The Stray (Westworld)

Neil Marshall directed the episode, his first of the series.

The episode was directed by Neil Marshall.[1] In the episode, Anthony Hopkins' character Dr. Robert Ford was depicted as a younger version of himself. For this to be done, effects supervisor Jay Worth collaborated with ILP, a Stockholm-based VFX studio. References were pulled from Hopkins' early acting career, when he was in his 30s and 40s.[2]

The scenes in which Elsie and Ashley track down a stray host who then self-destructs were filmed at Corriganville Park in Simi Valley, California.[3]

In an interview, composer Ramin Djawadi spoke about the hosts playing piano in the episode instead of the humans. He said, "It's got a robotic harshness to it which is very distinctive. When a human plays it, the dynamics are modified. But when the player piano hits a note, it's always the same."[4] Djawadi continued on why Dr Ford would keep a host in his office, saying, "Maybe to keep him company! — And it shows his control, as well. This is his world. He created everything. So he can have as many hosts around him as he wants. I would pick a human, though. There's something about the human performance that a robot could never get close to."[4] The episode featured the classical piece "Reverie L.68", by French composer Claude Debussy and "Peacherine Rag" by composer and pianist Scott Joplin, which was played in the player piano by a host in the episode.[4]

"The Stray" was viewed by 2.10 million American households on its initial viewing becoming the most watched episode of the show so far.[5] The episode also acquired a 0.9 rating in the 18–49 demographic.[5] In the United Kingdom, the episode was seen by 1.21 million viewers on Sky Atlantic.[6]

"The Stray" received positive reviews from critics. The episode currently has a 96% score on Rotten Tomatoes and has an average rating of 8.6 out of 10, based on 25 reviews. The site's consensus reads "The Stray furthers character evolution while providing juicy backstory and twisty plot progression."[7]

Eric Goldman of IGN reviewed the episode positively, saying, "Westworld's third episode put a bigger spotlight on how different Ford and Bernard's attitudes are about the hosts. While Bernard's feelings of love and loss for his dead son transferring over to Dolores aren't subtle, they make sense, and Jeffrey Wright is, predictably, perfect at showing how he cares for her, even as he knows he's going down a road he probably shouldn't."[8] He gave it a score of 8.2 out of 10.[8] Scott Tobias of The New York Times wrote in his review of the episode; "The slight hiccups in Dolores' routine are beautifully handled here. By now, we've seen the shot of her finding the wandering cattle on the ranch and saying 'Father wouldn't let 'em roam this close to dark' several times. But here, there's a slight pause between 'close' and 'to,' because Dolores is struck by an acute feeling of déjà vu. When it strikes her again in a confrontation with her parents' attackers, she recognizes the loops well enough to slip her grim fate and head for the hills."[9] Zack Handlen of The A.V. Club wrote in his review, "'The Stray' offers some potentially intriguing set-up, but that set-up isn't worth much if it doesn't go anywhere worthwhile. We'll just have to wait and see."[10] He gave the episode a B+.[10]

Liz Shannon Miller of IndieWire wrote in her review, "The last 20 or so minutes of 'The Stray', in general, are probably the most violent and grotesque of the show to date—between the battle with Wyatt's marauders, the Stray bashing his own brains in and Dolores shooting Rebus dead after an attempted rape. Even for the most inured, there's still some shock value. There's also, frankly, more drag than in the previous two weeks, thanks to some exposition dumps that do bring a new level of enlightenment to the show, but don't move as briskly as they might."[11] She gave the episode a B.[11] Erik Kain of Forbes also reviewed the episode, saying, "All told, a terrific episode that ramped up the crazy factor and the mystery to new heights. HBO is on to something here in a very big way. Westworld is brilliant, mysterious and captivating."[12]