4th Street (Manhattan)

4th Street is a street in Lower Manhattan, New York City. It starts at Avenue D as East 4th Street and continues to Broadway, where it becomes West 4th Street. It continues west until the Avenue of the Americas (Sixth Avenue), where West 4th Street turns north and confusingly intersects with West 10th, 11th, 12th, and 13th Streets in Greenwich Village. Most of the street has the same 40-foot (12 m) width between curbstones as others in the prevailing street grid, striped as two curbside lanes and one traffic lane, with one-way traffic eastbound. The portion from Seventh to Eighth Avenues is westbound (northbound geographically) and is approximately 35 feet (11 m) wide, a legacy of the original Greenwich Village street grid. The section of four short blocks from MacDougal Street to University Place which forms the southern border of Washington Square Park is called Washington Square South.[2]

"4th Street" redirects here. For other uses, see 4th Street (disambiguation).

KML is from Wikidata
4th Street
Washington Square South
West 4th Street at Jane Street
Former name(s)Asylum Street
Maintained byNYCDOT
Length2.0 mi[1] (3.2 km)
LocationManhattan, New York City
Postal code10014, 10012, 10003, 10009
West endWest 13th / Gansevoort Streets in Meatpacking
East endAvenue D in East Village
NorthWaverly Place (Bank to Grove Streets)
Washington Place (Grove Street to Broadway)
5th Street (Bowery to Avenue D)
SouthHudson Street (13th Street to 8th Avenue)
Bleecker Street (8th to 6th Avenues)
3rd Street (6th Avenue to Avenue D)

The north/south portion (from Sixth Avenue to 13th Street) was formerly called Asylum Street, after the Orphan Asylum Society, which stood on Asylum Street between Bank Street and Troy Street (now West 12th Street). The asylum was demolished in 1833 and the street was renamed West 4th Street. Later, the cross streets (Amos, Hammond, and Troy) were renamed West 10th, 11th, and 12th Streets, causing the current confusion.[3]

Landmarks
Due to the layout of streets in Greenwich Village, West 4th Street, running south to north, intersects West 12th Street, which runs west to east

Located near Washington Square Park's south-west corner, between MacDougal Street and Sixth Avenue, The Washington Square Methodist Church (135 West Fourth) is an early Romanesque Revival marble edifice designed by Gamaliel King and built in 1859–60.[4] Dubbed the "Peace Church" for its support of Vietnam War protesters, Washington Square Church long provided a neighborhood base for activist groups such as the Black Panthers and Gay Men's Health Crisis. The church was sold in 2005 to a developer for conversion into residential units.[5] During construction, parts of the church were salvaged to form the furniture and interior architecture of Urban Spring, a cafe in Fort Greene, Brooklyn.

Judson Memorial Church, located at the corner of Thompson Street and Washington Square South, was designed by architect Stanford White and stained glass master John La Farge.

The West Fourth Street subway station (A​, B​, C​, D​, E​, F, <F>​, and M trains) at Sixth Avenue is one of the major transfer points in the New York City Subway.

The street is home to the basketball and handball West Fourth Street Courts, known as "The Cage", a hangout for some of New York's best basketball players and the site of a citywide streetball tournament.[6]

Historic locations and residents

West 4th Street has always been a center of the Village's bohemian lifestyle. The Village's first tearoom, The Mad Hatter, was located at 150 West 4th Street and served as a meeting place for intellectuals and artists.

The infamous Golden Swan bar (known as the "Hell Hole"), at the corner of Sixth Avenue, was a famous haunt of Eugene O'Neill and the setting and inspiration for his play The Iceman Cometh. Writer Willa Cather's first New York residence was at 60 Washington Square South (4th Street between LaGuardia Place and Thompson Place) and radical journalists John Reed and Lincoln Steffens lived nearby at 42 Washington Square South. Reed later worked in a room in the Studio Club building to complete the series of articles that became his account of the Bolshevik Revolution, Ten Days That Shook the World, later the source for the film Reds.[7]

Sculptor and art patron Gertrude Vanderbilt Whitney established the Whitney Studio Club in a brownstone at 147 West 4th Street in 1918 as a place for young artists to gather and show their work. The facility operated for ten years and was the second incarnation of what would later become the Whitney Museum of American Art.[8] It started the careers of such artists as Ashcan School painter John Sloan, Edward Hopper, whose first one-man exhibit was held there in 1920, and social realists Reginald Marsh and Isabel Bishop. Sloan lived at 240 West 4th St and painted locations on the street including the Golden Swan.

The street was later home to the famous folk club Gerde's Folk City (11 West 4th Street), which hosted the New York debuts of Bob Dylan in 1961 and Simon & Garfunkel. Dylan also lived from early-1962 until late-1964 in a small $60-per-monthstudio apartment at 161 West 4th Street;[9] the cover of The Freewheelin' Bob Dylan was photographed at nearby Jones Street at West 4th, and the street may have inspired his 1965 hit song "Positively 4th Street".

Music venue The Bottom Line was at 15th West 4th Street from 1974 to 2004.

References
  1. Google (August 31, 2015). "4th Street (Manhattan)" (Map). Google Maps. Google. Retrieved August 31, 2015.
  2. "Washington Square South" Google Maps
  3. Walsh, Kevin (November 1999). "The Street Necrology of Greenwich Village". Forgotten NY. Retrieved August 17, 2015.
  4. New York City Landmarks Preservation Commission, Guide to New York City Landmarks, John Wiley and Sons: 2003, p. 50.
  5. Albert Amateau, "Washington Square church is sold", The Villager, Vol. 75, Num. 10, July 27, 2005
  6. Wight Martindale Jr., Inside the Cage: A Season at West Fourth Street's Legendary Tournament, Simon Spotlight Entertainment: 2005.
  7. Patrick Bunyan, All Around the Town: Amazing Manhattan Facts and Curiosities, Fordham Univ Press: 1999, pp. 143, 147.
  8. Janet Wolff, "Women at the Whitney, 1910–1930" in Bettina Messias Carbonell, editor, Museum Studies: An Anthology of Contexts, Blackwell Publishing: 2003, p. 485.
  9. Howard Sounes, Down the Highway: The Life of Bob Dylan, Grove Press: 2002, pp. 108, 164.
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