Serenade to Music

Vaughan Williams wrote the piece as a tribute to the conductor Sir Henry Wood to mark the fiftieth anniversary of Wood's first concert.[1] The solo parts were composed specifically for the voices of sixteen eminent British singers chosen by Wood and the composer. In some parts of the work, the soloists sing together as a "choir," sometimes in as many as twelve parts; in others, each soloist is allotted a solo (some soloists get multiple solos). The published score places the initials of each soloist next to his or her lines.

Wood conducted the first performance at his jubilee concert at the Royal Albert Hall on 5 October 1938.[1] The orchestra comprised players from three London orchestras – the London Symphony Orchestra, the BBC Symphony Orchestra and the London Philharmonic Orchestra.[2] The soloists were:

Sergei Rachmaninoff played in the first half of the concert as soloist in his Second Piano Concerto;[1] when he heard the Serenade from his place in the audience, he was so overcome by the beauty of the music that he wept.[2][3]

On 15 October 1938, Wood made the first recording (with the same soloists and the BBC Symphony Orchestra) at the HMV Abbey Road Studio No. 1. Vaughan Williams and HMV donated copyright fees received from the initial record sales to the Henry Wood Jubilee Fund, which was established to endow London hospital beds for British orchestral musicians.[4]

Vaughan Williams, realising the difficulty of assembling sixteen soloists for future performances, subsequently made arrangements for four soloists plus choir and orchestra, for choir and orchestra, for choir and piano, and for solo violin and orchestra. Wood premiered the orchestral version in February 1940.[5] The orchestra consists of two flutes (second doubling piccolo), oboe, cor anglais, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp, and strings.

Vaughan Williams conducted a performance of the original version of the Serenade during the inaugural concerts at the new Royal Festival Hall in 1951. The orchestra was the Liverpool Philharmonic and eleven of the original sixteen soloists sang; Ena Mitchell replaced Turner, Gladys Ripley replaced Balfour, and William Herbert, Richard Lewis and Stephen Manton replaced Titterton, Widdop and Jones. The performance was recorded and has been released on CD.[6]

For the opening of the Avery Fisher Hall, New York, on 23 September 1962, Leonard Bernstein conducted the New York Philharmonic, his programme including the Serenade to Music. The soloists were Adele Addison, Lucine Amara, Eileen Farrell, Lili Chookasian, Jennie Tourel, Shirley Verrett-Carter, Charles Bressler, Richard Tucker, Jon Vickers, George London, Ezio Flagello and Donald Bell. The performance was recorded live and has been issued on CD by Sony Classical.

In arranging Shakespeare's text, Vaughan Williams followed the word order, but cut words, phrases, and whole lines, and repeated at the end eleven words from the third and fourth lines, producing the following text. The initials mark the singers' solo passages; ensemble passages are shown in italics:

The recordings of the original version, for sixteen singers and orchestra, are conducted by Sir Henry Wood (1938), the composer (1951), Sir Adrian Boult (1969), Matthew Best (1990) and Sir Roger Norrington (1996). In the table below, each row shows the original singer, followed by those performing the same part in the later recordings.

The wholly orchestral version has been recorded by the London Philharmonic under Vernon Handley and the Northern Sinfonia of England under Richard Hickox.

The Serenade to Music figures prominently in No Distance Left to Run, a 2010 documentary film about the British rock band Blur. The film also features Vaughan Williams's The Lark Ascending.[7]