Leftfield

Neil Barnes' music career started off as a DJ at The Wag Club while simultaneously playing percussion on a session basis. In 1986, he joined the London School of Samba and played in the bateria in the 1986 Notting Hill Carnival.[3] Around 1989, inspired by Afrika Bambaataa,[4] Barnes decided to try his hand at electronic music production, the results of which were the tracks "Not Forgotten" and "More Than I Know", released on the Rhythm King label.[2] For the remixes of these tracks, Barnes called upon Paul Daley,[5] percussion player with A Man Called Adam and formerly a session musician for the Brand New Heavies and Primal Scream, appearing on their Dixie-Narco EP.[1][4] Barnes and Daley had previously worked together as percussionists at The Sandals first club, Violets.[1][4] Described by Barnes as "[t]he sound of 15 years of frustration coming out in one record", the piece was termed "Progressive House" by Mixmag and held significant prominence in nightclubs from 1991 onwards.[1] As their mutual interest in electronic music became clear the pair decided that they would work instead upon Leftfield, once Barnes had extricated himself from his now troublesome contract with Rhythm King subsidiary, Outer Rhythm.[1][2] The name Leftfield was originally used by Barnes for his first single, with editing/arranging and additional production undertaken by Daley. However, after this, Daley was subsequently involved in remixing "Not Forgotten" and thereafter in the creation of all of Leftfield's work until the band split up in 2002.

During this period, in which the band could not release their own music owing to the legal dispute with Rhythm King, the pair undertook remix work for React 2 Rhythm, I.C.P. (Ice Cool Productions), Supereal, Inner City, Sunscreem, Ultra Nate and provided two remixes to David Bowie's single "Jump They Say". Finally, once the problems with their former label had been sorted out, Leftfield were able to unveil their single "Release the Pressure".[2]

The song "Phat Planet" was used in the "Surfers" TV advertisement for Guinness, ranked number one in Channel 4's Top 100 Adverts list in 2000. "Phat Planet" was also used in the animated television series Beast Machines: Transformers, the simulation racing games F1 2000 by EA Sports and Racedriver GRID by Codemasters. In addition, their song "Release the Pressure" was used on advertisements for the O₂ mobile phone network at its launch, and the Kerry Group's Cheestrings snack in 2006. "A Final Hit" was featured on the Trainspotting soundtrack;[7] the b-side "Afro Ride" was also featured on the soundtracks to both wipE'out" and wipE'out" 2097 although it did not appear on the album of the first game.

A white label release called "Snakeblood" was featured on The Beach soundtrack.

The song "Storm 3000" has been used as the theme tune for the BBC television programme Dragons' Den.

Djum Djum playing theremin during Afro-Left in December 2010

In Leftfield's Amsterdam show, the Dutch police were close to arresting the venue sound engineers due to the sound system reaching illegal volumes. At the next concert, in Belgium, 30 people were given refunds after complaining that the sound level was too high, leading to a newspaper headline reading "LEFTFIELD TOO LOUD". In June 1996, while the group was playing at Brixton Academy, the sound system caused dust and plaster to fall from the ceiling;[16] subsequently, the group was banned from ever returning to the venue.[16] The ban however was taken by the band as a ban on the sound system and not themselves,[16] which was confirmed when Leftfield returned to Brixton again on Saturday 20 May 2000.

In November and December 2010, Leftfield did a series of dates around the UK and Ireland. Friday 3 December's gig saw more plaster fall from Brixton Academy's ceiling.[17]

• Leftfield official website
• Leftfield Facebook
• Leftfield Twitter
• Leftfield SoundCloud
• Leftfield Spotify
• Leftfield iTunes
• Not Forgotten: unofficial website