Aleksey Batalov

Batalov was born on 20 November 1928 in Vladimir, into a family associated with the theatre. His uncle Nikolay Batalov starred in Vsevolod Pudovkin's classic Mother (1926). Modernist poet Anna Akhmatova was a family friend, and he painted a well-known portrait of her in 1952. Batalov joined the Moscow Art Theatre in 1953 but left three years later to concentrate on his career in film. During the Khrushchev Thaw he was one of the most recognizable actors in the Soviet Union. The Cranes Are Flying (1957) is his best-regarded film of the period, and the one which won Palme d'Or at the Cannes Film Festival. He also starred in Mikhail Romm's Nine Days of One Year (1962). In 1967 he was a member of the jury of the 5th Moscow International Film Festival.[2] In 1973 he was a member of the jury at the 8th Moscow International Film Festival.[3]

During the 1960s and 1970s, Batalov became known for his fastidious approach towards choosing roles for himself. He appeared mostly in film adaptations of Russian classics, including Anton Chekhov's The Lady with the Dog (1960) and Bulgakov's The Flight (1970). He also directed screen versions of Gogol's The Overcoat (1960) and Yuri Olesha's Three Fat Men (1966). In the 1970s he concentrated on professorship at the Gerasimov Institute of Cinematography.

In 1979 Batalov was invited to play Gosha, a mill machinist, in the melodrama Moscow Does Not Believe in Tears. After many hesitations, Batalov brilliantly played his part in the movie, which won him the USSR State Prize. The role was central to the film's Soviet message. As one character says in the picnic scene: "Seventy percent of my doctorate was due to Gosha's mechanical genius". After that, he effectively retired from acting and devoted his time to coaching new generations of film actors. Boris Yeltsin presented the Lifetime Achievement Nika Award to him in 2002. Batalov was awarded the State Prize of the Russian Federation (2005).

In 2007 he received a Lifetime Achievement Award at the 29th Moscow International Film Festival.[4]

In March 2014 he signed a letter in support of the position of the President of Russia Vladimir Putin on Russia's military intervention in Ukraine.[5][6]

Batalov died on 15 June 2017 in Moscow from complications of a fall, which resulted in a hip fracture, at the age of 88.[7]

Awards of Russia and the USSR

• Hero of Socialist Labour (1989)
• Order of Merit for the Fatherland
  • 2nd class (20 November 2008) – for outstanding contribution to the development of national culture, many years of creative and educational activities
  • 3rd class (10 November 1998) – for outstanding contributions to the development of national cinematography
• Two Orders of Lenin (1967, 1989)
• Honored Artist of the RSFSR (1964)
• People's Artist of USSR (1976)
• People's Artist of the RSFSR (1969)
• USSR State Prize (1981) – for taking part in the movie Moscow does not believe in tears
• State Prize of the RSFSR (1966) – for taking part in the movie Nine Days of One Year
• State Prize of the Russian Federation (2005)
• Russian Presidential Prize in Literature and Art in 1999 (17 February 2000)

Foreign awards

• Order of St. Cyril and Methodius (Bulgaria)

Community Awards

• Order of Peter the Great (Academy of Security, Defence and Law Enforcement, 2003)
• Lenin Komsomol Prize (1967)
• Juno Award (1997)
• Idol Award (2002) – For high service to art
• Commemorative Medal for the 150th anniversary of Anton Chekhov, by the Moscow Art Theatre (2005)

Wikimedia Commons has media related to Aleksey Batalov.

• Aleksey Batalov at IMDb