Ana Lily Amirpour

Amirpour's feature directorial debut was A Girl Walks Home Alone at Night, self-described as "the first Iranian vampire spaghetti western" "with elements of film noir and the restraint of Iranian New Wave cinema"[10] and starring Sheila Vand, Arash Marandi, Marshall Manesh, Dominic Rains, Mozhan Marnò and Rome Shadanloo. The film built up significant buzz when it premiered at the Sundance Film Festival, eventually being picked up by Kino Lorber and distributed by VICE films.[11] The film also won the "Revelations Prize" at the 2014 Deauville Film Festival and the Carnet Jove Jury Award, as well as the Citizen Kane Award for Best Directorial Revelation from the Sitges Film Festival. The film was also nominated for the Halekulani Golden Orchid award at the Hawaii International Film Festival.

At the film's premiere, VICE Creative Director Eddy Moretti, whose company released the film, called Amirpour "the next Tarantino".[12] The New York Times's A.O. Scott also remarked that the film had a "Jim Jarmusch-like cool" and a "disarmingly innocent outlaw romanticism."[13] In the wake of the film's release, Filmmaker named her to their 2014 list of the 25 New Faces of Independent Film.[14]

Amirpour's debut film underscores her interstitial identity as an Iranian-American through its landscape and language. Wide shots featuring the monotonous, dipping movement of dark, heavy machinery against an industrial backdrop in A Girl Walks Home Alone At Night can bring to mind either "an American suburban neighborhood" or "the oil fields of Iran."[15] The film's language offers layered meanings for both an Iranian and American audience. For instance, an English-speaking audience may call the fictional town of the film "Bad City," whereas an Iranian audience may interpret it as "Wind City," depending on the particular audience's understanding of an English subtitle-based or Farsi-based reading of Arash's license plate.[15]

Amirpour described her second film, an English-language film entitled The Bad Batch as "a post-apocalyptic cannibal love story set in a Texas wasteland" where a "muscled cannibal breaks the rule ‘don't play with your food’" - "It's Road Warrior meets Pretty in Pink with a dope soundtrack."[16][17] She has also described it as "very violent" and "very romantic" and like "El Topo meets Dirty Dancing".[18] The film stars Jason Momoa,[19] Jim Carrey and Keanu Reeves.[20] It premiered at the 73rd Venice International Film Festival on September 6, 2016 and won the Special Jury prize.[21]

Amirpour's third feature film is Mona Lisa and the Blood Moon, starring Kate Hudson. The movie is described as "a mind-bending adventure set in the humid, neon-lit streets of New Orleans. Inspired by adventure films of the 1980s and ’90s, the film follows a young girl with special abilities. After escaping from an asylum, she enters back into the chaotic reality around her, making unexpected allies along the way."[22] It was filmed in New Orleans in summer 2019 and was produced by John Lesher. No release date has been set.[23]

In May 2019, Amirpour announced that she will direct a female-led reboot of the 1993 film Cliffhanger[24]

Amirpour writes all of her scripts in Las Vegas.[25]

Amirpour's films are known for being highly stylized and her creative choices often revolve around the mixing and meshing of cultural backgrounds and genres. Music and score is of the utmost importance in her work. "I love music and whenever I start thinking of a story or characters there's always music that pops up. It's just as much as an outfit that you'd think they would wear. The music they listen to will tell you more about their character."[26] All of these can be best seen in her first feature, A Girl Walks Home Alone at Night - a film that is widely regarded as the "first Iranian vampire western"[27] Inspiration from the eastern and western words are equally present in all her work.

Her films typically revolve around central female characters who are outcasts in their own worlds. In her A Girl Walks Home Alone At Night Q&A with Roger Corman, Amirpour explains how "all the characters in the story are isolated and grappling with something that keeps them away from other people and themselves and from knowing what they want and from figuring out how to get it."[28] She often notes that she finds the characters from a personal place within herself. " Then, just as far as the storytelling, I wanted to do a f**king psychedelic Western. I like outcasts, I'm always drawn to the people that don't neatly fit into the conventional shit that's all around, the system. But, for what I'm writing right now, once again it's all about this sh*t that I'm personally trying to figure out."[29]

Another signature characteristic of Amirpour's film-making is her embrace of the political. Although she approaches any feminist reading of A Girl Walks Home Alone At Night with a level of reserve,[30] Amirpour hopes her audience will appreciate the film's representation of a drag-wearing, silent character named Rockabilly who she describes as gay and Bitch Media calls genderqueer.[15] Amirpour says, "If there's one political thing [in the movie], it's not the chador, it's Rockabilly, because it's not OK to be gay in Iran."[10] When confronted with the question of feminism, she explains that her debut film "can be feminist if that's what people think,"[10] while still prompting her critics and audience to consider her individuality as an artist separate from her womanhood. Amirpour quips, "I wonder if when Tarantino made Kill Bill, did people say he was being a feminist? It's weird. I wonder if like, 'Oh a female and so she's battling misogyny.'”[30]

In Bad Batch, Amirpour ends up claiming a popular political interpretation of her work that moves beyond her original intention. She created the film in 2015[31] with the vision of depicting society's outcasts and later donned the anti-Trump message ascribed to it.

Amirpour's films often value images and framing over dialogue. When questioned about the sparse dialogue in her films she was quoted saying, "For me, it's interesting that people take the lack of dialogue as there being no story. It makes people uncomfortable, which I understand."[32] She finds inspiration from the various film directors; David Lynch, Francis Ford Coppola, and Sergio Leone.

Amirpour has noted that the following 10 films have inspired her from the Criterion Collection;[33]

• Mulholland Drive by David Lynch
• The Fisher King by Terry Gilliam
• Au hazard Balthazar by Robert Bresson
• Antichrist by Lars von Trier
• Dazed and Confused by Richard Linklater
• Being John Malkovich by Spike Jonze
• Repulsion by Roman Polanski
• Fantastic Mr. Fox by Wes Anderson
• Repo Man by Alex Cox
• And God Created Woman by Roger Vadim

Amirpour has written, produced and directed a number of short films before her directorial debut with A Girl Walks Home Alone at Night. Among them was a 2011 short, of the same name, which won a "Best Short Film" award at the 2012 Noor Iranian Film Festival and features Nazanin Boniadi in the role played by Sheila Vand in the feature, as well as Marshall Manesh and Dominic Rains from the feature film version.

Among these short films is also, A Little Suicide (2012), which received nominations for Best Short Film from the Edinburgh International Film Festival, the Oldenburg Film Festival and the Zlin International Film Festival for Children and Youth, as well as Pashmaloo (2011), also starring Sheila Vand from the feature film version of A Girl Walks Home Alone at Night and screened at Berlinale (Berlin International Film Festival) in 2011, Ketab (2010), which also stars Sheila Vand, as well as Marshall Manesh from A Girl Walks Home Alone at Night, True Love (2010), which won an Audience Award for Best International Short from the Milano International Film Festival Awards, You (2009), a music video featuring San Francisco rock duo Juanita and the Rabbit, and Six and a Half (2009).

Amirpour has written the short films I Feel Stupid (2012) (directed by Milena Pastreich), and part of the story for the feature film The Garlock Incident (2012), in which she also stars.

In January 2018, Amirpour released a short film for fashion house Kenzo, in which she collaborated with indie musicians and actors Karen O, Michael Kiwanuka, Alex Zhang Hungtai and Kiko Mizuhara. Karen O and Kiwanuka created the soundtrack while Zhang and Mizuhara star in the film.

In July 2016, it was announced Amirpour would direct an episode of the documentary series Breakthrough for National Geographic Channel.[34]

In April 2019, Amirpour directed "A Traveler," an Alaska-set episode of Jordan Peele's Twilight Zone. The episode stars Steven Yeun, Marika Sila and Greg Kinnear and was written by X-Files veteran Glen Morgan.