Herbert Ross
Herbert David Ross (May 13, 1927 – October 9, 2001) was an American actor, choreographer, director and producer who worked predominantly in theater and film.
Herbert Ross | |
---|---|
Born | Herbert David Ross May 13, 1927 Brooklyn, New York, U.S. |
Died | October 9, 2001 74) Manhattan, New York, U.S. | (aged
Resting place | Westwood Village Memorial Park Cemetery |
Years active | 1942–1995 |
Spouse(s) | |
Early life
Ross was born on May 13, 1927 in Brooklyn, New York, the son of Louis Chester Ross,[1] a postal clerk, and his wife Martha (née Grundfast). His parents were Russian Jewish immigrants.[2][3] When Ross was nine, his mother died and his father moved the family to Miami and opened a luncheonette.[4]
After dropping out of high school, Ross went to New York to pursue an acting career but became smitten with and studied dance.
Career
Dancer
In 1942, Ross' stage debut came as "Third Witch" in a touring company of Macbeth. The next year brought his first Broadway performance credits with Something for the Boys, as a dancer.
Ross was a dancer in Follow the Girls (1943-44), Laffing Room Only (1944-45), Beggar's Holiday (1946-47), and Look, Ma, I'm Dancin'!.
Choreographer
By 1950, he was a choreographer with the American Ballet Theatre and choreographed his first Broadway production, the Arthur Schwartz-Dorothy Fields musical adaptation of A Tree Grows in Brooklyn (1951).
For TV he choreographed All Star Revue, The Milton Berle Show, and The Steve Allen Plymouth Show. Ross's first film assignment came as an uncredited choreographer on Carmen Jones (1954).[5]
Back on Broadway he choreographed House of Flowers (1954) for Peter Brook, and The Body Beautiful (1958). He choreographed some TV specials: The Jerry Lewis Show (1957), Wonderful Town (1958), Meet Me in St Louis (1959) and A Christmas Festival (1959). On Broadway Ross directed and choreographed a revival of Finian's Rainbow (1960).
Film choreography and Broadway
Ross went to England where he choreographed the feature film The Young Ones (1961) , starring Cliff Richard.
He returned to Broadway to be musical director on The Gay Life (1961-62) and I Can Get It for You Wholesale (1962), the latter directed by Arthur Laurents and starring Barbra Streisand. He did Bondage Gladiator Sexy (1961) for TV.
Ross then choreographed a second Cliff Richard musical in England, Summer Holiday (1963).
On Broadway he choreographed Tovarich (1963) with Vivien Leigh and Anyone Can Whistle (1964) with Laurents.
For TV he did musical numbers for The Fantasticks (1964), The Bell Telephone Hour, Rinaldo in camp ((1963), and The Nut House!! (1964) and staged numbers for the films Inside Daisy Clover (1965), Who's Afraid of Virginia Woolf? (1966) and Doctor Dolittle (1967).
On Broadway Ross directed and choreographed Kelly (1965), and choreographed Do I Hear a Waltz? (1965) and On a Clear Day You Can See Forever (1965-66). He did some additional staging on The Apple Tree (1966-67) directed by Mike Nichols.
Ross was choreographer and director of musical numbers for Funny Girl (1968), produced by Ray Stark.[6][5]
Film director
His film directorial debut came with the musical version of Goodbye, Mr. Chips (1969), made by MGM-British, with Peter O'Toole and Petula Clark. It was produced by Arthur P. Jacobs who had made Doctor Dolittle two years prior, and just like that film, Goodbye, Mr. Chips was a box-office disappointment. However, Ross' second feature as director, The Owl and the Pussycat (1970), was a big hit. The film was produced by Ray Stark and starred Streisand.
Ross did T.R. Baskin (1971) then Play It Again, Sam (1972), the latter produced by Jacobs and starring Woody Allen based on his play.
Ross made The Last of Sheila (1973) co-written by Stephen Sondheim and Anthony Perkins, and Funny Lady (1975) with Stark and Streisand.
Neil Simon
Ross directed The Sunshine Boys (1975) based on a play and script by Neil Simon, starting a long collaboration between the two men; Stark produced.
Ross directed The Seven-Per-Cent Solution (1976), and The Turning Point (1977); Ross produced the latter.[6]
Ross had two big hits with Simon scripts produced by Stark, The Goodbye Girl (1977) and California Suite (1978). Ross returned to Broadway to direct Neil Simon's Chapter Two (1977-79).
After doing the ballet film Nijinsky (1980)[7] he directed Simon's I Ought to Be in Pictures (1980-81) on Broadway. He followed this with Pennies from Heaven (1981) and the film version of I Ought to Be in Pictures (1982). His last film with Simon was Max Dugan Returns (1983).
Later career
Ross had a huge hit with Footloose (1984). He followed this with two comedies, Protocol (1984) with Goldie Hawn and The Secret of My Success (1987) with Michael J. Fox. Less successful was Dancers (1987).[8][9][10]
Ross had one last big hit with another play adaptation, Steel Magnolias (1989). He did My Blue Heaven (1990), True Colors (1991), Undercover Blues (1993) and Boys on the Side (1995).
Personal life
In 1959, he married Nora Kaye, a ballerina,[11] with whom he produced four films.[12] In 1987, his wife Nora died of cancer.[4][13]
In September 1988, he married for the second time to Lee Radziwiłł,[14] the younger sister of Jacqueline Kennedy Onassis.[15] The marriage ended in divorce in 2001, shortly before his death.[16] In 2013, Radziwiłł described their relationship as follows:[17]
He was certainly different from anybody else I'd been involved with, and the film world sounded exciting. Well, it wasn't. I hated Hollywood, and the provincialism of the industry ... Herbert had been married to the ballerina Nora Kaye until she died, and unbeknownst to me was still obsessed by her. It was 'Nora said this, Nora did it like that, Nora liked brown and orange.'[18]
On October 9, 2001, Ross died from heart failure in New York City.[19][20] A memorial was held for him at the Majestic Theater on West 44th Street in New York where Leslie Browne, Barbara Cook, Arthur Laurents, Marsha Mason, Mike Nichols and Mary-Louise Parker spoke of Ross.[21] He was interred with Kaye in the Westwood Village Memorial Park Cemetery in Los Angeles.[22]
Works
Field | Year | Production | Position | Distinctions |
---|---|---|---|---|
Play | 1942 | Macbeth | actor (Third Witch) | Debut (touring company) |
Play | 1943 | Something for the Boys | Debut (Broadway), music and lyrics by Cole Porter | |
Play | 1944 | Laffing Room Only | ||
Play | 1946 | Beggar's Holiday | ||
Play | 1948 | "Look, Ma, I'm Dancin'!" | ||
Play | 1950 | American Ballet Theatre | choreographer | |
Play | 1951 | A Tree Grows in Brooklyn | choreographer | Debut (Broadway production) |
Play | 1952 | Three Wishes for Jamie | choreographer | Broadway |
Film | 1954 | Carmen Jones | choreographer, uncredited | Debut (Film) |
Play | 1954 | House of Flowers | choreographer | Broadway |
Play | 1958 | The Body Beautiful | choreographer | Broadway |
TV | 1958 | Wonderful Town | director | Debut (TV film) |
Play | 1960 | Finian's Rainbow | choreographer | Broadway, revival |
Play | 1961 | The Gay Life | choreographer | Broadway |
Film | 1961 | The Young Ones | choreographer | Cliff Richard |
Play | 1962 | I Can Get It for You Wholesale | choreographer | Broadway |
Film | 1963 | Summer Holiday | choreographer | Cliff Richard |
Play | 1963 | Tovarich | choreographer | Broadway |
Play | 1964 | Anyone Can Whistle | choreographer | Broadway, music and lyrics by Stephen Sondheim |
Play | 1965 | Do I Hear a Waltz? | choreographer | Broadway, music by Richard Rodgers, lyrics by Stephen Sondheim |
Play | 1965 | Kelly | director, choreographer | Broadway |
Play | 1965 | On a Clear Day You Can See Forever | choreographer | Broadway |
Play | 1965 | The Apple Tree | choreographer | Broadway |
Film | 1968 | Funny Girl | choreographer | musical numbers with Barbra Streisand |
Film | 1969 | Goodbye, Mr. Chips | director | Debut (Film director), 2 Academy Award nominations. |
Film | 1970 | The Owl and the Pussycat | director | Barbra Streisand |
Film | 1971 | T.R. Baskin | director | Peter Hyams |
Film | 1972 | Play It Again, Sam | director | Woody Allen |
Film | 1973 | The Last of Sheila | director, producer | Debut (Film producer) |
Film | 1975 | The Sunshine Boys | director | 4 Academy Award nominations. The film won Best Supporting Actor. Neil Simon's play |
Film | 1975 | Funny Lady | director | 5 Academy Award nominations. Barbra Streisand |
Film | 1976 | The Seven-Per-Cent Solution | director, producer | 2 Academy Award nominations. |
Film | 1977 | The Turning Point | director, producer | 11 Academy Award nominations, but no wins. Ross won the Golden Globe Award for Best Director. |
Play | 1977 | Chapter Two | director | Neil Simon's play |
Film | 1977 | The Goodbye Girl | director | 5 Academy Award nominations. The film won Best Actor. |
Film | 1978 | California Suite | director | 3 Academy Award nominations. The film won Best Supporting Actress. Neil Simon's play |
Play | 1980 | I Ought to Be in Pictures | director | Broadway, Neil Simon's play |
Film | 1980 | Nijinsky | director | |
Film | 1981 | Pennies From Heaven | director, producer | 3 Academy Award nominations. |
Film | 1982 | I Ought to Be in Pictures | director, producer | Neil Simon's play |
Film | 1983 | Max Dugan Returns | director, producer | Neil Simon's play |
Film | 1984 | Footloose | director | 2 Academy Award nominations. |
Film | 1984 | Protocol | director | |
Film | 1987 | The Secret of My Success | director, producer | |
Film | 1987 | Dancers | director | |
Film | 1989 | Steel Magnolias | director | 1 Academy Award nomination for Julia Roberts. Biggest hit film. Adaptation of Robert Harling's play (1987). |
Film | 1990 | My Blue Heaven | director, producer | |
Film | 1991 | True Colors | director, producer | |
Film | 1991 | Soapdish | executive producer | Only film project he did not direct |
Film | 1993 | Undercover Blues | director | |
Film | 1995 | Boys on the Side | director, producer | Last film The film was entered into the 19th Moscow International Film Festival.[23] |
References
- http://www.filmreference.com/film/47/Herbert-Ross.html
- https://www.nytimes.com/1978/11/12/archives/that-hollywood-touch-hollywood.html
- https://www.familysearch.org/ark:/61903/1:1:X4JQ-WL6
- Lyman, Rick (October 11, 2001). "Herbert Ross, Broadway Choreographer Turned Hollywood Director, Dies at 74". The New York Times. Retrieved January 26, 2017.
- Kisselgoff, Anna (January 6, 1994). "Review/Dance; From Perfectionism to Pastiche In the Films of Herbert Ross". The New York Times. Retrieved January 26, 2017.
- Bosworth, Patricia (November 20, 1977). "On Stage and Screen, It's All Coming Up Ross's". The New York Times. Retrieved January 26, 2017.
- Canby, Vincent (March 20, 1980). "The Screen: 'Nijinsky,' Filmed by Herbert Ross; Pointeless". The New York Times. Retrieved January 26, 2017.
- Kisselgoff, Anna (October 25, 1987). "DANCE VIEW; Dancers': More Than Meets The Eye". The New York Times. Retrieved January 26, 2017.
- Maslin, Janet (February 3, 1995). "FILM REVIEW; Another Buddy Story, With a Twist or Two". The New York Times. Retrieved January 26, 2017.
- Gates, Anita (February 19, 1995). "TAKING THE CHILDREN; Zipping Through School, but, Boy, Is He Dumb". The New York Times. Retrieved January 26, 2017.
- Martin, John (June 26, 1943). "NORA KAYE MAKES 'SWAN LAKE' DEBUT; Her Performance High Point of Ballet Program at the Lewisohn Stadium EGLEVSKY AS THE PRINCE Markova, Massine, Laing and Tudor Dance in 'Aleko' --'Bluebeard' Also Seen". The New York Times. Retrieved January 26, 2017.
- Kisselgoff, Anna (June 8, 1977). "Nora Kaye Recollects". The New York Times. Retrieved January 26, 2017.
- Anderson, Jack (January 5, 1988). "Nora Kaye Honored In Memorial Tribute By Artist Colleagues". The New York Times. Retrieved January 26, 2017.
- Nemy, Enid (August 12, 1999). "Anthony Stanislas Radziwill, 40, Award-Winning TV Producer". The New York Times. Retrieved January 26, 2017.
- "Lee Bouvier Radziwill Weds Herbert Ross, Film Director". The New York Times. September 24, 1988. Retrieved January 26, 2017.
- "Lee Bouvier Radziwill Weds Herbert Ross, Film Director". New York Times. September 24, 1988. Retrieved June 21, 2007.
Lee Bouvier Radziwill (younger sister of the late former First Lady Jacqueline Kennedy Onassis), and Herbert Ross were married yesterday evening at the bride's home in New York by Justice E. Leo Milonas of the Appellate Division of State Supreme Court, First Department. After the ceremony, Jacqueline Kennedy Onassis, the sister of the bride, gave a dinner party for the couple at her home in New York. Rudolf Nureyev, the dancer and director of the Paris Opera Ballet, and John Taras, the associate director of American Ballet Theatre, attended the couple.
- Haslam, Nicky (February 7, 2013). "The Real Lee Radziwill". The New York Times Magazine. The New York Times. Retrieved January 26, 2017.
- Haslam, Nicky (February 7, 2013). "The Real Lee Radziwill". The New York Times Magazine. The New York Times. Retrieved January 26, 2017.
- "Paid Notice: Deaths ROSS, HERBERT D." The New York Times. October 12, 2001. Retrieved January 26, 2017.
- "Paid Notice: Deaths ROSS, HERBERT". The New York Times. October 16, 2001. Retrieved January 26, 2017.
- "Memorial for Herbert Ross". The New York Times. December 14, 2001. Retrieved January 26, 2017.
- NNDB
- "19th Moscow International Film Festival (1995)". MIFF. Archived from the original on March 22, 2013. Retrieved March 16, 2013.