K. Balachander

Balachander while working in the Accountant General's office, was offered to write the dialogues for the film Dheiva Thaai (1964 ) by its lead actor M. G. Ramachandran.[2][11][12][13] Balachander was initially reluctant, as he was more theatre-oriented, but on the insistence of his friends he decided to work on the film.[2] By this time he was promoted as a superintendent in his office.[2] Avichi Meiyappa Chettiar acquired the rights of his play Server Sundaram, and decided to make a film based on it. The film dealt with the story of a waiting staff at a restaurant had Nagesh playing the lead. The film was directed by the renowned duo directors, Krishnan Panju.[14] It won a lot of accolades including the Certificate of Merit for the third Best Feature Film in Tamil and Filmfare Award for Best Tamil Film.[14] During this time another play written and directed by him - Major Chandrakanth was adapted into a film in Hindi as Oonche Log.[15] The film won a National Film Award. Balachander then made his directional debut through Neerkumizhi (1965) which in turn was based on his own play.[14] The film's cast consisted of actors who were a part of Balachander's regular troupe.[14] His following efforts included Naanal, Major Chandrakanth and Ethir Neechal, all based on his own plays.[16] Major Chandrakanth was already filmed in Hindi as Oonche Log the previous year. The Tamil version Major Chandrakanth (1966 film) had Jayalalithaa playing the lead heroine role.[14] In 1967 he made Bama Vijayam, a full-length comedy family drama film. Featuring an ensemble cast, the film was highly successful and remade in Telugu by Balachander himself. The success of both the versions prompted a Hindi remake titled Teen Bahuraniyan, produced by Gemini pictures. In 1969, Balachander made Iru Kodugal, a family drama starring Gemini Ganesan, won the National Film Award for Best Feature Film in Tamil.

During the 1970s, Balachander turned indie, making realist movies revolving around family and social issues.[2] In 1971 he made four films.[2]

In 1973, he made Arangetram, which dealt with poverty and prostitution.[2] The film centred on the eldest daughter of a conservative Brahmin household who becomes a prostitute to settle her siblings and support her family.[2] It was ahead of its time in Tamil cinema mainly because of the controversial theme.[17][18] The film also had Kamal Haasan playing his first major role as an adult actor. The actor would go on to act in 35 films under Balachander.[19] He made his directorial debut in Hindi films with the film Aaina starring Mumtaz and Rajesh Khanna in 1977, which was remake of Arangetram.

The same year, he made Sollathaan Ninaikkiren, based on a novel by Manian. The following year he made Naan Avanillai.[20] He made the film on the insistence of Gemini Ganesan, who also produced and enacted the lead role.[21] It is based on the Marathi play To Mee Navhech, revolved around a man who deceives and marries five women performing nine roles.[21] The film met with commercial failure. However, Gemini Ganesan was adjudged the Best Tamil Actor at the following year's Filmfare Awards ceremony.[21] Following that, Balachander's made Aval Oru Thodar Kathai (1974),[22] his second female-centric film after Arangetram that dealt with the story of a working woman who hails from a middle-class family.[23] Inspired by the 1960 Bengali film Meghe Dhaka Tara,[24] it explored the emotions of a young woman who happens to be the sole earner for her family.[23] He decided to cast an actress who worked as a child actress till then, as his film heroine with the film Mondru Moodichu and gave break to Sridevi.[25] The film Aboorva Raagangal was an original story about an inter-generational romance involving two families. It marked the acting debut of Rajinikanth, who would go on to establish himself as a leading actor.[26] It won critical acclaim in spite of its controversial theme; it won three National Film Awards including the award for the "Best Feature Film in Tamil".

During this period he made films mostly with Kamal Haasan as the lead actor. In 1976, he made three films: Manmadha Leelai, Anthuleni Katha and Moondru Mudichu. Manmadha Leelai explores the life of a womaniser, played by Kamal Haasan, who gets himself involved in affairs with women.[27] Often considered ahead of its time, it achieved cult status and is considered a "trendsetter" in Tamil cinema.[27] Anthuleni Katha, a Telugu remake of Aval Oru Thodar Kathai had Jayaprada in her first starring role. received equal acclaim in Andhra Pradesh as in the neighbouring state of Tamil Nadu. Avargal (1977) follows the life of a divorcée as she traverses relationships in reverse, from divorce, to marriage, to falling in love. Varumayin Niram Sigappu (1980) was a drama that charts the travails and conflict of being unemployed in a bombastic and harsh city. 47 Natkal (1981) traces the adversities of a newlywed Indian woman living with an scurrilous, expatriate husband in a Parisian suburb. The film was a launchpad for its lead actor Chiranjeevi

Balachander re-entered the Hindi film industry after Aaina through Ek Duuje Ke Liye in 1981. He gave Rati Agnihotri her debut Hindi film with Ek Duje Ke Liye.[28] The project was a remake of his own Telugu film Maro Charitra had Kamal Haasan repeating his role as a lead actor. The film marked the Bollywood debut of various artists including Kamal Haasan, Madhavi and S. P. Balasubrahmanyam. Like the original, Ek Duuje Ke Liye emerged as a major box-office success and earned critical acclaim. Balachander received the Filmfare Award for Best Screenplay, apart from two other nominations – for Best Director and Best Story.[29] The song "Tere Meere Beach Mein" became so popular, eventually winning a Filmfare Award for Anand Bakshi and a National Film Award for Balasubrahmanyam.

He made Sindhu Bhairavi (1985), which is about the intellectual collision and subsequent romance between a lofty Carnatic musician and his ardent critic. He has worked with a variety of music directors like V.Kumar, M.S.Viswanathan, Ilaiyaraja, Maragathamani, V.S.Narasimhan and A.R.Rahman. The actors who were regular in his films in the period 1963 to 1990 were Gemini Ganeshan, Sowcar Janaki, Nagesh, Jayanthi, Sujatha, Rajnikanth and Kamal Haasan.

In 1998, he planned a film titled Thillana Thillana featuring Prashanth, Karthik, Meena and Simran in the lead roles, but the venture failed to develop.[30] His later films include Parthale Paravasam (2001) and Poi (2006).[31]

The period starting from the late 1980s till the late 1990s saw Balachander venturing into Television and making a number of Television series including Kai Alavu Manasu, Rail Sneham,[32] Ramani vs Ramani,[32] Oru Koodai Paasam,[32] Kadhal Pagadai,[33] Premi,[32] Jannal,[33] and Anni.[34] Like his earlier films, most of his serials focussed on women, and portrayed them as strong personalities.[34] In 2003, he made Sahana, that touted to be the sequel of his 1985 film Sindhu Bairavi.[34] On venturing into Television, he noted "This medium helps to reach out to the public. That's why I am into making serials".[34] In 2009, Balachander returned to theatre after a 40-year hiatus through the play Pournami, which had Renuka playing the lead role.[35]