Amparo Muñoz

Amparo Muñoz was born on 21 June 1954 to a blacksmith father and a housewife. She was the firstborn child among six children. Her godparents helped raise her at age seven due to their family’s poverty.

After finishing high school, she worked as an administrative office assistant for “The Southern” local newspaper in Málaga. The gay male director of the newspaper agency strongly encouraged Muñoz to enter the beauty contest, “El Certamen de Belleza de Costa del Sol” (English: Miss Sun Coast Beauty Contest) which gained her an entry sash to participate and won in the 1973 Miss Spain contest in Lanzarote city.

Amparo Muñoz came from the town of Vélez-Málaga (Málaga) in Andalusia, where she had won the city title, to compete at the Miss Spain contest held in Lanzarote. After winning, she went on to win the Miss Universe 1974 pageant in Manila, Philippines. According to her translator, she was homesick; six months after winning, she gave up her crown after she reportedly refused travel to Japan.[3] However, the Miss Universe Organization decided that Muñoz will still remain as the official titleholder of Miss Universe 1974 since the title was not offered to 1st runner-up Miss Wales Helen Elizabeth Morgan who eventually won Miss World 1974 later that year only to be dethroned a few days after winning the crown.[1]

After her victory in the world of beauty, the world of cinema took interest in her. Her first steps in the world of film came in 1973 with in Wholesome Married Life, directed by Roberto Bodegas and written by José Luis Garci, she played the temptress of José Sacristán, a married man obsessed with publicity. In Tocata y fuga de Lolita she was the rebellious girl who displayed her beautiful bust, a big contributor to the movie’s popularity. In the 70’s, Spanish cinema was at the height of destape [double meaning: “liberalization” and “nudity”], and the splendid figure of Amparo Muñoz found 9 titles in which to reveal itself, including Clara es el Precio (Vicente Aranda, 1975), and The Other Bedroom (Eloy de la Iglesia, 1976), in which Amparo starred alongside the man who would be her first husband, the actor and singer Patxi Andión.

After appearances in Volvoreta (José Antonio Nieves Conde, 1976), Del amor y de la muerte (Antonio Giménez Rico, 1977), among other films, her cinematic career took a notable turn when she began a relationship with the producer Elías Querejeta, facilitating her appearances in films as important as Dedicatory (Jaime Chávarri, 1980), which called her to the attention of other directors in both Spain and Mexico, such as Felipe Cazals (Las siete cucas ), Pilar Miró (We Will Speak Tonight), Jaime Camino (The Open Balcony), Emilio Martínez Lázaro (Lulú of the Night), Imanol Uribe (The Black Moon). She became an instant celebrity in Spain, alongside the likes of Nino Bravo, Pedro Carrasco, Rocío Dúrcal, Rocío Jurado, Camilo Sesto, La Pandilla and other Spanish celebrities of the 1970s, following her victory at Miss Universe with a fruitful show business career.

In 1979, Muñoz acted in the comedy Mama Turns 100, by Carlos Saura. This was followed by performances in 1982's Todo un Hombre (He's all a Man), 1999's A Paradise Under the Stars and 2003's El Tahur. In the late-1990s, she returned to mainstream Spanish cinema with the movie Familia, by Fernando León de Aranoa and started a new life as an actress.

In 1980, she went to live in Mexico and partnered with Chilean national Flavio Labarca, who ran an antique shop. In 1991, she lived with Victor Guijarro in the Philippines, thereby disappearing from film for seven years (1989-1996), but eventually her immediate family requested her return to Spain, during which began the alleged melancholia and extreme mental depression of Muñoz. Returning to Spain, growing tabloid newspaper accusations of mental depression, drug addiction, Parkinson’s Disease, and Human Immunodeficiency Virus coupled with poverty and melancholia ravaged Muñoz’ public image, along with the physical decrepitude allegedly causing emotional shame and her imminent withdrawal from society.[4]

In 1976, Muñoz met singer-songwriter Patxi Andión, who would become her first husband, while making The Other Bedroom. They were married on 16 May 1976 and divorced in 1978, however due to the irregularities of this marriage according to Constitution of Spain, it was not legally finalized until 1983.

Afterwards, Muñoz had brief relationships with Antonio Flores, Vicente Fernández and Máximo Valverde.[5] She also dated both Flavio Labarca when she lived in Mexico in 1980 and Víctor Rubio Guijarro in the Philippines in 1991, both who suffered from drug abuse by which Muñoz called off in both relationships.

The most significant extramarital relationship of Muñoz's life was with Elías Querejeta.[6] She met Querejeta on the set of Mamá cumple cien años, which was nominated for the Academy Award for Best Foreign Language Film at the 52nd Academy Awards.[7] The relationship subsequently received much publicity. Querejeta remained married to his wife throughout their relationship—although he and his wife had been living separate lives, there was never an official split and neither party pursued a divorce. Accordingly, Muñoz as a mistress, did not interfere to break this union, and also never fought for possible marriage or conjugal rights.

Muñoz had been long struggling with health issues. In the spring of 1991, she suffered from acute pancreatitis. In 2003, she was formally diagnosed with a brain tumor along with an arterial malformation in the vicinity of her Cerebellum.

Muñoz was advised by her physicians of imminent death in which she suffered two cerebral aneurysms, the first case which paralyzed half of her body. She died on 27 February 2011, at the age of 56. Her gravestone is marked at the Roman Catholic cemetery of Saint Michael in Málaga, Spain.[8][9]

• Amparo Muñoz at IMDb

Awards and achievements
Preceded by Margarita Moran	Miss Universe 1974	Succeeded by Anne Marie Pohtamo
Preceded by María del Rocío Martín	Miss Spain 1973	Succeeded by Chelo Martin