Jennifer Lynch

Lynch was educated in Los Angeles and Michigan at Interlochen Arts Academy. Together with her mother, Lynch made a brief appearance in her father's debut feature film Eraserhead, but her appearance was not included in the final cut. Lynch subsequently worked as a production assistant on Blue Velvet (1986), also directed by her father.

Lynch's commissioned screenplay for Boxing Helena, which she would later go on to direct, attracted many actresses, including Madonna.[7] Sherilyn Fenn, one of the stars in her father's television series Twin Peaks and the film Wild at Heart, was ultimately cast as leading character Helena. Kim Basinger was also attached and was famously sued after resigning from the project. The controversy surrounding that case, as well as feminist outcry over Helena's sadistic subject matter and accusations of nepotism, accompanied the movie's critical drubbing upon its release in 1993.

In a 2009 interview with The Hollywood Interview, Lynch mentions her reactions to the critical reception of Boxing Helena:

I would love to know why people were so mad at me for telling a crazy fairy tale. I'm the first to say I didn't know what I was doing. I did the best I could at 19, and all these crazy things happened. The idea that the film was faulted when everyone involved worked so fucking hard and believed in me, and there were these adults believing in me, who was essentially a child…when the National Organization of Women slammed me, that was sort of the final straw. It was no wonder I put my legs behind my ears and got pregnant. (laughs) Not that I didn't love sex before then, but seriously. It was my child, essentially, who saved my life.[8]

Following a lengthy hiatus, Lynch directed Surveillance, which won the top prize at the Festival de Cine de Sitges.[9] A month later, Lynch became the first woman to receive the New York City Horror Film Festival's Best Director award.[10]

Lynch was announced as director of the film Nagin (the film is also known as Hisss) that featured Bollywood actress Mallika Sherawat, but the film that was released was not Lynch's work, even though the producers attached her name to the final product.[11][12] Lynch explained in a 2012 interview:

"Well, ultimately, I didn't get to make that film. I put my director's cut together, and the producers decided it was not what they wanted. They took it back to India. I never did any scoring or cutting or color-timing or any of the things you do to make the movie. They took the footage and changed it into what they wanted it to be. So it's not my film. I went to India and shot some footage, but I have nothing to do with the movie they made."[12]

Lynch then directed and co-wrote the 2012 thriller film Chained, in which Vincent D'Onofrio stars as a cab-driving serial killer. It received mostly positive reviews from critics, with a 68% rating on review aggregator website, Rotten Tomatoes.

Lynch was scheduled to film Visibility for the Motion Picture Corporation of America in 2011, but, as of June 2013, this project is not completed.[13]

As of September 2012, Lynch was preparing A Fall from Grace, a film set and filmed in St. Louis and inspired by the Old Chain of Rocks Bridge.[12]

Lynch has directed episodes of many television series such as Jessica Jones, Finding Carter, Psych, Quantico, Teen Wolf, The Walking Dead, The Last Ship, Wayward Pines, American Horror Story, The Strain,[14] Once Upon a Time, Hawaii Five-0 and Agents of S.H.I.E.L.D.

Lynch authored The Secret Diary of Laura Palmer to accompany the television show Twin Peaks which was created by her father David Lynch and Mark Frost.[15]

In 1993, Lynch directed the music video "Living in the Rose" by the British rock band New Model Army.[16]

On March 21, 2010, Lynch was a judge at the International Surrealist Film Festival[17] and she worked as producer for the Corey Brandenstein natural horror film The Compound.[18]

An Australian documentary titled Despite the Gods, which chronicles Lynch's struggle to make the film Hisss, was released in 2012. The documentary was shown at the Canadian International Documentary Festival and the program described the film: "Out of her depth shooting on location with an Indian crew and two top Bollywood stars, Lynch turns her production into a vehicle for her own self-actualization, paying no regard to timeline, budget or reality. As the story in front of the camera derails, the story behind the camera explodes.".[19] She eventually disowned the film.[20]

As of 2015, she is also a member of the board of advisers for the Hollywood Horror Museum.