Boz Scaggs (album)

In 1967, Boz Scaggs joined the Steve Miller Band, a San Francisco-based rock group.[1] He played guitar on the band's first two albums—Children of the Future and Sailor (both 1968)—before leaving the same year to pursue a solo career.[2] At the time, Scaggs lived in Potrero Hill, and was next-door neighbors with Jann Wenner, the co-founder of Rolling Stone magazine. The two became good friends; Wenner provided feedback on material Scaggs had written, and encouraged him to make some demo tapes.[3]

Wenner was looking for more funding for the magazine, and talked with music executives along the East Coast of the United States. In one of the meetings, he talked with Jerry Wexler of Atlantic Records, and gave Wexler a demo tape Scaggs had made. Wexler was impressed by the music, and asked Wenner to produce an album with Scaggs under the Atlantic label. After some initial discussions with Scaggs, Wenner suggested he record the album at Muscle Shoals Sound Studio in Sheffield, Alabama, based on the style of music he had been making. Scaggs wanted to watch some of the recording sessions at Muscle Shoals anonymously, so Wenner gave him a Rolling Stone press badge to visit the studio and interact with the studio musicians. During this visit, Scaggs met several musicians that would appear on Boz Scaggs, including Duane Allman, Roger Hawkins, and David Hood.[3]

Scaggs and Wenner wanted Allman to be one of the prominent guitarists on the album, but after calling Muscle Shoals they found out Allman had moved to Macon, Georgia, and was in the process of forming what would become the Allman Brothers Band. Wenner was able to convince Allman to come back for one week after mentioning Atlantic Records involvement. Scaggs said that having Allman come back was a catalyst for the album, as the musicians in the Muscle Shoals Rhythm Section had great respect for him.[4] In addition to Allman, Boz Scaggs featured many backing musicians, including: Hawkins, Hood, Barry Beckett, Eddie Hinton, and Jimmy Johnson.[5] When asked about the recording sessions with Wenner, Scaggs said: "He was as good of a producer as anyone could want, he was very encouraging."[3]

Professional ratings

Review scores
Source	Rating
AllMusic	[6]
The Rolling Stone Album Guide	[13]
The Village Voice	B+[14]

Boz Scaggs was released on August 19, 1969, as Scagg's debut album with Atlantic Records.[8] It was mostly ignored by listeners and critics, and only sold around 20,000 copies within its first few years of release.[9] The critics that did review the album enjoyed it, and commended the musicianship between Scaggs and the Muscle Shoals Rhythm Section.[7][10][15] Billboard highlighted the tracks "I'll Be Long Gone", "Finding Her", and "Waiting for a Train", and wrote how the album would boost Scaggs into the public eye.[15] Robert Christgau of The Village Voice praised Allman's role, and called Boz Scaggs "a nice tribute to American music".[14] Rolling Stone critic Ed Leimbacher credited Scaggs for exploring rock, gospel, soul, and the blues "effortlessly" and with "panache".[10]

Critics continue to praise Boz Scaggs in retrospective reviews. Stephen Thomas Erlewine of AllMusic described the album as an early showcase for Scaggs' musical skills, and ultimately wrote: "[Boz Scaggs] is an enduring blue-eyed soul masterpiece".[6] The Rolling Stone Album Guide gave the album four and a half out of five stars, and described "Loan Me a Dime" as a highlight in the careers of both Scaggs and Allman.[13] In 2012, Rolling Stone ranked Boz Scaggs at number 496 on its list of the 500 Greatest Albums of All Time. The magazine called it an "underrated gem", a sentiment which was shared by the magazine No Depression.[16][9]

Since its initial release, Boz Scaggs has been reissued several times.[17] A 1976 reissue peaked at number 176 on the Billboard 200 in the United States.[18] A 1990 reissue featured a different audio mix, and was at the time the only CD version of the album.[9] The original mix was re-issued in 2013, on the Super Audio CD format by Audio Fidelity. This version came with a 24-karat gold disc.[17]

All tracks composed by Boz Scaggs, except where noted.[5]

Credits adapted from the liner notes of Boz Scaggs.[5]

Production

• Producers – Boz Scaggs, Marlin Greene and Jann Wenner.
• Engineer – Marlin Greene
• Mastered by Rob Grenell at Atlantic Studios
• Design – Robert Kingsbury
• Photography – Elaine Mayes
• Inner Liner Photos – Stephen Paley