King Curtis

Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971),[1] known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. Adept at tenor, alto, and soprano saxophone, he played riffs and solos on hit singles such as "Respect" by Aretha Franklin, and "Yakety Yak" by The Coasters and his own "Memphis Soul Stew".[2]

For the professional wrestler, see King Curtis Iaukea.

King Curtis
King Curtis, from an advertisement for his 1971 single "Whole Lotta Love"
Background information
Birth nameCurtis Montgomery
Also known asCurtis Ousley
Born(1934-02-07)February 7, 1934
Fort Worth, Texas
DiedAugust 13, 1971(1971-08-13) (aged 37)
Manhattan, New York
GenresR&B, jazz
Occupation(s)Musician, bandleader, producer
InstrumentsSaxophone
Years active1950–1971
LabelsAtco, Atlantic, Prestige, Capitol
Associated actsThe Coasters, Delaney & Bonnie, Aretha Franklin

Early life

Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley.[1] Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman.[3]

Career

Curtis started playing saxophone at the age of twelve in the Fort Worth area. He took interest in many musical genres including jazz, rhythm and blues, and popular music. As a student pursuing music, he turned down college scholarships in order to join the Lionel Hampton Band.[4] During his time with Hampton, he was able to write and arrange music and learn guitar.[4] In 1952 Curtis decided to move to New York and became a session musician, recording for such labels as Prestige, Enjoy, Capitol, and Atco. He recorded with Nat Adderley, Wynton Kelly,[4] Buddy Holly, Waylon Jennings and Andy Williams.[5]

Stylistically, Curtis took inspiration from saxophonists Lester Young, Louis Jordan, Illinois Jacquet, Earl Bostic, and Gene Ammons.[4] Known for his syncopated and percussive style, he was both versatile and powerful as a musician. He put together a group during his time as a session musician that included Richard Tee, Cornell Dupree, Jerry Jemmott, and Bernard Purdie.[5]

Move into rock

Curtis enjoyed playing both jazz and rhythm and blues but decided he would make more money as a rhythm and blues musician. In a 1971 interview with Charlie Gillett he said: "I love the authentic rhythm and blues more than anything, and I also like to live well." From the 1950s until the mid-1960s, he worked as a session musician, recording under his own name and with others such as The Coasters, with whom he recorded "Yakety Yak" and "Charlie Brown", among others. Buddy Holly hired him for session work, during which they recorded "Reminiscing." Holly wrote this song, but gave Curtis the songwriting credit for flying down to the session. His best-known singles from this period are "Soul Twist"—his highest-charting single, reaching number one on the R&B chart and number 17 on the Billboard pop chart—and "Soul Serenade." He provided backing on a number of songs for LaVern Baker, including her 1958 hit single "I Cried a Tear", where his saxophone became "a second voice".[6]

In 1965 he moved to Atlantic Records and recorded his most successful singles, "Memphis Soul Stew" and "Ode to Billie Joe" (1967). In 1966 Curtis recorded 3 songs with Jimi Hendrix, "Linda Lou", "Baby How About You" and "I Can't Take It". Unissued, the tapes were later destroyed in a fire at Atlantic's master tape library. He worked with The Coasters, and led Aretha Franklin's backing band the Kingpins. The Kingpins opened for the Beatles during their 1965 performance at Shea Stadium. Curtis produced records, often working with Jerry Wexler and recorded for Groove Records during this period, including the Joe South song "Games People Play" with guitarist Duane Allman.[7] One unique session came in 1963, when Curtis provided the honking sax backing for Mad Magazine's novelty burping record, "It's a Gas."[8]

In March 1971 he appeared with Aretha Franklin and the Kingpins at the Fillmore West, which resulted in two live albums: Aretha Live at Fillmore West, and Curtis' own Live at Fillmore West. In July 1971, Curtis recorded saxophone solos on "It's So Hard" and "I Don't Wanna Be a Soldier" from John Lennon's Imagine.[9] Along with the Rimshots, he recorded the original theme song for the 1971 hit television show Soul Train, titled "Hot Potatoes".

On June 17, 1971 Curtis played at the Montreux Jazz Festival, in the Casino Kursaal, with Champion Jack Dupree, backed by Cornell Dupree on guitar, Jerry Jemmott on bass and Oliver Jackson on drums. The recording of the concert was later released as the 1973 album King Curtis & Champion Jack Dupree – Blues at Montreux on the Atlantic label.[10]

Death

Curtis was stabbed on August 13, 1971, during an argument with a pair of drug dealers he discovered on the steps outside his Manhattan apartment. Curtis was attempting to carry an air conditioner into his apartment when Juan Montanez refused to move from the entrance. A fight ensued and Montanez stabbed Curtis. Curtis was transferred to Roosevelt Hospital, where he died.[11][12] In March 1972, Montanez had his charge reduced from second degree murder to second degree manslaughter in exchange for pleading guilty. He was released on December 5, 1977 from the Wallkill Correctional Facility for good behavior.[13]

On the day of Curtis's funeral Atlantic Records closed their offices.[14] Jesse Jackson administered the service and as the mourners filed in, Curtis's band, the Kingpins, played "Soul Serenade". Among those attending were Ousley's immediate family, including sister Josephine Ousley Allen, other family members, Aretha Franklin, Cissy Houston, Brook Benton and Duane Allman.[15] Franklin sang the closing spiritual "Never Grow Old" and Stevie Wonder performed "Abraham, Martin and John and now King Curtis".[16] Allman went on to honor Curtis by interleaving a medley of "Soul Serenade" into the band's rendition of "You Don't Love Me", first in a show at the Academy of Music on East 14th Street in Manhattan on August 15,[17] and later during a live in-studio recording at A&R Studios in Manhattan on August 26, recorded for posterity and released on LP as part of the band's Dreams compilation in 1989.[18]

Portrayals

In the film The Buddy Holly Story (1978), King Curtis was played by actor Craig White. He appears in the scene at New York's Apollo Theater, which would have taken place between August 16-22, 1957 during Holly's Irvin Feld Tour.

Awards

In 1970, a year before his death, Curtis won the Best R&B Instrumental Performance Grammy for "Games People Play".[19] He was posthumously inducted into the Rock and Roll Hall of Fame on March 6, 2000.[20]

Discography

Chart singles
Year Single Chart Positions
US Pop[21] US
R&B[22]
1962 "Soul Twist"
King Curtis and the Noble Knights		 17 1
"Beach Party"
King Curtis and the Noble Knights		 60 -
1963 "Do the Monkey"
King Curtis		 92 -
1964 "Soul Serenade"
King Curtis		 51 *
1965 "Spanish Harlem"
King Curtis		 89 -
1966 "Something on Your Mind"
King Curtis		 - 31
1967 "Jump Back"
King Curtis		 63 -
"Memphis Soul Stew"
King Curtis [& The Kingpins]		 33 6
"Ode to Billie Joe"
King Curtis [& The Kingpins]		 28 6
"For What It's Worth"
King Curtis & the Kingpins		 87 -
"I Was Made to Love Her"
King Curtis & the Kingpins		 76 49
1968 "(Sittin' On) The Dock of the Bay"
King Curtis & the Kingpins		 84 -
"Valley of the Dolls"
King Curtis & the Kingpins		 83 -
"I Heard It Through the Grapevine"
King Curtis & the Kingpins		 83 -
"Harper Valley PTA"
King Curtis & the Kingpins		 93 -
1969 "Instant Groove"
King Curtis & the Kingpins		 - 35
1970 "Get Ready"
King Curtis & the Kingpins		 - 46
1971 "Whole Lotta Love"
King Curtis & the Kingpins		 64 43
  • Billboard did not publish an R&B chart during this period

Albums
  • Have Tenor Sax, Will Blow (ATCO, 1959)
  • The New Scene of King Curtis (New Jazz, 1960)
  • Soul Meeting (Prestige, 1960)
  • Old Gold (Tru-Sound, 1961)
  • The Soul of King Curtis (Mount Vernon Music, 1961)
  • Country Soul (Capitol, 1962)
  • Give a Twist Party with The Shirelles (Scepter, 1962)
  • Trouble in Mind (Status, 1962)
  • It's Party Time with King Curtis (Tru-Sound, 1962)
  • Doing the Dixie Twist (Tru-Sound, 1962)
  • Soul Battle (Prestige, 1962)
  • Soul Serenade (Capitol, 1964)
  • Plays the Hits Made Famous by Sam Cooke (Capitol, 1965)
  • That Lovin' Feeling (ATCO, 1966)
  • Live at Small's Paradise (ATCO, 1966)
  • Plays the Great Memphis Hits (ATCO, 1967)
  • Sweet Soul (ATCO, 1968)
  • Sax in Motion (RCA Camden, 1968)
  • Instant Groove (ATCO, 1969)
  • Get Ready (ATCO, 1970)
  • Live at Fillmore West (ATCO, 1971)
  • Soul Time (Upfront, 1972)
  • Everybody's Talkin (ATCO, 1972)
  • Blues at Montreux (Atlantic, 1972)
  • Live in New York (JSP, 1985)

As sideman

With Aretha Franklin

  • Aretha Arrives (Atlantic, 1967)
  • I Never Loved a Man the Way I Love You (Atlantic, 1967)
  • Lady Soul (Atlantic, 1968)
  • Soul '69 (Atlantic, 1969)
  • Aretha Live at Fillmore West (Atlantic, 1971)

With others

References
  1. Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger. pp. 344–345. ISBN 978-0313344237.
  2. Porter, Bob. "King Curtis". AllMusic. Retrieved November 1, 2020.
  3. Litweiler, John (1994) [1992]. "1". Ornette Coleman: A Harmolodic Life (paperback ed.). New York: Da Capo. pp. 27–28. ISBN 0-306-80580-4.
  4. Theroux, Gary; Howard Rye (February 15, 2010). "Curtis, King". Oxford Music Online. Retrieved February 16, 2010.
  5. Larkin, Colin (February 15, 2010). "King Curtis". Oxford Music Online. Retrieved February 16, 2010.
  6. "The saxophone holds a special place in rock 'n' roll". NY Daily News. June 19, 2011. Retrieved January 20, 2016.
  7. Shaw, Arnold. Honkers and Shouters. New York: Macmillan Publishing Company. pp. 460–466.
  8. Liner notes, MAD Grooves, Rhino Records, 1996
  9. "Imagine". AllMusic. Retrieved May 21, 2009.
  10. "King Curtis & Champion Jack Dupree – Blues at Montreux". Discogs. Retrieved September 22, 2017.
  11. Kernfield, Barry Dean. New Grove Dictionary of Jazz. Grove's Dictionaries. p. 544.
  12. "Tortorici, Frank, "King Curtis", VH1". Archived from the original on June 5, 2011. Retrieved May 10, 2017.
  13. Band, Hittin' The Web with The Allman Brothers. "Hittin' The Web with The Allman Brothers Band :: Where Music Plus Friends Equals Family". Allmanbrothersband.com. Retrieved June 6, 2016.
  14. Poe Randy; Gibbons, Billy F. Sky Dog. Backbeat Books. p. 195.
  15. John Tobler (1992). NME Rock 'N' Roll Years. Reed International Books Ltd. p. 229. CN 5585.
  16. Jet, Vol. 40, No. 23. Johnson Publishing Company. September 2, 1971. pp. 54, 55, 56.
  17. "Hittin' The Web with The Allman Brothers Band :: Where Music Plus Friends Equals Family". Allmanbrothersband.com.
  18. "The Allman Brothers Band Live from A&R Studios: Limited Edition Vinyl LP Release :: Hittin' The Web with The Allman Brothers Band :: Where Music Plus Friends Equals Family". Allmanbrothersband.com.
  19. Clifford, Mike; John Futrell. The Illustrated Encyclopedia of Black music. Harmony Books. p. 36.
  20. "King Curtis (Rock and Roll Hall of Fame)". Rockhall.com. Retrieved May 21, 2009.
  21. Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. pp. 384–385. ISBN 0-89820-155-1.
  22. Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-1995. Record Research. p. 248.

Bibliography
  • Clifford, Mike: Futrell, John and Bonds, Ray. The Illustrated Encyclopedia of Black music. Harmony Books (1982). Digitized December 29, 2006.
  • Kernfield, Barry Dean. New Grove Dictionary of Jazz. Grove's Dictionaries (2002). Digitized December 21, 2006. ISBN 978-1-56159-284-5
  • Shaw, Arnold. Honkers and Shouters. Macmillan Publishing Company (1978). ISBN 0-02-061740-2
  • Poe, Randy and Gibbons, Billy F. Sky Dog. Backbeat Books (2006). ISBN 978-0-87930-891-9
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