A Panel of Experts

A Panel of Experts is a painting created by American artist Jean-Michel Basquiat (1960–1988) in 1982. The artwork in part is Basquiat's depiction of a catfight between two of his lovers, Suzanne Mallouk and the singer Madonna.

A Panel of Experts
ArtistJean-Michel Basquiat
Year1982
MediumAcrylic and oil paintstick and paper collage on canvas with exposed wood supports and twine
MovementNeo-expressionism
Dimensions150 cm × 150 cm (60 in × 60 in)
LocationMontreal Museum of Fine Arts
Gift of Ira Young

Background

In 1981, Jean-Michel Basquiat began dating Suzanne Mallouk, a waitress he met at Night Birds bar in the East Village.[1] He moved in with her and she paid the rent while he focused on painting.[2] That same year, he made the transition from a street artist to exhibiting his artwork in galleries.[1] They moved into a loft provided by gallerist Annina Nosei in SoHo in 1982.[3] He dated Mallouk on-and-off until 1983.[4]

In 1982, Basquiat began dating Madonna, then an up-and-coming singer working on her debut album Madonna.[5] According to Ed Steinberg, who directed the music video for her debut single "Everybody," he arranged for them to meet at his place after Madonna spotted Basquiat at Lucky Strike nightclub.[6] However, Basquiat's former Gray bandmate Nick Taylor stated that he introduced them during Retro Night at Bowlmor.[7] Basquiat and Madonna dated until 1983.[8] One night while they were at The Roxy nightclub in Chelsea, Mallouk spotted them and she attacked Madonna in a jealous rage.[9]

Analysis

A Panel of Experts is painted on stretched canvas. The canvas is on the base of a handmade structure; tied pieces of wood with twine. Basquiat drew some images and painted the background black, which overlaps some of the images. This creates a strong contrast and draws attention to the text and imagery.

The top left side has "VENUS" written with "MADONNA©" crossed out underneath. Basquiat referred to Suzanne Mallouk as "Venus" in his paintings.[9] He crossed out words to bring more attention to them. "I cross out words so you will see them more; the fact that they are obscured makes you want to read them," he said.[10] The copyright symbol next to Madonna's name suggests that he was aware of her impending fame.[11] Basquiat told his art dealer Larry Gagosian that "she's going to be huge."[12] There is humor depicting the catfight between Mallouk and Madonna as stick figures. According to Mallouk, Basquiat told that her that she won the fight which is why he crossed out Madonna's name, adding she "beat her up just like a Puerto Rican girl."[9]

Growing up Basquiat wanted to be a cartoonist. In this painting he incorporates and repurposes cartoon images.[13] Below the fight, there is a superman-like figure accompanied by the word "KRAK," relating to the comic book-style of adding onomatopoeic sound effects. The phrase "SATURDAY MORNING CARTOON" is written on the top right of the paining. On the bottom of the painting, text relating to Saturday morning cartoons are written such as "SUGAR COATED CORN PUFFS," "MILK" and "SUGAR." Basquiat's crown motif which appears frequently in his early work is also present twice.

Exhibitions

A Panel of Experts was created for Basquiat's solo exhibition at the Fun Gallery in New York in November 1982.[14] It is now part of the permanent collection at the Montreal Museum of Fine Arts. It was on display at the Vancouver Art Gallery as part of MashUp: The Birth of Modern Culture in 2016.[15] From September 2017 to January 2018, it was exhibited at the Barbican Centre in London as part of Basquiat: Boom for Real.[16] Madonna, who was Basquiat's date for the Fun Gallery exhibit opening in 1982,[7] visited the Barbican exhibit and took a photo in front the painting in 2017.[17]

See also

References
  1. Sawyer, Miranda (September 3, 2017). "The Jean-Michel Basquiat I knew…". The Guardian. ISSN 0261-3077. Retrieved 2020-10-02.
  2. Haden-Guest, Anthony (November 1988). "Jean-Michel Basquiat". Vanity Fair. Retrieved 2020-09-25.
  3. Maitland, Hayley (September 20, 2017). "American Graffiti: Memories of Jean-Michel Basquiat". British Vogue. Retrieved 2020-10-05.
  4. "Opinion | The Sale of a Basquiat". The New York Times. May 19, 2017. ISSN 0362-4331. Retrieved 2020-09-25.
  5. Howe, Sean (July 29, 2013). "How Madonna Became Madonna: An Oral History". Rolling Stone. Retrieved 2020-10-04.
  6. Easlea, Daryl (2012). Madonna: Blond Ambition. Internet Archive. Milwaukee, WI : Backbeat Books. p. 16. ISBN 978-1-61713-034-2.
  7. Hoban, Phoebe (1998). Basquiat: A Quick Killing In Art. Oliver Wendell Holmes Library Phillips Academy. New York: Viking. pp. 138–139, 160–161. ISBN 978-0-670-85477-6.
  8. Wrigley, Tish (January 10, 2014). "When Madonna & Basquiat Dated". AnOther. Retrieved 2020-09-25.
  9. Clement, Jennifer (2010). Widow Basquiat: A Memoir. Shearsman Books. p. 89. ISBN 978-1-84861-098-9.
  10. Dazed (November 21, 2017). "Jean-Michel Basquiat in his own words". Dazed. Retrieved 2020-09-25.
  11. "Question answered: Basquiat lives, and waits for the world to be ready for him at AGO preview". DISARM. April 2, 2015.
  12. Brant, Peter M. (November 27, 2012). "Larry Gagosian". Interview Magazine. Retrieved 2020-09-25.
  13. "Jean-Michel Basquiat". Guggenheim Museum Bilbao. Retrieved 2020-09-25.
  14. "Basquiat Boom for Real" (PDF). Barbican Exhibition Guide: 55.
  15. "MashUp: The Birth of Modern Culture | Vancouver Art Gallery | Artsy". www.artsy.net. Retrieved 2020-09-26.
  16. "The UK's first major Basquiat exhibition opens today". Huck Magazine. September 20, 2017. Retrieved 2020-09-26.
  17. Muller, Marissa G. (October 30, 2017). "Madonna Visits Ex-Boyfriend Jean-Michel Basquiat's Paintings with Her Kids". W Magazine. Retrieved 2020-10-02.
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