List of hi-NRG artists and songs
Hi-NRG is uptempo disco or electronic dance music usually featuring synthetic bassline octaves. This list contains some examples of hi-NRG artists and songs. Hi-NRG songs by non-hi NRG artists are also included.
Contents |
---|
Artists • Songs (1970s • Early 1980s • Mid to late 1980s • 1990s • 2000s • 2010s) • Albums • References |
Songs
1970s
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
1977 | Donna Summer | ![]() | "I Feel Love"[1][2][3] | Casablanca / GTO |
1978 | Peter Jacques band | ![]() | "Fly With the Wind"[4] | Ariola |
1978 | Sylvester | ![]() | "You Make Me Feel (Mighty Real)"[1][5][6][7][8] | Fantasy |
Early 1980s
Mid to late 1980s
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
1985 | Bronski Beat | ![]() | "Hit That Perfect Beat"[61][62][63] | London |
1985 | Bronski Beat | ![]() | "Run From Love" / "Hard Rain"[64] | London |
1985 | Bronski Beat and Marc Almond | ![]() | "I Feel Love"[7] | London |
1985 | Divine | ![]() | "Walk Like a Man"[65] | Proto |
1985 | Madleen Kane | ![]() | "I'm No Angel"[66] | TSR |
1985 | Madleen Kane | ![]() | "On Fire"[66] | TSR |
1985 | Lime | ![]() | "Unexpected Lovers"[67] | Mantra |
1985 | Barbara Pennington | ![]() | "Vertigo"[68] | Record Shack |
1985 | People Like Us | ![]() | "Reincarnation (Coming Back For Love)"[69] | Passion (UK) |
1985 | Sinitta | ![]() | "So Macho"[70] | Fanfare (UK) |
1985 | Suzy Q | ![]() | "Computer Music"[15] | J.C. |
1985 | Taffy | ![]() | "I Love My Radio"[71] | Ibiza (Italy) / Transglobal (UK) |
1985 | Village People | ![]() | "Sex Over the Phone"[72][73] | Casablanca |
1985 | Betty Wright | ![]() | "Sinderella"[74] | Jamaica |
1986 | Bananarama | ![]() | "Venus"[45][75][76] | London |
1986 | Claudja Barry | ![]() | "Down and Counting"[77] | Epic |
1986 | The Communards | ![]() | "Don't Leave Me This Way"[61][78][79] | London |
1986 | Dead or Alive | ![]() | "Something In My House"[80] | Epic |
1986 | Man 2 Man and Man Parrish | ![]() | "Male Stripper"[81] | Bolts |
1986 | Stacey Q | ![]() | "Two of Hearts"[82][83] | Atlantic |
1986 | Evelyn Thomas | ![]() | "How Many Hearts"[84] | Record Shack |
1986 | Kim Wilde | ![]() | "You Keep Me Hangin' On"[85][86][87] | MCA |
1987 | Bona-Riah | ![]() | "House of the Rising Sun"[49] | Rise |
1987 | The Communards | ![]() | "Never Can Say Goodbye"[88] | London |
1987 | Paul Lekakis | ![]() | "Boom Boom (Let's Go Back to My Room)"[89][90] | ZYX / Polydor |
1987 | New Baccara | ![]() | "Call Me Up"[91] | Bellaphon |
1987 | Pet Shop Boys | ![]() | "Always on My Mind"[92] | Parlophone |
1987 | Taffy | ![]() | "Step by Step"[93] | Transglobal |
1987 | Kylie Minogue | ![]() | "I Should Be So Lucky"[94] | PWL |
1988 | Erasure | ![]() | "Knocking on Your Door"[95][96] | Mute / Sire |
1988 | Erasure | ![]() | "Stop!"[95][96] | Mute / Sire |
1988 | Kylie Minogue | ![]() | "The Loco-Motion"[97] | PWL |
1988 | New Baccara | ![]() | "Fantasy Boy"[91] | Bellaphon |
1988 | Quantize | ![]() | "The Sun Ain't Gonna Shine Anymore"[49] | Passion |
1989 | Boy | ![]() | "Broken Wings"[49] | Flea |
1989 | Eartha Kitt and Bronski Beat | ![]() ![]() | "Cha Cha Heels"[98] | Arista |
1989 | New Baccara | ![]() | "Touch Me"[91] | Bellaphon |
1989 | Quantize | ![]() | "You've Lost That Lovin' Feeling"[49] | Passion |
1989 | Donna Summer | ![]() | "I Don't Wanna Get Hurt"[99] | Warner Bros. |
1989 | Donna Summer | ![]() | "This Time I Know It's for Real"[99][100][101] | Warner Bros. |
1989 | Donna Summer | ![]() | "Whatever Your Heart Desires"[99] | Atlantic / PWL |
1990s
2000s
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
2000 | A Touch of Class (ATC) | ![]() | "Around the World (La La La La La)"[126] | King Size |
2003 | The Knife | ![]() | "Listen Now"[127][128] | Rabid |
2004 | Jimmy Somerville | ![]() | "Come On"[129] | Sony BMG |
2006 | Moby feat. Debbie Harry | ![]() | "New York, New York"[130] | Mute |
2007 | Bloc Party | ![]() | "Flux"[131] | Wichita |
2007 | Sophie Ellis-Bextor | ![]() | "China Heart"[132][133] | Fascination |
2007 | Róisín Murphy | ![]() | "Cry Baby"[134] | EMI |
2007 | Britney Spears | ![]() | "Heaven on Earth"[135][136] | Jive / Zomba |
2008 | Anastacia | ![]() | "Heavy Rotation"[137][138] | Mercury |
2008 | Donna Summer | ![]() | "I'm a Fire"[139] | Burgundy |
2009 | Bananarama | ![]() | "Dum Dum Boy"[140] | Fascination |
2009 | Bananarama | ![]() | "Love Comes"[141][142] | Fascination |
2009 | Silver Columns | ![]() | "Brow Beaten"[143] | Silver Columns |
2010s
Year | Artist | Origin | Song | Label |
---|---|---|---|---|
2011 | Britney Spears | ![]() | "I Wanna Go"[144] | Jive |
2011 | Rihanna | ![]() | "S&M"[145] | Def Jam / SRP |
2011 | Kim Wilde | ![]() | "Remember Me"[146] | Columbia SevenOne |
2012 | Pet Shop Boys | ![]() | "A Face Like That"[147] | Parlophone |
2013 | Club 8 | ![]() | "Stop Taking My Time"[148][149] | Labrador |
2013 | Pet Shop Boys | ![]() | "Axis"[150][151] | x2 |
2013 | Pet Shop Boys | ![]() | "Love Is a Bourgeois Construct"[152][153] | x2 |
2013 | Shit Robot feat. JENR | ![]() ![]() | "Feels Real"[154][155] | DFA |
2014 | Todd Terje | ![]() | "Delorean Dynamite"[156] | Olsen |
2015 | Belle and Sebastian | ![]() | "Enter Sylvia Plath"[157] | Matador |
Albums
- 1981: Kim Wilde – Kim Wilde[158]
- 1981: Patrick Cowley – Megatron Man[25]
- 1982: Patrick Cowley – Mind Warp[25]
- 1984: Kim Wilde – Teases & Dares[159]
- 1985: Lime – Unexpected Lovers[160]
- 1988: Dead or Alive – Nude[161]
- 1991: Bananarama – Pop Life[162]
- 1995: Traci Lords – 1000 Fires[163][164]
- 2004: Bobby Orlando – I Love Bobby "O" (Volume 1)[165]
- 2007: Róisín Murphy – Overpowered[166][167]
- 2009: Bananarama – Viva[168]
- 2013: Patrick Cowley – School Daze[12]
Artists
- Abigail[106]
- Bananarama[101][162][169]
- Claudja Barry[170][171]
- Biddu[172]
- Boys Town Gang[173]
- Bronski Beat[174][175]
- Miquel Brown[121][176][177]
- Cappella[178]
- The Communards[179]
- Al Corley[180]
- Corona[181][182]
- Patrick Cowley[1][12][183][184]
- Dead or Alive[45][77][185][186]
- Hazell Dean[187][188]
- Divine[39][175][189]
- Jason Donovan[101]
- Erasure[190][191]
- Fancy[192]
- The Flirts[193]
- Frankie Goes to Hollywood[175][194][195][196]
- Nicki French[182]
- Fun Fun[197]
- Eartha Kitt[198]
- Ian Levine[34][199][200][201]
- Lime[67][160]
- Traci Lords[163]
- Man 2 Man[202]
- Kelly Marie[203][204]
- Giorgio Moroder[1]
- Alison Moyet[15]
- Bobby Orlando[20][165][205]
- Paul Parker[66]
- Man Parrish[206]
- People Like Us[69]
- Pet Shop Boys[15][150][207]
- Real McCoy[181][182]
- RuPaul[208]
- Sinitta[209]
- Jimmy Somerville[210]
- Stacey Q[211]
- Stock Aitken Waterman[45][212][213]
- Donna Summer[15][101]
- Suzy Q[15]
- Sylvester[5][15][176]
- Take That[214][215][216]
- Evelyn Thomas[175][217][218][177]
- Jeanie Tracy[219]
- Trans-X[220]
- Fiachra Trench[221]
- U.S.U.R.A.[222]
- Village People[15]
- The Weather Girls[15][223]
- Kim Wilde[159]
- Viola Wills[224]
- Tom Wilson[47]
References
- Butler 2006, p. 39.
- MacDonald, Ian (2003). The People's Music. Pimlico. p. 151. ISBN 978-1-8441-3093-1.
Donna Summer's 'I Feel Love', a vocal topline ad-libbed over a simple chord-shifted sequence, inaugurated Hi-NRG, anticipating the galloping bass line of much post-House software-sequenced music
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Divine's "Native Love," a rowdy hi-NRG anthem previously pillaged by Nitzer Ebb, the Prodigy, even New Order.
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'Relax' tapped into Hi-NRG's remorseless, metronomic precision and orgiastic vibe — the spasming drum roll at the end of the single feels like an amyl nitrite rush.
- Reynolds 2011, p. 265.
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- Walters, Barry (20 June 2000). "His beat goes on". The Advocate. p. 115. ISSN 0001-8996.
As Bronski Beat's falsetto leader, Somerville made gay politics a hot pop topic with such hi-NRG dance floor staples as "Why?" and "Smalltown Boy"
- Strong 2002, p. 242.
- Olsen, Eric (15 August 2003). "Bronski Beat: The Age of Consent". Blogcritics. Retrieved 31 March 2015.
- Barron 2010, p. 214.
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- Andrews, Isaac & Nichols 2011, p. 39.
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- "Reviews > Dance/Disco > Picks > Fancy – Check It Out". Billboard. Vol. 97 no. 25. 22 June 1985. p. 67. ISSN 0006-2510.
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- "Reviews > Dance/Disco > Picks > Flirts – Dancin' Madly Backwards". Billboard. Vol. 97 no. 20. 18 May 1985. p. 67. ISSN 0006-2510.
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- "Reviews > Dance/Disco > Picks > Fun Fun – Give Me Your Love". Billboard. Vol. 97 no. 21. 25 May 1985. p. 75. ISSN 0006-2510.
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- "Reviews > Dance > Picks > Bronski Beat – Hit That Perfect Beat". Billboard. Vol. 98 no. 8. 22 February 1986. p. 71. ISSN 0006-2510.
- Chin, Brian (16 November 1985). "Dance Trax". Billboard. Vol. 97 no. 46. p. 55. ISSN 0006-2510.
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This band originally hails from Africa so it's a bit of a surprise to find them performing a commercial slice of Hi-NRG which, compared to other tracks of this ilk, currently doing the rounds, lacks the necessary sparkle.
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- "Reviews > Dance/Disco > Recommended > Betty Wright – Sinderella". Billboard. Vol. 97 no. 8. 23 February 1985. p. 67. ISSN 0006-2510.
- Henderson, Alex. "Stock, Aitken & Waterman – Artist Biography". AllMusic. Retrieved 31 March 2015.
It was in 1986 that Stock, Aitken & Waterman produced Bananarama's smash Hi-NRG remake of Shocking Blue's "Venus."
- "Bananarama: Pop In The First Degree". M Magazine. 4 November 2013. Retrieved 31 March 2015.
- Henderson, Alex. "Claudja Barry – I, Claudja". AllMusic. Retrieved 31 March 2015.
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The Communards’ hi-NRG version makes it clear that the song is as concerned with sexual satisfaction as it is with romance; perhaps more so.
- "Reviews > Dance > Picks > Communards – Don't Leave Me This Way". Billboard. Vol. 98 no. 38. 20 September 1986. p. 73. ISSN 0006-2510.
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a version of R.E.M.'s "Losing My Religion" that infuses the soul that Abigail's 1992 Hi-NRG version lacked.
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- Bush, John. "Abigail – Smells Like Teen Spirit". AllMusic. Retrieved 31 March 2015.
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- Flick, Larry (19 October 1996). "Reviews & Previews > New & Noteworthy > Gina G. – Ooh, Aah ... Just A Little Bit". Billboard. Vol. 108 no. 42. p. 62. ISSN 0006-2510.
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'Heaven On Earth', crafted by 'Gimme More' producer Danja, is a hi-NRG Moroder-esque dance track whose lyrics veer more into the territory of generic love song fluff
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"I Wanna Go" is all hi-NRG booty calling, with a possible reference to New Order's "Blue Monday" thrown in.
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- McNaughton, Mac (5 October 2012). "Pet Shop Boys – Elysium". The Music. Retrieved 31 March 2015.
- James, Matt (21 May 2013). "Club 8 : Above the City". PopMatters. Retrieved 31 March 2015.
"Stop Taking My Time" is a Hi-NRG disco romp à la Nordic neighbour Annie Strand and features, amusingly, a rapping infant.
- Green, Thomas H. (14 May 2013). "CD: Club 8 – Above The City". The Arts Desk. Retrieved 31 March 2015.
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Overpowered (EMI) was funky in all senses – skittering from glacial electro to hi-NRG disco
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Viva's 11 infectious hi-NRG tracks
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[Tina Charles]'s Indian-British producer, Biddu, hired both men as session musicians, and his work in the fields of Hi-NRG and electronic disco had a profound influence on [Trevor Horn]'s own production aspirations.
- McAleer 1990, p. 25.
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- Graham, Bill (14 December 1984). "Critics Roundup 1984". Hot Press. Retrieved 31 March 2015.
HI-NRG was the club sound that boosted both Evelyn Thomas and the trash dementis of Divine but it also propelled both the Bronski and Frankie Goes To Hollywood.
- Brewster & Broughton 1999, p. 196.
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Another contender is hi-N.R.G., a fast, cheerful style, first heard in gay San Francisco clubs in the early 1980s and now on the pop Top 40 in hits by Corona and the Real McCoy.
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Many of Erasure's songs exemplify the post-disco style called hi-N.R.G. -fast and openly artificial, with synthesized riffs bouncing and ticking in every register.
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- Jones & Kantonen 2000, p. 107.
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[Klaus Nomi] worked with Man Parrish, the New York electro and hi-NRG producer, on his self-titled debut album.
- Zuberi, Nabeel (2001). Sounds English: Transnational Popular Music. Urbana and Chicago: University of Illinois Press. p. 74. ISBN 0-252-02620-9.
Neil Tennant and Chris Lowe use electronic instruments and work within and across dance-floor genres such as house, Hi-NRG, techno, and many other subgenres.
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- McAleer 1990, p. 163.
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- Andrews, Isaac & Nichols 2011, p. 133.
- Erlewine, Stephen Thomas. "Take That – Artist Biography". AllMusic. Retrieved 31 March 2015.
Eventually, the group worked its way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.
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Owen's debut single Child showcased a more acoustic, psychedelic sound than his Hi-NRG Take That hits.
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See also
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