Sleaford Mods

Jason Williamson, Sleaford Mods, Glastonbury Festival, 2019

Williamson (born 10 November 1970 in Grantham, Lincolnshire) grew up in Grantham.[6] Inspired by the mod subculture and musical sources like the Wu-Tang Clan, he spent several years pursuing music unsuccessfully both with various groups and as a solo singer-songwriter. He had also worked as a session musician with local artists as well as Spiritualized and Bent.[9][10] Fearn (born 1971 in Burton upon Trent) grew up on a farm in Saxilby, Lincolnshire.[6][11]

Williamson first met Fearn in 2009 after hearing him DJ at a small Nottingham club called the Chameleon, where he was playing his own rough edged and minimal grime inspired tracks.[12] Sleaford Mods began when Williamson's friend suggested that he combine his vocals with a music sample from a Roni Size album.[6] Originally the project was called "That's Shit, Try Harder",[6] later changed in reference to Sleaford, a town in Lincolnshire not far from Grantham.

Williamson formed the band with Simon Parfrement, who he worked with alongside a studio engineer at Rubber Biscuit Studio in Nottingham on their first four albums. Parfrement left the music production to Andrew Fearn after the release of the 2012 album Wank, the first album to feature Andrew Fearn, but continues to play an important role in the band as their photographer and media producer.[13][14]

Sleaford Mods, live in 2013; Fearn (left), Williamson (right)

On December 10, 2014, Jason Williamson published the lyrics collection[15] Grammar Wanker: Sleaford Mods 2007-2014,[16] followed by Jason Williamson's House Party: Sleaford Mods 2014-2019[17] in 2019.

A collaboration between Sleaford Mods and The Prodigy was announced at the end of 2014.[18] They recorded a track "Ibiza" together which appears on The Prodigy album The Day Is My Enemy, released in March 2015.

The Leftfield album Alternative Light Source, released on 8 June 2015, also features a collaboration with Sleaford Mods, a track called "Head and Shoulders".[19] The video for 'Head and Shoulders' is a stop-motion and animation hybrid that debuted on August 2015.[20] In July 2015, the band released a new album, Key Markets. It was one of the 19 records nominated for the IMPALA Album of the Year Award.[21]

The band featured in two documentary films, Bunch of Kunst. A Film About Sleaford Mods, released in 2017 and Sleaford Mods: Invisible Britain, released in 2015.

In 2016, an important turning point took place after many years, as Sleaford Mods left Harbinger Sound and signed with Rough Trade Records. Their first release on the new label was the T.C.R. EP in 2016.

In 2017, following the release of English Tapas Sleaford Mods embarked on their first North American tour.

One year later, Sleaford Mods surprisingly left Rough Trade, which eventually led to the dismissal of their long-time manager (and owner of Harbinger Records) Steve Underwood.[22]

After releasing Eton Alive on their own label Extreme Eating Records in 2019, the band returned to Rough Trade. This renewed cooperation resulted in the release of the compilation All That Glue in 2020 and Spare Ribs in 2021 (including the single Mork n Mindy, which was released on October 30, 2020 and reached the top of the UK vinyl singles chart).

In 2019, Williamson lent his vocals to the track "Talk Whiff" by Scorn.

Sleaford Mods have described their work as "electronic munt minimalist punk-hop rants for the working class."[1] Williamson is responsible for the words, Fearn for the music. Sleaford Mods songs have been described as embittered rants about such topics as unemployment, modern working life, celebrities and pop culture, capitalism and society in general.[23] The lyrics usually contain profanity, which is, according to Williamson, the way in which he speaks and "not just fucking swearing".[23] Fearn's music has been described as "purgatorial loop[s]" of "pugilistic post-punk-style bass; functional but unprepossessing beats; occasional cheap keyboard riffs and listless wafts of guitar."[24]

Williamson's voice on Sleaford Mods songs is sprechgesang, rapped with an East Midlands dialect.[25] His vocal and lyrical style has variously been compared to Shaun Ryder,[26] John Cooper Clarke,[27] Mark E. Smith,[28] Ian Dury,[29] The Streets[30] and Half Man Half Biscuit[31] as well as various punk and oi! artists. Williamson has cited influences including the mod subculture, the Wu-Tang Clan, Stone Roses, Nas, Red Snapper, Trim, Two Lone Swordsmen, rave and black metal.[23]

• Official website
• Media related to Sleaford Mods at Wikimedia Commons