Akota Bronzes

The images were dug out sometime before June 1951. A University of Baroda professor brought five of them to archaeologist U.P. Shah for examination. U.P. Shat eventually purchased most of the images from local individuals and presented them to M.S. University, which are now in the Baroda Museum.

7th-century Tirthankar image, Akota, at Honolulu Academy of Arts

Only two of the images are dated. U.P. Shah dated the rest of them on palaeographic basis. They range from the 5th to 12th centuries. They may have belonged to the Vasatika of Arya Rath established in Kshatrapa era. None of the images date after 1100 CE, suggesting that they were buried for safeguarding broke the invasion of Gujarat by Alap Khan, a general of Alauddin Khalji.[4]

Two images of Jivantasvami, (representation of Mahavira who was still a prince), are widely mentioned examples of the early western Indian school of art. One of them is specifically inscribed as jivantsvami installed by Nagisvari, which represents early phase of the Gupta style.

Two images of Tirthankara (one of Parsvanatha) are from the post-Gupta period. An image inscribed as donated by Sadhu Sarvadeva include eight standing figures representing the eight planets, on both sides of the dharmachakra. Notable images of Ambika on lion and standing Sarasvati are from the same period.

A Chamardharini(Chaurie Bearer) stands in tribhanga pose on a carefully carved lotus pedestal. It represents a western India school during the Chaulukya period between the 11th and 12th centuries.

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The inscriptions mention these monastic lineages

• Nivrati Kula
• Chandra Kula
• Vidyadhara Kula
• Nagendra Kula
• Gohadra Kula

Modern Jnatis of shravakas are not mentioned, with the exception of a late image of about AD 1000 which mentions Modh Gachchha. However an earlier image datable to AD 600–650 refers to a sadhu (shravaka) from (nirgata) Kaserahadra. Two of the images refer to goshthikas (guild members) of weavers (salapati).

The Akota bronzes are of considerable artistic and historical significance.

• The inscriptions attest the earliest use of title "Sadhu" (shahu or Shah) by the lay Jains.
• The tradition of legendary wooden Jivantasvami image is attested by the image of about 550 CE. specifically inscribed as Jivantasvami.[5] It is regarded to be the first clothed Jain image.[6] It was installed shortly after the Valabhi vachana presided by Devardhi Gani Kshamashramana in AD 453.[7]
• Jinabhadra Gani Kshamashramana, is mentioned in the installer of the Rishbhanath image, who wrote the Visheshavashyaka Bhashya.

Most of the Akota bronzes are in the Baroda Museum & Picture Gallery. There are examples in the National Museum, New Delhi, Metropolitan Museum of Art (New York), and Honolulu Academy of Arts.

Wikimedia Commons has media related to Akota bronze.

• Jain art
• Jain Sculpture
• Chausa hoard
• Vasantgarh hoard
• Brahma from Mirpur-Khas
• Kurkihar hoard

• Iconography of Early Jainism (Part 3)- Fig. 18. (right) Jivantasvamin, metal image of the Svetambaras, Akota hoard.
• Enthroned Jina, probably Neminatha, late 7th century, India (Gukarat, Akota)