Grand Theft Auto IV

Grand Theft Auto IV takes place in 2008, within a redesigned version of Liberty City. The design of the setting focuses on a recreation of four of the boroughs of New York City: Broker (based on Brooklyn), Dukes (Queens), Bohan (The Bronx), and Algonquin (Manhattan). The setting also includes the neighboring state of Alderney (based on New Jersey).[19] Initially, bridges are locked down due to a terrorist threat, and players are constantly pursued by police if the bridges are crossed, but the blockades are lifted as the story progresses, allowing the player to safely traverse between islands.

Grand Theft Auto IV takes place in a different storyline and timeline from the previous games in the series.[20] However, the game takes place in the same canon as its expansion packs, The Lost and Damned and The Ballad of Gay Tony, and its successor, Grand Theft Auto V.[21][lower-alpha 3] Most of Grand Theft Auto IV's setting was also used for the handheld game Grand Theft Auto: Chinatown Wars, with the exception of Alderney.[23]

Niko Bellic, an Eastern European,[24] arrives in Liberty City aboard a cargo ship, the Platypus, to reunite with his cousin Roman, pursue the American Dream, and search for the man who betrayed his unit in a war fifteen years prior. Upon arrival, however, Niko discovers that Roman's tales of riches and luxury were lies concealing struggles with gambling debts and loan sharks, and that Roman lives in a dirty apartment in Broker and runs a small taxi company. While carrying out jobs for Roman, Niko makes his first criminal contacts, including Yardies underboss Little Jacob, whom he befriends, and Vlad Glebov, Roman's Russian loan shark, whom he eventually kills upon learning he slept with Roman's girlfriend, Mallorie.

In retaliation, Niko and Roman are kidnapped by Russian mobsters on orders of their boss Mikhail Faustin and his deputy Dimitri Rascalov. Not bothered by Vlad's murder, Faustin hires Niko, who quickly discovers Faustin's true nature after being ordered to kill the son of Russian crime lord Kenny Petrović. When Petrović threatens retaliation, Dimitri convinces Niko to assassinate Faustin in order to make amends, but later betrays and brings Niko before his former employer Ray Bulgarin, who accuses him of stealing from him a few years earlier. After Niko denies the allegation, a firefight ensues, allowing Dimitri and Bulgarin to escape.

Niko and Roman are forced to flee to Bohan after their apartment and taxi company are burned down by Dimitri's men. While working for several local drug lords, Niko continues his conflict with Dimitri, who kidnaps Roman in a failed attempt to lure out Niko, who rescues him. He also discovers that his girlfriend Michelle is a government agent actually named Karen, who entraps Niko into working for her agency, known only by its cover: United Liberty Paper. The agency has Niko assassinate several known or suspected terrorists in exchange for a clear criminal record and assistance in finding the traitor. Niko and Roman's fortunes suddenly improve when the latter receives a large amount of insurance money from his destroyed business, which he uses to rebuild it and buy an apartment in Algonquin. Roman also proposes to Mallorie, who accepts.

While working for the Irish Mob, Niko befriends Patrick McReary after helping him carry out a bank robbery, who introduces him to Ray Boccino, a caporegime in the Pegorino Mafia family. Boccino hires Niko to oversee an important diamond deal, which goes awry, and helps him track down the man he believes has betrayed his unit, Florian Cravic, only for Niko to discover that Florian was not the traitor. Niko subsequently works for the Gambetti and Pegorino families in exchange for assistance in finding the real culprit Darko Brevic, who is hiding out in Europe, and assassinates Boccino on Don Jimmy Pegorino's orders, under suspicion of being a police informant. During this time, Niko also helps Patrick kidnap Don Giovanni Ancelotti's daughter to ransom her for the diamonds, but the exchange is intercepted by Bulgarin, resulting in the diamonds' loss.

Eventually, the Paper tracks down Darko and brings him into Liberty City for Niko to decide his fate. Having achieved closure on his past, Niko is summoned by Pegorino for one final favour: to help with an extremely lucrative deal on heroin in collusion with Dimitri. Niko must either strike the deal with Dimitri, or exact revenge on him.[25]

Should Niko go through with the deal, Dimitri again betrays him and keeps the heroin for himself.[26] At Roman's wedding, an assassin sent by Dimitri unintentionally kills Roman with a stray bullet.[27] Aided by Little Jacob, a devastated and vengeful Niko murders Dimitri, who in turn killed Pegorino.[28] Later, Mallorie informs Niko that she is pregnant with Roman's child, whom he vows to protect. Should Niko choose to exact revenge, he fights his way through Dimitri's men aboard the Platypus to reach and kill him.[29] At Roman's wedding, Pegorino, furious after Niko's betrayal, targets him in a drive-by shooting, but accidentally kills Niko's new girlfriend, Patrick's sister Kate.[27] Aided by Little Jacob and Roman, Niko kills Pegorino, who had been targeted by the Liberty City underworld.[30] Later, Roman tells Niko that Mallorie is pregnant, and that if the baby is a girl, they will name her in Kate's memory.

The game's setting, Liberty City, is based on New York City. The team did not look at the previous renditions of Liberty City as inspiration, wanting it to retain the "general feel" but nothing else.[37] The map is roughly three times the size of Grand Theft Auto III's.[37] The developers originally considered using the entire state of New York, before restricting it to Manhattan, and then expanding it out again. They considered including more suburbs with woods, and would regularly vote on which areas to include.[38] Art director Aaron Garbut said that the team chose the setting because of the detail and variety it provided, describing New York as "an amazing, diverse, vibrant, cinematic city".[39] Writer Dan Houser added that the team "wanted to be somewhere where we had a foothold" due to the amount of research required for the world; Rockstar Games's main headquarters are located in New York.[40] The team consciously avoided a precise recreation of New York City to allow for more enjoyable game design,[31] selecting the areas that they felt "characterised it the best".[39] Garbut wanted to capture a caricature of the city as he felt that most people were familiar with "the highlights" from film or literature but did not need to know the areas precisely.[39] The city was not built with specific missions in mind; the area was created first, and missions implemented later.[41]

To achieve a realistic environment, 60–70 employees from Rockstar North travelled to New York for research: first at the beginning of the project in March or April 2005 for a week and a half,[38] and a smaller trip in 2007.[37] Police officers who previously worked the beat drove the team around Washington Heights.[38] A full-time research team based in New York handled further requests for information, such as the ethnic minority of a neighbourhood or videos of traffic patterns. Videos shot in New York were played on televisions at the Rockstar North offices "so while they worked they could look up and there was New York".[38] Benzies claimed that the team took over 100,000 photographs on location in New York,[34] though Garbut estimates that they took around 250,000.[37] They also studied architectural plans for apartments, used satellite images to determine city block layout, researched sales figures for models of cars, and read books that detailed the city's infrastructure, including its subways, sewers, and garbage disposal.[42] Hove Beach is based on Brighton Beach, which Sam Houser found "pretty incredible" and unusual; the name is based on the English city Brighton and Hove, made up of the former neighbouring towns Brighton and Hove.[43] Houser appreciated that Brighton Beach was home to several Eastern Europeans due to the nature of the game's characters.[43]

Dan Houser described Liberty City as "the biggest character" of the game.[39] The Grand Theft Auto IV rendition of Liberty City is more detailed and larger in size than most earlier entries in the series; although smaller than San Andreas, the setting of the previous main game, the developers considered it comparable in scope due to city's verticality, number of buildings, and level of detail.[44] The team wanted less dead spots and irrelevant spaces, such as the wide open deserts in San Andreas.[31] They wanted the game to be "a more focused experience" than San Andreas, and Dan Houser felt that the limited activities of New York allowed this.[32] The team felt that the addition of Niko's mobile phone added to the immersion of the world and represented society's shifted focus on phones.[32] The in-game brands and products are designed over several years; the billboards were implemented in the game around six months prior to release.[37]

Michael Hollick provided the voice and motion capture for Niko Bellic.

The game's script, written by Dan Houser and Rupert Humphries, is about 1,000 pages.[34] Approximately 660 actors provided voices for the game over 80,000 lines of dialogue.[38] After conceiving the character and setting, Dan Houser spoke with his brother Sam Houser and Benzies to bounce story ideas before writing a rough synopsis, a six-paged, detailed document. Once the synopsis was reworked, the designers broke it into missions, represented by a large flow document demonstrating each section. The writers then work on the introductions to the missions; the gameplay dialogue comes much later.[40] Unlike previous Grand Theft Auto games, Grand Theft Auto IV does not have cinematic influences. "We were consciously trying to go, well, if video games are going to develop into the next stage, then the thing isn't to try and do a loving tribute or reference other stuff," said Dan Houser.[40] He said that the writers wanted something "fresh and new and not something that was obviously derived from [a] movie".[40] Dan Houser felt that the quality of the writing had to improve alongside the advancements in graphics and technology. He noted that the improvements in facial animation allowed for slower-paced cutscenes.[39] The unique dialogue that plays when a mission is retried was to ensure that that the gameplay felt "less canned and less like Groundhog Day".[39]

Dan Houser described Niko Bellic as "a more rounded character" than those in previous games.[39] He felt that his dual personality—often saving innocent people, while also being a "cold-hearted killer"—made him more relatable.[39] He also felt that Niko's unfamiliarity with Liberty City allowed for the player to relate to him more, only driven by his vague past and relationship with Roman. When deciding on Niko's background, the writers felt that being an immigrant could lead to more dangerous situations, and therefore more enjoyable missions; after discussions with criminal experts, Dan Houser found that "the real scary characters are not born in America anymore".[39] He felt that Niko's outsider view of American culture was "fun".[39] The team wanted Niko to be "more of an anti hero than a hero, capable of making positive actions within his criminal world".[45] They wanted his demeanour to reflect the weight of his past and choices.[45]

Niko's design underwent a few changes, but was finalised early in development.[46] His outfit underwent several changes based on Eastern Europeans, particularly photographs of men fighting in winter wars in Yugoslavia and Chechnya. The primary motivation for the design was a face to convey the appropriate emotions and a body that could move nicely with the new animations.[39] The in-game purchasable outfits were also designed to fit with the character.[32] The team ensured that the gameplay choices presented to the player were not too extensive, as they still had to make sense to the character, who is driven by the people around him. Dan Houser felt that the missions in San Andreas had become too linear, and wanted to present choices to the player in Grand Theft Auto IV.[39]

The writers found that Niko needed a motivation to come to America, so they created his cousin, Roman. Dan Houser felt that the two could not be brothers as there would be a deeper level of familiarity than necessary. He described the two as a double act, with Roman's fantasist charm playing off Niko's tough cynicism. The team gave other non-playable characters (NPCs) more definable behaviours and dialogue to make them feel more alive. The writers initially considered having a smaller group of characters, but found that the story became boring and that players were less likely to explore the world. The stranger characters found in the game world were based on the "crazy people" that populate New York, according to Dan Houser, which in previous games were only able to be captured through radio stations or mild pedestrian behaviours.[37] The team based the ethnicities, clothing, and behaviours of the NPCs on the photographs and videos that they captured around New York, divided into different areas;[39] they created mood boards for each location.[37] The NPCs also converse in different languages.[40]

Grand Theft Auto IV sees a shift in the series to a more realistic and detailed style and tone, partly a result of the transition to consoles which offered high-definition graphics and the new and improved capabilities of such consoles. The development team worked to represent the upgrade in quality across all design aspects while maintaining the coherence of the previous games.[31] The team took the game's development as an opportunity to "strip things back and start again", refining the art style without losing the style of the series;[39] they distanced the game from the "cartoon-like style" of its predecessors while creating a new style that was consistent across all aspects of the game.[47] Garbut found the increased demand of detail brought on by the advanced technology daunting.[48] A technique used to make the visuals look real was to avoid harsh edges, instead blending surfaces together to make the world look dirty and lived-in.[49] The props department created multiple variations of different objects to make the world more interesting and unique.[39] Grand Theft Auto IV was the first contemporary game in the series since 2001's Grand Theft Auto III; the team felt that enough time had passed to avoid feeling repetitive.[32] The types of in-game vehicles were decided upon early in development, after which the vehicles department begin creating the designs. The vehicles are not based on specific real-life counterparts, but take elements from several, with some original ideas by the developers.[50]

The process that Grand Theft Auto IV's animation underwent: (top) actors performing on stage, raw motion capture data, (bottom) in-game characters, and the final scene in the game.

The proprietary Rockstar Advanced Game Engine (RAGE) was used for the game.[51] Garbut found Grand Theft Auto IV's technical design similar to Grand Theft Auto III's, with both games being the first in the series to be released on their respective platforms. He claimed that an operable game engine was not finalised until late in development, at which point "there's still plenty of guesswork" until optimisation near release.[41] The character's physical performances were recorded using motion capture. Up to eight actors could perform on the motion capture stage at one time, each dressed in a full suit.[52] The camera used to capture the performance included a teleprompter for the actors to read their scripts.[53] Over a hundred moves would be captured in each day of production. The final product was taken from different performances by different actors to make them appear seamless and appropriate.[52] The voice work by one actor could be composited over a different actor's physical performance for a specific outcome.[54] The in-game animations were crafted similarly, using a combination of different motion capture performances.[55]

For the gameplay and animations, the team redid a lot of the work from previous games, wanting Grand Theft Auto IV to "feel next-generation".[39] The role-playing elements from San Andreas were removed fairly early in development, partly due to the animation work it would have required, and because consistently needing to visit the gym felt antithetical to Niko's motivations.[32] The game's targeting system was one of the first focuses of development due to the advanced technology; the team wanted it to feel realistic without being too technical. The cover system was a "natural addition" to the targeting.[32] Benzies described the multiplayer as the hardest part of the game's development.[35] The team wanted the multiplayer to feel like an extension of the cinematic single-player experience. Dan Houser described it as "a section of a film rather than the whole narrative".[32] The developers considered adding co-operative multiplayer to the main story campaign, but decided it worked better as a single-player experience.[32]

When Sam Houser first showed interest in using the Euphoria software in the game, he was told that it would be impossible or only limited to cutscenes, but some members of the team were able to make it work. Engineers from NaturalMotion worked on-site at Rockstar North for several months at a time to incorporate Euphoria software into the game.[33] Rockstar also worked with Image Metrics for the game's facial animations. The facial rigs had around 100 joints, with a total of 300 minutes of facial animation. The scale of the project caused some issues for the animators, forcing them to have rigs completed before animation began. They also faced difficulty in the direction of the actor's head—either straight on when looking at the teleprompter, or down when looking at a script. Image Metrics head of production David Barton noted that "having realistic eyes is 90 percent of the battle", as it allows the player to believe the character.[53] A head camera was used when recording to capture facial movements.[53] SpeedTree was used for in-game environment rendering.[56]

When selecting music for the in-game radio stations, music supervisor Ivan Pavlovich said "[we had] to pick the songs that make New York today what it is, but make sure they won't feel dated by the time the game comes out."[57] The developers contacted over 2,000 people in order to obtain recording and publishing rights;[58] they hired a private investigator to locate the relatives of late Skatt Bros. member Sean Delaney to license the band's song, "Walk the Night".[59] Billboard reported that Rockstar paid as much as $5,000 per composition and another $5,000 per master recording per track.[60] Developers originally considered letting players purchase music in an in-game record shop and for Niko to have an MP3 player, but both ideas were cut.[58] DJ Green Lantern produced tracks exclusively for the game's hip-hop radio station The Beat 102.7.[60] Record label owner and record producer Bobby Konders, who hosts the in-game radio station Massive B Soundsystem 96.9, flew to Jamaica to get dancehall artists to re-record tracks to make references to the boroughs of Liberty City.[60] The Housers's father, jazz musician Walter Houser, provided several classical music tracks for the game.[33]

Industry analysts found Grand Theft Auto IV's marketing much more subtle than Microsoft's marketing of Halo 3 (2007), identifying Rockstar's interest in controlling the output at all times.[77] The game was marketed through video trailers and press demonstrations. On 29 April 2007, the debut trailer was released. It was narrated by protagonist Niko, and depicts the open world accompanied by the song "Pruit-Igoe" by Philip Glass, originally composed for Godfrey Reggio's 1982 documentary film Koyaanisqatsi.[78][79] The second trailer was released on 28 June 2007, showcasing the game's physics engine and featuring the song "Arm in Arm (Shy Child Remix)" by The Boggs.[80] Dan Houser noted that the game was "still rough" when the first trailer was released, but that cutscenes were "coming on board" by the second trailer's release.[39]

To unveil the game's cover art, Rockstar contracted artists to paint a mural on a wall at a secluded warehouse location, showcasing the art in a video on 28 November 2007.[81] A third trailer was released on 6 December 2007, introducing some of the game's characters, such as Roman and Michelle. The trailer features the song "King Ring" by Russian rap artist Seryoga, which Rockstar felt captured the "melting pot mentality" of Liberty City.[82] Dan Houser wanted the third trailer to capture the "visceral qualities" of the game, but focus less on the story, as the first two trailers had done.[39] On 8 February 2008, five teaser trailers for the game were released, each showcasing a particular character or service within the game.[83] Similar teaser trailers were later released in pairs on 21 February,[84] 7 March,[85] and 11 April.[86] Another trailer, released on 27 March 2008, showcases some scenes from the game, such as a bank robbery and police chase.[87] A television commercial from GameStop debuted on 1 April, focusing on the activities in Liberty City.[88]

Viral marketing strategies were used to promote the game. Wanted posters were placed around New York City promoting the game's characters and website;[89][90] billboard versions were also posted throughout the city.[91] Murals and posters advertising the game were placed on buildings and public transport.[92][93] The Chicago Transit Authority (CTA) removed advertisements promoting the game from their property in April 2008;[93] Take-Two filed a lawsuit in response, claiming that the CTA had violated a contract.[94] Visitors to the website of WKTT Talk Radio—a fictional radio station within the game—were offered a chance to leave a voice mail message stating their problems. Prior to leaving the message, callers were asked to read the terms and conditions, which revealed that some of the voice mail message would be selected for use in the game.[95]

In the month prior to launch, Rockstar and GameStop held a competition offering up to US$10,000 and a trip to New York City for the game's launch event.[96] Microsoft held a similar sweepstakes competition, offering consoles, games, Microsoft Points, a baseball bat, and an invitation to the launch event as rewards.[97] The official Grand Theft Auto IV website was redesigned on 8 February 2008 to show a preview of activities and locales within the game's world.[98] To encourage pre-order sales, Rockstar collaborated with several retail outlets to provide a special edition version of the game. It includes a metal safe deposit box, an art book, and the soundtrack CD.[99] The publisher also collaborated with Sony to release a 40 GB PlayStation 3 console with a copy of the game.[100] GameStop hosted midnight launch events at over 3,500 of its American stores, with contests and giveaways.[101]

Chinatown, New York City

Chinatown, New York City

Nolita, New York

Toronto, Ontario

Hotel Figueroa, Los Angeles

The game was promoted through posters and murals on billboards and buildings, particularly in the United States and Canada.

Following its announcement in May 2006, Grand Theft Auto IV was widely anticipated[111] and released to critical acclaim. Metacritic, which assigns a normalised rating in the 0–100 range, calculated an average score of 98, indicating "universal acclaim".[102][103] It is the second-highest rated game on the site, only behind The Legend of Zelda: Ocarina of Time and tied with several other games.[112] Reviewers heavily praised the game's narrative,[104][107][110][113] open world design[104][105][110] and combat system.[105][12][109][108] Hilary Goldstein of IGN felt that the game "sets a new benchmark for open-world games",[110] and Andrew Reiner of Game Informer wrote that the game "completely changes the landscape of gaming".[107]

Reviewers lauded the open world design, some further complimenting the freedom that it allows the player. Seth Schiesel of The New York Times named the city the "real star" of the game.[15] Official Xbox Magazine's Hicks was impressed by the city, attributing this to the game's AI.[113] Robinson of Computer and Video Games considered the environment believable, and felt that the world was "utterly unmatched".[105] Goldstein of IGN felt that, although Liberty City is inspired by New York, it is not beholden to it. He wrote that the city "exists in its own universe and rightfully so".[110] Crispin Boyer of 1UP.com directed praise at the city's "breathtaking vistas, incredibly varied scenery, and lived-in look."[104] Conversely, Jesse Costantino of GameRevolution felt that the game lacked important features common in other open world games.[114]

Reviewers praised the game's narrative. IGN's Goldstein accepted that the darker tones to the story, a break from series tradition. Jon Hicks of Official Xbox Magazine felt surprised by the amount of depth to the story.[113] Reiner of Game Informer wrote that the level of freedom in the game contributed to his enjoyment of the story.[107] The morality choices faced by players throughout the narrative were also welcomed. 1UP.com's Boyer felt that they gave the game an element of "replayability".[104] Eurogamer's Tom Bramwell considered the morality choices a fair substitute over "bosses with large health bars".[12]

The game's protagonist, Niko Bellic, with the main antagonist, Dimitri Rascalov. Reviewers praised the game's story and characters, commending the morality choices faced by players.

The game's characters—particularly Niko—received positive reactions from critics.[12] Hicks of Official Xbox Magazine and Andy Robinson of Computer and Video Games both called Niko "charismatic" and "likeable", stating that they prefer him over previous protagonists of the series.[105][113] George Walter of GamesRadar praised the depth of the character, and IGN's Goldstein felt that the character of Niko feels relatable when faced with difficult decisions.[109] Jeff Gerstmann of Giant Bomb felt that Niko was "the only thing that mattered to [him]" as he progressed through the story, with the character becoming one of his favourite features of the game.[115] Schiesel of The New York Times named Niko one of the most realised video game characters attributing this to the game's script,[15] while 1UP.com's Boyer commended the use of character bonding during the game's missions.[104]

Many reviewers found the combat system was more responsive than in previous games, particularly praising the addition of the cover system.[104][105][12] Justin Calvert of GameSpot wrote that the cover system makes the game's combat a "huge improvement" over previous games.[108] Reiner of Game Informer agreed, writing that the targeting system makes players feel responsible for all deaths.[107] IGN's Goldstein praised the fluidity of the cover system, and felt that the auto aim mechanic is a "great help in larger battles".[110] GamesRadar's Walter wrote that the cover system has "paved the way to a new style of mission".[109] David McComb of Empire called the combat "sharp and instinctive",[116] and Hicks of Official Xbox Magazine felt that the cover system allows players to execute an attack plan.[113] In addition to the combat system, most reviewers noted the vehicle handling was more realistic than in previous games.[107][109][113] Robinson of Computer and Video Games felt that the vehicle handling echoed realism, while Hicks of Official Xbox Magazine called the vehicle selection "excellent".[105] Costantino of GameRevolution praised the improvement of the game's mechanics, particularly the physics engine's advanced vehicle and character animations.[114]

Reviewers praised the sound design. Goldstein of IGN praised the actors' performances and the use of licensed music. GameSpot's Calvert and GamesRadar's Walter also commended the licensed music, the latter admiring the humour of the radio's talk stations.[109][108] Michael Pinson of The Pro Audio Files praised the separate features of the game's sound design—including the city's ambiance, licensed music, character dialogue, and vehicle and weapon sound effects—applauding the developer's use of uniting the features together.[117] Carolyn Gudmundson of GamesRadar also retroactively praised the game's soundtrack, commending its suitability to the game's setting.[118]

The game's online multiplayer mode received positive reactions from critics.[12][108] Reiner of Game Informer praised the character customisation available in the multiplayer mode, and noted that it runs "just as smoothly" as the single-player game.[107] 1UP.com's Boyer called the multiplayer modes "excellent",[104] and IGN's Goldstein named it one of the best.[110] Official Xbox Magazine's Hicks dubbed the multiplayer as "hugely entertaining",[113] while Walter of GamesRadar praised the "seamless" process of entering a multiplayer match.[109] Giant Bomb's Gerstmann and GameRevolution's Costantino felt divided about the multiplayer, the latter naming it a "fantastic idea", but feeling as though connectivity problems resulted in a "broken" experience.[114][115]

When Grand Theft Auto IV was released to Microsoft Windows in December 2008, it received generally positive reviews. Metacritic calculated an average score of 90 out of 100, indicating "universal acclaim", based on 40 reviews.[119] Reviewers liked the enhanced visuals[121][125][126] and the additional features,[1][120][124][126] but criticised the port for its inferiority over the console versions.[120][122][124]

The in-game features added in the port were well received.[124][126] The addition of the Video Editor was met with positive reactions; GameSpot's Calvert called it "a great way to get creative",[1] while Kieron Gillen of Eurogamer criticised the unpredictability in its timing.[122] Critics also praised the addition of the customisable radio station, which allows players to listen to their own choice of music; Tom Chick of 1UP.com named it the best feature of the port,[120] and Steven Hopper of GameZone called it a "great touch".[126] The port's upgrade to 32 concurrent players in the online multiplayer mode, as opposed to the console version's 16 players, was also met with positive feedback; Eurogamer's Gillen said that the "possibility for mayhem... increases",[122] while Will Tuttle of GameSpy felt that the player increase "changes the action significantly".[123]

The port's enhanced visuals were commended by many reviewers. GameZone's Hopper considered the visuals an improvement over the original versions.[126] Andy Robinson of Computer and Video Games called the visuals "impressive",[121] while Tom Orry of VideoGamer.com called them "superb".[125] Conversely, the port's system requirements, considered difficult to run with advanced settings,[1] received criticism.[124][125] Eurogamer's Gillen said that, though the Windows version is "the most attractive version", it's "annoyingly fiddly to get there".[122] GameSpy's Tuttle was able to overlook the demanding system requirements in exchange for the game's other features.[123]

Grand Theft Auto IV earned awards from several critics and publications. It received Game of the Year awards from Digital Spy,[127] the Entertainment Merchants Association,[128] GameTrailers,[129] Giant Bomb,[130] IGN Australia,[131] Kotaku,[132] The Los Angeles Times,[133] The New York Times,[134] and Time.[135] At the Spike Video Game Awards, the game won Game of the Year and Best Action Adventure Game, and Michael Hollick won Best Performance by a Human Male for his role as Niko.[136] It was nominated for three awards at the 9th Game Developers Choice Awards,[137] and seven at the 5th British Academy Games Awards, tying for the most nominations at the latter.[138] At IGN's Best of 2008, it won eleven awards, including Best Voice Acting across all three platforms and overall,[139][140][141][142] and Best Story for PlayStation 3 and Xbox 360.[143][144]