Kharaharapriya

Kharaharapriya is a rāga in Carnatic music. It is the 22nd melakarta rāga (parent scale) in the 72 melakarta rāga system. It is possible that the name of the ragam was originally Harapriya but it was changed to conform to the Katapayadi formula. Kharaharapriya has a distinct melody and brings out the Karuna rasam, invoking pathos in the listeners. The Kafi thaat of Hindustani music is the equivalent of Kharaharapriya.[1][2] Its Western equivalent is the Dorian mode.

Kharaharapriya
ArohanamS R₂ G₂ M₁ P D₂ N₂ 
Avarohanam N₂ D₂ P M₁ G₂ R₂ S
EquivalentDorian mode

Etymology

There are many theories behind the etymology of the name Kharaharapriya. One of the most popular beliefs is that the ragam was initially called Samaganam and when Ravana was trapped by Shiva, under the kailash hill trying to lift it, it is believed that, to appease the lord, Ravana sang many hymns in praise of the lord, but his heart cooled only when a hymn was sung in the ragam and hence the name (hara) shiva and (priya)loved hence "Harapriya " -The one dear to shiva, and to fit it in the Katapayadi system according to the melakarta chakra system.

The word Kharaharapriya may also mean the beloved of the killer of the Khara demon (Khara - Khara demon, Hara - Defeater/Killer, Priya - Beloved). The story of Rama killing the Khara demon is narrated in the 28th, 29th and the 30th sub-chapter of the Aranya Khanda of Ramayana.[3] It could be speculated that this was a reason why Saint Tyagaraja revived this dying ancient raga in the 18th Century and breathed new life into it by creating many compositions in this raga.

Structure and Lakshana

Kharaharapriya scale with shadjam at C

It is 4th rāga in the 4th chakra Veda. The mnemonic name is Veda-Bhu. The mnemonic phrase is sa ri gi ma pa dhi ni.[1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):

The notes are chatushruti rishabham, sadharana gandharam, shuddha madhyamam, chatushruti dhaivatam and kaisiki Nishadam. It is a sampoorna rāgam – scale having all 7 swarams. It is the shuddha madhyamam equivalent of Hemavati, which is the 58th melakarta scale. Since the swaras of Kharaharapriya are quite evenly spaced, and since several different types of gamakas are allowed, it is a very versatile, fluid and flexible rāgam that allows for elaborate melodic improvisation within its scale.

Songs sung in Kharaharapriya ragas typically have long, elaborate ālapanās, which exhibit the fluidity of the rāgam. Kharaharapriya songs are usually meant to be sung slow, medium or medium-fast, in order to bring out the Karuna rasa and bhava of the song.

Janya rāgams

Due to the even spacing of swaras, many [janya] rāgams (derived scales) are associated with Kharaharapriya. It is one of the melakarta scales that has a large number of janya rāgams. Many of the janya rāgams are very popular on their own, lending themselves to elaboration and interpretation. Some of them are Abheri, Abhogi, Andolika, Bhimplaas (Hindustani music), Brindavana Saranga, Kāpi, Madhyamavati, Mukhari, Reetigowla, Shree, Dhanashree, Udayaravichandrika, and Sriranjani.

See List of janya rāgams for full list of scales associated with Kharaharapriya.

Compositions

Kharaharapriya has been decorated with compositions by many composers. The ragam is most closely associated with Thyagaraja who has pioneered in composing many songs in this rāgam, that have become popular and well known. Both Muthuswami Dikshitar and Shyama Sastri, however, have not composed kritis in 'Kharaharapriya'[4] A few of the popular compositions are listed here.

The basic scale of Kharaharapriya has been used in several film songs in Indian film music. Although rarely authentic, there are several film songs that are set in this scale, or scales derived from this ragam. The popular Kannada song 'Arādhisuve madanāri', from the movie Babhruvahana (1977) and sung by Dr. Rajkumar, is in typical Kharaharapriya. A popular Tamil film composer M.S.Viswanathan used this raga brilliantly in many of his songs such as "Maharajan Ullagai" from Karnan, "Maadhavi Ponmayilal" in the movie Iru malargal. Ace singer P. Unnikrishnan released his 2012 album on Lord Ayyappan titled Shabaimalai Va Charanam Solli Va in which he has rendered a song in Kharaharapriya raagam set in classical melody. The song also illustrates how the Lord learnt the Kalari fight in Cheerappanchira which houses a temple called Mukkal Vattam managed by Lord's Guruvamsam even now.[5]

Film Songs

Language:Tamil

Song Movie Composer Singer
Enna Seidhaalum Irumbu Thirai S. V. Venkatraman Radha Jayalakshmi
Ariyaa Paruvamadaa Missiamma S. Rajeshwara Rao P. Susheela
Maayavalaiyil Gulebakavali Viswanathan–Ramamoorthy T. M. Soundararajan
Annan Kaatiya Vazhiyamma Padithal Mattum Podhuma
Maharajan Karnan T. M. Soundararajan, P. Susheela
Aagaya Pandhalile Ponnunjal M. S. Viswanathan
Madhavi Pon Mayilaal Iru Malargal T. M. Soundararajan
Ponmagal Vandhaal Sorgam
Malligai En Mannan Dheerga Sumangali Vani Jayaram
Aayiram Nilave Vaa Adimai Penn K. V. Mahadevan S. P. Balasubrahmanyam, P. Susheela
Isaiyai Thamizhai Agathiyar Kunnakudi Vaidyanathan Sirkazhi Govindarajan, T. R. Mahalingam
Poo Malarinthida Tik Tik Tik Ilaiyaraaja K. J. Yesudas, Jency Anthony
Thaana Vantha Santhaname Ooru Vittu Ooru Vanthu S. P. Balasubrahmanyam, S. Janaki
Vaazhavaikum Kaathalukku Jey Apoorva Sagodharargal
Mappillaikku Netrikkan Malaysia Vasudevan, P. Susheela
Kannukkulle Yaaro Kai Kodukkum Kai S. P. Sailaja, P. Susheela
Maalai Karukkalil Neethiyin Marupakkam K. J. Yesudas,S. Janaki
Mappillaikku Netrikkan Malaysia Vasudevan, P. Susheela
Roja Poo Adivanthathu Agni Natchathiram S. Janaki
Iravu Nilavu Anjali
Aethamayya Aetham Ninaive Oru Sangeetham Malaysia Vasudevan, K.S. Chitra
Nethu Oruthara Oruthara Puthu Paatu Ilaiyaraaja, K.S. Chitra
Poongatru Thirumbuma Muthal Mariyathai Malaysia Vasudevan, S. Janaki
Anandham Pongida Pongida Sirai Paravai K. J. Yesudas,Sunanda
Thooliyile Ada Vantha Chinna Thambi Mano, K.S. Chitra
Unnai Vaazhtha Vanthen Unnai Vaazhthi Paadugiren K. J. Yesudas
Elangaathu Veesudhey Pithamagan Sriram Parthasarathy, Shreya Ghoshal
Kai Veesi Nandalala Vijay Yesudas, Swetha Mohan, Madhu Balakrishnan,Raagul,Chandrasekar
Aanenna Pennena Dharma Durai S. P. Balasubrahmanyam
Neela Vana Odayil Vazhvey Maayam Gangai Amaran
Indralogathu Sundari Uyirullavarai Usha T. Rajendar
Sangeetha Swarangal Azhagan Maragathamani S. P. Balasubrahmanyam,Sandhya
Sogam Eni Ellai Vaaname Ellai S. P. Balasubrahmanyam & Maragadha Mani(Chorus)
Janaki Devi Samsaram Adhu Minsaram Shankar Ganesh K.S. Chitra
Panivilum Paruvanila Paneer Nadhigal K. J. Yesudas
Pachchai Nirame (Sakiye) Alaipayuthey A. R. Rahman Hariharan, Clinton Cerejo
Kilimanjaro Enthiran Javed Ali, Chinmayi
Mayiliragae Mayiliragae Anbe Aaruyire Naresh Iyer, Madhushree
Gulmohar Malare Majunu Harris Jayaraj Hariharan
Mudhal Mazhai Bheemaa Hariharan, Mahathi, R. Prasanna
Suttum Vizhi Ghajini Sriram Parthasarathy, Bombay Jayashree
Yaaridamum Thotti Jaya Ramesh Vinayagam, Harini
Santhikkadha Kangalil Inbangal 180 Sharreth Unni Menon, K.S. Chitra, S. Sowmya
Inni Naanum Naanilai Yai! Nee Romba Azhaga Irukke! Srinivas Srinivas, Sujatha Mohan, Sunitha Sarathy
Yamini Yamini Arvind-Shankar Harish Raghavendra
Nizhalinai Nijamum Raam Yuvan Shankar Raja Vijay Yesudas,Yuvan Shankar Raja
Aathadi Manasudhan Kazhugu Priya Himesh, Karthik Raja
Un Mela Oru Kannu Rajinimurugan D. Imman Jithin Raj, Mahalakshmi Iyer

Janya 1:Ragam Karnaranjani Tamil

Ascending:S R2 G2 M1 G2 P D2 S

Descending:S N2 D2 P M1 G2 R2 S

Song Movie Composer Singer
Ponmagal Vandhal(in Charanam portion) Sorgam M. S. Viswanathan T. M. Soundararajan
Megame Megame Palaivana Solai Sankar Ganesh Vani Jairam
Theertha Karaithaniley Thai Pongal Ilaiyaraaja K.J. Yesudas
Naan Paadum Mouna Raagam Idaya Kovil S. P. Balasubrahmanyam
Ilamai Enum Poongaatru Pagalil Oru Iravu
Mani Thooral Maathangal Ezhu Vidyasagar
Thaalaattu Mamangam M. Jayachandran Bombay Jayashri

This section covers the theoretical and scientific aspect of this rāgam.

Kharaharapriya's notes when shifted using Graha bhedam, yields 5 other major melakarta rāgams, namely, Kalyani, Hanumatodi, Natabhairavi, Shankarabharanam and Harikambhoji. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration of Graha bhedam of this rāgam refer Graha bhedam on Shankarabharanam.

Notes

  1. Alternate notations:
    • Hindustani: S R  M P D  
    • Western: C D E F G A B C
  2. Alternate notations:
    • Hindustani:   D P M  R S
    • Western: C B A G F E D C

References

  1. Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  2. Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  3. http://www.valmikiramayan.net/utf8/aranya/aranya_contents.htm
  4. Article from Carnatica.net
  5. Song set in Kharaharapriya on Mukkal vattam Ayyappan
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.