Daniel Dunglas Home

Daniel Dunglas Home (pronounced Hume; 20 March 1833 – 21 June 1886) was a Scottish physical medium with the reported ability to levitate to a variety of heights, speak with the dead, and to produce rapping and knocks in houses at will. His biographer Peter Lamont opines that he was one of the most famous men of his era.[1] Harry Houdini described him as "one of the most conspicuous and lauded of his type and generation" and "the forerunner of the mediums whose forte is fleecing by presuming on the credulity of the public."[2] Home conducted hundreds of séances, which were attended by many eminent Victorians. There have been eyewitness accounts by séance sitters describing conjuring methods and fraud that Home may have employed.[3][4][5]

Daniel Dunglas Home
Daniel Dunglas Home by Nadar
Born(1833-03-20)20 March 1833
Currie, Scotland
Died21 June 1886(1886-06-21) (aged 53)
Occupationclairvoyant, medium, psychic
Spouse(s)
Alexandria de Kroll
​
​
(m. 1858⁠–⁠1862)​

Julie de Gloumeline
​
(m. 1871)​
ChildrenGregoire
Parent(s)William and Elizabeth Home (née McNeill)

Family

Daniel Home's mother, Elizabeth ("Betsy") Home (née McNeill) was known as a seer in Scotland, as were many of her predecessors, like her great uncle Colin Uruqhart, and her uncle Mr. McKenzie. The gift of second sight was often seen as a curse, as it foretold instances of tragedy and death.[6][7] Home's father, William Home, was the illegitimate son of Alexander, the 10th Earl of Home.[6] Evidence supports the elder Home's illegitimacy, as various payments meant for William were made by the 10th Earl.[8] Elizabeth and William were married when he was 19 years old, and found employment at the Balerno paper mill. The Homes moved into one of small houses built in the mill for the workforce, in Currie (six miles south-west of Edinburgh).[9] William was described as a "bitter, morose and unhappy man" who drank, and was often aggressive towards his wife.[9] Elizabeth had eight children while living in the mill house: six sons and two daughters, although their lives were not fully recorded. The eldest, John, later worked in the Balerno mill and eventually managed a paper mill in Philadelphia, Mary drowned in a stream at the age of 12 years in 1846, and Adam died at sea at the age of 17 while en route to Greenland, which Home says he saw in a vision and reportedly confirmed five months later.[10][11]

Early life

Daniel Home was Elizabeth's third child, and was born on 20 March 1833. He was baptised by the Reverend Mr. Somerville three weeks after his birth at Currie Parish Church on 14 April 1833.[12] The one-year-old Home was deemed a delicate child, having a "nervous temperament", and was passed to Elizabeth's childless sister, Mary Cook. She lived with her husband in the coastal town of Portobello, 3 miles (4.8 km) east of Edinburgh.[13] According to Home, his cradle rocked by itself at the Cooks' house, and he had a vision of a cousin's death, who lived in Linlithgow, to the west of Edinburgh.[14][15]

America
Home pondering a skull. A staged studio photograph typical of the era.

Sometime between 1838 and 1841, Home's aunt and uncle decided to emigrate to the United States with their adopted son, sailing in the cheapest class of steerage as they could not afford a cabin.[16] After landing in New York, the Cooks travelled to Greeneville, near Norwich, Connecticut.[17] The red-haired and freckled Home attended school in Greeneville, where he was known as "Scotchy" by the other students.[18] The 13-year-old Home did not join in sports games with other boys, preferring to take walks in the local woods with a friend called Edwin. The two boys read the Bible to each other and told stories, and made a pact stating that if one or the other were to die, they would try to make contact after death.[18] Home and his aunt soon moved to Troy, NY, which is about 155 miles (249 km) from Greeneville, although Home in his own book stated it was 300 miles (480 km) away.[19] Home lost contact with Edwin until one night when Home, according to Lamont, saw a brightly lit vision of him standing at the foot of the bed, which gave Home the feeling that his friend was dead. Edwin made three circles in the air before disappearing, and a few days later a letter arrived stating that Edwin had died of malignant dysentery three days before Home's vision.[20]

A few years later Home and his aunt returned to Greeneville, and Elizabeth Home emigrated from Scotland to America with the surviving members of the family to live in Waterford, Connecticut, which was 12 miles (19 km) away from the Cook's house.[21] Home and his mother's reunion was short-lived, as Elizabeth appeared to foretell her own death in 1850. Home said he saw his mother in a vision saying, "Dan, 12 o'clock", which was the time of her death.[10][21] After Elizabeth's death Home turned to religion. His aunt was a Presbyterian, and held the Calvinist view that one's fate has been decided, so Home embraced the Wesleyan faith, which believed that every soul can be saved.[22] Home's aunt resented Wesleyans so much that she forced Home to change to Congregationalist, which was not to her liking, either, but was more in line with her own religion.[23] The house was reportedly disturbed by rappings and knocking similar to those that had occurred two years earlier at the home of the Fox sisters. Ministers were called to the Cooks' house: a Baptist, a Congregationalist, and even a Wesleyan minister, who all believed that Home was possessed by the Devil, although Home believed it was a gift from God.[24] According to Home, the knocking did not stop, and a table started to move by itself, even though Home's aunt put a bible on it and then placed her full body weight on it.[25][26] According to Lamont, the noises did not stop and were attracting the unwanted attention of Cook's neighbours, so Home was told to leave the house.[27]

Fame
William Cullen Bryant, a poet, and editor of the New York Evening Post, who witnessed one of Home's séances.

The 18-year-old Home stayed with a friend in Willimantic, Connecticut, and later Lebanon, Connecticut. Home held his first séance in March 1851, which was reported in a Hartford newspaper managed by W. R. Hayden, who wrote that the table moved without anyone touching it, and kept moving when Hayden physically tried to stop it.[28][29] After the newspaper report, Home became well known in New England, travelling around healing the sick and communicating with the dead, although he wrote that he was not prepared for this sudden change in his life because of his supposed shyness.[30]

Home never directly asked for money, although he lived very well on gifts, donations and lodging from wealthy admirers. He felt that he was on a "mission to demonstrate immortality", and wished to interact with his clients as one gentleman to another, rather than as an employee.[31][32] In 1852, Home was a guest at the house of Rufus Elmer in Springfield, Massachusetts, giving séances six or seven times a day, which were visited by crowds of people, including a Harvard professor, David Wells, and the poet and editor of the New York Evening Post, William Cullen Bryant. They were all convinced of Home's credibility and wrote to the Springfield Republican newspaper stating that the room was well lit, full inspections were allowed, and said, "We know that we were not imposed upon nor deceived".[33] It was also reported that at one of Home's demonstrations five men of heavy build (with a combined weight of 850 pounds) sat on a table, but it still moved, and others saw "a tremulous phosphorescent light gleam over the walls".[34] Home was investigated by numerous people, such as Professor Robert Hare, the inventor of the oxy-hydrogen blowpipe, and John Worth Edmonds, a Supreme Court judge, who were sceptical, but later said they believed Home was not fraudulent.[34][35]

In his book, "Incidents in My Life", Home claims that in August 1852, in South Manchester, Connecticut, at the house of Ward Cheney, a successful silk manufacturer, he was reportedly seen to levitate twice and then rise to up to the ceiling, with louder rappings and knocking than ever before, more aggressive table movements and the sounds of a ship at sea in a storm, although persons present said that the room was badly lit so as to see the spirit lights.[36][37]

New York was now interested in Home's abilities, so he moved to an apartment at Bryant Park on 42nd street. His most verbal critic in New York was William Makepeace Thackeray, the author of Vanity Fair. Thackeray dismissed Home's abilities as "dire humbug", and "dreary and foolish superstition", although Thackeray had been impressed when he saw a table turning.[38] Home thought that Thackeray was "the most sceptical inquirer" he had ever met, and as Thackeray made his thoughts public, Home faced public scepticism and further scrutiny.[39] Home travelled between Hartford, Springfield, and Boston during the next few months, and settled in Newburgh by the Hudson River in the summer of 1853.[40] He resided at the Theological Institute, but took no part in any of the theological discussions held there, as he wanted to take a course in medicine. Dr. Hull funded Home's studies, and offered to pay Home five dollars a day for his séances, but Home refused, as always.[41] His idea was to fund his work with a legitimate salary by practicing medicine, but he became ill in early 1854, and stopped his studies. Home was diagnosed with Tuberculosis, and his doctors recommended recuperation in Europe. His last séance in America was in March 1855, in Hartford, Connecticut, before he travelled to Boston and sailed to England on board the Africa, at the end of March.[42]

Europe
Robert Browning, who wrote "Sludge the Medium" about Home.

Home's name was originally Daniel Home, but by the time he arrived in Europe he had lengthened it to Daniel Dunglas Home, in reference to the Scottish house of Home, of which his father claimed to be a part.[43] In London, Home found a believer in spiritualism, William Cox, who owned a large hotel at 53, 54 and 55 Jermyn Street, London. As Cox was so enamoured of Home's abilities, he let him stay at the hotel without payment.[44] Robert Owen, an 83-year-old social reformer, was also staying at the hotel, and introduced Home to many of his friends in London society.[45] At the time Home was described as "tall and thin, with blue eyes and auburn hair, fastidiously dressed but seriously ill with consumption". Nevertheless, he held sittings for notable people in full daylight, moving objects that were some distance away.[46]

Some early guests at Home's sittings included the scientist Sir David Brewster (who remained unconvinced), the novelists Sir Edward Bulwer-Lytton and Thomas Adolphus Trollope, and the Swedenborgian James John Garth Wilkinson.[47][48] As well as Brewster, fellow scientists Michael Faraday and Thomas Huxley were prominent contemporary critics of Home's claims.[49] It was the poet Robert Browning however, who proved to be one of Home's most adamant critics. After attending a séance of Home's, Browning wrote in a letter to The Times that: 'the whole display of hands, spirit utterances etc., was a cheat and imposture'.[50] Browning gave his unflattering impression of Home in the poem, "Sludge the Medium" (1864).[51] His wife, Elizabeth Barrett Browning, was convinced that the phenomena she witnessed were genuine and their discussions about Home were a constant source of disagreement.[52] Frank Podmore writes of a Mr Merrifield's first-hand account of experiencing Home's fraudulence during a séance.[50]

Home's fame grew, fuelled by his ostensible feats of levitation. William Crookes claimed Home could levitate five to seven feet above the floor.[53] Crookes wrote "We all saw him rise from the ground slowly to a height of about six inches, remain there for about ten seconds, and then slowly descend."[54]

In the following years Home travelled across continental Europe, and always as a guest of wealthy patrons. In Paris, he was summoned to the Tuileries to perform a séance for Napoleon III. He also performed for Queen Sophia of the Netherlands, who wrote: "I saw him four times...I felt a hand tipping my finger; I saw a heavy golden bell moving alone from one person to another; I saw my handkerchief move alone and return to me with a knot... He himself is a pale, sickly, rather handsome young man but without a look or anything which would either fascinate or frighten you. It is wonderful. I am so glad I have seen it..."[55]

In 1866, Mrs Jane Lyon, a wealthy widow, adopted Home as her son, giving him £60,000[56] in an attempt to gain introduction into high society. Finding that the adoption did not change her social situation, Lyon changed her mind, and brought a suit for the return of her money from Home on the grounds that it had been obtained by spiritual influence.[51] Under British law, the defendant bears the burden of proof in such a case, and proof was impossible since there was no physical evidence. The case was decided against Home,[57] Mrs Lyon's money was returned, and the press pilloried Home's reputation. Home's high society acquaintances thought that he behaved like a complete gentleman throughout the ordeal, and he did not lose a single important friend.[58]

Sir Arthur Conan Doyle, a spiritualist who supported the mediumship of Home, stated that he was unusual in that he had four different types of mediumship: direct voice (the ability to let spirits audibly speak); trance speaker (the ability to let spirits speak through oneself); clairvoyant (ability to see things that are out of view); and physical medium (moving objects at a distance, levitation, etc., which was the type of mediumship in which he had no equal).[59]

According to Eric Dingwall, a lady acted as a medium and used to help Home during the séances attended by Henrietta Ada Ward.[60][61]

Alleged levitations

A feat of low levitation by Daniel Dunglas Home was recorded by paranormal historian Frank Podmore. "We all saw him rise from the ground slowly to a height of about six inches, remain there for about ten seconds, and then slowly descend."[62] The Balducci levitation is a levitation illusion first described by Ed Balducci. Its inventor is unknown. The performer stands at an angle facing away from the spectators. The performer appears to levitate a few inches above the ground. The effect generally does not last for more than five seconds. The performer's feet return to the ground, and the effect is complete.

The levitation of Daniel Dunglas Home at Ward Cheney's house interpreted in a lithograph from Louis Figuier, Les Mystères de la science 1887

Home met one of his future closest friends in 1867; the young Lord Adare (later the 4th Earl of Dunraven). Adare was fascinated by Home, and began documenting the séances they held. The following year, Home was said to have levitated out of the third storey window of one room, and back in through the window of the adjoining room in front of three witnesses (Adare, Captain Wynne, and Lord Lindsay).[63]

Lord Adare stated that Home "swung out and in" of a window in a horizontal position.[64] However, John Sladek has pointed out that all three witnesses gave contradictory information about the levitation, even contradicting themselves about specific details:

The incident took place at 5 Buckingham Gate, Kensington (Adare); at Ashley Place, Westminster (Adare); at Victoria Street, Westminster (Lindsay). There was a ledge 4 inches wide below the windows (Adare); a ledge 1½ inches wide (Lindsay); no foothold at all (Lindsay); balconies 7 feet apart (Adare); no balconies at all (Lindsay). The windows were 85 feet from the street (Lindsay); 70 feet (Lindsay); 80 feet (Home); on the third floor (Adare); on the first floor (Adare). It was dark (Adare); there was a bright moonlight (Lindsay). Home was asleep in one room and the witnesses went into the next (Adare); Home left the witnesses in one room and went himself into the next (Adare).[65]

Trevor H. Hall who researched the case in detail established that the levitation took place at Ashley Place in Westminster at a height of 35 feet and suggested rather than levitating Home had stepped across a gap of four feet between two iron balconies.[66] Gordon Stein also noted that the gap between the two balconies was only four feet making passing between them entirely feasible.[67]

Joseph McCabe wrote regarding the alleged levitation:

No one professes to have seen Home carried from window to window. Home told the three men who were present that he was going to be wafted, and he thus set up a state of very nervous expectation... Both Lord Crawford and Lord Adare say that they were warned. Then Lord Crawford says that he saw the shadow on the wall of Home entering the room horizontally; and as the moon, by whose light he professes to have seen the shadow, was at the most only three days old, his testimony is absolutely worthless. Lord Adare claims only that he saw Home, in the dark, "standing upright outside our window." In the dark—it was an almost moonless December night—one could not, as a matter of fact, say very positively whether Home was outside or inside; but, in any case, he acknowledges that there was a nineteen-inch window-sill outside the window, and Home could stand on that.[68]

A few days before the levitation, scaring Lord Lindsay, Home had opened the same window, stepped out and stood on the outside ledge in the presence of two witnesses. Ivor Lloyd Tuckett argued that Home did this to provide "a rough sketch of the picture which he aimed at producing".[69] Another possible natural explanation for Home's famous levitation was proposed by the psychical researcher Guy William Lambert who suggested he had attached a rope to the chimneys on the roof of the building, and hung the rope down unseen to the third floor. During the alleged levitation Home "swung out and in" the room by using a double rope maneuver. Lambert's rope hypothesis was supported by the magician John Booth.[70]

Arthur Conan Doyle said there were many cases on record of Home levitating, but skeptics assert the alleged levitations occurred in darkened conditions susceptible to trickery.[71][72][73][74]

Science historian Sherrie Lynne Lyons has stated that a possible explanation for Home's alleged levitation phenomena was revealed in the twentieth century by Clarence E. Willard (1882–1962). Willard revealed his technique in 1958 to members of the Society of American Magicians. He demonstrated how he could add two inches to his height by stretching. According to Lyons "it is quite likely that [Home] used a similar technique to the one that Willard used decades later".[75]

Author Donald Serrell Thomas has asserted that Jean Eugène Robert-Houdin, the French stage magician was refused admission to Home's séances.[76] In opposition to this, spiritualists have said that Houdin was unable to explain the phenomena at a Home séance. Regarding both these claims, Peter Lamont has noted:

It is probably worth noting, if only to avoid confusion, that such claims (much like those made by spiritualists that conjurors were unable to explain the phenomena) were often unfounded. For example, spiritualists claimed that Robert-Houdin had been unable to explain what happened at a Home seance, and critics claimed that Home had refused an invitation to perform in front of Robert-Houdin. There is, however, not a shred of evidence for either of these claims.[77]

Historian Simon During has suggested the levitation of Home was a magic trick, influenced by Robert-Houdin.[78]

Critical reception

Allegations of fraud
Dr. Barthez

It is often claimed in parapsychology and spiritualist books that Home was never caught in fraud. However, skeptics have stated that this claim does not hold up to scrutiny as Home was caught utilizing tricks by different witnesses on different occasions.[79] Gordon Stein has noted that "While the statement that Home was never caught in fraud has been made many times, it simply is not true... It is simply that Home was never publicly exposed in fraud. Privately, he was caught in fraud several times. In addition, there are natural explanations both possible and likely for each of his phenomena."[80]

At a séance in the house of the solicitor John Snaith Rymer in Ealing in July 1855, a sitter (Frederick Merrifield) observed that a "spirit-hand" was in fact a false limb attached on the end of Home's arm. Merrifield also claimed to have observed Home use his foot in the séance room.[3]

The poet Robert Browning and his wife Elizabeth attended a séance on 23, July 1855 in Ealing with the Rymers.[76] In 1895, after the deaths of Robert and Elizabeth, the journalist Frederick Greenwood alleged that Browning had told him that during the séance he had taken hold of a luminous object that appeared above the edge of the table, which turned out to be Home's naked foot.[81] Later Browning's son Robert, in a letter to the London Times, December 5, 1902, also referred to the incident, saying that Browning had caught hold of Home's foot under the table. The allegation was repeated by Harry Houdini and later writers.[82] But detailed descriptions of the séance written soon afterwards by Robert and Elizabeth make no mention of any such incident. Browning's account states that, although he was promised that he would be allowed to hold a "spirit-hand," the promise was not kept.[83]

Writing in the journal for the Society for Psychical Research, Count Perovsky-Petrovo-Solovovo described a letter by Dr. Barthez, a physician in the court of Empress Eugenie, which claimed a sitter Morio de l'lle caught Home using his foot to fake supposed spirit effects during a séance in Biarritz in 1857.[84][85][86] Home wore thin shoes, easy to take off and draw on, and also cut socks that left the toes free. "At the appropriate moment he takes off one of his shoes and with his foot pulls a dress here, a dress there, rings a bell, knocks one way and another, and, the thing done, quickly puts his shoe on again."[4] Home positioned himself between the empress and Napoleon III. One of the séance sitters known as General Fleury also suspected that Home was utilizing trickery and asked to leave but returned unobserved to watch from another door behind Home. He saw Home slip his foot from his shoe and touch the arm of the Empress, who believed it to be one of her dead children. The observer stepped forward and revealed the fraud, and Home was conducted out of the country: "The order was to keep the incident secret."[4][85] The allegations described by Dr. Barthez and General Fleury are second hand and have caused dispute between psychical researchers and skeptics.[85][86][87]

The journalist Delia Logan who attended a séance with Home in London claimed that Home had used a phosphorus trick. During the séance luminous hands were observed and the host told Logan that had seen Home place a small bottle upon the mantle piece. The host slipped the bottle into his pocket and when examined the next day, it was found to contain phosphorus oil.[88][89]

The neoclassical sculptor Hiram Powers who was a convinced spiritualist attended a séance with Home, but wrote a letter to Elizabeth Browning claiming Home had faked the table-turning movements.[90]

Speculations on trickery
Frank Podmore, a skeptic of Home's mediumship.

The researchers Frank Podmore (1910), Milbourne Christopher (1970), Trevor H. Hall (1984) and Gordon Stein (1993) were convinced that Home was a fraud and have provided a source of speculation on the ways in which he could have duped his séance sitters.[91][92][93][94]

Skeptics have criticized the lighting conditions of Home's séances. Home and his followers claimed that some of the séances took place in "light" but this was nothing more than a few candles, or some glow from a fireplace or open window. Home would adjust the lighting to his needs with no objections from his séance sitters.[95] For example, there is this report from a witness: "The room was very dark ... Home's hands were visible only as a faint white heap".[96] Home selected the séance sitters who sat next to him, his hands and feet were not controlled and according to Frank Podmore "no precautions were taken against trickery."[97]

Home was never searched before or after his séances. Science historian Sherrie Lynne Lyons wrote that the glowing or light-emitting hands in his séances could easily be explained by the rubbing of oil of phosphorus on his hands.[75] It has been suggested that the "spirit hands" in the séances of Home were made of gloves stuffed with a substance. Robert Browning believed they were attached to Home's feet.[98] Home was a sculptor and his studio in Rome contained sculpted hands. Lyons has speculated that he may have substituted the sculptor hands, leaving his real hands free to perform phenomena in the séance room.[75]

Home was known for his alleged feat of handling a heated lump of coal taken from a fire. The magician Henry Evans speculated that this was a juggling trick, performed by a hidden piece of platinum.[99] Hereward Carrington described Evans hypothesis as "certainly ingenious" but pointed out William Crookes an experienced chemist was present at a séance whilst Home performed the feat and would have known how to distinguish the difference between coal and platinum.[100] Frank Podmore wrote that most of the fire feats could have easily be performed by conjuring tricks and sleight of hand but hallucination and sense-deception may have explained Crookes' claim about observing flames from Home's fingers.[71]

William Crookes investigation

Between 1870 and 1873, chemist and physicist William Crookes conducted experiments to determine the validity of the phenomena produced by three mediums: Florence Cook, Kate Fox, and Home. Crookes' final report in 1874 concluded that the phenomena produced by all three mediums were genuine, a result which was roundly derided by the scientific establishment.[101] Crookes recorded that he controlled and secured Home by placing his feet on the top of Home's feet.[102] Crooke's method of foot control later proved inadequate when used with Eusapia Palladino, as she merely slipped her foot out and into her sturdy shoe. In addition, Crookes' motives, methods, and conclusions with regard to Florence Cook were called into question, both at the time and subsequently, casting doubt on his conclusions about Home.[103][104][105] In a series of experiments in London at the house of Crookes in February 1875, the medium Anna Eva Fay managed to fool Crookes into believing she had genuine psychic powers. Fay later confessed to her fraud and revealed the tricks she had used.[106]

Home was investigated by Crookes in a self-built laboratory at the rear of his house at Mornington Road, North London in 1871. No plans of the laboratory have been found and there is no contemporary description of it. Crookes wrote the board and spring balance experiment was a success with Home and had proven "beyond doubt" the existence of a "psychic force." However, the experiment could be easily dismissed as the result of vibrations caused by the passage of Euston trains in the large railway cutting near his house in London.[107] The experiment was not repeatable and sometimes failed to produce any phenomena. The experiment was rejected and ridiculed by the scientific community for lack of scientific controls. In the experiment Home refused for Crookes to be near him and would draw attention to something on the other side of the room, or make conversation for diversionary signals.[107]

William Crookes tested Home in a series of experiments.

In 1871, Balfour Stewart in an article for Nature noted that the experiments were not conducted in broad daylight before a large unbiased audience and the results were inconclusive. Stewart suspected the phenomena observed was "subjective, rather than objective, occurring in the imaginations of those present rather than in the outward physical world."[108] In the same year, J. P. Earwaker wrote a science review that heavily criticized the Crookes' experiments for their poor design concluding they were pseudoscientific. According to Earwaker "For in truth they are the very opposite of scientific. Even to call them unscientific is not strong enough; clumsy and futile are much nearer the truth."[109]

The engineer Coleman Sellers questioned the origin and weight of the board used with the balance spring apparatus. Sellers wrote that a standard mahogany board weighs around thirteen and half pounds but the one used in Crookes' experiment may have been at fault at only six pounds.[110] Crookes responded to Sellers claiming the board weighed six pounds and this was not a mistake, he also stated he had the board for about sixteen years and it was originally cut in a lumber yard.[111]

P. H. Vanderweyde noted that Crookes was already a believer in psychic powers before he obtained the results of the experiments. Vanderweyde stated the spring balance used in Crookes' experiment was unreliable as it was easy to manipulate by deception and suggested he should repeat the experiment by using a chemical balance.[112]

According to Barry Wiley during the board and spring balance experiment, Home refused for Crookes to sit near him and he was occupied by writing notes. Wiley suspected Home used resin on his finger tips to tamper with the apparatus which managed to fool Crookes into believing a psychic force was being displayed.[113] Regarding Crookes, the magician Harry Houdini wrote:

There is not the slightest doubt in my mind that this brainy man was hoodwinked, and that his confidence was betrayed by the so-called mediums that he tested. His powers of observation were blinded and his reasoning faculties so blunted by his prejudice in favor of anything psychic or occult that he could not, or would not, resist the influence.[114]

Historian Ruth Brandon in an article for the New Scientist noted that William Huggins, Serjeant Cox, Crooke's wife and daughter, his laboratory assistant, and a Mrs Humphrey were all present during the Crookes experiments with Home.[115] However, Barry Wiley has written that when Crookes published his report on the experiments in the Quarterly Journal of Science in 1871 he did not mention all the names of the observers present in the room. Wiley has stated that four females were present during the experiments as was Crookes' brother and the original report by Crookes did not refer to any spirits but many years later in 1889 he revealed in his Notes of séances with D. D. Home the names of the observers and claimed Home was in communication with spirits.[116]

Crookes' assistant was the glass blower Charles Henry Gimingham (1853–1890) who had built the experimental apparatus. Wiley suspected that Gimingham worked as a secret accomplice for Anna Eva Fay in her experiments with Crookes. Wiley noted that "Gimingham had free and open access to Crookes' laboratory and frequently worked there unsupervised with Crookes' full trust."[117]

Joseph McCabe criticized the Crookes experiments for lack of scientific controls and wrote Home was "daily in and out of Crookes's laboratory, and it appears that he closely watched the development of the tests and was prepared in advance."[118] Before the experiments, Crookes was present with Home whilst he changed dress but Frank Podmore noted this would not have prevented Home from slipping into his pocket apparatus to cheat on the experiments.[119] Edward Clodd wrote that Home chose his séance sitters and "if test experiments were suggested, he imposed the conditions."[120]

The physicist Victor Stenger commented that the experiments were poorly controlled; he gave the example of Home requesting all hands to be removed from the table whilst all those present complied. Stenger noted that "Crookes gullibly swallowed ploys such as this and allowed Home to call the shots... his desire to believe blinded him to the chicanery of his psychic subjects."[121]

Home performing the accordion experiment.

Accordion experiment

In the accordion experiment, Home sat at a table, with Crookes and another observer on either side of him, each with a foot on one of Home's feet. Home inserted his hand inside a wire cage that was pushed under the table. One of Home's hands was placed on the top of the table, and the other inside the cage which held an accordion on the non-key side, so the keyed end was hanging downwards. The accordion was reported to have played musical sounds.[122] However, the amount of light in the room was not stated, and the accordion was not observed in good light. According to Frank Podmore there was no evidence the accordion played at all, as the keys were not observed to have moved. Podmore suggested the musical sounds could have come from an automatic instrument that Home had concealed.[122]

In 1871, William Benjamin Carpenter wrote a critical evaluation of the Crookes experiments with Home in the Quarterly Review. Carpenter wrote that although Crookes, his assistant and Sergeant Cox claimed to have observed the accordion float in the cage; Dr. Huggins did not testify to this, and no information was given to whether the keys and bellows were seen to move. According to Carpenter no solid explanation could be given until the experiment is repeated, however, he suggested that the accordion feat that Home performed may have been a conjuring trick achieved with one hand. Carpenter concluded that Crookes should repeat the experiment in open daylight without the cage in the presence of other witnesses.[123]

J. P. Earwaker heavily criticized the design of the accordion experiment as it took place under a dining room table. Earwaker who read Crookes' report noted that "no reason for this strangest of all strange positions is even hinted at." He also wrote "it never occurred to [Crookes] to notice whether the keys were depressed or not... it would be obvious that if the keys were not pressed down, it was impossible for the music really to have come from the accordion, and its true source must have been looked for elsewhere."[109]

The magician John Nevil Maskelyne also criticized the design of the experiment for taking place under a table.[124] The psychologist Millais Culpin wrote the experiment was not scientific and questioned why the experiment was done under the table instead of in a more convenient position on top of it.[125] Before the accordion experiment with Crookes, Home had performed the accordion feat for over fifteen years under various conditions but always under his control.[126] It was reported by sitters and Crookes that Home's accordion played only two pieces, Home Sweet Home and The Last Rose of Summer. Both contain only one-octave.[126]

The psychical researcher Hereward Carrington and spiritualism expert Herbert Thurston have claimed the accordion experiment was not the result of deliberate fraud.[127][128] This is in opposition to magicians and skeptical researchers who evaluated Crookes' reports from the experiment.[129]

The magician Henry Evans suggested the accordion feat was Home playing a musical box, attached to his leg.[130] Skeptic Joseph McCabe wrote that Home may have placed a musical box in his pocket or on the floor. According to McCabe "the opening and shutting of the accordion could be done by hooks, or loops of black silk. So with the crowning miracle, when Home withdrew his hand, and the accordion was seen suspended in the air, moving about in the cage (under the dark table). It was probably hooked on to the table."[131] The 19th-century British medium Francis Ward Monck was caught using a music box in his séances that he had hidden in his trousers.[132] The fraudulent medium Henry Slade also played an accordion while held with one hand under a table.[133] Slade and Home played the same pieces. They had at one time lived near each other in the U.S.A. The magician Chung Ling Soo exposed how Slade had performed the trick.[134]

Sketch showing how Home held the accordion.

The writer Amos Norton Craft suggested a false keyboard:

The trick has since been often repeated and explained. The medium must have the semblance of key-board, made of some light material, concealed in his coat sleeve or about his person. This he attaches to the bottom of the accordion which he holds in his hand. Then when unobserved, while the learned professor is "taking down his notes" for the public press, he reverses the accordion, and attaching the false keyboard on the bottom by means of a small hook attached to it, fastens it to the side of the basket; having now the real keyboard in his hand he is able to produce musical sounds. Afterward the accordion floated about in the basket under the table, without the contact of Mr. Home's hand. This subsequent phenomenon was given to avoid immediate examination of the first by keeping Professor Crookes in suspense, and giving the medium time to reverse the instrument and conceal in his clothing the false key-board which had been on the bottom of the instrument. The accordion was suspended by means of a small hook fastened to dark thread, which would be invisible in the gas-light.[135]

Researcher Ronald Pearsall in his book The Table-Rappers (1972) suggested that a loop of catgut was attached to the accordion so Home could turn it round.[136] Paul Kurtz wrote that other mediums had used a loop of catgut to obtain a similar effect with the accordion.[137]

Other researchers have suspected that a secret accomplice was involved. The magician Carlos María de Heredia claimed to have replicated the accordion feat of Home and suggested it was a trick performed by an accomplice playing a hidden accordion.[138] Ruth Brandon considered the possibility of an accomplice playing a concertina, or Home playing a hidden music box. However, Brandon dismissed the accomplice hypothesis as unlikely.[139]

Skeptic James Randi stated that Home was caught cheating on a few occasions, but the episodes were never made public, and that the accordion feat was a one-octave mouth organ that Home concealed under his large moustache. Randi writes that one-octave mouth organs were found in Home's belongings after his death.[140] According to Randi, "around 1960", William Lindsay Gresham told Randi he had seen these mouth organs in the Home collection at the Society for Psychical Research.[141]

Gordon Stein wrote:

Home could easily have produced the sound of the accordion (concertina) by the use of a small harmonica concealed in his mouth. The up and down movement of the accordion could easily have been produced by catching the bottom of the accordion in a loop of black thread, or on a hook.[142]

The claim that the accordion feat was performed by Home using a small harmonica was originally suggested by J. M. Robertson in 1891.[143] The psychical researcher Eric Dingwall who catalogued Home's collection on its arrival at the SPR did not record the presence of the mouth organs, and Lamont speculates that it is unlikely Dingwall would have missed these or not made them public.[144] The accordion in the SPR collection is not the actual one Home used. They display a duplicate.[145]

Personal life

Home married twice. In 1858, he married Alexandria de Kroll ("Sacha"), the 17-year-old daughter of a noble Russian family, in Saint Petersburg, his Best Man was the writer Alexandre Dumas.[146] They had a son, Gregoire ("Grisha"),[146] but Alexandria fell ill with tuberculosis, and died in 1862.[147] In October 1871, Home married for the second, and last time, to Julie de Gloumeline, a wealthy Russian, whom he also met in St Petersburg.[148] In the process, he converted to the Greek Orthodox faith.[149]

In 1869 Lord Adare revealed in his diaries under the title Experiences in Spiritualism with D. D. Home that he had slept in the same bed with Home. Many of the diary entries contain erotic homosexual overtones between Adare and Home.[150]

Death

Home retired due to ill health; the tuberculosis, from which he had suffered for much of his life, was advancing and he said his powers were failing. He died on 21 June 1886 at the age of 53 and was buried in the Russian cemetery of St. Germain-en-Laye, in Paris.[149][151]

Notes
  1. Lamont, Peter (2005). The First Psychic: The Extraordinary Mystery of a Notorious Victorian Wizard. Abacus. p. xiii. ISBN 0-349-11825-6.
  2. Houdini, Harry (2011). A Magician Among the Spirits. Cambridge University Press. p. 38. ISBN 978-1-108-02748-9.
  3. Frederick Merrifield. (1903). A Sitting With D. D. Home. Journal of the Society for Psychical Research 11: 76–80. Quoted in Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. pp. 110-112. A Mr. Merrifield was present at one of the sittings. Home's usual phenomena were messages, the moving of objects (presumably at a distance), and the playing of an accordion which he held with one hand under the shadow of the table. But from an early date in America he had been accustomed occasionally to "materialise" hands (as it was afterwards called). The sitters would, in the darkness, faintly see a ghostly hand and arm, or they might feel the touch of an icy limb. Mr. Merrifield and the other sitters saw a "spirit-hand" stretch across the faintly lit space of the window. But Mr. Merrifield says that Home sat, or crouched, low in a low chair, and that the "spirit-hand" was a false limb on the end of Home's arm. At other times, he says, he saw that Home was using his foot."
  4. Count Perovsky-Petrovo-Solovovo. (1930). Some Thoughts on D. D. Home. Proceedings of the Society for Psychical Research. Volume 114. Quoted in John Casey. (2009). After Lives: A Guide to Heaven, Hell and Purgatory. Oxford. pp. 373-374. ISBN 978-0-19-509295-0 "He then saw the latter open the sole of his right shoe, leave his naked foot some time on the marble floor, then suddenly with a rapid and extraordinarily agile movement, touch with his toes the hand of the Empress, who started, crying "The hand of a dead child has touched me!" General Fleury came forward and described what he had seen. The following day Home was embarked at Calais conducted by two agents; the order was to keep the incident secret."
  5. Gordon Stein. (1993). The Sorcerer of Kings: The Case of Daniel Dunglas Home and William Crookes. Prometheus Books. pp. 101-126. ISBN 0-87975-863-5
  6. Lamont 2005 p5
  7. Home "Incidents in my Life" 1863 p22
  8. Journal of the Society For Psychical Research, vol 70, no.4, 246-48
  9. Lamont 2005 p6
  10. Home "Incidents in my Life" 1863 p20
  11. Home "Incidents in my Life" 1863 p30
  12. Lamont 2005 pp6-7
  13. "Altered Dimensions". SparTech Software. Retrieved 3 January 2008.
  14. Lamont 2005 p8
  15. Home "Incidents in my Life" 1863 p17
  16. Lamont 2005 p13
  17. Hoare, Philip (10 September 2005). "A talent for ectoplasm". The Guardian. Retrieved 5 January 2008.
  18. Lamont 2005 p14
  19. Home "Incidents in my Life" 1863 pp18-19
  20. Lamont 2005 p15
  21. Lamont 2005 p16
  22. Lamont 2005 pp16-17
  23. Lamont 2005 p17
  24. Lamont 2005 p18
  25. Lamont 2005 p19
  26. Home "Incidents in my Life" 1863 p25
  27. Lamont 2005 p20
  28. Lamont 2005 pp28-29
  29. Home "Incidents in my Life" 1863 pp26-27
  30. Lamont 2005 pp29-30
  31. Doyle "The History of Spiritualism" volume 1, 1926 pp186-190
  32. Home "Incidents in my Life" 1863 p62
  33. Lamont 2005 pp30-31
  34. Lamont 2005 p31
  35. Griffin, A. M. "Experiences of Judge J. W. Edmonds, in Spirit Life. With a Poem, "The Home of the Spirit."". Mrs. Cora L. V. Tappan, 1876. Archived from the original on 2 November 2007. Retrieved 6 January 2008.
  36. Lamont 2005 pp31-33
  37. Home "Incidents in my Life" 1863 pp62-63
  38. Lamont 2005 p37
  39. Lamont 2005 pp34-35
  40. Lamont 2005 p35
  41. Home "Incidents in my Life" 1863 pp70-71
  42. Lamont 2005 p36
  43. Lamont 2005 pp36-37
  44. Lamont 2005 p43
  45. Lamont 2005 pp43-44
  46. Doyle "The History of Spiritualism" volume 1, 1926 pp188-192
  47. Doyle "The History of Spiritualism" volume 1, 1926 pp193-195
  48. The North British review. 39. 1863. p. 175.
  49. The North British review. 39. 1863. pp. 186–187.
  50. Podmore, Frank (2003). Newer Spiritualism. Kessinger Publishing. p. 45. ISBN 978-0-7661-6336-2.
  51. Chisholm, Hugh, ed. (1911). "Home, Daniel Dunglas" . Encyclopædia Britannica. 13 (11th ed.). Cambridge University Press. pp. 625–626.
  52. Lamont 2005 p50
  53. Doyle "The History of Spiritualism" volume 1, 1926 p196
  54. William Crookes quoted in Frank Podmore. (1902). Mediums of the 19th Century. Kessinger Publishing. p. 254. ISBN 978-0766131842
  55. Een Vreemdelinge in Den Haag, Hella Haasse, 1984
  56. Amy Lehman (2009). Victorian women and the theatre of trance: mediums, spiritualists and mesmerists in performance. McFarland. p. 145. ISBN 978-0-7864-3479-4.
  57. The Bar Reports, VII, London: Horace Cox, 1868, pp. 451–457
  58. Doyle "The History of Spiritualism" volume 1, 1926 pp207-209
  59. Doyle "The History of Spiritualism" volume 1, 1926 pp204-205
  60. Gordon Stein. (1993). The Sorcerer of Kings: The Case of Daniel Dunglas Home and William Crookes. Prometheus Books. p. 85. ISBN 0-87975-863-5 "Dingwall mentions that Henrietta Ada Ward, the wife of the painter Edward Matthew Ward, said in her memoirs that a lady used to help Home during the séances she attended and "act as a medium."
  61. Memories of Ninety Years by Mrs E. M. Ward (Henrietta Mary Ada Ward), Henry Holt,2nd edition, 1925, page 102
  62. Frank Podmore (1963) Mediums of the Nineteenth Century, Part 1 University Books p. 254
  63. Doyle "The History of Spiritualism" volume 1, 1926 pp196-197
  64. Adare "Experiences in Spiritualism" 1976 p83
  65. John Sladek. (1974). The New Apocrypha: A Guide to Strange Sciences and Occult Beliefs. Panther. pp. 192-193
  66. F. B. Smith. (1986). The Enigma of Daniel Home: Medium or Fraud? by Trevor H. Hall. (1986). Victorian Studies. Volume 29, No. 4. pp. 613-614.
  67. Gordon Stein. (1989). The Levitation of the Lore. Skeptical inquirer 13: 277-288.
  68. Joseph McCabe. (1920). Is Spiritualism Based On Fraud? The Evidence Given by Sir A. C. Doyle and Others Drastically Examined. London: Watts & CO. p. 49
  69. Ivor Lloyd Tuckett. (1911). The Evidence for the Supernatural: A Critical Study Made with "Uncommon Sense". Kegan Paul, Trench, Trübner & Company. p. 34
  70. John Booth. (1986). Psychic Paradoxes. Prometheus Books. p. 168. ISBN 0-87975-358-7 "After nightfall, Mr. Lambert believes, Home made fast a double loop of rope on the roof where chimneys would make this readily feasible. It hung down unseen to the level of the two windows on the third floor. Subway construction and its debris in Victoria Street that year would have cut evening pedestrian traffic almost to nothing. Lord Adare acknowledged that the night was so dark he could not see what supported the psychic outside. Home "swung out and in," he reported, which firmly suggests that the American lay horizontally in a double rope sling suspended from above. He simply swung in and out of the room, an Alpine double rope maneuvre in mountaineering called abseiling. The three witnesses indoors had been ordered to stand back from the windows. "Conditions for close observation could hardly have been worse," Lambert writes. "It was a dangerous experiment, but it came off, and did much to re-establish D.D.H.'s reputation as a wizard, which had been recently somewhat tarnished by the evidence much publicised, in the case "Lyon v. Home."
  71. Frank Podmore. (1910). Chapter Levitation and the Fire Ordeal. In The Newer Spiritualism. Henry Holt and Company. pp. 55-86
  72. Joseph McCabe. (1920). Is Spiritualism Based On Fraud? The Evidence Given by Sir A. C. Doyle and Others Drastically Examined. London: Watts & Co. pp. 50-51 "Sir Arthur tells us that "there are altogether on record some fifty or sixty cases of levitation on the part of Home... [However] no reliable witness, giving us a precise account of the circumstances, has ever claimed that he saw Home off the ground and clear of all furniture... The whole of these recorded miracles reek with evidence of charlatanry. The lights were always put out, and Home in nearly all cases said that he was rising, and then told them that he was floating about various parts of the room."
  73. Milbourne Christopher. (1970). ESP, Seers & Psychics. Thomas Y. Crowell Co. p. 185. ISBN 978-0-690-26815-7 "How could Home levitate himself in a room with the lights out? One method used then, and later, by mediums is most convincing. In the dark the psychic slips off his shoes as he tells the sitters his body is becoming weightless. The sitter to the medium's left grasps his left hand, the one to the right puts a hand on the mystic's shoes, near the toes. Holding his shoes together with his right hand pressing the inner sides, the medium slowly raises them in the air as he first squats then stands on his chair. The man holding his hand reports the medium is ascending; so does the sitter who touches the shoes. Until I tried this myself, it was hard to believe that spectators in the dark room could be convinced an ascension was being made."
  74. Kelly, Lynne (2004). The Skeptic's Guide to the Paranormal. Allen & Unwin. p. 239. ISBN 1-74114-059-5. In the darkened room, recorders of Home’s séances would report the way his voice seemed to come from on high and that they could feel his shoes at face level. This indicates just how dark the room must have been. The smell of boot polish enhanced the effect. All of this could easily be achieved by Home standing up, so his voice would come from higher in the room. With shoes on his hands, held at face level, the effect would match the descriptions of those who wrote down their experiences.
  75. Sherrie Lynne Lyons. (2010). Species, Serpents, Spirits, and Skulls: Science at the Margins in the Victorian Age. State University of New York Press. pp. 94-96. ISBN 978-1438427980
  76. Donald Serrell Thomas. (1989). Robert Browning: A Life Within Life. Weidenfeld and Nicolson. pp. 157-158. ISBN 978-0297796398
  77. Peter Lamont. (2013). Extraordinary Beliefs: A Historical Approach to a Psychological Problem. Cambridge University Press. pp. 153-154. ISBN 978-1-107-01933-1
  78. Simon During. (2004). Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press. p. 161. ISBN 978-0674013711
  79. Andrew Neher. (2011). Paranormal and Transcendental Experience: A Psychological Examination. Dover Publications. pp. 214-215. ISBN 978-0486261676
  80. Gordon Stein. (1996). Daniel Dunglas Home. In The Encyclopedia of the Paranormal. Prometheus Books. pp. 325-328. ISBN 1-57392-021-5
  81. East Anglian Daily Times, 14 January 1895, quoting from an article by Greenwood in the Realm.
  82. Harry Houdini. (2011 reprint edition). Originally published in 1924. A Magician Among the Spirits. Cambridge University Press. p. 42. ISBN 978-1108027489. See also John Casey. (2009). After Lives: A Guide to Heaven, Hell and Purgatory. Oxford. p. 373. ISBN 978-0199975037.
  83. Robert Browning's letter is transcribed by William Lyon Phelps, in "Robert Browning on Spiritualism," Yale Review, new series 23 (1933), pp. 129-135, and Elizabeth Barrett Browning's by Leonard Huxley, in Elizabeth Barrett Browning: Letters to her Sister, 1846 to 1859, (1929), pp. 218-221. See also "The Strange Case of Daniel Dunglas Home". Andrew Lang, Chapter 8 of [Historical Mysteries] (1904)
  84. Barthez, E. The Empress Eugenie and Her Circle Archived 4 April 2016 at the Wayback Machine. London: Forgotten Books, 2013 reprint. pp. 164-5
  85. Gordon Stein. (1993). The Sorcerer of Kings: The Case of Daniel Dunglas Home and William Crookes. Prometheus Books. pp. 99-101. ISBN 0-87975-863-5
  86. Peter Lamont. (2005). The First Psychic: The Peculiar Mystery of a Notorious Victorian Wizard. Abacus. pp. 90-94. ISBN 0-349-11825-6
  87. John Mulholland. (1938). Beware Familiar Spirits. C. Scribner's Sons. p. 92. ISBN 978-1111354879
  88. Henry Evans. (1897). Hours With the Ghosts Or Nineteenth Century Witchcraft. Laird & Lee, Publishers. pp. 105-106 "The host stood near the mantel piece and has seen Home abstractedly place a small bottle upon it when he left the room for the staircase. That bottle the host quietly slipped into his pocket. Upon examination the next day it was found to contain phosphorated olive oil or some similar preparation."
  89. Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. p. 255. ISBN 0-87975-300-5
  90. Hiram Powers' Paradise Lost. (1985). Hudson River Museum. p. 26. The letter was compiled by Clara Louise Dentler. White Marble: The Life and Letters of Hiram Powers, Sculptor. p. 111 and is stored at the "Smithsonian Archives of American Art".
  91. Frank Podmore. (1910). Newer Spiritualism. Kessinger Publishing. ISBN 978-0766163362
  92. Milbourne Christopher. (1970). ESP, Seers & Psychics. Thomas Y. Crowell Co. pp. 174-187. ISBN 978-0-690-26815-7
  93. Trevor Hall. (1984). The Enigma of Daniel Home: Medium or Fraud?. Prometheus Books. ISBN 978-0879752361
  94. Gordon Stein. (1993). The Sorcerer of Kings: The Case of Daniel Dunglas Home and William Crookes. Prometheus Books. ISBN 978-0879758639
  95. Barry H. Wiley. (2012). The Thought Reader Craze: Victorian Science at the Enchanted Boundary. McFarland. p. 26. ISBN 978-0786464708 "Home's most celebrated séances were claimed to have been presented in partial darkness or, on a few occasions, in full light. But “light” as Home and his followers would describe would often amount to only one or two candles, perhaps augmented by the glow from a fireplace or by light coming through a window. Home would adjust the lighting to accommodate the evening's events—with no objections from the sitters."
  96. Frank Podmore. (2003). Mediums of the Nineteenth Century. Kessinger Publishing. p. 233. ISBN 978-0766128538
  97. Frank Podmore. (1910). The Newer Spiritualism. Henry Holt and Company. pp. 40-41
  98. Ronald Pearsall. (1972). The Table-Rappers. Book Club Associates. pp. 95-96. "Home's spirit hands seemed to be long kid gloves stuffed with some substance, and Browning thought that they were fixed to Home's feet. This was a device of some mediums, and in the dim light of the séance actual feet could simulate spirit hands, especially those of children or not quite materialised hands. Even when adjacent sitters were keeping their feet on the medium's shoes this could be accomplished by the use of metal toe-caps on the medium's boots. The foot could also double for a spirit baby. This could be strapped to the medium's belt until needed, or to the leg a few inches above the ankle. When the séance lights 'accidentally' went out, the medium could thrust a stocking foot into the dummy hand, and by resting the foot on the other knee, the spirit hand or spirit baby could peep over the table in an astounding manner."
  99. Henry Evans. (1897). Hours With the Ghosts Or Nineteenth Century Witchcraft. Laird & Lee, Publishers. pp. 106-107. "The "coal" is a piece of spongy platinum which bears a close resemblance to a lump of half burnt coal, and is palmed in the hand, as a prestidigitateur conceals a coin, a pack of cards, an egg, or a small lemon. The medium or magician advances to the grate and pretends to take a genuine lump of coal from the fire but brings up instead at the tops of his fingers, the piece of platinum."
  100. Hereward Carrington. (1907). The Physical Phenomena of Spiritualism. Herbert B. Turner & Co. p. 404
  101. Doyle "The History of Spiritualism" volume 1, 1926 pp230-251
  102. Crookes 1874
  103. Irwin, Harvey J.; Watt, Caroline (2007). An Introduction to Parapsychology (fifth ed.). McFarland. pp. 18–19. ISBN 978-0-7864-3059-8. Retrieved 1 August 2011.
  104. Hall, Trevor H. (1963). The spiritualists: the story of Florence Cook and William Crookes. Helix Press.
  105. Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. p. 189. ISBN 0-87975-300-5 "Given the fact that Crookes had vouched for the Fox sisters when others found them fraudulent and testified that Florence Cook was able to materialize a spirit form provides considerable ground to question his judgment in the Home case."
  106. Massimo Polidoro. (2000). Anna Eva Fay: The Mentalist Who Baffled Sir William Crookes. Skeptical Inquirer 24: 36-38.
  107. William Hodson Brock. (2008). William Crookes (1832–1919) and the Commercialization of Science. Ashgate. pp. 45-148. ISBN 978-0754663225
  108. Balfour Stewart. (1871). Mr. Crookes on the 'Psychic' Force. Nature 4: 237.
  109. J. P. Earwaker. (1871). Mr. Crookes' New Psychic Force. The Popular Science Review 10: 356-365.
  110. Coleman Sellers. (1871). Some Remarks On Experimental Investigations Of A New Force, By William Crookes, F. R. S. Journal of the Franklin Institute 92: 211-214.
  111. William Crookes. (2012 reprint edition). Originally published in 1874. Researches in the Phenomena of Spiritualism. Cambridge University Press. p. 43. ISBN 978-1-108-04413-4
  112. P. H. Vanderweyde. (1871). On Mr. Crookes' Further Experiments On Psychic Force. Journal of the Franklin Institute 92: 423-426.
  113. Barry H. Wiley. (2012). The Thought Reader Craze: Victorian Science at the Enchanted Boundary. McFarland. p. 36. ISBN 978-0786464708
  114. Harry Houdini. (2011). A Magician Among the Spirits. Cambridge University Press. p. 205. ISBN 978-1108027489
  115. Ruth Brandon. (1983). Scientists and the Supernormal. New Scientist. 16 June. pp. 783-786.
  116. Barry H. Wiley. (2012). The Thought Reader Craze: Victorian Science at the Enchanted Boundary. McFarland. p. 28. ISBN 978-0786464708
  117. Barry H. Wiley. (2012). The Thought Reader Craze: Victorian Science at the Enchanted Boundary. McFarland. p. 190. ISBN 978-0786464708
  118. Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. p. 140
  119. Frank Podmore. (1910). The Newer Spiritualism. Henry Holt and Company. p. 51 "Sir W. Crookes having called at Home's apartments to fetch him for the experiments, the medium actually changed his dress in Sir William's presence. But what was there to prevent Home's slipping into the pocket of his overcoat a small musical box, a loop of black silk, and a hook with a sharp end? No further "apparatus" would be required."
  120. Edward Clodd. (1917). The Question: A Brief History and Examination of Modern Spiritualism. Grant Richards, London. p. 87
  121. Victor Stenger. (1990). Physics and Psychics: The Search for a World Beyond the Senses. Prometheus Books. pp. 156-157. ISBN 978-0-87975-575-1
  122. Frank Podmore. (1910). The Newer Spiritualism. Henry Holt and Company. pp. 48-50
  123. William Benjamin Carpenter. (1871). Spiritualism and its Recent Converts. Quarterly Review 131: 301-53.
  124. John Nevil Maskelyne. (1876). Modern Spiritualism: A Short Account of its Rise and Progress, with Some Exposures of So-Called Spirit Media. Frederick Warne & Co. p. 173. "[The] accordion test with Mr. Home was absurd: fancy a scientific man putting an accordion under the table, and then letting the medium use one hand to play upon it... Why, in the name of common sense, have it underneath the table?"
  125. Millais Culpin. (1920). Spiritualism and the New Psychology: An Explanation of Spiritualist Phenomena and Beliefs in Terms of Modern Knowledge. E. Arnold. p. 126. "Sir William Crookes gives detailed accounts of marvelous happenings, but two mediums in whom he had implicit trust were detected in deliberate fraud by other people, so that his critical powers failed him. Some of his accounts show curious lapses. In one experiment an accordion is placed in a cage under the table and Mr. Home puts his hand into the top of the cage to do psychic things with the instrument. The temperature of the room is carefully recorded (that doesn't matter, but imparts a scientific flavor to the observations) although we are not told why the experiment was done under the table instead of in a more convenient position on top of it, though ' my assistant went under the table, and reported that the accordion was expanding and contracting,' and ' Dr. A. B. now looked under the table and said that Mr. Home's hand appeared quite still.' Sir William would never have made such an omission if he had been using the same reasoning powers that he used in his scientific descriptions."
  126. Barry H. Wiley. (2012). The Thought Reader Craze: Victorian Science at the Enchanted Boundary. McFarland. p. 30. ISBN 978-0786464708
  127. Hereward Carrington. (1907). The Physical Phenomena of Spiritualism. Herbert B. Turner & Co. p. 374-377
  128. Herbert Thurston. (1933). Chapter The Accordion Playing of D. D. Home. In Church and Spiritualism. Bruce Publishing Company. pp. 167–187
  129. Maskelyne (1897), Henry Evans (1897), Joseph McCabe (1920), Pearsall (1972).
  130. Henry Evans. (1897). Hours With the Ghosts Or Nineteenth Century Witchcraft. Chicago: Laird & Lee. pp. 113-114. "The apparatus consists of a small circular musical box, wound up by clock work, and made to play whenever pressure is put upon a stud projecting a quarter of an inch from its surface. This box is strapped around the right leg of the medium just above his knee, and hidden beneath the trouser leg. When not in use it is on the under side of the leg. On the table a musical box is placed and covered with a soup tureen, or the top of a chafing dish. When the spectators are seated, the medium works the concealed musical box around to the upper part of his leg near the knee cap, and by pressing the stud against the under surface of the table, starts the music playing. In this way the second musical box seems to play and the acoustic effect is perfect. Perhaps Home used a similar contrivance; Dr. Monck did, and was caught in the act by the chief of the Detective Police."
  131. Joseph McCabe. (1920). Is Spiritualism based on Fraud?: The Evidence Given by Sir A. C. Doyle and Others Drastically Examined. Watts & Co. p. 81
  132. Walter Mann. (1919). The Follies and Frauds of Spiritualism. London: Watts & Co. pp. 40-41
  133. Chung Ling Soo. (1898) Slate Writing and Kindred Phenomena. Munn & Company. Scientific American, New York City. pp. 105-106
  134. Chung Ling Soo. (1898). Spirit Slate Writing and Kindred Phenomena. Munn & Company. pp. 105-106. "Dr. Henry Slade was, of course, identified and recognized as the principal slate-writing medium, but at various times he presented other phenomena, one of which was the playing of an accordion while held in one hand under the table. The accordion was taken by him from the table with his right hand, at the end containing the strap, the keys or notes at the other end being away from him. He thus held the accordion beneath the table, and his left hand was laid on top of the table, where it was always in plain view. Nevertheless, the accordion was heard to give forth melodious tunes, and at the conclusion was brought up on top of the table as held originally; the whole dodge consisting in turning the accordion end for end as it went under the table. The strap end being now downward, and held between the legs, the medium's hand grasped the keyboard end, and worked the bellows and keys, holding the accordion firmly with the legs and working the hand, not with an arm movement, but mostly by a simple wrist movement. Of course, at the conclusion, the hand grasped the accordion at the strap end, and brought it up in this condition. Sometimes an accordion is tied with strings and sealed so the bellows cannot be worked. This is for the dark séance. Even in this condition the accordion is played by inserting a tube in the air-hole or valve and by the medium's using his lungs as bellows."
  135. Amos Norton Craft. (1881). Epidemic Delusions: Containing an Exposé of the Superstitions and Frauds which Underlie Some Ancient and Modern Delusions, Including Especial Reference to Modern Spiritualism. (New York: Phillips & Hunt. pp. 304-305
  136. Ronald Pearsall. (1972). The Table-Rappers. Book Club Associates. p. 88 "The two most prominent instruments at séances were probably the guitar and the accordion. The latter was one of Home's favorite props: his special instrument was ornately-decorated, with a very short keyboard. Its shape was dumpy and squat more like a concertina than an accordion. Except when it was playing by itself away from everyone, he held it beneath a table, his hands away from the keys. Stage conjurors, the most damaging witnesses against séance tricks, explained how it could be done. The accordion was on a loop of catgut, by which means Home could turn the accordion round. There was also on the market a self-playing accordion."
  137. Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. p. 189. ISBN 0-87975-300-5 "Various contrivances have been used by other mediums to achieve a similar effect. A concealed loop of catgut is attached to a hook, which then is used to pull the lower end of the accordion and produce notes. If the séance room is very dark, the medium, can, by means of a rubber tube, blow air into the accordion. His lungs take the place of the bellows, and air produces some notes."
  138. Carlos María de Heredia. (1922) Spiritism and Common Sense. P. J. Kenedy & Sons. p. 68. "After a few minutes of expectation I give a signal to a friend behind the partition who plays a tune on another accordion. As he is invisible and as the source of the sound is not discoverable, especially when attention is riveted on the visible instrument, the effect is as convincing as the humbug is simple. The power of a demonstration is usually in direct ratio to the stupidity of the device that produces it. Sometimes my friend, taken up with his playing, fails to notice the signal to desist, and continues his tune after the accordion is no longer suspended. The effect of this little slip in arrangements is even more extraordinary on the auditors, as it was on Sir William Crookes."
  139. Ruth Brandon. (1983). The Spiritualists: The Passion for the Occult in the Nineteenth and Twentieth Centuries. Weidenfeld and Nicolson. p. 80. ISBN 0-297-78249-5
  140. Randi, James. "An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural". James Randi Educational Foundation. Retrieved 5 January 2008.
  141. Lamont 2005 p 302
  142. Gordon Stein. (1993). The Sorcerer of Kings: The Case of Daniel Dunglas Home and William Crookes. Prometheus Books. p. 96. ISBN 0-87975-863-5
  143. J. M. Robertson. (1891). A Spiritualistic Farce. The National Reformer, September 20th.
  144. Lamont, 2005 p. 302
  145. "ESP Extrasensory Perception", Chapter 5, Spiritualism, Spirits and Mediums by Simeon Edmonds, Wilshire Book co, 1975
  146. Christiansen (2000) p.142
  147. Christiansen (2000) p.147
  148. Christiansen (2000) p.154
  149. Christiansen (2000) p.156
  150. Barry H. Wiley. (2012). The Thought Reader Craze: Victorian Science at the Enchanted Boundary. McFarland. p. 24. ISBN 978-0786464708
  151. Lamont, 2005 p. 222-223

References

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