Vigil in a Wilderness of Mirrors

The only Fish album to be released by EMI (see below), it was also his most commercially successful. In February 1990, the album peaked at number 5 in the UK Albums Chart, with the singles reaching no. 32 ("State of Mind", October 1989), no. 25 ("Big Wedge", January 1990) and no. 30 ("Gentleman's Excuse Me", March 1990) on the UK Singles Chart.[2]

The album was recorded at Townhouse Studios, London, during the first half of 1989, and produced by Jon Kelly.

Complete version of the painting by Mark Wilkinson on the inside of the gatefold cover

The cover art was by Mark Wilkinson, who had illustrated all Marillion albums and singles while Fish was their singer and went on to design almost all Fish solo covers. The front cover features a close-up from a larger, very detailed painting/collage inside the gatefold LP cover and the CD booklet. The painting contains many references to the lyrics, political allusions as well as "hidden" messages only understandable to fans (such as the faces of Marillion's keyboardist Mark Kelly and manager John Arnison). The central element is a "hill" consisting of junk consumer goods in a post-apocalyptic landscape, on top of which a couple clad in pseudo-oriental clothes stare into the distance, holding an hourglass. The man's cape, flapping in the wind, resembles the east of Scotland, with the Southern Uplands (Fish's home region) lit by light beams apparently emitted by the hourglass – a reference to Fish's interest in Scottish culture. Only the couple and the top of the hill are on the front cover. The TV sets and the Amiga 500 computer set the couple is standing on show pictures of Fish's face; on the larger version inside, these are replaced with faces from Ingres's painting The Golden Age.

The album is not a concept album, however, several of the songs refer to "the hill" – a metaphor for greed and consumerism. The songs deal with the themes that Fish has always been passionate about – personal issues and politics – but in single-song format. "State of Mind" and "Big Wedge" stand out as the most overtly political songs: "State of Mind" strongly articulates the growing civic disillusionment in the late Thatcher years (although it does not mention her by name), "Big Wedge" is an explicit criticism of capitalist greed, American society and policies (the cover of the single features Uncle Sam offering a wedge of dollar bills to the viewer). Incidentally, the lyric had earlier been vetoed by Marillion as "anti-American", they feared it might have hampered their entry into the U.S. market with the next album. Other songs express a more general disgust with materialism ("Vigil", "View From The Hill" and "The Company", the last of which is also a coded account of Fish's disillusionment with and departure from Marillion). "Family Business" refers to domestic violence, the bonus track "The Voyeur (I Like To Watch)" to TV voyeurism. Finally, "A Gentleman's Excuse Me" and "Cliché" are love songs.

The phrase "wilderness of mirrors" is originally from T. S. Eliot's poem Gerontion, but has since become a widely used metaphor for disinformation in spy fiction, where Fish picked it up.

A number of the lyrical concepts on the album (most particularly, the Voice in the Crowd motif) can be heard in Marillion demo sessions released on the 1999 remaster of Clutching at Straws. These sessions were part of the writing process for Marillion's fifth studio album with Fish, which never came to fruition. Many of the musical ideas developed on those demos can be heard on Seasons End, the first Marillion album with Steve Hogarth.

The album covers a variety of musical styles, including progressive rock ("Vigil"), pop rock ("Big Wedge"), hard rock ("View From the Hill"), and folk music ("The Company"). As he is primarily a lyricist and not a musical composer, Fish collaborated with keyboardist Mickey Simmonds in writing all songs except "View From the Hill", which was co-written and recorded with current Iron Maiden guitarist Janick Gers. Ex-Dire Straits guitarist Hal Lindes contributed additionally to the writing of "State of Mind", "Family Business" and "Cliché". He also played guitar on most tracks, along with Frank Usher, a Fish companion from pre-Marillion times. Drums were handled by Mark Brzezicki (of Big Country), John Keeble (of Spandau Ballet, "State of Mind" only), bass by John Giblin, additional percussion by Luís Jardim, backing vocals by Tessa Niles, who had already appeared on Clutching at Straws, Marillion's last album with Fish (1987), and Carol Kenyon. Apart from these, there are performances on individual songs by The Kick Horns (brass instruments on "Big Wedge"), Davy Spillane (pipes and tin whistle on "Vigil"), Phil Cunningham (tin whistle, bodhran, accordion on "The Company", "Internal Exile"), Aly Bain (violin on "The Company", "Internal Exile") and Gavyn Wright (credited as Gavin Wright, violin on "The Company", orchestral arrangement on "A Gentleman's Excuse Me", which was recorded with a 23-piece orchestra at Abbey Road Studios).

The band with which Fish toured the album in 1989/1990 consisted of Mickey Simmonds (keyboards), Frank Usher & Robin Boult (guitars), Mark Brzezicki (drums) and Steve Brzezicki (bass, Mark's brother).

Remastered by Calum Malcolm in 1997, the album was reissued three times: 18 December 1997 on Fish's old label Dick Bros Record Company, on 28 October 1998 on Roadrunner Records, and in 2006 by Fish's current label Chocolate Frog. All remastered versions contain the original tracks and five bonus tracks originally released as b-sides of the accompanying singles, plus the original 1989 version of "Internal Exile". The edited and extended versions of the singles' A-sides are not included, a solo live recording of the Marillion song Punch and Judy featured on the single "The Company" is also absent.

After Fish left Marillion, their label EMI automatically held the rights to his solo recordings under a leaving-member clause. However, Fish was dissatisfied with EMI's promotion and distribution and sought to leave the contract, which he finally achieved after a drawn-out lawsuit in late 1990/1991. As a result, Vigil in a Wilderness of Mirrors remains Fish's only album on EMI. EMI still owned the rights, which were licensed back to Fish, who has reissued it as described in the previous section. The album is now owned by Parlophone/WMG.[4]

All songs written by Derek W. Dick (Fish) and Mickey Simmonds, except where noted.

1. "Vigil" – 8:43
2. "Big Wedge" – 5:19
3. "State of Mind" (Dick, Hal Lindes, Simmonds) – 4:42
4. "The Company" – 4:04
5. "A Gentleman's Excuse Me" – 4:15
6. "The Voyeur (I Like To Watch)" – 4:42 (Not on LP)
7. "Family Business" (Dick, Lindes, Simmonds) – 5:14
8. "View From The Hill" (Dick, Janick Gers) – 6:38
9. "Cliché" (Dick, Lindes, Simmonds) – 7:01

• Fish (Derek W. Dick) - All Vocals
• Frank Usher - Guitars (Tracks 1-7,9-12 and 14)
• Hal Lindes - Guitars (1-7 and 11)
• Janick Gers - Guitars (8)
• John Giblin - Bass Guitars (1-9 and 11)
• Mickey Simmonds - Keyboards (1-12 and 14); Piano (13); Drum Programming (10 and 12)
• Davy Spillane - Pipes (1); Whistles (1)
• Phil Cunningham - Whistles (1,4 and 11); Accordion (4 and 11); Bodhrán (4)
• Aly Bain - Violin (4 and 11)
• Gavyn Wright - Violin (4)
• Alison Jones - Violin (12)
• Mark Brzezicki - Drums (1,2,4,6-9 and 11)
• John Keeble - Drums (3)
• Luís Jardim - Percussion (2-4 and 9)
• Carol Kenyon - Backing Vocals (2,3,7 and 9)
• Tessa Niles - Backing Vocals (2,7 and 9)

• Discography information on Fish's official website (No longer a valid link)