Ralph Steadman

Steadman's film poster for Where the Buffalo Roam (1980).

Steadman had a long partnership with the American journalist Hunter S. Thompson, drawing pictures for several of his articles and books.[5][6] He accompanied Thompson to the Kentucky Derby for an article for the magazine Scanlan's, to the Honolulu Marathon for the magazine Running, and illustrated both Fear and Loathing in Las Vegas and Fear and Loathing on the Campaign Trail '72.

Steadman has expressed regret at selling the original illustrations for Fear and Loathing in Las Vegas at the advice of his agent to Rolling Stone founder Jann Wenner for the sum of $75, a fraction of their significant value. As a result of that transaction Steadman has largely refused to sell any of his original artwork and has been quoted as saying "If anyone owns a Steadman original, it's stolen." While there are original pieces held outside of his archive, they are exceedingly rare. The artist has kept possession of the vast bulk of his original artwork.

Steadman appears on the second disc of The Criterion Collection Fear and Loathing in Las Vegas DVD set, in a documentary called Fear and Loathing in Gonzovision, which was made by the BBC in 1978, of Thompson planning the tower and cannon that his ashes were later blasted out of. The cannon was atop a 153-ft. tower of Thompson's fist gripping a peyote button; Thompson demands that Steadman gives the fist two thumbs, "Right now."

As well as writing and illustrating his own books and Thompson's, Steadman has worked with writers including Ted Hughes, Adrian Mitchell and Brian Patten, and also illustrated editions of Alice in Wonderland, Treasure Island, Animal Farm, the English translation of Flann O'Brien's Gaelic-language classic The Poor Mouth, and most recently, Fahrenheit 451.

Steadman has drawn album covers for numerous music artists, including the Who, Exodus, Frank Zappa and Ambrosia,[7] and the lead banner for the gonzo journalism website GonzoToday.com.[8]

Among the British public, Steadman is well known for his illustrations for the catalogues of the off-licence chain Oddbins.

In 1985, Steadman designed a set of four British postage stamps to commemorate the appearance that year of Halley's Comet.

Steadman has illustrated Will Self's column in The Independent newspaper.

Steadman has contributed to the BirdLife International's Preventing Extinctions programme with an image of critically endangered northern bald ibis.[9]

In 2014, Steadman created the artwork for a series of limited edition Breaking Bad steelbook DVDs.[10] These works were the subject of an exhibition at 71a Gallery in Hackney, London in February 2015.[11]

In 2017, Steadman penned the artwork for Travis Scott and Quavo's joint project Huncho Jack, Jack Huncho.[12]

In 2019, Steadman created the artwork for Taylor Mac's Broadway show Gary: A Sequel to Titus Andronicus.[13]

Steadman has designed label art for Flying Dog beer and designed the V logo used on Flying Dog's packaging since 1995. The Logo includes an original motto by Steadman: "Good Beer No Shit". Because of this, and because of Steadman's controversial label art for the craft brewery's Road Dog ale and Doggie Style ale, a complaint of obscenity was filed against Flying Dog. The Colorado State Liquor Board then had Flying Dog beers pulled from store shelves. Flying Dog and the American Civil Liberties Union sued the state of Colorado while the displayed motto was changed to “Good Beer No Censorship.” In 2001, the Colorado Supreme Court entered final judgment in favor of Flying Dog, based on the First Amendment to the United States Constitution, (freedom of speech).[14][15]

In 2009, the Michigan Liquor Control Commission banned Flying Dog's "Raging Bitch Belgian-Style IPA" beer, partly for the name and partly for Steadman's label art. In 2015, the 6th Circuit Federal Court of Appeals struck down the ban on first amendment grounds and recommended civil damages against the state of Michigan.[16][17]

In an article since deleted from its website, Flying Dog stated that its Cardinal "Spiced" Zin' wine was banned in Ohio for Steadman's "disturbing" interpretation of a Catholic cardinal on its label.[18][19]

In 2018, Flying Dog received a complaint in the UK about the packaging of its "Easy IPA" reduced-alcohol beer. The complaint partially involved Steadman's label art, depicting a tipsy cartoon character. The Portman Group, a third-party organization which evaluates alcohol-related marketing in the UK, has accepted the complaint's allegation that the artwork “could be seen as encouraging drunkenness”, particularly among minors, and has issued an advisory.[20]

In 1980, Steadman wrote a 57-second song "Sweetest Love (Lament after a Broken Sashcord on a Theme by John Donne)" for an album he was illustrating, Miniatures (A Sequence of Fifty-One Tiny Masterpieces Edited by Morgan Fisher, on Pipe Records. Steadman sang the song to Fisher's harmonium accompaniment.[21]

In 1999, Steadman wrote the lyrics for Richard Harvey's choral album Plague and the Moonflower, on Altus Records.[22]

Also in 1999, Steadman released an anthology album of his "favorite music", on EMI Records, entitled I Like It. Two pieces of his own music are included, "Weird & Twisted Nights" (listed as a collaboration with Hunter S. Thompson and someone named Mc Dean) and "Sweetest Love I Do Not Go" (the same 57-second piece he released in 1980). The album comes with a "songbook", which has text by Steadman.[23]

Hal Willner and Johnny Depp's 2006 anthology of songs, Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys[24] contains two contributions from Steadman. He sings lead on "Little Boy Billee" and sings backing vocals for Eliza Carthy on "Rolling Sea".[25]

In 2011, Steadman began running prose and poetry in Kotori Magazine.[26]

In 2015, Steadman released a 7-inch vinyl single on Philthy Phonograph Records, "The Man Who Woke Up in the Dark" B/w "Striped Paint".[27]

A major documentary about Steadman's career, For No Good Reason, directed by Charlie Paul, played at the 2013 Toronto International Film Festival in the "Mavericks" programme.[28] The film, reportedly 15 years in the making, played in New York City and Los Angeles in December 2013, and was given US domestic release in spring 2014.[29] The film was in competition for the Grierson Award for Best Documentary at the 2012 BFI London Film Festival.[30]

• Between the Eyes (1984)
• The Joke's Over: Bruised Memories—Gonzo, Hunter S. Thompson, and Me (2006)