts from southern Haryana/northern Rajasthan include flat axes (celts), harpoons, double axes, and antenna-hilted swords. The doab has a related repertory. Artefacts from the Chota Nagpur area are very different; they seem to resemble ingots and are votive in character.

The raw material may have been derived from a variety of sources in Rajasthan (Khetri), Bihar, West Bengal, Odisha (especially Singhbhum), and Madhya Pradesh (Malanjkhand).

See also

References

Sources

  • Gupta, S.P., ed. (1995), The lost Sarasvati and the Indus Civilization, Jodhpur: Kusumanjali Prakashan
  • Gupta, Vinay; Mani, B.R. (2017). "Painted Grey Ware Culture: Changing Perspectives". Journal of Multidisciplinary Studies in Archaeology: 377–378.
  • Parpola, Asko (2020). "Royal "Chariot" burials of Sanauli near Delhi and Archaeological correlates of Prehistoric Indo-Iranian languages". Studia Orientalia Electronica. 8: 176.
  • Sharma, Deo Prakash (2002), Newly Discovered Copper Hoard, Weapons of South Asia (C. 2800-1500 B.C.), Delhi: Bharatiya Kala Prakashan
  • Yule, P. (1985), Metalwork of the Bronze Age in India, Munich: C.H. Beck, ISBN 3-406-30440-0
  • Yule, P.; Hauptmann, A.; Hughes, M. (1992) [1989], The Copper Hoards of the Indian Subcontinent: Preliminaries for an Interpretation, Jahrbuch des Römisch-Germanischen Zentralmuseums Mainz, pp. 36, 193–275, ISSN 0076-2741
  • Yule, Paul (2014), A New Prehistoric Anthropomorphic Figure from the Sharqiyah, Oman, in: ‘My Life is like the Summer Rose’ Maurizio Tosi e l’Archeologia come modo de vivere, Papers in Honour of Maurizio Tosi on his 70th Birthday, Oxford: BAR Intern. Series 2690
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