Balwant Thakur

Balwant Thakur was born on the Christmas Day of 1960[2] in small mountain village in Reasi district of the north Indian state of Jammu and Kashmir, to Hari Saran Thakur, a locally known traditional art performer.[3][4] Thakur graduated in Business Management and Economics from the Government M. A. M. college,[5] University of Jammu and followed it with a graduation in law.[2][4] He continued studies and secured a post graduate degree in Mass Communication.[2] After the studies, he turned to research and, with the assistance of a National Senior Fellowship from the Ministry of Human Resource Development, Government of India, in 1990, he did three years of research on the heritage of performing arts of Jammu. He also won a Ford Foundation grant for his research work under the title, Search for a new Theatre language.[2][4]

Thakur showed his taste for theatre at an early age when he, along with six of his friends, formed a children's theatre group called Seven Stars. The group staged a few plays such as Sabhya Saanp and Kanyadaan.[4] During his student days, he was also active at college level theatre activities as well as in Radio Kashmir, writing and presenting various items in their Yuva Vani service.[3][4]

Natrang was said to be a success from inception, collecting a State Academy award for best production for his play, Chauraha.[4] During the next three years, the group staged plays like Neeli Jheel, Nanhen Kandhey Nanhen Pair, Singhasan Khali Hai and Rang Nagri and winning the State Academy awards for four consecutive years from 1983 till 1986.[2][4]

By this time, Thakur's attention has been set on the traditional theatre of dogri. The first dogri play he staged, Bawa Jitto, was staged at the North Zone Theatre Festival at Kurukshetra, which earned the play a slot in the National Theatre Festival, New Delhi. The play fetched critical reviews and has been staged in many parts of India. A few years later, in 1990, he premiered his play, Mahabhoj, a stage adaptation of a popular novel of the same name by Manu Bhandari, which was an exploration to find new alternatives to the set theatrical patterns. The play was adjudged the best play for the year in the North Zone and was selected for the National Theatre Festival, 1990.[4]

Balwant Thakur's next attempt was at the Children's theatre, Mere Hisse Ki Dhoop Kahan Hai, which was a UNESCO project. The reports say that the play was a success with over 50 stages in and out of the state of Jammu and Kashmir. The play was made into a movie, later, and screened at the Asia- Pacific Film Festival at Bangkok.[4]

Thakur has written many plays such as Suno Eh Kahani, Aaj Ki Aurat, Is Gran Gi Surg Banai Lo, Anpaden Da Hall, Jalo Khala, Mere Bi Ehen Kish Khaab and Aag and children's plays, Aap Hamare Hain Kaun, and Bhag Beta Bhag.[4] The plays brought Natrang nationwide fame and the group travelled in many parts of India like Chandigarh, Shimla, Delhi, Lucknow, Allahabad, Jodhpur, Hyderabad, Kolkata, Goa, and Bhubaneshwar. The rigours of managing a full-time job as the Secretary of the Jammu and Kashmir Academy of Art, Culture and Languages along with his commitment towards Natrang made him quit the job in 2003, and started to devote his time entirely to theatre.[4]

Bhand Pather

One of the major contributions of Balwant Thakur to Indian theatre is the group he founded and the activities he accomplished under its aegis. After quitting from his job as the Secretary of the Jammu and Kashmir Academy of Art, Culture and Languages, he started an annual event, Natrang Theatre Festival.[6] He also started a weekend show called Sunday Show, in 2004, which has been staging shows every week unabated through the regional turmoil, reaching 500 weekly theatre shows, considered to be a record of sorts.[4]

Thakur is credited with the revival of the Kashmiri traditional theatre of dogri[2] and Bhand Pather.[4] Thakur, with assistance from playwright, Moti Lal Kemmu, embarked on a project in which they assembled 1000 bhand pather performers from twenty groups, trained them in modern theatre techniques and the effort precipitated 40 productions in this traditional style.[4]

In 2013, the Government of India honoured Balwant Thakur with the fourth highest civilian award, Padma Shri.[1] He is a recipient of the Sangeet Natak Akademi Award, which he received in 1999.[3][7] He has also won the Jammu and Kashmir Academy of Art, Culture and Languages award thrice, in 1983, 1984 and 1985. The other awards and recognitions are:

• Ford Foundation Research grant[2]
• National Sanskriti Award - 1992[4]
• All India Citizen Award for culture - 1994[3]
• Gurushree - 1995[3]
• Abhinayak Samman - 1996[2][3]
• Saptrishi Samman - 2001[2][3]
• Kala Nidhi Puraskar - 2004[2][3]
• Best Director Award - Doordarshan Theatre festival - 2005[3]
• Dogra Rattan - 2006[3]
• Punjab Arts Council Honour - 2007[3]
• Dogri Sanstha Award - 2010[3]
• Maharaja Gulab Singh Memorial Award - 2011[3]
• Rabindra Nath Tagore Award - 2011[3]
• Gursharan Singh Theatre Commitment Award (World Theatre Day Honour) - 2013[3]

Sangeet Natak Akademi honoured Balwant Thakur by hosting a retrospective of five of his plays, under the theme, Theatre Days with Balwant Thakur at Tagore theatre in Chandigarh, in 2006. Four theatre festivals around the world, Russia, Germany, Hungary and Poland, staged his play, Ghumayee, in 2009.[4]

• Dogri
• Bhand Pather
• Moti Lal Kemmu

• "Padma Awards List". Indian Panorama. 2014. Retrieved 12 October 2014.
• Avinash Azad (2014). "Short Interview". Interview. Jammu and Kashmir Newpoint. Archived from the original on 20 October 2014. Retrieved 16 October 2014.