List of discontinued photographic films
All the still camera films on this page have either been discontinued, have been updated or the company making the film no longer exists. Often films will be updated and older versions discontinued without any change in the name. Films are listed by Brand name.
Photographic films for still cameras that are currently available are in the List of photographic films. Films for movie making are included in the List of motion picture film stocks.
ADOX
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'.[1] In the 1970s Dupont the new owners of the ADOX brand sold the recipes and machinery of the film (but not the brand name) to Fotokemika in Croatia who continued to produce the films according to the 1950s ADOX formulas under the Efke brand.
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
ADOX | KB 14 / R14 | 1952- 1973 | T | 20 | B&W | Ortho-panchromatic classic 1950s single layer emulsion. KB = 'Kleinbild' (Small format 135), R = Rollfilm. | Germany | 135, 120, Sheet film | Efke KB25 & R25 | |
ADOX | KB 17 / R17 | 1952- 1973 | T | 40 | B&W | Ortho-panchromatic classic 1950s emulsion. | Germany | 135, 120, Sheet film | Efke KB50 & R50 | |
ADOX | KB 21 / R21 | 1952- 1973 | T | 100 | B&W | Ortho-panchromatic classic 1950s emulsion. | Germany | 135, 120, Sheet film | Efke KB100 & R100 | |
Colour reversal (slide) film
- ADOX C15 (1958) Color reversal film
- ADOX C17 (?) Color reversal film
- ADOX C18 (18° DIN, 50 ASA).
ADOX (Fotoimpex)
The ADOX brand for photographic films was revived by Fotoimpex (Berlin, Germany) in 2003 initially rebranding the Efke films as ADOX CHS Art. After Fotokemikas closure, ADOX (Fotoimpex) subsequently revived the KB100 film as ADOX CHS II.
Colour negative film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
ADOX | Color Implosion | To 2017 | T | 100 | C-41 | A "creative" C-41 colour film, designed to intentionally give unpredictable results with skewed colours.[2] | tbc | 135 | Nothing | |
AGFA
Originally founded in Berlin, 1867, its name was changed to AGFA (Actien-Gesellschaft für Anilin-Fabrikation) in 1873. The Wolfen factory was established in 1910 and the original Leverkusen works around the same time. By 1925 under IG Farben, Wolfen was specialising in film production and Leverkusen photographic paper. After the war, Agfa was split into two companies: Agfa AG, Leverkusen in West Germany, and VEB Film und Chemiefaserwerk Agfa Wolfen in East Germany. Initially both companies produced films under the AGFA brand with the same names, such as Isopan F. To distinguish them, the film edge markings were L IF for Agfa Leverkusen, and W IF for Agfa Wolfen. After 1964 films from Wolfen were rebranded ORWO (ORiginal WOlfen). See separate listing. Trading of materials however continued between plants.
Agfa AG (Leverkusen), which saw major investment post war in 1952 as a wholly owned subsidiary of Bayer was subsequently merged with Gevaert based in Mortsel, Belgium in 1964 to form Agfa-Gevaert with Bayer subsequently acquiring full ownership of the merged company. Agfa-Gevaert film products continued to be sold under the AGFA 'rhombus' brand. The Mortsel plant specialised in commercial films including aerofilms and Leverkusen in consumer films. Following a public flotation in 1999 Agfa-Gevaert Group became independent from Bayer. The consumer film division, Agfa in Leverkusen, Germany was spun off into a new company AgfaPhoto in 2004 as a management buyout, a time of significant challenges to the traditional film market with the rapid rise of digital photography, resulting in bankruptcy in 7 months, and the closure of the Leverkusen plant in 2005. Production of aerial films continued at the Agfa-Gevaert, Mortsel plant some of which have been subsequently converted for retail sale by Maco Photo Products.
Black and white film
- ISOPAN Ultra (discontinued)
- ISOPAN Fine Grain (Discontinued)
- AGFA Vario-XL (Discontinued) Chromogenic Black & White Film that can be developed in C-41 Colour Chemistry.
- Agfaortho 25
- Agfacontour Professional (discontinued) Equidensities generating process B&W sheet film using Agfacontour developer
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
AGFA | Isopan/ Isopan F / IF17 | Pre 1943 - c1970 | T | 40 | B&W | Fine grain panchromatic film. Leverkusen version also referred to as ISOPAN IF 17, marginal markings L IF | Germany | 135, 120 | ? | |
AGFA | Isopan FF /IFF | ? - c1960s | T | 25 | B&W | Ultra fine grain panchromatic film. Leverkusen version also referred to as ISOPAN IFF, marginal markings L IFF | Germany | 135, 120, 127, 620 | ? | |
AGFA | Isopan Record | ? - c1960s | T | 640 | B&W | Ultra high speed (for its time) panchromatic film. | Germany | 135, 120, 127, 620 | ? | |
AGFA | Isopan SS | 1935 - c1960s | T | 100 | B&W | 'Super Speed' Introduced around 1935 as a replacement for Superpan and originally rated at 19 or 20 DIN, around 1937 this was increased to 21 DIN. For correct rendering a pale yellow filter was required in daylight and a pale green in half-watt illumination.[3] Ultra fine grain ortho-panchromatic film. Leverkusen version also referred to as ISOPAN ISS 21, marginal markings L ISS | Germany | 135, 120, 127, 620 | ? | |
AGFA | AgfaPan 25 | to ca. 1989 | T/P | 25 | B&W | Professional general purpose traditional cubic grain panchromatic film, Sheet film P base. | Germany | 135, 120, Sheet film | Agfa APX 25 | |
AGFA | AgfaPan 100 | To ca. 1989 | T/P | 100 | B&W | Professional general purpose traditional cubic grain panchromatic film. Sheet film P base. | Germany | 135, 120, Sheet film | Agfa APX 100 | |
AGFA | AgfaPan AP 400 | To ca. 1989 | T/P | 400 | B&W | Professional general purpose traditional cubic grain panchromatic film. Sheet film P base. | Germany | 135, 120, Sheet film | Agfa APX 400 | |
AGFA | AgfaPan APX 25 | 1989 - 2000 | T | 25 | B&W | Professional general purpose traditional cubic grain panchromatic film, with single layer emulsion and anti-halation layer[4] Discontinued due to low demand | Germany | 135, 120 | Nothing | |
AGFA | AgfaPan APX 100 | 1989 - 2005 | T/P | 100 | B&W | General purpose traditional cubic grain panchromatic film. Wide exposure latitude and tonal range.[4] Sheet film P base (6.5x9, 9x12, 10.2x12.7, 13x18 cm). | Germany | 135, 120, Sheet film | Agfa Photo APX 100 | |
AGFA | AgfaPan APX 400 | c 1990s - 2005 | T | 400 | B&W | General purpose traditional cubic grain panchromatic film. Wide exposure latitude and tonal range. | Germany | 135, 120 | Agfa Photo APX 400 | |
Black and white reversal (slide) films
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
AGFA | Scala 200x | c 1990s – 2005 | T/P | 200 | Scala | Slide | General purpose B&W reversal film based on the same emulsion as the APX 100 film. Wide exposure and tonal range. Requires specialist Scala process. ADOX Scala is the nearest replacement. Sheet film P base (4x5"). | Germany | 135, 120, Sheet film | ADOX Scala |
AGFA | Dia-Direct | - 1995 | T/P | 32 | Dia-Direct | slide | very fine grain, large exposure range there was also a 12 ASA version | Germany | 135 | ADOX Scala |
Colour negative films
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
AGFA | Agfacolor T | 1949 – 1956 | T | 10-12 | Agfa | General purpose color film for Daylight/Tageslicht (T). Introduced 1951 to UK. | Germany | 135, 120, Karat, Sheet film, | CN17 | |
AGFA | Agfacolor K | 1949 – 1956 | T | 10-12 | Agfa | General purpose color film for Tungsten lighting (K) Introduced 1951 to UK. | Germany | Sheet film | CN17 | |
AGFA | Agfacolor CN 17 | 1956 – 1971 | T | 40 | Agfa | Universal color film, unmasked and balanced for use in daylight and artificial light, corresponding to colour temperatures of about 2500°K to 6500°K | Germany | 135, 120, 620, 127 Sheet film | CN17S | |
AGFA | Agfacolor CN 17M | 1963 – 64 | T | 40 | Agfa | Short lived general purpose masked color negative film | Germany | Sheet film | CN17S | |
AGFA | Agfacolor CN 17S | 1966 – 1968 | T | 40 | Agfa | S= Special. General purpose double masked color negative film with extra fine grain. | Germany | 135, 120 | CNS | |
AGFA | Agfacolor Special CNS | 1968 – 1975 | T | 80 | Agfa | General purpose color film (CNS=Color Negative Special). Integral double mask as for 17S but higher speed. | Germany | 135, 126, 127, 120, 620, Sheet film | CNS2 | |
AGFA | Agfacolor Pocket Special | 1971 – ? | T | 80 | Agfa | Updated version of CNS with finer grain for smaller negatives of the new 110 format, higher resolution, and a 25% reduction in layer thickness | Germany | 110 | ? | |
AGFA | Agfacolor CNS2 | 1975 – c1981 | T | 80 | Agfa | Updated version of CNS as for 'pocket special' (which continued in production) | Germany | 135, 126, 127, 120, 620 | Agfa color 100 | |
AGFA | Agfacolor 80S Professional | 1975 – ? | T | 80 | Agfa | Professional version of CNS2 color film | Germany | 135, 120, Sheet film | ? | |
AGFA | Agfacolor CNS 400 | 1978/9 – c1984 | T | 400 | C-41/ AP70 | Higher speed version of CNS2 with fine grain. First Agfa AP70/C-41 film | Germany | 110, 135 | XR400 | |
AGFA | Agfacolor N80L Professional | c1982 – ? | T | 80 | C-41/ AP70 | Professional color film for artificial light/Long exposures >1/10 sec. | Germany | 120, Sheet film | ? | |
AGFA | Agfacolor N100S Professional | c1982 – ? | T | 100 | C-41/ AP70 | Professional color film for Short exposures <1/10 sec. | Germany | 120, Sheet film | ? | |
AGFA | Agfacolor Pro 200 | ? – ? | T | 200 | C-41 | Professional color film. | Germany | 135 | ? | |
AGFA | Agfacolor 100 | 1981- c1984 | T | 100 | C-41 | Consumer color film with C-41 process and ISO 100 replacing CNS2. Orange box. | Germany | 110, 126, 135 | XR100 | |
AGFA | Agfacolor XR100 | 1984 – 1989 | T | 100 | C-41 | Consumer general purpose color film with new structured grain technology. Orange box (Later XR100i in white box) | Germany | 110, 126, 135, 120, Rapid | XRG 100 | |
AGFA | Agfacolor XR200 | 1984– 1989 | T | 200 | C-41 | Consumer general purpose color film with new structured grain technology. First Agfa film to carry DX coding on 135 cartridges. First Agfa ISO 200 consumer color negative film. | Germany | 135, 120 | XRG 200 | |
AGFA | Agfacolor XR400 | 1984 – 1989 | T | 400 | C-41 | Consumer general purpose color film with new structured grain technology | Germany | 110, 135, 120 | XRG 400 | |
AGFA | Agfacolor XRG 100 | 1989 – ? | T | 100 | C-41 | Consumer general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/3 stop. XRC in USA. | Germany | 135, ? | HDC+ 100 | |
AGFA | Agfacolor XRG 200 | 1989 – ? | T | 200 | C-41 | Consumer general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/3 stop. XRC in USA. | Germany | 135, ? | HDC+ 200 | |
AGFA | Agfacolor XRG 400 | 1989 – ? | T | 400 | C-41 | Consumer general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/3 stop. XRC in USA. | Germany | 135, ? | HDC+ 400 | |
AGFA | Agfacolor HDC+ 100 | – 2001 | T | 100 | C-41 | Consumer general purpose fine grain color film | Germany | 135 | Vista 100 | |
AGFA | Agfacolor HDC+ 200 | – 2001 | T | 200 | C-41 | Consumer general purpose fine grain color film | Germany | 135 | Vista 200 | |
AGFA | Agfacolor HDC+ 400 | – 2001 | T | 400 | C-41 | Consumer general purpose fine grain color film | Germany | 135 | Vista 400 | |
AGFA | Agfa Vista 100 | 2001 - 2005 | T | 100 | C-41 | Consumer general purpose fine grain color film with Eye vision technology from Professional Optima films. | Germany | 135 | Agfaphoto Vista 100 | |
AGFA | Agfa Vista 200 | 2001 - 2005 | T | 200 | C-41 | Consumer general purpose fine grain color film with Eye vision technology from Professional Optima films | Germany | 110, 135 | Agfaphoto Vista 200 | |
AGFA | Agfa Vista 400 | 2001 - 2005 | T | 400 | C-41 | Consumer general purpose fine grain color film with Eye vision technology from Professional Optima films | Germany | 135 | Agfaphoto Vista 400 | |
AGFA | Agfa Vista 800 | 2001 - 2005 | T | 800 | C-41 | Consumer general purpose fine grain color film with Eye vision technology from Professional Optima films. Agfas first (and last) 800 speed color film. | Germany | 135 | Nothing | |
AGFA | AgfaColor XRS 100 | 1984 – c1996 | T | 100 | C-41 | Professional fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/6th stop. Revised in 1989 to share XRG technology and similar metallic box packaging.[4] | Germany | 135, 120, Sheet film | Optima 100 | |
AGFA | AgfaColor XRS 200 | 1984 – c1996 | T | 200 | C-41 | Professional general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/th stop. Revised in 1989 to share XRG technology and similar metallic box packaging | Germany | 135, 120 | Optima 200 | |
AGFA | AgfaColor XRS 400 | 1984 – c1996 | T | 400 | C-41 | Professional general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/6th stop. Revised in 1989 to share XRG technology and similar metallic box packaging | Germany | 135, 120 | Optima 400 | |
AGFA | AgfaColor XRS 1000 | 1984 – c1996 | T | 1000 | C-41 | Professional general purpose fine grain color film. This was not updated in 1989 | Germany | 135, 120 | Nothing | |
AGFA | AgfaColor Optima 100 | c1996 – 2005 | T | 100 | C-41 | Professional general purpose color negative films with EYE VISION technology | Germany | 135, 120 | Nothing | |
AGFA | AgfaColor Optima 200 | c1996 – 2005 | T | 200 | C-41 | Professional range of general purpose color negative films with EYE VISION technology. A similar un-masked variant of the emulsion was made by Agfa-Gevaert for aerial photography and converted by Maco and sold as Rollei CN 200. | Germany | 135, 120 | Nothing | |
AGFA | AgfaColor Optima 400 | c1996 – 2005 | T | 400 | C-41 | Professional general purpose color negative films with EYE VISION technology | Germany | 135, 120, 220 | Nothing | |
AGFA | AgfaColor Portrait 160 | ? – 2005 | T | 160 | C-41 | Professional color negative film for portrait, wedding and fashion photography. | Germany | 135, 120, 220 | Nothing | |
AGFA | AgfaColor Ultra 50 | ? – 2005 | T | 50 | C-41 | Professional high saturation color negative film for Landscapes and nature. | Germany | 135, 120 | Nothing | |
AGFA | AgfaColor Ultra 100 | ? – 2005 | T | 100 | C-41 | Professional high saturation color negative film for Landscapes and nature. | Germany | 135, 120 | Nothing | |
Colour reversal (slide) film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
AGFA | Color Neu | 1936 – ? | T | 2- 25 | Color | Slide | Color Neu, also known as Agfacolor 111, went on public sale in November 1936 in 135 format as an ISO 2-4 film and was the first subtractive 3 layer color film incorporating dye couplers in each of the layers which could be processed at the same time by a single color developer. This arrangement formed the basis for all subsequent color slide and negative films.[5][6] In comparison, Kodak Kodachrome which launched a year earlier required the processing of each color layer separately. Agfa Color Neu was initially made available on a trial basis from April 1936 with use in the August 1936, Berlin Olympics. Speed was later increased to ISO 25 by 1938.[7] | Germany | 135 | ? |
AGFA | Color/Chrome CT18 | 1958–1985 | T | 50 | AP-41 | Slide | General purpose consumer color reversal film. Renamed Chrome in 1978. Warm pleasing colors, but not very stable in long term storage. Also sold under Perutz brand. A similar film was produced by ORWO in the former Agfa plant in East Germany as OrwoChrom UT18 until the 1990s. | Germany | 135 | ? |
AGFA | Chrome CT 100 | 1984-1992 | T | 100 | E-6 | Slide | General purpose consumer color reversal film. | Germany | 135 | CT100i |
AGFA | Chrome CT 200 | 1982-1992 | T | 200 | E-6 | Slide | General purpose consumer color reversal film. First Agfa AP44/ E-6 process film | Germany | 135 | ? |
AGFA | Chrome CT 100i | 1992–1995 | T | 100 | E-6 | Slide | Consumer general purpose color slide film. Launched at Photokina [8] | Germany | 135 | CT 100x |
AGFA | Chrome CT 100x | 1995- 1999 | T | 100 | E-6 | Slide | Consumer general purpose color slide film. Launched at Photo Marking Association in 1995 with improvements in color intensity, accuracy, and edge definition along with enhanced pushability. [8] | Germany | 135 | CT Precisa 100 |
AGFA | CT Precisa 100 | 1999–2005 | T | 100 | E-6 | Slide | Consumer general purpose color slide film The film boasted stronger colors and softer tones After 2005 replaced by Agfa Photo CT Precisa made by Ferrania and subsequently FujiFilm. | Germany | 135 | Agfa Photo CT Precisa |
AGFA | CT Precisa 200 | 1999–2005 | T | 200 | E-6 | Slide | Consumer general purpose color slide film. | Germany | 135 | Nothing |
AGFA | Chrome 50S | 1968–1984 | T | 50 | AP-41 | Slide | Professional color reversal film. For short exposures <1sec. Last batches expired around 1987/88 | Germany | ? | RS 50 |
AGFA | Chrome 50L | 1968–1983 | T | 50 | AP-41 | Slide | Professional color reversal film. For long exposures over 1 sec. Last batches expired around 1987/88 | Germany | ? | RS 50 |
AGFA | Chrome 64 | 1974–1983 | T | 64 | AP-41 | Slide | Consumer color reversal film for the North American market | Germany | ? | ? |
AGFA | Chrome 50 RS | 1984–1995 | T | 50 | AP-44 /E-6 | Slide | Professional general purpose color slide film. Agfa process 44 compatible with Kodak E-6, replacing Agfa process 41 films. Improved emulsion from 1992 | Germany | ? | RSX 50 |
AGFA | Chrome 100 RS | 1984–1995 | T | 100 | AP-44 /E-6 | Slide | Professional general purpose color slide film. Improved emulsion from 1992 | Germany | 135, 120 | RSX 100 |
AGFA | Chrome 200 RS | 1984–1995 | T | 200 | AP-44 /E-6 | Slide | Professional general purpose color slide film. Improved emulsion from 1992 | Germany | 135, 120 | RSX 200 |
AGFA | Chrome 1000 RS | 1984–1995 | T | 1000 | AP-44 /E-6 | Slide | Professional very high speed color slide film | Germany | 135 | Nothing |
AGFA | Chrome RSX 50 | 1995–1998 | T | 50 | AP-44 /E-6 | Slide | Professional general purpose color slide film | Germany | 135, 120 | RSX II 50 |
AGFA | Chrome RSX 100 | 1995–1998 | T | 100 | AP-44 /E-6 | Slide | Professional general purpose color slide film | Germany | 135, 120, Sheet film | RSX II 100 |
AGFA | Chrome RSX 200 | 1995–1998 | T | 200 | AP-44 /E-6 | Slide | Professional general purpose color slide film | Germany | 135, 120 | RSX II 200 |
AGFA | Chrome RSX II 50 | 1999–2005 | T | 50 | AP-44 /E-6 | Slide | Professional general purpose color slide film | Germany | 135, 120 | Nothing |
AGFA | Chrome RSX II 100 | 1999–2005 | T | 100 | AP-44 /E-6 | Slide | Professional general purpose color slide film. The "Pro" RSX II film "made with extremely narrow production tolerances to ensure maximum consistency as required by professionals" does not require refrigeration except in hot/humid conditions. Consumer equivalent CT Precisa[9] | Germany | 135, 120, Sheet film | Nothing |
AGFA | Chrome RSX II 200 | 1999–2005 | T | 200 | AP44 /E-6 | Slide | Professional general purpose color slide film, Slightly subdued perceived by many users as natural and producing flattering skin tones. After the demise of AgfaPhoto Agfa-Gevaert continued producing the emulsion for aerial photography on a polyester base as Aviphot Chrome 200 PE1. Maco converted this as Rollei CR 200. Also sold as Lomography X-Pro 200. | Germany | 135, 120 | Rollei CR 200 |
AGFA PHOTO
The AGFA consumer film division with its plant in Leverkusen, Germany was spun off by Agfa-Gevaert into a new company AGFA PHOTO in 2004. At buy out the firm was split into a holding company Agfa-Photo Holding GMBH (licenses) and manufacturing company Agfa-Photo GMBH (leverkusen). The manufacturing company went bankrupt in 7 months resulting in the closure of the Leverkusen plant in 2005. The holding company was unaffected and retains a trademark license from Agfa-Gevaert for the use of the AgfaPhoto brand and 'red dot' logo on products having a photographic application.[10] Since 2005 these rights for consumer film products have been sub-licensed to Lupus Imaging & Media. [11] After 2005 the colour films were initially made by Ferrania whilst B&W films continued to be AGFA material converted by Ferrania from frozen master rolls of AGFA APX. Ferrania itself closed in 2009 and so Lupus procured replacement Agfa Photo branded films from Fujifilm (colour) and Harman/Ilford (black & white). The contract with Fujifilm ended in early 2018[12] ending the sale of colour film under the AgfaPhoto brand.[13]
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
AGFA PHOTO | APX 100 | 2005–2012 | T | 100 | B&W | General purpose traditional cubic grain panchromatic film with wide exposure and tonal range. Film was converted by Ferrania, Italy from AGFA Leverkusen APX master rolls that had been stored frozen until this material was exhausted. ADOX Silvermax is a near equivalent to the original AGFA APX 100. | Germany | 135, 120 | New Agfa Photo APX 100 (ADOX Silvermax) | |
AGFA PHOTO | APX 400 | 2005–2012 | T | 400 | B&W | General purpose traditional cubic grain panchromatic film with wide exposure and tonal range. Film was converted by Ferrania, Italy from AGFA Leverkusen APX master rolls that had been stored frozen until this material was exhausted. ADOX test-produced a slightly improved version of AGFA APX 400 as ADOX Pan 400 during 2010. Due to Fotokemika stopping general production in 2012 priority was given to ADOX CHS II instead.[14] | Germany | 135, 120 | New Agfa Photo APX 400 | |
Colour negative film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
AGFA PHOTO | Vista 200 | 2005– 2009 | T | 200 | C-41 | Consumer color film produced by Ferrania post Leverkusens closure, based on Solaris 200 | Italy | 135 | Vista Plus 200 | |
AGFA PHOTO | Vista Plus 200 | 2009- 2018 | T | 200 | C-41 | General purpose budget colour film (Re-branded FujiColor C200). Sold in 24/36 exp. rolls and 3 packs. Production ended 2018, last stock expiry dated 4.2020.[15][16] | Japan | 135 | Nothing | |
AGFA PHOTO | Vista 400 | 2005– 2009 | T | 400 | C-41 | Consumer color film, produced by Ferrania post Leverkusens closure based on Solaris 400. | Italy | 135 | Vista Plus 400 | |
AGFA PHOTO | Vista Plus 400 | 2009- 2018 | T | 400 | C-41 | General purpose budget colour film (assumed to be Fujicolor Superia 400). Sold in 24/36 exp. rolls and 3 packs. Production ended 2018.[17] | Japan | 135 | Nothing | |
AGFA PHOTO | Vista 800 | 2005– 2009 | T | 800 | C-41 | Consumer color film, produced by Ferrania post Leverkusens closure based on Solaris 800. Production was not continued when supply switched to Fuji so there is no 'plus' variant | Italy | 135 | Nothing | |
Colour reversal (slide) films
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
AGFA PHOTO | CT Precisa 100 | 2005- 2009 | T | 100 | E-6 | Slide | General purpose slide film produced by Ferrania, initially using Agfa chemicals. Ferrania version identified by picture of yellow boats on outer box. | Italy | 135-36 | CT Precisa 100 (2009) |
AGFA PHOTO | CT Precisa 100 (new) | 2009- 2018 | T | 100 | E-6 | Slide | General purpose slide film produced by Fujifilm. Packaging box shows coloured beach huts. Considered to be based on either FujiChrome Provia 100F (possibly cut from edges of master rolls) which was still in production or discontinued FujiChrome Sensia emulsion. Production ended early 2018 and by mid 2018 was sold out.[18][19] | Japan | 135-36 | Nothing |
Azomureș
Azomureș was the photographic brand of Romania since the 1980s when the photosensitive materials plant in Târgu Mureș a city in northern Romania covering an area of some 7 hectares was constructed. The plant produced cine film, still camera film and x-ray films. Film production ended in 2003. The plant was designed by Japan's Fujitsu to withstand a 9.4 degree earthquake on the richter scale, consequently due to high cost of demolition the company decided to use the buildings to host cultural events and the photosensitive materials plant was re-opened for this purpose in May 2016.[20] The Azumures company today specialises in the production of Fertilisers.
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
AZOPAN | PS-21. | 1980s | T | 100 | B&W | Panchromatic film. | Romania | 135, | Nothing |
Dan-Di film
manufactured in Belgium
Dan-Di Orthochromatic safety film
- Type: Safety Film - Orthochromatic
- Available formats: 116 N-16(known)
- Speed: Rating of High Speed (?) on box EM-N°
- Granularity:
- Latitude:
- Resolving Power:
- History:
- Primary Usage:
efke
efke was a brand of black and white films and photographic paper produced by Fotokemika based in Samobor (near Zagreb), Croatia. Fotokemika acquired the rights to the ADOX film recipes and the production machinery from owners Dupont in the 1970s. As Dupont retained the ADOX brand name, Fotokemika sold the films under the efke brand and continued to manufacture them according to the original 1950s film formulas. The films were also sold by Fotoimpex (Berlin, Germany) under the original ADOX brand name after they acquired the rights to this in 2003. After Fotokemikas closure in 2012, ADOX (Fotoimpex) subsequently revived the KB100 film as ADOX CHS II.
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Efke | KB25 & R25 | 1974- 2012 | T | 25 | B&W | Ortho-panchromatic classic 1950s style single layer emulsion. 135(KB25), 120 (R25) and sheet size (4×5, 5×7 and 8×10. | Croatia | 135, 120, Sheet film | Nothing | |
Efke | KB50 & R50 | 1974- 2012 | T | 50 | B&W | Ortho-panchromatic classic 1950s style emulsion. 135(KB50), 120 (R50) and sheet size (4×5, 5×7 and 8×10 | Croatia | 135, 120, Sheet film. | Nothing | |
Efke | KB100 & R100 | 1974- 2012 | T | 100 | B&W | Ortho-panchromatic classic 1950s style emulsion. 135(KB100), 120 (R100), 127 (R100-127) and sheet size (4×5, 5×7 and 8×10. The same film was subsequently produced for ADOX by Inoviscoat, Germany as ADOX CHS II 100. | Croatia | 135, 127, 120, Sheet film | ADOX CHS II | |
Efke | IR820 | 1974- 2012 | T | 100 | B&W | Ortho-panchromatic classic 1950s style emulsion. 135(KB100), 120 (R100) and sheet size (4×5, 5×7 and 8×10 | Croatia | 135, 120, Sheet film | Nothing | |
ERA
ERA's factory was originally founded in 1950 in Shantou, China. It was named Shantou ERA Limited Corporation (ERA) in 1999. Its main products were black and white film, resin coated papers and x-ray film. Kodak China acquired an 80% share of their assets in 1998 and reputedly invested in a color film line. Production of film emulsion seem to have ended, c. 2008.[21]
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
ERA | 100 | 1999- c2008 | T | 100 | B&W | Traditional B&W film with anti-halation layer | China | 135, Sheet film | Nothing | |
Ferrania
Ferrania was an Italian filmmaker based in Ferrania (Liguria), Italy founded in 1923 as a maker of photographic film, papers, and photographic equipment, including cameras. The company was purchased in 1964 by the 3M corporation (USA) to become Ferrania 3M and made photographic film sold under the 'Scotch' brand. The films and data storage division was spun off from 3M in 1996 becoming Imation. In 1999, Ferrania was acquired by Schroder Ventures and subsequently sold on to Gruppo Messina (Ignazio Messina & Co. S.p.A) in 2000, as Ferrania Imaging Technology with film being sold again under the Ferrania brand. However photographic film manufacture ended in 2009. Whilst originally a producer of B&W cine/still films such as P30, as Ferrania 3M it became a significant producer of 'white label' consumer colour films for both retailers and traditional B&W film producers needing a colour film to repackage under their own brand. Examples include; Fortecolor film (also supplied by Konica), the Boots UK pharmacy chain color negative products from ca. 1973 until 2003 and AgfaPhoto color negative and slide films from 2005 until plant closure in 2009 (for Lupus Imaging). Ferrania Technology continues to produce chemicals for medical use and solar panels on part of the original factory complex whilst the film plant was demolished. In 2013 a new company was founded as FILM Ferrania to build a film manufacturing company using the former Ferrania Research laboratory building, its coating machine and other equipment salvaged from the original Ferrania production plant prior to its demolition.
Black and white film
- P30 ISO 80. 135, 120, 127. Introduced in '60 in three version: Cinema, Leica and Portrait.
- P33 135, 120, 127
- P3 28 DIN. 135
- P36 26 DIN/320 ASA. 120
Color negative film
- Ferrania Solaris From early 2000 by Ferrania Imaging Technologies. It was also sold under different names of imported supermarket chains and under the name of several companies such as Polaroid, Samung and others
- Ferrania Solaris FG 100 135 (2000–2003)
- Ferrania Solaris FG 200 135, APS, 110, 12 (2000–2003)
- Ferrania Solaris FG 400 135, APS (2000–2003)
- Ferrania Solaris FG 800 135( 2000–2003)
- Ferrania Solaris FG 100 Plus 135 (2003–2009)
- Ferrania Solaris FG 200 Plus 135, APS (2003–2009) (also 110, 126 to 2007)
- Ferrania Solaris FG 400 Plus 135 (2003–2009) FG 400i to c2005?
- Ferrania Solaris FG 800 Plus 135 (2003–2009) FG 800i to c2005?
Color reversal film
- Ferraniacolor 135, 120, photographic plate. Introduced in 1947 until the 70s. it was available in sizes 135, 120, photographic plate
- Scotch Chrome ISO 100, 400, 1000. 135.
- Imation Chrome ISO 100, 400. 135.
- Ferrania Solaris Chrome 100 [135]. 2000–2005
FILM Ferrania
FILM Ferrania s.r.l. is a photographic film manufacturing company located in Ferrania (Liguria), Italy. Following closure of the original Ferrania factory in 2009 the company was re-founded in 2013 on a small part of the original site to build a new film manufacturing base using the former Ferrania research laboratory (L.R.F.) and its narrow coater. FILM Ferrania commenced manufacturing a B&W still film in February 2017 based on P30, a classic 1960s motion picture film stock.
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Ferrania | P30 ALPHA | 2017 - 2018 | P | 80 | B&W | Classic 1960s B&W panchromatic motion picture film for still photography. 'ALPHA' prototype version .Launched in February 2017, due to production constraints for 135 format conversion only a limited supply of film was made until early 2018[22] A 120 format version had been planned for 2018, but was not produced.[23] | Italy | 135-36 | P30 |
Film Washi
Factory in Saint-Nazaire, France. Launched in 2013, producing a handcrafted film, handcoated on traditional Washi paper. Also converting other films industrially coated in larger factories and originally made for technical, motion pictures, industrial or aerial applications.
Black and white films
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Film Washi | 'G' | To 2018 | P | 80 | B&W | Green sensitive X-ray film [24] | France | Sheet film | Nothing | |
Film Washi | 'K' | To 2018 | P | 100 | B&W | Vintage aerial film - Converted from 3 km of (expired 2000) Kodak Plus-X Aerographic Film 2402 [25] | France | Sheet film | Nothing | |
Film Washi | 'B' | To 2018 | P | 125 | B&W | Blue sensitive X-ray film[26] | France | Sheet film | Nothing | |
Colour film
- "X" - 400 iso (35mm), C-41 without mask, can be processed in E-6. Discontinued
Forte
Forte (Forte Photochemical Industry VAC) was a Hungarian manufacture of photographic film and paper products originally established in 1922. They ceased to manufacture products in January 2007. Only B&W films were coated by Forte. Colour films were supplied by other manufacturers, and packaged into Forte branding.
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Forte | Fortepan 100 | To 2007 | T | 100 | B&W | Traditional B&W film | Hungary | 120, 135 | Nothing | |
Forte | Fortepan 200 | To 2007 | T | 200 | B&W | Traditional B&W film | Hungary | 120, 135, Sheet film | Nothing | |
Forte | Fortepan 400 | To 2007 | T | 400 | B&W | Traditional B&W film | Hungary | 120, 135, Sheet film | Nothing | |
Forte | Portrait pan 100 | To 2007 | T | 100 | B&W | B&W film for portraits | Hungary | 120 | Nothing | |
Colour negative films
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Forte | Fortecolor Super FG plus | To c2000 | T | 100 | C-41 | ISO 100 consumer color film - Ferrania Solaris FG | Italy, Hungary | 135 | Nothing | |
Forte | Fortecolor Super FR | c1990- 2007 | T | 100 | C-41 | Consumer color film - Konica Color Super SR or Scotch Color | Japan, Hungary | 135 | Nothing | |
Forte | Fortecolor Super FR | c1990- 2007 | T | 200 | C-41 | Consumer color film - Konica Color Super SR or Scotch Color | Japan, Hungary | 135 | Nothing | |
Forte | Fortecolor Super HR | To 2007 | T | 200 | C-41 | Consumer color film - Konica Color Super SR200 | Japan/Italy, Hungary | 110 | Nothing | |
FOTON
FOTON was the brand name of Warszawskie Zaklady Fototechniczne (Warsaw Phototechnical works) a Polish state owned enterprise established in 1949 in Warsaw producing photographic film. The company was established in a surviving building from the former Jozef Franaszek works on Ul. Wolska (Wolska Street) which had produced photographic and other specialised paper. The Franaszek works was burnt out in the Wola massacre in 1944 during the Warsaw Uprising.
The company manufactured X-ray and black and white cinema film, still camera film (from 1950) and microfilm. At the end of the 1950s, FOTONKOLOR cinematographic positive film for making screen copies was launched and for a brief period colour negative film produced in the 1960s until a decision for the GDR (ORWO) to supply colour film in Comecon countries. Black and white papers and plates and photochemicals and later colour photographic papers under the FOTON brand were produced by a sister company at Bydgoskie Photochemical works dating from 1925 also in Warsaw at Ul. Garbary 3 (from 1970s at Ul. Piękna 13). In 1969 FOTON signed a licensing agreement with Ilford for the production of X-ray and photographic film, however various delays meant the new production line was not opened until the late 70s. FOTON ceased producing film in the 1990s. The buildings were taken over by FOTON Trading Sp. z o.o. and now they serve for commercial activity.[27] Bydgoskie Photochemical works was acquired by Foma Bohemia in 1997 but due to decline of the traditional film market was declared bankrupt in 2007.
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
WZF | c.1950 - 1955 | T | 40 | B&W | Fine grain orthopanchromatic film. The first film produced by Warszawskie Zaklady Fototechniczne. The trade names Foton or Fotopan had yet to be adopted. White packaging | Poland | 120 | Fotopan | ||
FOTON | Fotopan | c.1955 - 1958 | T | 40 | B&W | Fine grain orthopanchromatic film. Green packaging | Poland | 120 | Fotopan F | |
FOTON | Fotopan F | c.1958 - 1974 | T | 50 | B&W | Fine-grained, orthopanchromatic, with anti-halation coating for amateur and professional photography in daylight and artificial light. Green packaging. 135 format was sold as Type 1, film in black wrapper (darkroom loading), Type 3 on a spool with paper leader (loading in dim light) and Type 4 in a film cartridge (daylight loading)[28] | Poland | 135, 120, 127, 620 | Fotopan FF | |
FOTON | Fotopan FF | c.1974 to mid 80s | T | 50 | B&W | Panchromatic film. ISO 50 in daylight, 40 in tungsten. Green on white packaging. | Poland | 135 , 120, 635 | Fotopan FL | |
FOTON | Fotopan FL | mid 80s - 1990s | T | 50 | B&W | Panchromatic film. Blue on white packaging but often packaged in the older Fotopan FF box with 'FL' stamped across due to a shortage of new materials | Poland | 135 , 120 | Nothing | |
FOTON | Fotopan Super /S | c.1958- mid 70s | T | 100* | B&W | Highly sensitive, orthopanchromatic, with anti-halation coating for photos in low daylight and artificial light. *ISO 100 later 125. Yellow packaging. 135 format was sold as Types 1, 3, 4 as Fotopan F | Poland | 135, 120 | Negatyw NB01 | |
FOTON | Negatyw NB01 | c. 1983 on | T | 100 | B&W | General purpose Panchromatic film for amateur, professional, artistic and scientific photography. [29] Blue on white packaging | Poland | 135, 120, 127, 620, 635 | Foton 100 | |
FOTON | 100 | 1989 - late 90s | T | 100 | B&W | General purpose panchromatic film from the Bydgoskie works. Final film sold under the FOTON brand.[30] | Poland | 120, 135 | Nothing | |
FOTON | Fotopan Ultra /U | c.mid 50s- early 70s | T | 200 | B&W | Superpanchromatic emulsions with the highest sensitivity for night and reporter photos. Orange packaging | Poland | 135, 120 | Fotopan SR / N200 | |
FOTON | Fotopan N200 | Early 70s | T | 200 | B&W | Superpanchromatic emulsion. In the 1970s FOTON received a large export order for a 200 speed film developed from Fotopan U and sold the surplus under its own brand as N200. black/orange packaging | Poland | 135 | Fotopan SR | |
FOTON | Fotopan SR | early 70s - 80s | T | 200 | B&W | Superpanchromatic successor to Fotopan U with improved emulsion. | Poland | 135, 120 | Nothing | |
FOTON | Negatyw NB04 | c.1983 on | T | 200 | B&W | General purpose panchromatic film for use in amateur, professional, artistic and scientific photography.[31] Red on white packaging | Poland | 135, 120, 127, 620, 635 | Nothing | |
FOTON | Fotopan CD | early 70s - c.1979 | T | 400 | B&W | Panchromatic film, manufactured to early 90s. Brown on white packing | Poland | 135, 120 | Fotopan HL | |
FOTON | Fotopan HL | c.1979 - 1990s | T | 400 | B&W | High speed panchromatic film, manufactured under licence from Ilford, based on HP4 film. Brown on white packing, later green on black | Poland | 135, 120 | Nothing | |
FOTON | Mikrofilm Negatyw | ? | T | ? | B&W | Fine-grain, ortho film for line reproduction of documents, prints and drawings. | Poland | 135 | Nothing | |
Colour film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
FOTON | Fotonkolor NS | c.1960 - late 60s | T | 32 | ? | Negative daylight color film, speed initially ISO 32 later increased to ISO 50. Prices were cut by 25% in 1963 from 20zl to 15zl for a 120 roll film.[32] The film was discontinued due to a decision for the GDR (ORWO) to supply colour film in COMECON countries. The colour coating plant was moved to the Bydgoskie works and used to produce colour photographic papers. | Poland | 120, 127, 135, Sheet film | Fotopan | |
Fuda
Xiamen Fuda Photographic Materials or Fuda was a Chinese manufacturer of photographic material based in Shanghai China. In 1984, Kodak helped Fuda build their color film production line with color film being produced under license from Kodak.[33] Kodak china acquired their assets in 1998.[21]
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
FUDA | Fudapan | To? | T | 100 | B&W | Traditional B&W film | China | 120 | Nothing | |
Colour negative film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
FUDA | Color 100 | c1984-c1990 | T | 100 | C-41 | Consumer color film | China | 135 | Nothing | |
FUDA | Color GA 100 | c1990- | T | 100 | C-41 | Consumer color film | China | 135 | Nothing | |
Fujifilm
FUJIFILM is a Japanese manufacturer of photographic films, papers and cameras established in 1934. Fujifilm stopped making traditional black and white films and photographic papers in 2018 but in 2019 announced a return to black and white film.[34] They also produce a range of traditional color negative and reversal films (and associated photographic papers and photochemicals) as well as instant film. See Fujifilm photographic films & List of photographic films. Historically however they were one of the major producers of colour negative and slide films producing a wide range of own brand professional and consumer films in competition with Kodak and Agfa-Gevaert. (The other main colour film producers; Konica and 3M Ferrania specialising in 'white label' consumer product). The film range is divided into Black & white film Neopan, Color negative film Fujicolor and Colour slide film Fujichrome together with instant 'pack film'. They also undertook contract manufacture for AGFA PHOTO colour negative/slide films from c2008 - 2018.[35][36]
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
FUJIFILM | Neopan 100 SS | To 2012 | T | 100 | B&W | General purpose classical cubic-crystal ortho-panchromatic film with wide exposure latitude. Asia and selected markets only (Parallel import elsewhere)[37] | Japan | 135 | ACROS 100 | |
FUJIFILM | Neopan ACROS 100 | To April, 2018 | T/P | 100 | B&W | Fine grain ortho-panchromatic 'T' grain film noted for its low rate of reciprocity failure making it ideal for long exposures. 135, 120 (T base), 4x5", 8x10" (P base). Sheet film was discontinued May 17.[38] 135 & 120 formats were discontinued in April 2018. 120 format was sold out by June 2018, whilst 135 format remained on sale until Jan - May 2019 (Varies by market). As Fujifilms final B&W process film - Fujifilm B&W papers were discontinued in Japan at same time. [39][40] | Japan | 135, 120, 4x5”, 8x10” | ACROS II | |
FUJIFILM | Neopan 400 Professional | To 2014 | T | 400 | B&W | Professional general purpose monosize cubic-crystal grain panchromatic film. Called 'Presto' in Japan. | Japan | 135, 120 | Nothing | |
FUJIFILM | Neopan 1600 Professional | To 2010 | T | 1600 | B&W | Professional high speed panchromatic film with E.I. 1600 for sports, journalism, stage shows and low light situations. Called 'Super Presto' in Japan. Same development time as Neopan 400. | Japan | 135 | Nothing | |
Color negative film
- 200 ISO (135)
- 100 ISO HR
- 100 ISO Super HR CN 135/120 (Practical photography July 1989)
- 200 ISO Super HR CA 120
- 400 ISO Super HR CH 135/120
- 1600 ISO Super HR CU 120
- 200 ISO Super HQ (135)
- 200 ISO Super HG II (135) 4th color-sensitive emulsion layer; Captures true color even under fluorescent lights; Two-Stage Timing DIR Couplers improve color brilliance; Enhance edges for outstanding sharpness [41]
- 400 ISO Super HG c1991 on (DIRR couplers, sigma crystal emulsion)[42]
- 1600 ISO Super HG (135) 135-36
- 100 ISO Super G (110) To 1995
- 100 ISO Super G Plus (135)1995 to 2000 "Plus films" = "RT (Real-Tone) Tech-nology" controls the interlayer (color saturation en-hancing) effect to produce natural, fine textured skin tones and "ELS (Emulsion Layer Stabilizing) Technology." film stabilser to maintain control the more than 100 organic chemical compounds found in the Super G Plus films [43]
- 200 ISO Super G plus (110, 135) 1995 to 2000
- 400 ISO Super G plus (135, 120) 1995 to 2000
- 800 ISO Super G Plus CZ (135 1995 to 2000
- 100 ISO Quality (135)(Brazil)
- 100 ISO Quality II (135)(Brazil)
- C100 ISO Basic color film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Consumer films | ||||||||||
FUJIFILM | Fujicolor Superia Reala | To 2013 | T | 100 | C-41 | A premium ISO 100-speed emulsion delivering exceptional color accuracy. The finest, smoothest grain and the best sharpness of all Superia films. First 4th layer technology film for improved colors (no greenish cast) under fluorescent lighting later extended to fujifilm Superia and Pro color negative films (CS). Last available in 120 format [44][45] [46] | Japan | 135, 120, 220 | Nothing | |
FUJIFILM | Fujicolor Superia 100 | 1998–2009? | T | 100 | C-41 | General purpose consumer color film using 4th layer technology (CN). | Japan | 135, 120 | Fujicolor 100 (Japan only) | |
FUJIFILM | Fujicolor Superia 200 | 1998–2017 | T | 200 | C-41 | General purpose consumer color film using 4th layer technology (CA). Older tech Fujifilm C200 advised as alternative.[47] | Japan | 135 | Nothing | |
FUJIFILM | Fujicolor Superia 400 | To ca. 2003 | T | 400 | C-41 | General purpose consumer color film. Replaced by X-tra 400 with sigma fine grain technology from Pro films. | Japan | 135 | Superia X-tra 400 | |
FUJIFILM | Fujicolor True Definition 400 | c2004 – ? | T | 400 | C-41 | General purpose consumer color film using 4th layer technology, USA market only. More natural colors than Superia 400 (CH-11) | Japan | 135 | Superia X-tra 400 | |
FUJIFILM | Fujicolor 400 (Fujicolor F-II 400 prior 1980) | 1976 To 2017 | T | 400 | C-41 | World first 400 ASA film. Announced at Photokina 1976. Renamed Fujicolor 400 in 1980. General purpose color film sold in 24 or 36 exp packs. Sold in plain white box to companies. Available in 100 pack. Also sold individually by retailers as a budget film. Discontinued 2017. (Edge markings same as Superia X-tra 400). Parallel import elsewhere | Japan | 135 | ||
FUJIFILM | Fujicolor Superia X-tra 800 | 2000–2016 | T | 800 | C-41 | General purpose consumer color film using 4th layer & sigma fine grain technology (CZ). Superia 800 branded stock discontinued 2016 outside Japan with final stock dated exp. 8/18. Japanese market version, Venus 800 remained on sale for a further 3 years. | Japan | 135-36 | Venus 800 (Japan) | |
FUJIFILM | FujiColor Superia Venus 800 | To 05.2019 | T | 800 | C-41 | High speed consumer color film using 4th layer and nano grain technology aimed at zoom lens compact cameras.[48] Superia X-tra 800 discontinued 2016 outside Japan. Venus 800 Japanese market variant, parallel import elsewhere. Discontinuation in Japan announced May 2019. European retailers also reported parallel imports have stopped. Stock in Japan lasted until Spring 2020. The 800 iso waterproof camera was discontinued at the same time. | Japan | 135-27 /36 | Nothing | |
FUJIFILM | Fujicolor Superia 1600/ Natura 1600 | 2003–2017 | T | 1600 | C-41 | General purpose high speed color film using 4th layer & sigma fine grain technology (CU). Superia 1600 discontinued 2016 outside Japan, with final stock dated exp. 8/18. Natura 1600 the Japanese market version continued on sale, parallel import elsewhere. Natura discontinued Oct 2017, stock lasted on sale to mid 2018.[49] | Japan | 135-36 | Nothing | |
Professional films | ||||||||||
FUJIFILM | Fujicolor Press 400 | To ? | T | 400 | C-41 | Professional version of Superia 400 (cold stored) | Japan | 135 | Nothing | |
FUJIFILM | Fujicolor Press 800 | To c2008 | T | 800 | C-41 | Professional version of Superia 800 (cold stored). Last batch exp. 2009 | Japan | 135 | Nothing | |
FUJIFILM | FujiColor Press 1600 | To ? | T | 800 | C-41 | Professional version of Superia 1600 (cold stored) | Japan | 135 | Nothing | |
FUJIFILM | FujiColor NPL 160 | To 2004 | T | 160 | C-41 | Professional Tungsten balanced color film primarily for studio portraits and copying, suitable for 'L'ong exposures. Not carried forward into Pro line | Japan | 135, 120, 220 | Nothing | |
FUJIFILM | FujiColor NPC 160 | To 2004 | T | 160 | C-41 | Daylight-type color negative film designed for professional use, higher 'C'ontrast than NPS' | Japan | 135, 120, 220 | Pro 160C | |
FUJIFILM | FujiColor NPS 160 | To 2004 | T/P | 160 | C-41 | Daylight-type color negative film for 'S'hort exposures designed for professional use. 120, 220 (T base), 4x5", 8x10"(P base) | Japan | 120, 220, sheet film | Pro 160S | |
FUJIFILM | Fujicolor Pro 160C | 2004–2010 | T | 160 | C-41 | Daylight-type colour negative film with 4th color layer & sigma fine grain technology designed for professional use, featuring a gradation design optimized for exposures requiring high-contrast results. | Japan | 135, 120, 220 | Nothing | |
FUJIFILM | Fujicolor Pro 160S | 2004–2010 | T/P | 160 | C-41 | Daylight balanced natural color professional film with 4th color layer & sigma fine grain technology, featuring more highly optimized skin tone reproduction and neutral gray balance, especially important for wedding and portrait photography. Renamed Pro 160NS in 2010. 120, 220 (T base), 4x5", 8x10"(P base) | Japan | 135, 120, 220, Sheet film | Pro 160 NS | |
FUJIFILM | FujiColor NPH 400 | 2002–2004 | T | 400 | C-41 | Professional fine-grained 400 speed film now features improved skin tones, much more accurate color reproduction, better shadow detail, and wider exposure latitude. It features Fuji's new peel and stick paper backing. Renamed in 2004 Pro 400H with no change to the emulsion. | Japan | 135, 120, 220 | Pro 400H | |
FUJIFILM | FujiColor NPZ 800 | 2002–2004 | T | 800 | C-41 | Professional fine-grained 800 speed film now features improved skin tones, much more accurate color reproduction, better shadow detail, and wider exposure latitude. It features Fuji's new peel and stick paper backing. Renamed in 2004 Pro 800Z with no change to the emulsion. | Japan | 135, 120, 220 | Pro 800Z | |
FUJIFILM | Fujicolor Pro 800Z | 2004–2009 | T | 800 | C-41 | Fine grain high speed natural color professional film for Weddings, portraits, fashion with 4th color layer, Renamed from NPZ 800 to bring it into line with the new 160 line of films | Japan | 135, 120, 220 | Nothing | |
FUJIFILM | Fujicolor Pro 400H | 2004–2021 | T | 400 | C-41 | Fine grain natural color professional film for seddings, portraits, fashion with 4th color layer. Renamed from NPH400 in 2004 to bring it into line with the new 160 line of films. Production ceased of 35 mm format on 14 January 2021; 120 format available until end of 2021.)[50] | Japan | 135, 120, 220 | Nothing |
Colour Reversal (Slide) Film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
FUJIFILM | FujiChrome Velvia RVP | 1990–2003 | T | 50 | E-6 | Slide | Velvia for Professionals (RVP). Professional-quality, medium-speed, daylight-type color reversal film with high sharpness, highly saturated colors, and fine grain for landscapes, marine and product photography. Sheet film 4x5, 8x10 | Japan | 135, 120, 220, Sheet film | Velvia RVP50 |
FUJIFILM | FujiChrome Velvia 100F | 2003–2012 (-2017 JP) | T/P | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, designed to produce high-contrast images with the highest color saturation among 100F series films for landscape, nature, commercial, food, and interior applications (RVP100F). Sheet film 4x5, 8x10. All formats discontinued 2012 outside Japan,[51][52] Discontinued in Japan; 120 (2015) [53][54] and sheet film (c2017 - last packs dated 1.19) [55] | Japan | 135, 120, 220, Sheet film | Nothing |
FUJIFILM | FujiChrome Astia 100 | 1997–2003 | T/P | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, subdued color reproduction and the softest tone reproduction among the 100 ISO films. Portrait/fashion orientated film with soft tones and lower contrast (RAP100). Sheet film 4x5, 8x10 | Japan | 135, 120, 220, Sheet film | Astia 100F |
FUJIFILM | FujiChrome Astia 100F | 2003–2012 | T/P | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, subdued color reproduction and the softest tone reproduction among the 100F films. Portrait/fashion orientated film with soft tones and lower contrast (RAP100F). Sheet film 4x5, 8x10 | Japan | 135, 120, 220, Sheet film | Nothing |
FUJIFILM | FujiChrome Fortia/Fortia SP | 2004–2007 | T | 50 | E-6 | Slide | A Japan only ultra high saturation slide film released for the cherry blossom season, possibly a variant of Velvia 50. Initially released a limited run in 2004 as Fortia, following by Fortia SP (2005–07) | Japan | 135, 120 | Nothing |
FUJIFILM | FujiChrome 100 Professional D | 1978–1994 | T | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, designed to provide medium color saturation and contrast (RDP). | Japan | 135, 120 | Provia 100 |
FUJIFILM | FujiChrome Provia 100 | 1994-2000 | T | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, designed to provide medium color saturation and contrast (RDPII). | Japan | 135, 120 | Provia 100F |
FUJIFILM | FujiChrome 400 Professional D | 1980–1994 | T | 400 | E-6 | Slide | Professional-quality, high-speed, daylight-type color reversal film with the finest grain in its class and highly saturated colors (RHP). Suited to such uses as sports photography, reportage, and stage show coverage. Emulsion changes were made in 1992. | Japan | 135, 120 | Provia 400 |
FUJIFILM | FujiChrome Provia 400 | 1994–2000 | T | 400 | E-6 | Slide | Professional-quality, high-speed, daylight-type color reversal film with the finest grain in its class and highly saturated colors (RHPII). Suited to such uses as sports photography, reportage, and stage show coverage | Japan | 135, 120 | Provia 400F |
FUJIFILM | FujiChrome Provia 400F | 2000–2006 | T | 400 | E-6 | Slide | Professional-quality, high-speed, daylight-type color reversal film with the finest grain in its class and highly saturated colors (RHPIII). Suited to such uses as sports photography, reportage, and stage show coverage | Japan | 135, 120 | Provia 400X |
FUJIFILM | FujiChrome Provia 400X | 2006–2013 | T | 400 | E-6 | Slide | Professional-quality, daylight-type ISO 400 color reversal film, fine grain (Epitaxial Sigma Crystal technology) and sharpness, vivid color reproduction and regulated gray balance to match Provia 100F with improved colour image storage permanence (RXP) | Japan | 135, 120 | Nothing |
FUJIFILM | FujiChrome 1600 Professional D | -1994 | T | 1600 | E-6 | Slide | Highly suited for low light photography, this film is appropriate to indoor and nighttime sports as well as nightfall illuminated and available light photography (RSP) | Japan | 135 | Provia 1600 |
FUJIFILM | FujiChrome Provia 1600 | 1994- | T | 1600 | E-6 | Slide | Highly suited for low light photography, this film is appropriate to indoor and nighttime sports as well as nightfall illuminated and available light photography (RSPII) | Japan | 135 | Nothing |
FUJIFILM | FujiChrome 64 Professional Type T | 1979-1999 | T/P | 64 | E-6 | Slide | Professional-quality, medium-speed, tungsten-type color reversal film with natural color reproduction for product photography, interiors and for reproducing illustrations and paintings (RTP). Emulsion changed in 1983 and name changed to FujiChrome Professional T. Emulsion changed again in 1987 | Japan | 135, 120, Sheet film | FujiChrome 64T |
FUJIFILM | FujiChrome 64T | 1999-2005 | T/P | 64 | E-6 | Slide | Professional-quality, medium-speed, tungsten-type color reversal film with natural color reproduction for product photography, interiors and for reproducing illustrations and paintings (RTPII). | Japan | 135, 120, Sheet film | FujiChrome T64 |
FUJIFILM | FujiChrome T64 | 2005- ? | T/P | 64 | E-6 | Slide | Professional-quality, medium-speed, tungsten-type color reversal film with natural color reproduction for product photography, interiors and for reproducing illustrations and paintings (RTPIII?). Sheet film 4x5, 8x10 [56] | Japan | 135, 120, Sheet film | Nothing |
FUJIFILM | FujiChrome Sensia 100 | 1994-1997 | T | 100 | E-6 | Slide | General purpose consumer, daylight-type color reversal film with faithful color reproduction and fine grain (RA) | Japan | 135 | FujiChrome Sensia II 100 |
FUJIFILM | FujiChrome Sensia II 100 | 1997-2003 | T | 100 | E-6 | Slide | General purpose consumer, daylight-type color reversal film with faithful color reproduction and fine grain (RAII) | Japan | 135 | FujiChrome Sensia III 100 |
FUJIFILM | FujiChrome Sensia III 100 | 2003–2011 | T | 100 | E-6 | Slide | General purpose consumer, daylight-type color reversal film with faithful color reproduction and fine grain (RAIII).[57] | Japan | 135 | Nothing |
FUJIFILM | FujiChrome Sensia 200 | 1994–2010 | T | 200 | E-6 | Slide | General purpose consumer, daylight-type color reversal film with faithful color reproduction and fine grain (RM). | Japan | 135 | Nothing |
FUJIFILM | FujiChrome Sensia 400 | 1994–2010 | T | 400 | E-6 | Slide | Multi-use, high-speed, daylight-type color reversal film providing fine grain and vibrant color reproduction in spite of its high speed for sports, portraiture, nighttime photography, astrophotography, portraiture, and snapshots (RH). | Japan | 135 | Nothing |
FUJIFILM | FujiChrome MS 100/1000 | ? | T | 100/ 1000 | E-6 | Slide | Variable ISO Slide Film. | Japan | 135, 120 | Nothing |
Instant Film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
FUJIFILM | Instant Color Film FP-100C/FP-100C Silk | 2003–2016 | T | 100 | Instant | Professional peel-apart type ISO 100 instant color film for daylight / electronic flash suited for identification, portraiture and other general imaging applications. 10-exposure packs. Gloss or Silk finish. Traditionally used with medium format camera instant backs for studio test shots but high volumes also used for visas and other identity documents. Discontinuation of pack film in 2016 made a large amount of camera equipment redundant. Photosize 85x108mm & 102x131mm.[58][59] | Japan | 3.25x4.25", 5x4" | Nothing | |
FUJIFILM | Instant Black & White Film FP-3000B Super Speedy | 2003–2013 | T | 3000 | Instant | Professional peel-apart panchromatic material suited for identification, portraiture and other general imaging applications. 10 exposure packs. Photosize 85x108mm & 102x131mm [60][61] | Japan | 3.25×4.25", 4×5" | Nothing | |
Gigabit
Gigabit Film (discontinued)
- Type: Black and White
- Speed: ISO 40, DIN 17°
- Available formats: 35 mm
- Granularity: Extremely Fine
- Resolving power: Extremely High
- History: said to be Agfa Copex micrography film, sold with special low-contrast developer to increase dynamic range
- Primary usage: General black-and-white photography, with scanning in mind
- General characteristics: PET base for better film flatness, strong contrast and low exposure tolerance, fine grain not much subject to grain aliasing in usual resolution scans
Ilford
Ilford is a UK manufacturer of photographic materials based in Mobberley, Cheshire known worldwide for its black and white films, papers and chemicals. Following bankruptcy in 2004 it was rescued in a management buy out and is now a brand of Harman Technology Ltd trading as Ilford Photo. Discontinued film versions include:
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
ILFORD | Pan F | To ? | ? | 50 | B&W | Fine grain Panchromatic | UK | ? | Pan F Plus | |
ILFORD | FP | 1934–1939 | ? | 28 | B&W | General purpose panchromatic film. | UK | ? | FP2 | |
ILFORD | FP2 | 1939–1942 | ? | 80 | B&W | General purpose panchromatic film. | UK | ? | FP3 | |
ILFORD | FP3 | 1942–1968 | ? | 125 | B&W | General purpose panchromatic film. 125 ASA at lease since 1960. | UK | ? | FP4 | |
ILFORD | FP4 | 1968–1990 | ? | 125 | B&W | General purpose panchromatic film. | UK | ? | FP4 Plus | |
ILFORD | HP | 1935–1939 | ? | 160 | B&W | High speed traditional Panchromatic emulsion. | UK | ? | HP2 | |
ILFORD | HP2 | 1939–1941 | ? | 200 | B&W | High speed traditional panchromatic film. This film was essentially the same as HP3. The difference in specified sensitivity reflects a safety factor that the manufacturer deemed necessary before general availability of exposure meters. | UK | ? | HP3 | |
ILFORD | HP3 | 1941–1969 | ? | 400 | B&W | High speed traditional panchromatic film. Between 1965 and 1969 it appears that both HP3 and HP4 were available. The Ilford HP page contains conflicting information about the sensitivity. | UK | ? | HP4 | |
ILFORD | HP4 | 1965–1976 | ? | 400 | B&W | High speed traditional panchromatic film. | UK | 120, 135 | HP5 | |
ILFORD | HP5 | 1976–1989? | ? | 400 | B&W | High speed traditional panchromatic film. The discontinued date of this film was well into the late 1990s. | UK | 120, 135 | HP5 Plus | |
ILFORD | HPS | 1954–1998 | ? | 800 | B&W | Very high speed traditional panchromatic film. The Ilford HP page has conflicting information about the sensitivity | UK | ? | Ilford Delta 3200 | |
ILFORD | Mark V | ? | ? | ? | B&W | Origin uncertain, possibly motion picture stock | UK | ? | Nothing | |
ILFORD | XP-1 | 1981-1993 | T | 400 | C-41 | As a chromogenic film, XP-1 it can be exposed with an exposure index from ISO 50/18° to 800/30° on a single roll and be developed in traditional C-41 processing. | UK | 120, 135 | XP-2 | |
ILFORD | XP-2 | 1991-1996 | T | 400 | C-41 | As a chromogenic film, XP-2 it can be exposed with an exposure index from ISO 50/18° to 800/30° on a single roll and be developed in traditional C-41 processing. | UK | 120, 135 | XP-2 PLUS | |
Colour negative film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
ILFORD | Super HR | 1985 - 1988 | T | 100 | C-41 | General purpose colour negative, repackaged Agfacolor XR | UK | 135 | Nothing | |
Kodak
Eastman Kodak was founded in 1888. During most of the 20th century, Kodak held a dominant position in photographic film. However Kodak struggled to manage the transition to digital photography and filed for Chapter 11 bankruptcy in 2012. Whilst Kodak films for still cameras continue to be manufactured by Eastman Kodak in Rochester, New York, US since its Chapter 11 bankruptcy they are now sold and marketed by Kodak Alaris, a separate company controlled by the Kodak UK Pension fund based in Hertfordshire, UK.[63]
See web page taphilo.com[64] for a list of Kodak film number to film type.
Black and white film
- Discontinued Kodak black & white films
- Kodak Verichrome Pan 620 Fast Panchromatic Film (Expired: July 1957)
- Kodak Super-XX Panchromatic High Speed 120 Film (Expired: December 1939)
- Kodak Panatomic-X 35mm Film (Expired, July 1944)
- Kodak Academy 200
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Kodak | Verichrome Safety Film | 1931–1956 | T | ? | B&W | Orthochromatic B&W film. WRATTEN & WAINWRIGHT VERICHROME was introduced around 1907/8 offering greater spectral sensitivity and speed compared to contemporary emulsions of the time. The company was bought by KODAK in 1912. In 1931 KODAK released the film on a safety base as a Roll film, with greater latitude and finer grain than the KODAK NC (Non-Curling) Film that had been the standard since 1903. Replaced by Kodak Verichrome Pan Panchromatic) film in 1956. | USA | 116, 120, 616, 620, | Kodak Verichrome Pan | |
Kodak | Panatomic X | 1933–1987 | T | 32/40 | B&W | Very fine grain general purpose film Speed: 32 ASA (Kodak Publication No. R-20, 3rd Edition, 1967), 40 ASA/17° DIN (Kodak publication FF1062, 1965), 40 ASA (Kodak Publication No. F-13, 2nd Edition, 1965) [65] | USA | 135 | TMAX 100 Was also available in 120 format. | |
Kodak | Super-XX | 1940–1992 | T | 200 | B&W | Kodak's standard high-speed film from 1940 to 1954, when Tri-X was introduced in smaller formats. Discontinued before 1960 in roll-film formats, but sheet film was available until 1992. Originally 100, later 200 iso when safety factor was reduced. Relatively coarse grain. Very long, almost perfectly straight-line characteristic curve, great latitude made it ideal for variable developments, both longer and shorter, water-bath development, special compensating formulas. | USA | Sheet film, 116, 120, 122, 124, 130 | Tri-X | |
Kodak | Verichrome Pan | 1956–1995? | T | 80/125 | B&W | General purpose medium-speed (EI 125) panchromatic film that features extremely fine grain with excellent gradation and wide exposure latitude. (Early 620: EI 80 Daylight, 60 Tungsten) . This film has characteristics similar to those of KODAK PLUS-X Pan Professional Film, but does not have retouching surfaces. Also 8" x 5 feet format for Cirkut cameras. Discontinued 1995? (127 format), 1970s (120 format) [66] | USA | 120, 127, 116, 126, 616, 110, 620, 828 | Nothing | |
Kodak | Plus X Pan | 1954–2011 | T | 125 | B&W | Plus X Pan (PX) and PLUS-X Pan Professional (PXP) films are general purpose medium-speed panchromatic films for outdoor or studio photography with extremely fine grain and excellent sharpness. (Originally ASA 50 later ISO 125). PX in 135 format and (PXP) 120, 220 formats with a retouching surface on the emulsion side.[67][68] | USA | 135, 120, 220 | Nothing | |
Kodak | EKTAPAN | to 2002 | T | 100 | B&W | Very Fine grain film for portraiture and close-up work with electronic flash, and for commercial, industrial, and scientific applications. Formats: 4"x5", 5"x7", 8"x10", and 11"x14" sheets, long rolls [69][70] | USA | Sheet film | Nothing | |
Kodak | Technical Pan | c1984 – 2004 | T/P | 25 | B&W | An ultra-high definition high-contrast microfilm emulsion that was made panchromatic through the addition of sensitizing dyes. Special developer is needed to tame the extreme contrast for use in pictorial photography. Type 2415 in 135 and 4 x 5-inch sizes with 4-mil (P)base with light piping suppressing layer and 6415 Film in 120 size with a 3.6-mil (T) base.[71] | USA | 135, 120, 4x5" | Nothing | |
Kodak | Academy/ Panchromatic 200 | to 2000 | T | 400 | B&W | Low cost wide latitude black and white film marketed in Europe, Asia and India. Coarse grained and low resolution film reminiscent of Super-XX. Very tolerant of processing variations allowing contrast adjustment by altering development times. "Kodak Panchromatic 200" in the Philippines from ca. 1995-2000. | USA | 135 | Nothing | |
Kodak | High Speed Infrared | – 2007 | P | 80 | B&W | Infrared sensitive high-speed film with moderately high contrast, sensitive to light and radiant energy to 900 nanometres (nm). It is useful for haze penetration and for special effects in commercial, architectural, fine art, and landscape photography. EI 80 (daylight) 200 (tungsten)(HIE) [72] | USA | 135, 120, 220, sheet film | Nothing | |
Kodak | T400CN | – 2004 | T/P | 400 | C-41 | General purpose C41 process chromogenic B&W film with wide exposure latitude.[73] | USA | 135, 120, 220, 4x5" | BW400CN | |
Kodak | BW400CN | 2004–2014 | T | 400 | C-41 | General purpose C41 process chromogenic B&W film with wide exposure latitude. Competitor to Ilford XP2 Super.[74][75] | USA | 135, 120, 220 | Nothing | |
Color negative film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Kodak | Kodacolor | 1942–1963 | T | 25/32 | C-22 | General purpose consumer colour film. Initially processing was included, but following antitrust legislation in 1950s, independent processing using C-22 process became available. Type A (suffix), indicated balanced for 3400K photolamps. 135 format added from 1958. | USA | 135, 120, 620, 116, 616, 127, 122 | Kodacolor X | |
Kodak | Kodacolor X | 1963–1975 | T | 64/80 | C-22 | General purpose consumer colour film. It was introduced along with the Kodak Instamatic cameras which use 126 film. Initially 64 ISO later increased to 80 ISO | USA | 135, 120, 620, 116, 616, 126, 127, 828 | Kodacolor II | |
Kodak | Kodacolor II | 1972–1983 | T | 80/100 | C-41 | First general purpose consumer colour film, using new C-41 process. Introduced with launch of the new 110 film cartridge. Initially 80 ISO, increased to 100 ISO from 1975 | USA | 110, 135, 120, 620, 116, 616, 126, 127, 828 | Kodacolor VR 100 | |
Kodak | Kodacolor 400 | 1977–1983 | T | 400 | C-41 | High speed general purpose consumer colour film, 120 from 1978. | USA | 110, 135, 120 | Kodacolor VR 400 | |
Kodak | Kodacolor HR | 1982–1983 | T | 200? | C-41 | General purpose consumer colour film for disc cameras. It was Kodak's first color negative film to use their T-Grain technology and improved cyan coupler. Quickly replaced with VR series for all film types. | USA | Disc | Kodacolor VR 200 | |
Kodak | Kodacolor VR 1000 | 1983–1989 | T | 1000 | C-41 | Very high speed general purpose consumer colour film, possible due to new T-Grain technology introduced with HR Disc films. | USA | 135 | Kodak Ektar 1000 | |
Kodak | Kodacolor VR 100 | 1982–1986 | T | 100 | C-41 | General purpose consumer colour film. Emulsion re-introduced in 1990 as 'Kodacolor 100' budget film in 135 format (not USA market) (CP) | USA | 135, 120, 110 | Kodacolor VR-G 100 | |
Kodak | Kodacolor VR 200 | 1982–1986 | T | 200 | C-41 | General purpose consumer colour film. Emulsion re-introduced in 1990 as 'Kodacolor 200' budget film (not USA market), later improved version (VR-G?) ColorPlus (CL) | USA | 135, 120, 620, 127, 126, Disc | Kodacolor VR-G 200 | |
Kodak | Kodacolor VR 400 | 1982–1988 | T | 400 | C-41 | General purpose consumer colour film. 110, 135 discontinued in 1986.(CM) | USA | 110, 135, 120 | Kodacolor VR-G 400 | |
Kodak | Kodacolor VR-G 100 | 1987–1988 | T | 100 | C-41 | General purpose consumer colour film. First generation 'gold' film (CA) | USA | 135, 120 | Kodacolor Gold 100 | |
Kodak | Kodacolor VR-G 200 | 1987–1988 | T | 200 | C-41 | General purpose consumer colour film. First generation 'gold' film (CB) | USA | 110, 135, 120, 126, 127 | Kodacolor Gold 200 | |
Kodak | Kodacolor VR-G 400 | 1987–1988 | T | 400 | C-41 | General purpose consumer colour film. First generation 'gold' film (CC) | USA | 135, 120 | Kodacolor Gold 400 | |
Kodak | Kodacolor Gold 100 | 1988–1997 | T | 100 | C-41 | General purpose consumer colour film. Only 120 format Gold film. (GA) | USA | 135, 120 | Kodak Gold 100 | |
Kodak | Kodacolor Gold 200 | 1988–1997 | T | 200 | C-41 | General purpose consumer colour film (GB) | USA | 110, 135, 120, 126, 127, 620 | Kodak Gold 200 | |
Kodak | Kodacolor Gold 400 | 1988–1997 | T | 400 | C-41 | General purpose consumer colour film (GC) | USA | 110, 135 | Kodak Gold 400 | |
Kodak | Ektar 25 | 1989–1997 | T | 25 | C-41 | Professional color film launched at Photokina in 1988 with ultra fine grain, intended to provide the enhanced color saturation and high acutance associated with color slide emulsions. 135 format discontinued in 1994 and renamed Royal Gold. | USA | 135, 120 | Royal Gold 25 | |
Kodak | Ektar 125 | 1989–1991 | T | 125 | C-41 | Professional color film with ultra fine grain. The 125 ISO was a poor seller and replaced by a 100 ISO film | USA | 135, 120 | Ektar 100 (1991) | |
Kodak | Ektar 100 | 1991–1997 | T | 100 | C-41 | Professional color film with ultra fine grain. 135 format discontinued in 1994 and renamed Royal Gold. | USA | 135, 120 | Royal Gold 100 | |
Kodak | Ektar 1000 | 1989–1997 | T | 1000 | C-41 | Professional color film with ultra fine grain. 135 format discontinued in 1994 | USA | 135, 120 | Royal Gold 1000 | |
Kodak | Portra 160 NC | 1998–2011 | T/P | 160 | C-41 | Professional color film, 'Natural Color' for subtle color and natural skin tones in controlled lighting situations | USA | 135, 120, 220, Sheet film | Portra 160 | |
Kodak | Portra 160 VC | 1998–2011 | T/P | 160 | C-41 | Professional color film, 'Vivid Color' for vibrant color and slightly higher contrast in controlled lighting situations | USA | 135, 120, 220, Sheet film | Portra 160 | |
Kodak | Portra 400 NC | 1998–2010 | T/P | 400 | C-41 | Professional color film, 'Natural Color' for subtle color and natural skin tones in low light or with flash | USA | 135, 120, 220, Sheet film | Portra 400 | |
Kodak | Portra 400 VC | 1998–2010 | T | 400 | C-41 | Professional color film, 'Vivid Color' for vibrant color and slightly higher contrast to add snap to flat/overcast light | USA | 135, 120, 220 | Portra 400 | |
- Kodak Gold 100-3 released in 1992;Kodak Gold 100-4 released in 1994;Kodak Gold 100-5 released in 1995; Kodak Gold 100-6 release in 1997.
- Kodak Gold 400 (Replaced by Ultramax 400 in 2007)
- Kodak Royal Gold 25 (replaced original ektar 25) 1996 on
- Kodak Royal Gold 100 (replaced original ektar) end c2002
- Kodak Royal Gold 200 (replaced original ektar) end c2004
- Kodak Royal Gold 400 (replaced original ektar) 1996 - c2004
- Kodak Royal Gold 1000 (replaced original ektar) 1998 -
- Kodak High Definition 200 (US) 135-36 /Royal Supra 200 (not US)
- Kodak High Definition 400 (US) 135-24 only/Royal Supra 400 (not US) 135-36
- Kodak Professional Ultra Color 100 135, 120, 220 New 2004 for fashion, advertising, editorial, commercial, travel, and nature photography [76]
- Kodak Professional Ultra Color 400 135, 120, 220 Rebranded Portra UC
Color reversal (slide) film
- Discontinued Kodak reversal (slide) film
- Kodak Elite Chrome 100
- Kodachrome 64
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Kodak | Kodachrome | 1936- 1962 | T | 10-16 | Kodak | Slide | First color film that used a subtractive color method to be successfully mass-marketed. Launched 1935 for motion picture film, 1936 for still cameras. Special development process required, with multiple dyeing steps as each color layer was processed separately, because there were no dye-couplers in film, unlike the contemporary Agfa Color Neu (where color couplers enabled all three layers processed together). This resulted in good color longevity as developed Kodachrome does not retain unused color couplers. However it required more complex processing. Available in daylight (ISO 10) and Type A (ISO 16). | USA | 135, 828 | Kodachrome (1955) |
Kodak | Kodachrome Professional | 1938- 1951 | T | 8-10 | Kodak | Slide | Professional Daylight (ISO 8) and Type A film (ISO 10) for 34000 K photofloods | USA | Sheet film | Nothing |
Kodak | Kodachrome | 1955- 1962 | T | 12 | K-11 | Slide | Daylight color slide film (ISO 12) | USA | 135, 828. | Kodachrome II |
Kodak | Kodachrome Professional | 1956- 1962 | T | 16 | K-11 | Slide | Professional Type A film (ISO 16) | USA | 135 | Kodachrome II |
Kodak | Kodachrome II | 1961- 1974 | T | 25 | K-12 | Slide | Daylight color slide film. | USA | 135, 828. | Kodachrome 25 |
Kodak | Kodachrome II Professional | 1962- 1978 | T | 40 | K-12 | Slide | Type A professional color slide film | USA | 135 | Kodachrome 40 |
Kodak | Kodachrome X | 1962- 1974 | T | 64 | K-12 | Slide | Daylight color slide film. Launched with 135 format, 126 was added in 1963 and 110 in 1972 | USA | 110, 126, 135 | Kodachrome 64 |
Kodak | Ektachrome E200 | To 2011 | T | 200 | E-6 | Slide | General purpose daylight-balanced color transparency film with moderate contrast and the "look" of a lower speed film. Push-processing capable to an E.I. of 800. 'T' Grain emulsion. Discontinued March 2011 [77] | USA | 135, 120, 220 | Ektachrome E100G |
Kodak | Professional Elite Chrome 100 | 1989 - 2012 | T | 100 | E-6 | Slide | General purpose daylight-balanced color transparency film with natural colours including skin tones, colors, and neutrals. Uses Kodak's color amplifying and T-grain technology (EB). [78][79] | USA | 135 | Nothing |
Kodak | Professional Elite Chrome Extra Color 100 | 1991 - 2012 | T | 100 | E-6 | Slide | Daylight-balanced color transparency film featuring the highest color saturation available in a 100-speed consumer slide film, delivering extra bright colors particularly for nature and scenic photos (EBX)[80] | USA | 135 | Nothing |
Kodak | Ektachrome 64T | – 2012 | T | 64 | E-6 | Slide | Tungsten balanced fine grain color transparency film, for commercial photography for catalogs, room interiors, furniture and architectural subjects. (EPY) [81] | USA | 135, 120, Sheet film | Nothing |
Kodak | Ektachrome 100 Plus | 2001–2009 | T | 100 | E-6 | Slide | Daylight balanced fine grain color transparency film (EPP).[82] | USA | 135, 120, 220 | Ektachrome E100G |
Kodak | Ektachrome E100G | 2000–2012 | T/P | 100 | E-6 | Slide | Daylight balanced fine grain color transparency film with moderately enhanced color saturation and a neutral color balance, for commercial advertising, fashion, editorial, architecture, nature/wildlife photography. Uses Kodak's Color Amplifying and T-GRAIN Emulsion technology. Sheet film 4x5", 8x10" 'P' base.[82] | USA | 135, 120, 220, Sheet film | Ektachrome E100 |
Kodak | Ektachrome E100GX | 2001–2009 | T | 100 | E-6 | Slide | Daylight balanced fine grain color transparency film with moderately enhanced color saturation and a warm color balance (compared to neutral color for E100G), for commercial advertising, fashion, editorial, architecture, nature/wildlife photography. Uses Kodak's Color Amplifying and T-grain technology.[82] | USA | 135, 120, 220 | Ektachrome E100G |
Kodak | Ektachrome E100VS | 2002–2012 | T | 100 | E-6 | Slide | Daylight balanced fine grain color transparency film with vivid saturated colors (VS) while maintaining a neutral gray scale. Intended for commercial location and studio shooting of nature, food, jewelry, and subjects that call for brilliant, dramatic hues. Uses Kodak's Color Amplifying and T-grain technology. (E100VS) Sheet film 4x5", 8x10" 'P' base[83] | USA | 135, 120, 220, sheet film | Nothing |
Kodak | Ektachrome Professional Infrared EIR Film | – 2009 | P | 200 | E-6 | Slide | Infrared sensitive false color reversal film for IR photographic applications e.g. artistic, industrial, scientific, and aerial or technical ground photography. The extent infrared reflectance affects the final color rendition. E.I 200 (daylight), 100 (tungsten). (EIR) [84][85] | USA | 135-36 | Nothing |
Kodachrome 25, 64, and 200 Professional[86]
- First practical color reversal film; essentially first commercially-important color film of any kind.
- Kodachrome Type F (for flash; stopped being made in 1950s).
- later Kodachrome 200 and Kodachrome Professional 64 and 200 were added.
- Processing purchased with film until Justice Department sued around 1954, claiming this was a monopolistic practice. There were relatively few competitors however, with the complex developing machinery necessary.
- Extremely fine grain, high saturation, sharpest color film ever made.
- Originally available in larger roll film formats and sheet film (until late 1940s, beginning of 1950s). Kodak kept urging replacement with Ektachrome, which could be developed by user or by many independent laboratories.
- Discontinued: 2009. Last processor in world closed down its Kodachrome line at end of 2010.
- Suggested Replacement: Kodak Ektachrome E100d
Ektachrome Lumiere 100
- Professional Film
- Code LPP 6146
- Launch Date: ?
- Discontinued: ?
- Suggested Replacement: ?
- Type: Medium speed color reversal film providing neutral color balance with enhanced color saturation.
- Speed: Temp/EI/Wratten filter no. (Source: Ektachrome Lumiere 100 Data Sht dtd 11-93)
- 5500K/100/none
- 3200K/25/80A
- 3400K/32/80B
- Processing: E-6
- Formats: 135, 120, cut film.
- Kodak Pub No. E-137, "Kodak Ektachrome Lumiere 100 Professional Film"
- Note: A number of photographers noted this film was too cool under some circumstances.[87]
- EKTACHROME 64 Professional Film
- EKTACHROME 100 Professional Film
- EKTACHROME 100 Plus Professional Film
- EKTACHROME 160T Professional Film
- EKTACHROME 320T Professional Film
- EKTACHROME P1600 Professional Film
- EKTACHROME 400X Professional Film
- Ektachrome E100S
- Ektachrome E100D
Konica
Established 1873 in Japan, Konishiroku (Konica) was a major producer of colour film, cameras and related products, including film development processors and printing technology. Originally Konica film and paper was sold under the brand name of "Sakura" meaning Cherry Blossom in English. Along with 3M Ferrania they were a significant producer of 'white label' consumer color films for both retailers and traditional B&W film producers needing a colour film to repackage under their own brand. Only in later years did they make significant efforts to market film under the Konica brand. In 2003, Konica merged with Minolta to form Konica Minolta. In 2006, the merged company closed down its photo imaging division, which produced color film, color paper, photo chemicals and digital minilab machines (at the time it was the 3rd largest film producer behind Kodak and Fujifilm, AgfaPhoto having collapsed a year earlier).[88] The company produced the following films;
Black & white film
- Sakura Panchro c1946 Format 120
- Konica Infrared 750 nm Format 135, 120
Colour negative film
- Sakuracolor N100 (C-22)1967-71
- Sakuracolor N100 (C-22)1971-75
- Sakuracolor II N100 1974-c84 Employing a DIR color coupler
- Sakuracolor (C-41) c1975-80
- Sakuracolor 400 c1976- 1984
- SR (c1984 - 86) SR 100/ 200/400/1600 formats 135, Disc (also sold as Sakuracolor SR)
- SR-V (1987)3200 Format 135 (also sold as Sakuracolor with same names) Monodispersed emulsion
- SR-G (1989- c1994) 100, Format 135
- SR-G 160 Professional (Format 120/220)
- Super DD (1990) 100/200/400 Format 135
- GX (1987)100, 3200 Format 135
- Impresa 50 1991 (Format 120 only)
- Impresa 100
- Super HR to c1991
- Super SR (1991 - ca.1997)100, 200 Format 135, 110
- Super XG (1993 - ca 1996) 100 Format 135
- VX ca. 1994 - 1999 100, 200 Format 135
- VX Super 100, Format 135
- Centuria (1999). 100/200/400/800 Format 135
- Centuria 100 format 120
- Centuria Super
- Pro 160, Professional Portrait film Format 135, 120, 220
- Pro 400 Professional Portrait film Format 135, 120, 220 exp2007
Colour reversal (slide) film
- Sakuracolor R-100 (E-4) to 1972
- Sakurachrome R-100 (E-6) ca 1983 to c1986
- Konica Chrome 100 c1986 -90
KONO!
Launched in 2014, KONO! is a small European analogue photographic company based in Austria that produces a range of 'creative' 35mm format films under both 'Kono!' and 'dubblefilm' brands, the latter in conjunction with mobile app 'dubble'.[89] Most KONO! films are based on stock originally intended for shooting motion pictures, scientific purposes or other places photosensitive emulsions were used. All films are hand rolled onto recycled 135 film cassettes.[90][91]
Color negative films
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
KONO! | WINTERMÄRCHEN 200 | To 2018 | T | 200 | C-41 | Creative colour film 'Winter fairytale' pre-exposed with festive images [92] | Austria | 135-24 | Nothing | |
Lomography
Headquarters in Vienna, Austria. Lomography is a globally-active organization dedicated to analogue, experimental and creative photography. Lomography offers films under its own brand procured from various manufacturers.
Color Negative films
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Lomography | LomoChrome Turquoise XR | 2017 -2017 | tbc | 100-400 | C-41 | Creative colour negative film with turquoise hues, limited run of 5000 rolls. [93] | tbc | 135, 120 | Nothing | |
Lomography | F2 400 | 2018 | T? | 400 | C-41 | Limited edition run of 120 film cut from a long stored master roll acquired by lomography in 2010, thought to be Ferrania Solaris 400. Previous limited run in 2017 in 135 format only. Pre-order with delivery in Aug 2018, sold out.[94][95] | Italy | 135 (2017), 120 (2018) | Nothing | |
Lucky Film
Lucky Group Corporation in Baoding, Héběi province, China produced a range of colour, black and white, and chromogenic black and white consumer films. Colour film was produced initially in conjunction with Kodak after signing a 20-year partnership which Kodak ended in 2007 after 4 years.[96] Production of all consumer films ceased in 2012. In 2017 Luckyfilm, an offshoot of Lucky Group re-released an improved black and white film for the consumer market, however this had ceased to be available by 2019.
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Lucky | SHD 100 | To 2012 | T | 100 | B&W | General purpose, panchromatic film | China | 135, 120 | New SHD 100 | |
Lucky | New SHD 100 | 2017 -19 | P | 100 | B&W | General purpose, panchromatic film[97] | China | 135 | Nothing | |
Lucky | SHD 400 | To 2012 | T | 400 | B&W | General purpose, panchromatic film | China | 135 | Nothing | |
Lucky | SHD 400 CN | To 2012 | T | 100 | B&W | General purpose chromogenic film | China | 135 | Nothing | |
Color negative film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Lucky | GBR 100 | 2003–2012 | T | 100 | B&W | General purpose consumer colour film | China | 135 | Nothing | |
Lucky | GBR 200 | 2003–2012 | T | 200 | B&W | General purpose consumer colour film | China | 135 | Nothing | |
Lucky | GBR 400 | 2003–2012 | T | 400 | B&W | General purpose consumer colour film | China | 135 | Nothing | |
Maco
Headquarters in Stapelfeld, Germany. Film sales through www.macodirect.de
ORT
- Type: Black and White (orthochromatic)
- Speed: ISO 25, DIN 15°
- Available formats: 35 mm, 120, Sheet Film
- Granularity: Extremely Fine
- Resolving power: Extremely High (>330lp/mm)
- History: evolution of Agfa Ort25c, same emulsion as MACO EM micrography film, evolved later in ORTO25
- Primary usage: Reprography, Micrography, specialty black-and-white photography
- General characteristics:
- Discontinued
Negra
Negra Industrial, S A. was a film manufacturer based in Barcelona, Spain established ca. 1928 producing black & white negative film, photographic paper and chemicals. Color film was rebranded stock from other producers mainly Konishiroku (Konica) and 3M (Ferrania). Film production appears to have ended in 1984.[99]
Black and white film
- Negra Negrapan 21 (ISO 100) panchromatic film in 135, 120, 127, 110 and 126 sizes. last films expired 89.
Color negative film
- Negracolor AR to 1984 Konica Color
- Negracolor NC80 1970-73 3M Color Print
- Negracolor NC100 1973-76 Sakuracolor (Konica)
- Negracolor II 1976 -84 Sakuracolor II (Konica)
- Negracolor 400 1976 -84 Sakuracolor 400 (Konica)
Color reversal (slide) film
- Negracrome 50 1969 -74 3M Color Slide
Perutz
Perutz was a German film manufacturer. It was taken over by Agfa-Gevaert in 1964. Films included.
Polaroid
Type 55
- Type: Black and white Pos/Neg instant film
- Speed: 50/18° (pos), 35/16° (neg)
- Available formats: 4×5 Sheet film
- Granularity:
- Latitude:
- Resolving power:
- History: Discontinued by Polaroid in 2008; production process licensed out
- Primary usage: Test shots, fine art
ORWO
After the war, Agfa was split into two companies: Agfa AG, Leverkusen in West Germany, and VEB Film und Chemiefaserwerk Agfa Wolfen in East Germany. Initially both companies produced films under the AGFA brand with the same names, such as Isopan F. To distinguish them, the film edge markings were L IF for Agfa Leverkusen, and W IF for Agfa Wolfen. In 1953 in a trade agreement it was agreed that VEB Film und Chemiefaserwerk would have the sole rights to the AGFA brand in Eastern Europe and Agfa AG, would retain sole rights to the AGFA brand in the rest of the world. This hampered Wolfens exports and therefore after 1964 films from Wolfen were rebranded ORWO (ORiginal WOlfen). ORWO ceased production of film in 1994 following the collapse of the company after privatisation, with its constituent parts sold off. Part of the original factory survives as the Industry and Film museum Wolfen.[100] However the association of the ORWO name with film lives on as a brand of FilmoTec GmbH who since 1998 produce high quality black and white cinema and technical films, based in Wolfen with coating contracted out. Their cine films UN54 and N74 plus are also re-packaged by third parties as still camera film.
Black and white film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
ORWO | Isopan FF /IFF | ? - c1960s | T | 25 | B&W | Ultra fine grain panchromatic film. Wolfen version also referred to as ISOPAN FF, marginal markings W IFF | Germany | 135, 120, 127, 620 | ORWO NP10 | |
ORWO | Isopan/ Isopan F / IF17 | Pre 1943 - c1960s | T | 40 | B&W | Fine grain panchromatic film. Wolfen version also referred to Agfa-Isopan-Feinkorn, marginal markings W IF. | Germany | 135 | ORWO NP18 | |
ORWO | Isopan SS | 1935 - c1960s | T | 100 | B&W | 'Super Speed' Introduced around 1935 as a replacement for Superpan and originally rated at 19 or 20 DIN, around 1937 this was increased to 21 DIN (100ASA). For correct rendering a pale yellow filter was required in daylight and a pale green in half-watt illumination.[3] Ultra fine grain ortho-panchromatic film. Wolfen version also referred to as ISOPAN ISS 21, marginal markings W ISS | Germany | 135, 120, 127, 620 | ORWO NP22 | |
ORWO | NP10 | 1965 on | T | 8 | B&W | Ultra fine grain panchromatic film.(NP= Negative Panchromatic) | Germany | 135, 120 | Nothing | |
ORWO | NP15 | ? on | T | 25 | B&W | General purpose fine grain panchromatic film. | Germany | ? | Nothing | |
ORWO | NP18 | 1965 on | T | 50 | B&W | General purpose fine grain panchromatic film. | Germany | 127, 120 | Nothing | |
ORWO | NP22 | 1965 on | T | 125 | B&W | General purpose ultra fine grain panchromatic film. | Germany | 135, 120, 127, 620 | ORWO PAN 100 | |
ORWO | NP27 | 1965 on | T | 400 | B&W | General purpose ultra high speed (for its time) panchromatic film. | Germany | 135, 120, 620 | ORWO PAN 400 | |
ORWO | NP30 | To 1989 | T | 800 | B&W | General purpose ultra high speed panchromatic film. | Germany | 120 | Nothing | |
ORWO | PAN 25 | To 1990s | T | 25 | B&W | General purpose low speed panchromatic film. Last films expired 1995 | Germany | 120 | ? | |
ORWO | PAN 100 | To 1990s | T | 100 | B&W | General purpose medium speed panchromatic film. Last films expired 1997 | Germany | 135 | ORWO PAN 125 | |
ORWO | PAN 400 | To 1990s | T | 400 | B&W | General purpose high speed panchromatic film. Last films expired 1994 | Germany | 135, 120 | ? | |
ORWO | PAN 125 | To 2000s | T | 125 | B&W | General purpose high speed panchromatic film. Last films expired 2005. | Germany | 135 | ? | |
Color negative film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
ORWO COLOR | NC16 | 1965 on | T | 32 | ORWO 5168 | General Purpose colour negative film without mask[101] | Germany | 135, 120, 127 | ? | |
ORWO COLOR | NC17 MASK | 1965 on | T | 40 | ORWO 5168 | General Purpose colour negative film with mask[102] | Germany | 135, 120, 127 | ? | |
ORWO COLOR | NC19 | ? - 1990s | T | 64 | ORWO 5168 | General Purpose colour negative film. Last films 120 expired 1993.[103] | Germany | 135, 120 | ? | |
ORWO COLOR | NC20 | ? - 1990s | T | 80 | ORWO 5168 | General Purpose colour negative film. | Germany | 135 | ? | |
ORWO COLOR | NC21 | ? - 1990s | T | 100 | ORWO
5168 |
General Purpose colour negative film. | Germany | 135 | Nothing | |
Rera
Rera is a small range of photographic films for 127 (4x4) format roll film cameras assembled in Japan by Kawauso-Shoten. Film is bought in and converted for 127 format and sold through main retailers. Discontinued films include:
Black & White film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Rera | Pan 100 | To 2018 | T | 100 | B&W | General purpose panchromatic traditional, medium-speed, black-and-white film. Discontinued 2018 according to retailers. Replaced by 400 speed emulsion | tbc | 127 | Pan400 | |
Color reversal (slide) film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Rera | Chrome 100 | c2016 - 17 | P | 100 | E-6 | Slide | General purpose color slide film. Possibly an Aviphot Chrome film. | tbc | 127 | Chrome 100 (2018) |
Rollei
The Rollei brand for photographic film is licensed to Maco (Hans O. Mahn GmbH & Co. KG, Maco Photo Products) a German-based supplier of photographic films. They offer a range of Black and White and Colour films produced by Agfa-Gevaert and other suppliers. Discontinued films are listed below;
R3
- Speed: ISO 200, DIN 24° (can be used from ISO25 to ISO6400)
- Available formats: 35 mm, 120, Sheet Film
- Granularity: Fine
- Resolving power: High
- History: launched in 2004
- Primary usage: General black-and-white photography
- General characteristics: Fairly wide latitude, PET base for better film flatness, extended spectral sensitivity from IR to near-UV, to be stored in special black cartridges
- Discontinued
ATO (Advanced Technical Ortho)
- same emulsion as Maco Genius Film
- clear base
- suitable for reversal process
ATP1.1 (Advanced Technical Pan)
Rollei Ortho
- orthochromatic film with a clear base
- spectral sensitivity 380–610 nm
- resolving power of 330 lines/mm (with a fine-grain developer)
- especially suited for digital scanning
- Replaced by Ortho Plus in 2017
Rollei Pan
- ISO 25
- clear base, well suited for B&W slides
Retro Tonal
- same emulsion as Maco PO100C
- an orthopanchromatic ("RectePan") film
- clear base
- suitable for reversal process
RSD
- same emulsion as Agfa Copex Slide Direct
- a pre-fogged orthochromatic film specially for negative or slide duplication
- exposure index (EI) in daylight around 0.2 (thus it has a DIN value of -6 !) = about EI 6 + 5 f stops (not many cameras will handle this correctly)
- after a massive exposure will produce a positive in traditional B&W process, i.e. is NOT run through a reversal process; see also solarisation
- contrast adjustment using different developers, i.e. lower contrast: for ex. Rodinal/Adonal (1:25 about 10 mins., 1:50 about 20 mins.) or higher contrast: any paper developer 1+4 about 5 mins.
Color negative film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Rollei | CN 200 | 2008 - 2017 | P | 200 | C-41 | Unmasked colour film of an older aesthetic well suited for scanning. (Agfa Aviphot Color X100). Originally called digibase CN 200 pro. Final stocks in 120 lasted until mid 2018. | Belgium | 135, 120 | Nothing | |
Color reversal (slide) film
Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
---|---|---|---|---|---|---|---|---|---|---|
Rollei | CR 200 | Ended 2017 stock only | P | 200 | E-6 | Slide | General purpose older aesthetic slide film (Agfa-Gevaert Aviphot Chrome 200, Same emulsion as Agfa RSX II 200) 135 sold out. Originally called digibase CR 200 pro | Belgium | 120 | CrossBird |
Rollei | Vario Chrome | 2017-2017 | T? | 200 | E-6 | Slide | Limited edition film in 2017 converted from expired slide stock. Can be exposed between 200/24° to 400/27° ISO without adjusting development. Gives earthy grainy colors.[110] | Belgium? | 135 | Nothing |
ScanFilm
- same emulsion as Agfa Aviphot Color X400 without a mask, very well suited for scanning
Svema
Svema (Russian: Свема, Светочувствительные Материалы) was the former name ("NPO "Svema") of the Shostka Chemical Plant, located in Shostka, Sumy Oblast, Ukraine. It was founded in 1931 in Ukrainian SSR.
"Svema" used to be the major photographic film manufacturer in the USSR, but their film lost market share in former Soviet countries to imported products during the late 1990s. They made black-and-white photographic film, photographic paper, B&W/colour cine film and magnetic tapes until 2000. Colour film was made with equipment dismantled from the Agfa-Wolfen Factory after World War II. The plant's production of photographic products slowed through the 1990s and ceased film production entirely in c2000-03, the plant supplying district heating until 2006.[111]
Black and white film
Type 1981
(old GOST speed scale)
- Svema FN 32; 32 GOST, ISO 40/17°
- Svema FN 64; 64 GOST, ISO 80/20°; 135, sheet films 6.5×9 cm - 30×40 cm, KB, 6×9", bulk last expired 1/94.
- Svema FN 125; 125 GOST, ISO 160/23°; KB, bulk
- Svema FN 250; 250 GOST, ISO 320/26°; KB, bulk
- Svema Reporter 200 GOST, ISO 200/24° (actually cinematographic filmstock); KB, bulk
Type approximately 1986
(old GOST speed scale)
- Svema Foto 32
- Svema Foto 65 (80 ASA)
- Svema Foto 130
- Svema Foto 250
Type 1990
(new GOST speed scale, same as ASA)
- Svema Foto 50; ISO 50/18°
- Svema Foto 100; ISO 100/21°; KB, 6×9", bulk last expiry July 4
- Svema Foto 200; ISO 200/24°; KB, bulk
- Svema Foto 400; ISO 400/27°; KB, bulk
Colour negative film
- SVEMA DS-2 45 18DIN 50ASA Negative Color film, 1960s era
- Svema DS-4 Unmasked Color Negative Film 45 GOST (ISO) / 18 DIN / 50 ASA
- Svema DS-5M Color negative film, 50 GOST, 135 bulk
- Svema CND-32 Color Negative Film 32 GOST, ISO 40/17°
- Svema CND-65 Color Negative Film 65 GOST / 20 DIN / 80 ASA
- Svema CNL-65 Color Negative Film, tungsten-balanced, 65 GOST (ISO) / 20 DIN / 80 ASA, 135 format
- Svema CNL-90 Color Negative Film, tungsten-balanced, 80 GOST
- Svema DS-100 Color Negative Film, 100 ISO, C41 process
Colour reversal (slide) film
- Svema TSO-2 Color reversal film, 32 GOST, 17 DIN, 35 ASA, 1960s-70s
- Svema CO-32D Color reversal film
- Svema CO-65D Color reversal film, 65 GOST
- Svema CO-50D Color reversal film, 50 GOST (ISO) / 18 DIN / 50 ASA
- Svema CO-90L Tungsten-balanced color reversal film, 90 GOST
All consumer film was produced in 135 and 120 formats, some stocks were also aviable in sheets, 16mm and 8mm/super 8.
Tasma
Tasma – Тасма in Russian Cyrillic characters was a manufacturer of photographic films located in Kazan, Russia, it has been in operation since 1933 (starting as “Film Factory No. 8”. The name “Tasma” is derived from the Russian phrase «Татарские светочувствительные материалы» “TAtarskie Sveto MAterialiy.” - “TAtar Sensitized Materials;”it was adopted by the company in 1974. Prior to the fall of the Soviet Union, the company offered an array of color photographic products from the year 1950 as well, but these were discontinued following the fall of the Iron Curtain. After the dissolution of the Soviet Union, the company was reorganized as a free enterprise and privatized in 1992. Photographic film production ceased in the 1990s and today they specialise in industrial films including aerial photography films. Films generally supplied without spool in a black paper wrapper and box.
Black and white film
- Tasma 100 Super
- Tasma Foto 32
- Tasma Foto 64
- Tasma Foto 125
- Tasma 65 GOST (ISO) / 20 DIN / 80 ASA 135 format
- Tasma 130 GOST (ISO) / 23 DIN / 160 ASA 135 format
- Tasma 250 GOST (ISO) 135 format
Colour reversal (slide) film
- TASMA ЦО-25 (daylight)
Valca
Valca was a Spanish film manufacturer established in 1940 headquartered in Bilbao. The company name comes from the factory location in Sopeñano, Burgos; Valle de Mena (Mena Valley) through which flows the Rio Cadagua (Cadagua River) which provided cooling water for the factory.[112] The company produced black and white negative film, photographic paper and X ray films. Ilford acquired an equity interest in Valca in 1960, resulting in technical co-operation and Valca acting as Ilford distributors in Spain. The agreement lasted until 1976 when Ilford sold its shares.[113][114] It was particularly successful in the X-ray film market and in 1991 it had a 17% share of its national market and 1% of the USA market, the latter accounting for 60% of production, with 65% of X-ray film exported in total. Whilst black & white film was produced in house, colour film was rebranded stock from other suppliers. The company underwent re-structuring in 1991 due to financial problems, reportedly due to poor management and the factory finally closed in 1993.[115][116]
Black and white film
- Valca Sheet Film Autographica – Panchromatica Antihalo
- Valca Sheet Film Retrato V Orthochromatic
- Valca Sheet Film Retrato VV Panchromatic
- Valca Sheet Film Retrato ES Panchromatic
- Valca Diapositiva Dura
- Valca F22 – ASA 125 (sheet film 9×12 cm, 35mm, 120, 620 & 126) Possibly based on FP4.
- Valca H27 – ASA 400 Possibly based on Ilford HP3
- Valca H29 – ASA 400 (sheet film, 35mm, 120) Possibly based on Ilford HP4.
Colour negative films
- Valcolor, 1974-75 Sakuracolor N100
- Valcolor II – 1975-1977 Sakuracolor II
- Valcolor II – 1977-1980 (35mm, 126, 120, 110) 3M color print 100
- Valcolor HR100 – to 1991 (35mm & 126) Konica color 100
See also
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