Annett Wolf

In 1961, Wolf began working for Danmarks Radio, the Danish Broadcasting Corporation, as a production assistant. In 1962, she started filming jazz concerts (Bud Powell at the Montmartre Jazz club) and went on producing and directing television specials with American jazz musicians such as Erroll Garner, Bill Evans, Dexter Gordon, Dave Brubeck, Stan Getz and Ben Webster. It was also at this point she began her collaboration with the Danish jazz trumpeter and composer Palle Mikkelborg, and bass player Niels-Henning Ørsted Pedersen. Mikkelborg continues to compose and arrange the scores for Wolf’s films to this day. She also worked with the American jazz saxophonist Sahib Shihab, who wrote the score for two of her films: Theme in D Minor (1963), a poetic exploration of Copenhagen by night and The Girl with the Ballet Slippers (1965), a jazz pantomime conceived by Finn Methling. The same year she co-wrote and directed Charlie Chaplin, The Man, the Clown and the Director, a three-part documentary series based on Chaplin's My Autobiography, and La Grande Famille (The Big Family), a feature documentary centered around the Spanish clown Charlie Rivel, the Rivel family and the Danish circus dynasty the Shumann’s. In 1966, she convinced the French mime Marcel Marceau to collaborate in writing an original visual autobiography. The Visual World of Marcel Marceau (1967) was the first color film ever broadcast by Danish TV. The drafts and final screenplay are now part of the collections of the Bibliothèque Nationale de France.[1]

In 1969, she worked for the first time with the actor Erik Mørk, directing a television special focused on the poems and short stories by the French writer Boris Vian (Boris Vian / Erik Mørk). Throughout the 1960s Annett Wolf worked at a continuous pace, writing, producing and directing numerous documentaries and in-depth profiles each year for Danmarks Radio:[2] musical specials (with Eartha Kitt, Bent Fabric, Juliette Gréco, Nina & Frederik and Charles Aznavour), documentaries, comedies/satires (Hov Hov). Intrigued by the technique of silent films, she produced and directed The Man who lost his Shoe (1969) and A Man in search of his Soul (1971), written by Finn Methling, starring Preben Lerdorff Rye and Berthe Quistgaard.

In addition to her broadcast career, she also worked as a theater director with her productions at the Royal Danish Theater of Micheál Mac Liammóir‘s play The Importance of Being Oscar (1970) and the Danish adaptation of the American musical revue Jacques Brel is Alive and Well and Living in Paris (1971), both starring actor Erik Mørk. Later, she adapted both productions for Danish television: Jacques Brel er i live, har det godt og bor i Paris (1974); En aften med Oscar Wilde (1986).

During her years at Danmarks Radio, she directed numerous in-depth profiles and interviews, often shot on location: Ord et Mord uden M (1972), an essay about the Danish poet Ivan Malinowski, The World of Jerry Lewis (1972) filmed in Sweden on the set of the unreleased film The Day the Clown Cried, The World of Peter Ustinov (1973), filmed in Geneva, The World of Peter Sellers (1975), filmed in Nice and The World of Dave Allen (1975), the profile of the Irish satirist Dave Allen. The long-form interview became Wolf’s trademark, which news reporter Joan Crosby summarized for the Oakland Tribune:[3] “I've viewed several of her documentaries One, an interview with Jerry Lewis, is a powerful piece of film which will never be shown because it dealt with a film he was producing and directing from his own script and which was never completed because money ran out. It's rare to see an interview with a star which leaves the viewer in tears, but that's what happens here as Lewis himself is seen crying and totally vulnerable. A remarkable portrait of a human being. But then Annett's very humanity is the essence that permits her to gently and deeply probe her subjects until they strip away the professional facade and reveal the human beneath.”

Her admiration for the Belgium singer and lyricist Jacques Brel let her to the in-depth profile The World of Jacques Brel (1972), shot in Knokke-le-Zoute in Flanders. Fascinated with the history of the French song, she often visited Paris where she directed The World of Barbara (1972), a portrait of the French singer Barbara, and Le Temps de Vivre (1974), a three-part documentary series recording the history of French songs and ballades from the 1920s to the 1970s. The series includes original interviews with Georges Brassens, Michel Simon, Bruno Coquatrix, Herbert Gassion, Ursula Vian, Serge Reggiani, Pierre Seghers, Jacques Brel, Barbara, Michel Piccoli, Jean-Claude Danzonne, Georges Moustaki, Gilbert Bécaud, Serge Gainsbourg, Jane Birkin, Yves Montand and Claude François.

Her productions received critical acclaim in the national daily newspapers Politiken and Berlingske Tidende.

In 1976, she decided to take a one-year leave of absence from Danmarks Radio and went to Hollywood.[4] With an American crew, she shot Jack Lemmon - A Twist of Lemmon, an-in-depth profile of Jack Lemmon, followed by The World of Alfred Hitchcock, Walter Matthau and Telly Savalas alias Theo Kojak. That same year came Hurray for Hollywood, a three-part series on Hollywood and the American film industry featuring Robert Evans, John Schlesinger, Dustin Hoffman, John Cassavetes, Steven Spielberg, Michael Schultz, John Frankenheimer, Norman Jewison, Richard D. Zanuck and David Brown. This series of shows was produced in cooperation with Danmarks Radio.

In 1977, director Dwight Hemion and producer Gary Smith were commissioned by the CBS television network to produce a one-hour special, Elvis in Concert. The show became Elvis Presley’s final tour. Wolf was hired to cover all the behind the scenes activities and to interview Elvis’s fans.[5] She also interviewed Elvis Presley’s father Vernon Presley. The show was aired October 3, 1977—two months after Elvis Presley's death.

In 1978 Wolf decided to settle permanently in Los Angeles. She wrote, produced and directed the documentary Jaws 2 – the making-of for the producers Richard D. Zanuck and David Brown.

Under contract to major studios (Universal, Paramount Pictures, 20th century Fox), she started to shape the “making off” genre: Star Trek: The Motion Picture (1979), Paradise Alley (1978), Nighthawks (1979) Dracula (1979), starring Frank Langella, 48 Hrs. (1980), Somewhere in Time (1980), Ghost Story (1981), Missing (1982), Cat People (1982) amongst others. First under the banner of Don Stern Productions, and from 1981 on, with her own company, Mc Curry-Wolf enterprises, these documentaries, trailers, featurettes, behind the scenes and interviews, were often announced and reviewed in issues of The Hollywood Reporter and Variety,[6] and used to promote and market the American major films overseas through United International Pictures, London.

In 1980, she also directed It's a New Day, a short documentary on new attitudes and technologies which are helping the physically handicapped overcome their difficulties. Written and produced by Fern Field for the South Bay Mayor's Committee for the Employment of the Handicapped, the film won a CINE Golden Eagle and a Silver Cindy in the Chicago International Film Festival.

In 1985 Wolf went to Stockholm to interview the Russian ballet dancer Rudolf Nureyev. Face to Face with Rudolf Nureyev was produced for ABC’s Arts Cable and Entertel, Inc.

In April 1986, a tribute was held at the American Film Institute to celebrate her 25th anniversary in the business.

In 1986 and 1987, she hosted An Evening With…, a series of live conversations in Los Angeles with guests: Dudley Moore, Sydney Pollack, Sir David Puttnam, Michel Legrand and Marcel Marceau.[7]

In 1988, she joined advertising executive Harry Webber, directing the musical drama Crossfire.[8] 23 young former gang members of the Bounty Hunter Bloods from the Nickerson Gardens Housing Projects in Watts told their personal stories on stage. Crossfire was credited by the Los Angeles Times as being the first serious effort by the L.A. gangs to stop a war that claimed 300 young lives every year.[9] The taping of the play is freely and legally available to watch on the internet.[10]

Following Crossfire, Wolf spent much of her time fundraising to help save prematurely born HIV-positive babies and support their teenage mothers before she left the United States in 1990.

Annett Wolf also served as the Los Angeles chair of the Performing Arts Committee for Scandinavia Today, Los Angeles

In 1983, Scandinavia Today was a celebration of Scandinavian film, art and culture taking place in Los Angeles and New York. Besides chairing the event, Wolf was the presenter and interviewer of live conversations with Danish director Bille August, Swedish actors Max von Sydow, Liv Ullmann, Harriet Anderson, Ingrid Thulin and cinematographer Sven Nykvist.

In cooperation with Geoffrey Gilmore, head of the school of Theater, Film and Television at UCLA, University of California, Los Angeles the Scandinavia Today committee commissioned the complete restoration of Danish director Carl Theodor Dreyer’s 1928 avant-garde silent film classic The Passion of Joan of Arc. The Danish composer Ole Schmidt created an original score for orchestra and chorus in 1982, and the film premiered in 1983 at a live performance at the Wadsworth Theater of Performing Arts in Los Angeles.

Wolf also hosted and presented the American premier of Ingmar Bergman's drama Fanny and Alexander at the Academy of Arts and Sciences Theater in Beverly Hills.

In 1983, Wolf co-founded Women in Film and Television International (WIFTI), a global network of some 40 Women in Film Chapters worldwide with over 13,000 members dedicated to advancing professional development and achievement for women working in all areas of film, video, and other screen-based media. Wolf was the organization’s first President.

When WIFTI organized a tribute to Norman Jewison and Milos Forman, Wolf hosted the live conversations with the two directors.

During that decade, she lectured and conducted workshops on film directing and the art of the in depth interview in UCLA, University of Southern California and the American Film Institute.

In 2000, Wolf founded The Wolf Foundation, a non-profit organization established to protect and preserve the natural balance of the Arctic environment and its wildlife. In 2004 she went to Yellowknife, in the Canadian Northwest Territories to research arctic wildlife especially wolves in the Thelon Wildlife Sanctuary. Since then she has often been back to the Canadian Arctic where she continues her commitment to protect and preserve the arctic environment.

In 2005, she published her autobiography The Wolf and the Glass Eye (Ulven og Glasøjet) in Denmark.

Today, Wolf continues to lecture on documentaries and “The art of the in-depth Interview” at the University of King's College and mentors students producing the podcast “We Are Talking”, conversations with a community of thinkers, dedicated to talking through some of today’s most topical themes. Wolf also teaches film and “The art of the in-depth Interview” at Dalhousie University, Halifax. Since 2013 she has been working with students from the sustainability and environmental department at Dalhousie University researching the impact of climate change in the Inuit communities, the environment and the wildlife in the Canadian Arctic.

She's currently preparing a feature film, "A Band Of Two". The film will tell the story of a woman in her seventies. Driven by the childhood vision of an imperial white wolf, challenged and haunted by memories, she embarks on an epic adventure in the Arctic. The project is being set up as an international co-production to be shot in the Canadian Arctic, Spain, England, Wales and Denmark.